The first recorded mention of the hippogriff was made by the Latin poet Virgil in his Eclogues. Though sometimes depicted during the Classical Era and during the rule of the Merovingians, it was used by Ludovico Ariosto in his Orlando Furioso, at the beginning of the 16th century. Within the poem, the hippogriff is a steed born of a mare and a griffin—it is extremely fast and is presented as being able to fly around the world and to the Moon. It is ridden by magicians and the wandering knight Ruggiero, who, from the creature’s back, frees the beautiful Angelica.
The word hippogriff, also spelled hippogryph, is derived from the Ancient Greek: ἵππος híppos, meaning “horse”, and the Italian grifo meaning “griffin” (from Latin gryp or gryphus), which denotes another mythical creature, with the head of an eagle and body of a lion, that is purported to be the father of the hippogriff. The word hippogriff was adopted into English shortly before 1615.
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The hippogriff is a symbol of the Greek god Apollo, either through his connection to the Muses or as god of the sun. Buonarotti is stated to have believed that the worship of Apollo, and with him the symbol of the hippogriff, came to the Greeks from cultures to the east.
Of the heraldic representations of the hippogriff, Arthur Charles Fox-Davies states that hybrid fantastical creatures' depictions are "ugly, inartistic, and unnecessary. Their representation leaves one with a disappointed feeling of crudity of draughtsmanship." John Vinycomb states that the hippogriff is not used in the British heraldic tradition.
- no fiction wrought magic lore,
- But natural was the steed the wizard pressed;
- For him a filly to griffin bore;
- Hight hippogryph. In wings and beak and crest,
- Formed like his sire, as in the feet before;
- But like the mare, his dam, in all the rest.
- Such on Riphaean hills, though rarely found,
- Are bred, beyond the frozen ocean's bound.
- Drawn by enchantment from his distant lair,
- The wizard thought but how to tame the foal;
- And, in a month, instructed him to bear
- Saddle and bit, and gallop to the goal;
- And execute on earth or in mid air,
- All shifts of manege, course and caracole;
- He with such labour wrought. This only real,
- Where all the rest was hollow and ideal.
According to Thomas Bulfinch's Legends of Charlemagne:
|“||Like a griffin, it has the head of an eagle, claws armed with talons, and wings covered with feathers, the rest of its body being that of a horse. This strange animal is called a Hippogriff. The hippogriff is said to be an evil spirit resting and possessing its soul in that of a horse and griffon.||”|
Beliefs and symbolismEdit
According to Vidal, a Catalan historian, this creature was supposed to live near Céret, in the County of Roussillon of modern-day France, during the Middle Ages. Claw marks were found on a rock near Mas Carol. The belief in the existence of the hippogriff, such as Ariosto describes, is fiercely attacked in a scientific essay on religion in 1862, which argues that such an animal can neither be a divine creation, nor truly exist. The hippogriff is supposed to be a mixture of several animals and the author notes that in order to support its weight, the wings would be so heavy that flight would be impossible, which proves—without question—that it does not exist.
In some traditions, the hippogriff is said to be the symbol of love, as its parents, the mare and griffin, are natural enemies. In other traditions, the hippogriff represents Christ's dual nature as both human and divine.
- Artist Max Klinger used the hippogriff amongst other objects in his drawing Fantasy and the Artist to note his disparagement for artistic work that relies on out-worn and cliched symbolism.
- In a hoax initially perpetrated in 1904 in Lake George, New York State, tricksters used a fake “monster” which became known as "The Hippogriff". The creation had a head of a bird of prey, teeth, and two large horse ears, which could be controlled from below. The pranks and sightings faded until 1999 when several people staying at the Island Harbour House Hotel stated they had seen a sea monster at night. The old hoax was uncovered by the Daily News and the Lake George Historical Association Museum, which created a copy of the original wooden monster to display to the public in August 2002.
- The hippogriff appears in various works of fantasy, such as works of E. Nesbit and E. R. Eddison's The Worm Ouroboros (1922).
