In South Asian cinema, an item number or item song is a musical number inserted into a film that does not have any relevance to the plot. The term is commonly used within Indian films (Hindi, Kannada, Tamil, Telugu and Bengali) to describe a catchy, upbeat, often sexually provocative dance sequence for a song in a movie. The main aim of an item number is to entertain movie-goers and to lend support to the marketability of the film by being featured in trailers. They are favoured by filmmakers as they afford the opportunity pick potential hit songs from the stocks, since they do not add to the continuity of the plot. It is thus a vehicle for commercial success that ensures repeat viewing.
|Cultural origins||Bollywood music videos|
|Indian cinema, Cinema of Pakistan, Cinema of Bangladesh, Cinema of Nepal, Cinema of Sri Lanka|
|Tamil, Hindi, Kannada, Telugu, Bengali and Punjabi cinema|
A female actor, singer, or dancer, especially someone who is poised to become a star, who appears in an item number is known as an item girl (there are item boys as well). However, second generation South Asian females are more commonly featured in item numbers than males. Item numbers usually feature one or more persons other than the lead actors. Sometimes, established female and male actors will appear in item numbers (a phenomenon billed as a "special appearance" by that actor).
Although the origin of the term "item number" is obscure, it is likely that it derives its meaning from objectification of women. This is because item in Mumbai film slang is used by Indian men to objectify women. The classic meaning of item number refers to highly sexualized songs with racy imagery and suggestive lyrics. The item number would feature an item girl who appeared in the film as a dancer, usually in a bar or nightclub, and was only in the film for the duration of that song.
Up to the 1970s, Bollywood often relied on a female "vamp" character – usually playing the role of a cabaret dancer, tawaif/prostitute/courtesan, or male gangster's moll – to provide musical entertainment deemed more risqué. While film heroines also sang and danced, it was the vamp who wore more revealing clothes, smoked, drank, and sang sexually suggestive lyrics. The vamp was portrayed as immodest rather than evil, and her dance performances were sexualized by male producers. The trend was started by Cuckoo in films like Awaara (1951), Aan (1952) and Shabistan (1951).
Item numbers had been featured in Bollywood from as early as the 1930s. Azoorie in the 1930s often performed item numbers; Cuckoo was the next popular item dancer in the late 40s. Her banner year was 1949 when she was featured in over 17 films performing dances. Actress and classical dancer Vyjayanthimala was the one that introduced the classical dance number in Hindi films with her debut film Bahar (1951). The mixture of classical plus contemporary was popularized by Vyjayanthimala in films such as Devdas (1955), Amrapali (1966), Madhumati (1958), Sadhna (1958), Sunghursh (1968) etc.
In the early 50s, Cuckoo introduced the Burmese-Anglo Helen as a chorus girl. In time Helen would come to be the most popular vamp of the late-50s, 60s and 70s, having had performed in scores of item numbers including such popular songs as "Mera Naam Chin Chin Choo" from the film Howrah Bridge (1958), "Piya Tu Ab To Aaja" from Caravan (1971), "Mehbooba Mehbooba" from Sholay (1975) and "Yeh Mera Dil" from Don (1978). The song's tune was also used in Don't Phunk With My Heart, "O Haseena Zulfon Wali" from Teesri Manzil and "Aa Jaane Jaan". In films like Gunga Jumna and Zindagi the actor performed semi-classical Indian dances in songs like "Tora man bada paapi" and "Ghungarwa mora chham chham baaje". A desi bar number, "Mungda" from Inkaar was also immensely popular. In addition to her skillful dancing, her anglicised looks too helped further the vamp image. Helen's dominance pushed other vying item number dancers like Madhumati, Bela Bose, Laxmi Chhaya, Jeevankala, Aruna Irani, Sheela R. and Sujata Bakshi into the background and less prestigious and low budget b-movies.
