Instrumentality of Mankind
In the science fiction of Cordwainer Smith, the Instrumentality of Mankind refers both to Smith's personal future history and universe and to the central government of humanity within that fictional universe. The Instrumentality of Mankind is also the title of a paperback collection of short stories by Cordwainer Smith published in 1979 (now superseded by the later The Rediscovery of Man, which collects all of Smith's short stories).
Origin and historyEdit
In the history of Cordwainer Smith's "Instrumentality" universe, the Instrumentality originated as the police force of the Jwindz or "perfect ones" on a post-nuclear-holocaust Earth. After attaining power and the expansion of humans in space, they eventually entered a somewhat stagnant phase in which a fixed lifespan of four hundred years was imposed on the human inhabitants of the planets where the Instrumentality directly ruled, all the hard physical labor was done by rightless animal-derived "underpeople", and children were never raised by their biological parents. This somewhat empty and sterile system was reformed and enlivened by the "Rediscovery of Man", the backdrop against which Smith's novel Norstrilia and the majority of his short stories, covering thousands of years of fictional time, are set. The cycle does not come to a final resolution (there were hints dropped about a mysterious trio of "robot, rat, and Copt" which were not followed up, possibly because of Smith's own death).
Algis Budrys in 1965 praised Smith for creating "a completely consistent phantom universe", in which stories are not sequels to each other but "tesserae in a mosaic". Other authors, he said—including himself—connected stories with a common character or theme; "Not Smith. He's not inventing, he's reporting. And he's doing it from God's point of view", and only the lack of time prevented Smith from portraying all of the "infinite" fictional setting.
Though the Instrumentality does not directly administer every planet, it claims ultimate guardianship over the destiny of the human race. For example, it strictly bans the export of religion from planet to planet. Its members, the Lords and Ladies of the Instrumentality, are collectively all-powerful and often somewhat callously arbitrary. Although their motives are genuinely benign, they act with utmost brutality when survival is at stake.
Here is an explanation from the story "Drunkboat":
- "The Instrumentality was a self-perpetuating body of men with enormous powers and a strict code. Each was a plenum of the low, the middle, and the high justice. Each could do anything he found necessary or proper to maintain the Instrumentality and keep the peace between the worlds. But if he made a mistake or committed a wrong—ah, then, it was suddenly different. Any Lord could put another Lord to death in an emergency, but he was assured of death and disgrace himself if he assumed this responsibility. The only difference between ratification and repudiation came in the fact that Lords who killed in an emergency and were proved wrong were marked down on a very shameful list, while those who killed other Lords rightly (as later examination might prove) were listed on a very honorable list, but still killed. With three Lords, the situation was different. Three Lords made an emergency court; if they acted together, acted in good faith, and reported to the computers of the Instrumentality, they were exempt from punishment, though not from blame or even reduction to civilian status. Seven Lords, or all the Lords on a given planet at a given moment, were beyond any criticism except that of a dignified reversal of their actions should a later ruling prove them wrong.
- "This was all the business of the Instrumentality. The Instrumentality had the perpetual slogan 'Watch, but do not govern; stop war, but do not wage it; protect, but do not control; and first, survive!'"
Some prominent Lords and Ladies of the Instrumentality:
- Lord Jestocost (the latest of a dynasty of that name), descendant of Lady Goroke
- Lady Panc Ashash (as a posthumous personality recording; the eponymous "Dead Lady of Clown Town".)
- Lord Femtiosex
- Lord Sto Odin
- Lord Crudelta
- Lady Alice More, partner of the seventh Lord Jestocost.
- Lady Arabella Underwood
- Lady Johanna Gnade
The names Goroke, Femtiosex, Sto Odin and Panc Ashash are number-word names of the type common during the Instrumentality's decadent period: "five-six" in Japanese is Go-Roku, in Hindi it is Panc-Ashash, and in Swedish Femtiosex (literally "fifty-six"). 'Tiga-belas' and 'Veesey-koosey', the names of supporting and main characters of the Instrumentality story Think Blue, Count Two, also mean 'thirteen' (Indonesian or Malay tiga meaning three, and belas being equivalent of English "teen") and 'five-six' (Finnish viisi and kuusi), respectively. Sto Odin is "a hundred and one" in Russian. The name Jestocost is based on the word for "cruelty" in Russian (жестокость), and Crudelta is the equivalent in Italian (crudeltà, feminine). Gnade is a German word meaning "grace" or "mercy".
The Human Instrumentality Project in the Neon Genesis Evangelion anime series is a reference to Cordwainer's works.
The Dreadstar comic book features the Church of the Instrumentality which is a space empire. The church has created a race of cat-people, similar to the underpeople of the Instrumentality of Mankind.
In the light novel series Log Horizon, the animal-like Werecat, Wolf Fang, and Fox Tail races were created by what was called the Norstrilia Project, in reference to his novel.
The anime series Fafner in the Azure is based on concepts of telepathic warfare against an unknown enemy similar to those explored in The Game of Rat and Dragon. Furthermore, the robot piloted by the main character in the first half of the series bears the name Mark Elf, shared by another story set in the Instrumentality fictional universe.
- Budrys, Algis; Pohl, Frederik (April 1965). "Galaxy Bookshelf". Galaxy Science Fiction. pp. 137–145.