- The fantasy role-playing game Dungeons & Dragons includes a version of the creature, which is described as having a horse's "ears, neck, mane, torso, and hind legs" and an eagle's "wings, forelegs, and face". According to the game's rules, the creatures are closely related to griffins and pegasi.
- A hippogriff named Buckbeak (subsequently "Witherwings") features prominently in Harry Potter. Peter Dendle says that the portrayal of the treatment of Buckbeak in the novels is one example that demonstrates "[t]he emotional need to express domination symbolically" as well as being one of the episodes that allows Harry to be shown as the "perennial liberator of all manner of creatures." Al Roker calls the creation of Buckbeak in the film Harry Potter and the Prisoner of Azkaban "one of the most magnificent and realistic creatures in film history." The character was used to create the theme for a roller coaster called Flight of the Hippogriff at the Florida amusement park The Wizarding World of Harry Potter in which the cars are wicker covered and pass by a statue of a hippogriff in a nest.
- Complément du Diction sire de l'Académie française (in French).
- (Sevestre & Rosier 1983, pp. 16–17)
- (Wagner 2006, p. 124)
- "Webster's Revised Unabridged Dictionary". Archived from the original on 2011-02-28.
- Lieber, Francis (1831). Encuclopaedia Americana. pp. 339–. Retrieved 31 May 2015.
- Fox-Davies, Arthur Charles (2007). A Complete Guide to Heraldry. Skyhorse Publishing Inc. pp. 232–. ISBN 9781602390010. Retrieved 31 May 2015.
- Vinycomb, John (1969). Fictitious and Symbolic Creatures in Art With Special Reference to Their Use in British Heraldry. Library of Alexandria. pp. 123–. ISBN 9781465552556. Retrieved 31 May 2015.
- Thomas Bulfinch, Legends of Charlemagne, 1863.
- (in French) (Bo i Montégut 1978, p. 219)
- Poulin, Paulin (1862). A. Lacroix, Verboeckhoven; et al., eds. Qu'est-ce que l'homme ? Qu'est-ce que Dieu ? Solution scientifique du problème religieux (in French). p. 223.
- Sax, Boria (2013-10-15). Imaginary Animals: The Monstrous, the Wondrous and the Human. Reaktion Books. pp. 195–. ISBN 9781780232133. Retrieved 31 May 2015.
- Morton, Dr Marsha (2014-07-28). Max Klinger and Wilhelmine Culture: On the Threshold of German Modernism. Ashgate Publishing, Ltd. pp. 34–. ISBN 9781409467588. Retrieved 31 May 2015.
- Eberhart, George M. (2002-01-01). Mysterious Creatures: A Guide to Cryptozoology. ABC-CLIO. pp. 233–. ISBN 9781576072837. Retrieved 31 May 2015.
- Radford, Benjamin; Nickell, Joe (2006). Lake monster mysteries: investigating the world's most elusive creatures. University Press of Kentucky. pp. 101–109. ISBN 9780813123943.
- Briggs, Julia (2000-11-07). A Woman of Passion: The Life of E. Nesbit. New Amsterdam Books. pp. 220–. ISBN 9781461636229. Retrieved 31 May 2015.
- Weinstock, Professor Jeffrey (2014-01-08). The Ashgate Encyclopedia of Literary and Cinematic Monsters. Ashgate Publishing, Ltd. pp. 329–. ISBN 9781409425625. Retrieved 31 May 2015.
- Doug Stewart, ed. (1993). Monstrous Manual. TSR, Inc. p. 190.
- Roker, Al (2004-06-11). "Behind the Magic of 'Harry Potter'". NBC News. Retrieved 2013-10-24.
- Heilman, Elizabeth E. (2008-08-05). Critical Perspectives on Harry Potter. Taylor & Francis. pp. 201–. ISBN 9780203892817. Retrieved 1 November 2013.
- Miller, Laura Lea (2011-10-20). Frommer's Walt Disney World and Orlando 2012. John Wiley & Sons. pp. 273–. ISBN 9781118168042. Retrieved 1 November 2013.
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