In the early part of the 1970s actresses Jayshree T., Bindu, Aruna Irani and Padma Khanna entered into what was Helen's monopoly. Another noted feature of this era was the "tribal and banjara" item numbers such as the one in the Dharmendra, Zeenat Aman and Rex Harrison starer Shalimar. Such songs provided the necessary settings for the lead couple's love to bloom.
Around the 1980s the vamp and the heroine merged into one figure and the lead actress had begun to perform the bolder numbers. The craze for "tribal and banjara" item numbers were soon gave way to slick choreography. In the late 1990s, with the proliferation of film songs based television shows, film producers had come to realise that an exceptional way to entice audiences into theaters was by spending excessively on the visualization of songs. Hence regardless of the theme and plot, an elaborate song and dance routine involving spectacularly lavish sets, costumes, special effects, extras and dancers would invariably be featured in a film. It was asserted that this contributed highly to the film's "repeat value".
Madhuri Dixit is often considered to be the pioneer of the modern trend. In the late 1980s, the song "Ek Do Teen" was added to the movie Tezaab as an afterthought, but it transformed Dixit and made her a superstar. Her partnership with choreographer Saroj Khan has resulted in numerous hits including the controversial "Choli ke peeche kya hai" and "Dhak Dhak" (Beta). Soon after the release of the film Khalnayak, there were press reports stating that people were seeing the film again and again but only for the song "Choli Ke Peeche Kya Hai" that featured Dixit.
Although there have been many songs that fit the descriptions of item numbers in the early and mid-1990s, the term itself was coined when Shilpa Shetty danced for "Main Aai Hoon UP Bihar Lootne" in the movie Shool. This is perhaps the first time the media actually referred to Shetty as an "item girl" and the scene as an "item number".
Since 2000, many top Bollywood stars now do item numbers, and many new women entering Bollywood find item numbers a more amenable shortcut to success, as opposed to more traditional roles with no guarantee of eventual stardom. Former item girls in pop songs outside films, Rakhi Sawant and Meghna Naidu, for example, are now in demand and very popular. Today, they are even being given lead roles in movies.[when?] As of 2007, Mallika Sherawat had become the most expensive item girl, charging Rs.15 million (roughly US$375,000) for the song "Mehbooba Mehbooba" in Aap Ka Suroor - The Real Love Story. Another example is actress Urmila Matondkar, one of the most successful item girls during that time.[original research?] She was featured in "Chamma Chamma" in the 1998 film China Gate. Baz Luhrmann's 2001 film musical, Moulin Rouge! used a westernized version of this song.
Malaika Arora and Yana Gupta are "official" item number dancers and have said in interviews that they don't want to act in movies since they already earn more than enough money just by doing one item number as opposed to full-on roles.
Abhishek Bachchan became the first "item boy" with his performance in Rakht; Shahrukh Khan performed an item number of sorts during the opening credits of Kaal but later had an item number in a truer sense of the word with "Dard-e-Disco" in Om Shanti Om, where he was shot in a more typical "item girl" manner, with Khan wearing minimal clothing (though this number did have a connection, albeit tenuous, with the plot of the film). In Krazzy 4, Hrithik Roshan has an item number during the end credits. Ranbir Kapoor made his debut in an item number in Chillar Party (2011); drawing inspiration from his father Rishi Kapoor's Qawwali song "Parda Hai Parda" from Amar Akbar Anthony. In 2005 and 2006 actress Bipasha Basu gave blockbuster hit numbers like No Entry and Beedi Jalaile.
In the 2007 Telugu film Desamuduru, the song "Attaantode Ittaantode" featuring Allu Arjun and Rambha became a chartbuster. In the 2007 film Om Shanti Om, the song "Deewangi Deewangi" had guest appearances by over 30 Bollywood stars. In 2008, the makers of Rab Ne Bana Di Jodi featured Kajol, Bipasha Basu, Lara Dutta, Priety Zinta, and Rani Mukerji playing five leading ladies opposite Shahrukh Khan in the song "Phir Milenge Chalte Chalte".
