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The name, spelled differently in various countries, is derived from the Greek χορός (khorós): "dance" which is cognate with the Ancient Greek art form of χορεία (khoreía). The original meaning of the Greek word χορός may have been "circle".
Also, the words hora and oro are found in many Slavic languages and have the meaning of "round (dance)"; the verb oriti means "to speak, sound, sing" and previously meant "to celebrate".
The Greek χορός (khorós) is cognate with Pontic Greek χορόν (khoron), and has also given rise to the names of Bulgarian хоро (horo), Macedonian оро (oro), Romanian horă, kolo / коло in Serbo-Croatian, the Turkish form hora and in Hebrew הורה (horah). The Khorumi dance of Georgia also might be connected to the Horon dance in the neighbouring Turkish regions, as it rose out of the Adjara region, where Kartvelian Laz people co-existed for centuries with Greek Pontians.
Khoros and syrtos in GreeceEdit
Hora in Romania and MoldovaEdit
Hora (plural: hore) is a traditional Romanian folk dance where the dancers hold each other's hands and the circle spins, usually counterclockwise, as each participant follows a sequence of three steps forward and one step back. The dance is usually accompanied by musical instruments such as the cymbalom, accordion, violin, viola, double bass, saxophone, trumpet or the pan pipes.
The hora is popular during wedding celebrations and festivals, and is an essential part of the social entertainment in rural areas. One of the most famous hore is the "Hora Unirii" ("Hora of the Union"), which became a Romanian patriotic song as a result of being the hymn when Wallachia and Moldavia united to form the Principality of Romania in 1859. During the 2006/2007 New Year's Eve celebration, when Romania and Bulgaria joined the European Union, people were dancing Hora Bucuriei ("Hora of Joy") over the boulevards of Bucharest as a tribute to the EU anthem, Ode to Joy (Romanian: Odă bucuriei). Some of the biggest hora circles can be found on early 20th century movies filmed by the Manakis brothers in Pindus, Greece and performed by local Aromanians.
Horo in BulgariaEdit
The traditional Bulgarian dance horo (Bulgarian: хоро) comes in many shapes. It is not necessary to be in a circle; a curving line of people is also acceptable. The steps used in a horo dance are extremely diverse. The horo may vary between three and seven or eight steps forward and one to five or six steps back, depending on the specific type.
There are more than five types of horo that are usually danced at every wedding. They differ by the rhythm of the music and the steps taken. There are no two horo dances with similar steps. There are probably over one hundred types of horo dances in the Bulgarian folklore.
In the past, the horo dance had a social role in Bulgarian society. It was mainly for fun, as a contest of skills, or for show, leading to the development of the variety of horo dances. There are hora for people with little skill that can be learned in five to ten minutes, but there are also very sophisticated dances that cannot be learned unless one is fluent in many of the simpler dances.
Oro in North MacedoniaEdit
North Macedonia uses the Cyrillic spelling of oro (Macedonian: оpo). The origins of Macedonian oro vary from its use in socializing and celebrating, to historical dancing before going into battle. Teshkoto, translated "The difficult one", is one of those, danced by men only, the music of which reflects the sorrow and mood of war. The oro is danced in a circle, with men and women holding one another by hand. They are used to celebrate occasions such as weddings, christenings, name-days, national and religious holidays, graduations, birthdays.
Oro in MontenegroEdit
The oro (Serbian Cyrillic: оро) circle dance should not be confused with the oro dance in Montenegro and Herzegovina, which is a paired mating dance. Its name comes from the Serbian оrао, meaning "eagle".
Hora in TurkeyEdit
The oro is also popular among the Romani people of Southeastern Europe, and the dancing is practically the same as that of the neighbouring ethnicities. Romani oros, and Romani music in general, are very much appreciated among non-Romani people in the Balkans, as they also have a reputation as the skillful performers of other folk music there.
In klezmer music, the horah refers to a circle dance in the Rumanian and Moldavian traditions. The horah has a slow, limping gait in triple meter, often three/eight time (3
8), and generally leads into a faster and more upbeat duple meter, usually a freylekh or a bulgar. Among Yiddish-speaking Jews, the triple-meter hora has also been called zhok or krumer tants (meaning "crooked dance").
Israeli and diasporic horaEdit
The hora (הורה), which differs somewhat from that of some of the Eastern European countries, is widespread in the Jewish diaspora and played a foundational role in modern Israeli folk dancing. It became the symbol of the reconstruction of the country by the socialistic-agricultural Zionist movement. Although considered traditional, some claim it rose to popularity due to Hora Agadati, named after dancer and choreographer Baruch Agadati and performed for the first time in 1924. It is usually performed to Israeli folk songs, and sometimes to Jewish songs, often to the music of "Hava Nagila".
To start the dance, everybody forms a circle, holding hands or interlocking arms behind their backs or on their shoulders and steps forward toward the left with the right foot, then follows with the left foot. The right foot is then brought back, followed by the left foot. This is done while holding hands and circling together in a fast and cheerful motion to the left. Large groups allow for the creation of several concentric circles, or a large spiral formation.
The horah became popular in group dances throughout Israel, and at weddings and other celebrations by Jews in Israel, the United States, United Kingdom, and Canada. The dance appeared in North America in the early 20th century, well before modern Israeli independence, brought directly from Eastern Europe by Jewish immigrants.
At b'nai mitzvah, it is customary to raise the honoree, and sometimes his or her family members, on a chair during the horah. This is also done at many Jewish weddings, following Jewish tradition.
- Adana (dance), a Macedonian oro
- An Dro, a Breton circle dance
- Attan, a dance performed by Pashtun people in Afghanistan and Pakistan
- Circle dance
- Faroese dance
- Khigga, an Assyrian circle dance
- Khorovod, an Eastern European circle dance
- Kolo (dance), Serbian, Croatian and Bosnian circle dance
- Kola (dance), Belarusian circle dance
- Tresenica, a Macedonian oro performed by women
|Wikimedia Commons has media related to Hora (dance).|
- "How to Dance the Horah". Ritualwell.
- Dara Katz (29 Aug 2019). "Can I Do the Horah at My Wedding If I'm Not Jewish?".