Iceman (1984 film)
Iceman is a 1984 American sci-fi drama film from Universal Pictures. The screenplay was written by John Drimmer and Chip Proser, and was directed by Fred Schepisi. The cast included John Lone, Timothy Hutton, Lindsay Crouse, and Danny Glover. It was filmed in color with Dolby sound and ran for 100 minutes. The DVD version was released in 2004.
|Directed by||Fred Schepisi|
|Edited by||Billy Weber|
|Music by||Bruce Smeaton|
|Distributed by||Universal Pictures|
Anthropologist Stanley Shephard is brought to an arctic base when explorers discover the body of a prehistoric man who has been frozen for 40,000 years. After thawing the body to perform an autopsy, scientists first attempt – and succeed – to resuscitate the "iceman".
The dazed caveman is alarmed by the surgical-masked figures; only Shephard has the presence of mind to remove his mask and reveal his humanity and somewhat familiar (bearded) face, permitting the iceman to settle into a peaceful recuperating sleep.
The scientists place the iceman in an artificial, simulated environment for study, though the caveman quickly deduces that he is far from home. Shephard believes that the caveman's culture may provide clues to learning about the human body's adaptability, citing ceremonies such as firewalking. Other scientists see the potential in studying the caveman's DNA and his survival in the ice, for possible "freezing" of the sick until treatment is possible.
Shephard defends the caveman's right to be considered a human being and not a scientific specimen. Despite opposition from the others, Shephard initiates an encounter with the caveman. Shephard names him "Charlie" after the iceman introduces himself as "Char-u". Shephard and Charlie bond, but it becomes obvious to the anthropologist that Charlie misses his world.
A linguist is brought to the Arctic base, and the scientists make progress communicating with Charlie. Shephard introduces Charlie to colleague Dr. Diane Brady. Assuming that the woman is Shephard's mate, Charlie makes chalk marks which indicate that he likely was a married man with children before he was frozen.
Shephard strives to understand what motivates Charlie and why he survived being frozen. At one point, Shephard begins to sing "Heart of Gold", inspiring Charlie to sing one of his own songs. Charlie's line drawings in the ground resemble a bird, matching body markings on his chest. When the base's helicopter strays over the roof of Charlie's area, he takes on an obsessive zeal as he climbs towards the roof. Shouting the word Beedha, he lifts his arms towards the helicopter in a sign of worship. Even though the helicopter pulls away from the dome, Shephard knows that Charlie can now think of nothing else.
Shephard consults local Inuit who recognize the name that Charlie chanted and explain that it is a mythical bird, a messenger for the gods. Shephard understands that Charlie has a spiritual side and that he was on a dreamwalk pilgrimage, a mythical quest for redemption. His people were dying in the sudden ice age; he must have offered himself to the gods in the form of a self-sacrifice or appealing to the gods to redeem his tribe.
Charlie escapes after watching Shephard exit the biosphere. In a panic of seeing unfamiliar modern devices, and believing they are his enemies, he spears Maynard, one of the base's technicians, before being recaptured and Shephard's experiment is put to an end. However, Shephard helps Charlie to escape into the wild. Charlie races on ahead of Shephard as they pass by glaciers and ice-shelves, and a crevasse opens up in front of Shephard, cutting him off from Charlie.
When the helicopter emerges over an ice-shelf, Shephard looks on helplessly as Charlie grabs hold of one of its landing skis. In an attempt to evade Charlie's grasp, the helicopter pilot pulls up, but Charlie dangles beneath the aircraft while it continues to climb high into the sky. Charlie is ecstatic, believing the "messenger" is taking him to his god. He releases his grip, seeming to float through the sky while he plunges to his death.
Shephard's initial horror turns into joy, as he realizes that Charlie has reached his "dreamwalk" goal that he began 40,000 years earlier, even though it means his death.
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The film was released on April 13, 1984 grossing $1,836,120 (US). By the end of its four-week release, it grossed $7,343,032 (US).
Critic Richard Scheib said, "The film was part of a brief revival of the old caveman vs dinosaurs genre, along with Quest for Fire and Clan of the Cave Bear, in which earlier action-fantasy films were redressed with a much stricter regard to anthropological realism. Iceman, using modern science, became one of the more refreshingly intelligent films. The film is knowingly well-informed on anthropology and biochemistry and never resorts to cheap cliche or hackneyed elements." Harlan Ellison called the film "magnificent", citing excellent acting (particularly on the part of John Lone) and directing that contribute to genuine emotional appeal.
According to Roger Ebert of the Chicago Sun-Times, the film is "spellbinding storytelling". "It begins with such a simple premise and creates such a genuinely intriguing situation that we're not just entertained, we're drawn into the argument [between using Charlie as a scientific specimen or a man]".
- Iceman at Box Office Mojo
- "Iceman". Chicago Sun-Times. Retrieved 2007-10-06.
- "Iceman Review". Retrieved 2007-10-06.
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- "Movie Iceman - Box Office Data". Retrieved 2007-10-06.
- Richard Scheib. "Iceman". Moria: Science Fiction, Horror & Fantasy Review. Archived from the original on 2007-10-19. Retrieved 2007-10-09.
- Ellison, Harlan (2015-03-10). Harlan Ellison's Watching: Essays and Criticism. Open Road Media. pp. 175–177. ISBN 9781497604117.
- Roger Ebert (1984-01-01). "Iceman". Retrieved 2017-12-27.
- Greenland, Colin (April 1985). "Fantasy Media". Imagine (review). TSR Hobbies (UK), Ltd. (25): 47.