In 2010, Katrina Kaif featured in "Sheila Ki Jawani" from Tees Maar Khan, and Malaika Arora featured in "Munni Badnaam Hui" from Dabangg. Parallels were drawn between Katrina and Malaika, as well as between the item numbers, in what was popularly known as the "Munni vs Sheila" debate. The songs became so popular, that, soon, more films began incorporating item numbers, and with more top stars now wanting to do them.
In 2012, Katrina Kaif again featured in an item number "Chikni Chameli" sung by Shreya Ghoshal which became a huge hit. In 2013, Deepika Padukone had some success item dancing, performing songs like "Party On My Mind" and "Lovely". Priyanka Chopra did many songs such as "Babli Badmaash", "Pinky", and an appearance in Sanjay Leela Bhansali's Goliyon Ki Raasleela Ram-Leela song "Ram Chahe Leela", of which became a blockbuster upon release. Mahi Gill, Sonakshi Sinha, and Jacqueline Fernandez made their debut with "Don't Touch My Body", "Thank God It's Friday" and "Jadu Ki Jappi" respectively.
Indian-Canadian actress Sunny Leone performed her first item dance with "Laila" from the 2013 film "Shootout at Wadala", followed up with Baby Doll from Ragini MMS 2. Varun Dhawan made his debut with Palat - Tera Hero Idhar Hai from the movie Main Tera Hero. In 2017, Sunny Leone featured in the hit item number "Laila Main Laila" starring Shah Rukh Khan in the film Raees. It is a recreation of the song "Laila O Laila" from the 1980 film Qurbani, which featured actress Zeenat Aman with Feroz Khan in the original musical number.
In 2018, Moroccan-Canadian dancer-actress Nora Fatehi featured in the item song "Dilbar" which has become one of the most popular Bollywood music videos of all time. It is a recreation of an item number of the same name from Sirf Tum (1999), which was composed by Nadeem–Shravan and featured Sushmita Sen as an item girl. The re-created version by Tanishk Bagchi features Middle-Eastern musical sounds. In the music video, Nora Fatehi performs belly dancing, an Arabic dance style that was previously featured in a number of popular Bollywood item numbers, performed by actresses such as Helen in "Mehbooba O Mehbooba" from Sholay (1975), Zeenat Aman in "Raqqasa Mera Naam" from The Great Gambler (1979), Mallika Sherawat in "Mayya Mayya" from Guru (2007), and Rani Mukerji in "Aga Bai" from Aiyyaa (2012). TV and Bollywood Actress Mouni Roy made her debut by "Nachna Aunda Nahi" . The "Gali Gali" track sung by Neha Kakkar , which featured Mouni Roy also, was a huge hit . The international success of "Dilbar" inspired an Arabic-language version, also featuring Nora Fatehi. "Dilbar" is popular across Southern Asia and the Arab world, with all versions of the song having received more than 1 billion views on YouTube, making it the most-viewed song on the T-Series YouTube channel.
Criticism and controversiesEdit
Item numbers have been criticized for their gratuitous objectification of women. Item numbers have also been imitated in Mumbai's bar dancers. In respect of the ban on bar dancers in Mumbai, it has even been argued[weasel words] that the morality of bar dancer's imitation of item numbers cannot be questioned without questioning the morality of screening of item numbers in a film in public theatres. It has also been argued[weasel words] that the two are equally amoral as both objectify women for commercial gain, with likely negative effects on the male population.
In 1993, the Bollywood action thriller Khalnayak was instantly controversial for its item numbers and risqué song lyrics. While the lyrics of "Choli Ke Peechhe?" ("What's behind the blouse?") were considered vulgar by some, others defended the song on the ground that it was based on folk traditions. The song eventually set off protests all over the country and a potential ban on the song was debated in the Indian Parliament. The anger and commotion, however, only helped the song and the film become more popular, as many went to the movie theater out of curiosity, to watch Madhuri Dixit perform the song.
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