Indian soap opera
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India's first soap opera was Hum Log (Hindi), which concluded with 154 episodes. Char Divas Sasuche (Marathi) was the first Indian serial to cross both 2,000 and 3,000 episodes entering Limca Book of Records and it concluded with 3,200 episodes, aired from 2001-2013.
The Telugu serial, Abhishekam is the longest running serial of Indian television with over 3,000 episodes, as of September 2019. Yeh Rishta Kya Kehlata Hai is the longest running Hindi serial of Indian television with over 3,000 episodes, as of September 2019.
The most common languages in which Indian serials are made in are Hindi, Marathi, Gujarati, Bengali, Tamil, Kannada, Odia, Telugu, Malayalam and Assamese, though many contain a mix of the predominant language and English.
India's first soap opera was Hum Log, which first aired in 1984 and concluded with 154 episodes, was the longest running serial in the history of Indian television at the time it ended. It had an audience of 60 million. Every episode was about 25 minutes long, and the last episode was about 55 minutes. At the end of every episode, veteran Hindi film actor Ashok Kumar would discuss the ongoing story and situations with the audience using Hindi couplets and limericks. In later episodes, he would introduce the actors who played characters in the serial and end his monologue with the Indian language versions of the words "Hum Log."
Biographies of famous people started being produced in the form of soap operas like Chanakya, Dharti Ka Veer Yodha Prithviraj Chauhan, Veer Shivaji, Jhansi Ki Rani, Chittod Ki Rani Padmini Ka Johur, Bharat Ka Veer Putra – Maharana Pratap, Chakravartin Ashoka Samrat
Crime shows also started being produced and aired. Adaalat was an Indian television courtroom drama series which revolves around 'Advocate K.D Pathak', a defense lawyer with an impeccable track record of winning cases and setting helpless innocent victims free, but not at the cost of upholding the truth and C.I.D., follows a team of detectives belonging to the Crime Investigation Department in Mumbai. The protagonist of the show is Shivaji Satam. C.I.D. is the longest-running TV series in India.
Daytime soap opera were popular during the 2000s with shows like Kyunki Saas Bhi Kabhi Bahu Thi, Kahaani Ghar Ghar Ki, Kumkum – Ek Pyara Sa Bandhan, Kasautii Zindagi Kay, and Kahiin to Hoga. During the 2010s as more women began working they fell out of favor of the general public. Today there are no daytime soap operas on any mainstream channel. Currently the three major networks that air primetime soap operas with national wide are Star India, Viacom 18, Zee Entertainment Enterprises and Sony Pictures Networks India.
Porus, a historical period drama, based on the Indian king Porus, premiered on Sony TV on 27th November 2017, and ended on 13th November 2018. It is currently the most expensive show in Indian history, with a budget of over 500 crores.
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Soaps affect Indian society, with regard to national integration, identity, globalisation, women, ethics and social issues in rural areas. The first Indian soap opera, Hum Log, began as a family planning program, and although it quickly turned its focus to entertainment, it continued to embed pro-development messages which provided a model of utilizing the television serial as an "edutainment" method that was followed by countries around the world.
A 2007 study of cable coming to rural India showed that it led to "significant decreases in the reported acceptability of domestic violence towards women and son preference, as well as increases in women's autonomy and decreases in fertility." It also "found suggestive evidence that exposure to cable increases school enrollment for younger children, perhaps through increased participation of women in household decision-making."
Status in PakistanEdit
Indian soap operas are popular in Pakistan and Indian entertainment channels are widely watched, due to the mutual intelligibility between Urdu and Hindi. The Supreme Court of Pakistan has banned the showing of Indian films and soap operas. The British Broadcasting Corporation has reported that cable television operators in Pakistan often violate the ban and air Indian television serials due the high popularity and demand for these in Pakistan, and Indian television shows make up nearly 60 percent of all foreign programmes broadcast in Pakistan.
In June 2006, Pakistani comedian Rauf Lala participated and won the comedy television show, The Great Indian Laughter Challenge but could not be followed by fellow Pakistanis as the show was not allowed to be aired. An official has commented that "Bollywood [and Indian television soaps] have invaded our homes".
Indian television shows have contributed heavily to the Sanskritisation of Urdu in Pakistan, and it has been reported that many Hindi words such as namaste (नमस्ते), maharani (महारानी) and chinta (चिंता), which have been an inherent part of Sanskritized Hindi, have entered standard usage in Pakistan due to the influence of these soaps and Bollywood movies.
The viewing of Indian soaps has become so popular that mainstream newspapers such as the Pakistan Tribune often have feature articles on the shows. Since satellite connections offer uninterrupted coverage of Indian shows, many people have bought these to watch the programmes.
Anti-Indian sentiment is reported in Pakistan and the two countries have fought four wars. However, the effect of Indian soap operas and Bollywood have resulted in an increase in how "favourably an ordinary Pakistani views [India and] Indians." Certain Indian tourists to Pakistan have said that people are particularly friendly if one is from India.
After the ban of Indian shows Turkish shows became popular in Pakistan and invaded Indian content. Then, some officials got worried and they backed out some networks to degrade Turkish content and some channels like Geo Kahani, Urdu1 & Express Entertainment started airing 90% Indian serials, who are earning money due to the poor rating system in Pakistan.
On 27 October, 2018 The Supreme Court of Pakistan has reintroduced the ban on Indian content on local channels in the country. The channels like Filmazia, Urdu1 had shutdown Indian content for appropriate period of time.
Although praised, many shows go around in an extended manner i.e the matters in the serials are stretched a lot and many rubbish and illogical content is shown, often made fun of on social media. As the storyline in the serials are not universal, and only for free-from-work elders, mang of them are receiving backlash in today's generation.
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