Henry van de Velde
This article needs additional citations for verification. (August 2016) (Learn how and when to remove this template message)
Henry Clemens Van de Velde (Dutch: [ɑ̃ˈri vɑndəˈvɛldə]; 3 April 1863 – 25 October 1957) was a Belgian painter, architect and interior designer. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium. Van de Velde spent the most important part of his career in Germany and had a decisive influence on German architecture and design at the beginning of the 20th century.
Henry Clemens Van de Velde
Henry Van de Velde; portrait by
Nicola Perscheid (1904)
|Died||25 October 1957 (aged 94)|
|Buildings||House "Bloemenwerf" in Ukkel (1895)|
Boekentoren" in Ghent (1933)
Van de Velde was born in Antwerp, where he studied painting under Charles Verlat at the famous Royal Academy of Fine Arts, Antwerp. He then went on to study at Carolus-Duran in Paris. As a young painter he was thoroughly influenced by Paul Signac and Georges Seurat and soon adopted a neo-impressionist style (pointillism). In 1889 he became a member of the Brussels-based artist group "Les XX". After Vincent van Gogh exhibited some work on the yearly exhibition of Les XX van de Velde became one of the first artists to be influenced by the Dutch painter. During this period he developed a lasting friendship with the painter Théo van Rysselberghe and the sculptor Constantin Meunier.
In 1892 he abandoned painting, devoting his time to arts of decoration and interior design (silver- and goldsmith’s trade, chinaware and cutlery, fashion design, carpet and fabric design). His meeting with Maria Sèthe, his future wife, was instrumental in this change. They collaborated on a number of projects together, including designing wallpapers and female clothing. Their first house, Bloemenwerf in Ukkel, was Van de Velde's first attempt at architecture, and was inspired by the British Arts and Crafts Movement. Its exterior closely resembled the The Red House of William Morris. Maria Sèthe designed the garden surrounding the house.
Henry Van de Velde also designed interiors and furniture for the influential art gallery "L'Art Nouveau" of Samuel Bing in Paris in 1895. the shop from which Art Nouveau took its name. Bing’s pavilion at the Paris Universal Exposition of 1900 He also showed his work at the Exposition. Van de Velde was strongly influenced by John Ruskin and William Morris’s English Arts and Crafts movement and he was one of the first architects or furniture designers to apply curved lines in an abstract style, rather than based on nature.
Van de Velde's design work became known in Germany through periodicals such as Innen-Dekoration. As a result he received commissions for interior designs in Berlin. Around the turn of the century, he designed Villa Leuring in the Netherlands, and Villa Esche in Chemnitz, two works that show his Art Nouveau style in architecture. He also designed the interior of the Folkwang Museum in Hagen (today the building houses the Karl Ernst Osthaus-Museum) and the Nietzsche Archive in Weimar.
In 1899 he settled in Weimar, Germany, where in 1905 he established the Grand-Ducal School of Arts and Crafts, under the patronage of the Grand Duke of Weimar. It was the predecessor of the Bauhaus, which, following World War I, replaced the School of Arts and Crafts. It was directed by Walter Gropius, who was suggested for the position by Van de Velde.
Although a Belgian, Van de Velde played an important role in the German Werkbund, an association founded to help improve and promote German design by establishing close relations between industry and designers. He would oppose Hermann Muthesius at the Werkbund meeting of 1914 and their debate would mark the history of Modern Architecture. Van de Velde called for the upholding of the individuality of artists while Hermann Muthesius called for standardization as a key to development.
During World War I, Van de Velde, as a foreign national, was obliged to leave Weimar (although on good terms with the Weimar government), and returned to his native Belgium. Later, he lived in Switzerland and in the Netherlands where he designed the Kröller-Müller Museum in Otterlo. In 1925 he was appointed professor at the Ghent University Institute of Art History and Archaeology, where he lectured architecture and applied arts from 1926 to 1936. He was instrumental in founding in Brussels, in 1926, today's renowned architecture and visual arts school La Cambre, under the name of "Institut supérieur des Arts décoratifs."
He continued his practice in architecture and design, which had demarcated itself significantly from the Art Nouveau phase, whose popularity was by 1910 in decline. During this period, he mentored the great Belgian architect, Victor Bourgeois. In 1933 he was commissioned to design the new building for the university library (the renowned Boekentoren). Construction started in 1936, but the work would not be completed until the end of the Second World War. For budget reasons, the eventual construction did not entirely match the original design. For instance, the reading room floor was executed in marble instead of the black rubber Van de Velde originally intended. He was also involved in the construction of the Ghent University Hospital.
He died, aged 94, in Zürich.
Auctions and exhibitionsEdit
October 12, 2005 a teapot designed by Van de Velde made €170,000 at a public auction at the Brussels Beaux-Arts auction house – eleven times the opening bid. It is a teapot on a chafing dish, with a wooden handle, resting on an oval basis and made of silver-plated brass. During an Art Nouveau and Design exhibition at the Brussels Cinquantenaire Museum (“Jubilee Park Museum”) in 2005, Henry Van de Velde’s tea set, two china plates and a silver dish were badly damaged in an unfortunate accident. The silver candle stand remained unharmed. The pieces had been given on temporary loan by Krefeld’s Kaiser Wilhelm Museum, the Museum für Angewandte Kunst in Cologne and a private collector.
Leidenschaft, Funktion und Schönheit: Henry Van de Velde und sein Beitrag zur europäischen Moderne, Neues Museum Weimar, 24 March – 23 June 2013.
Der Architekt Henry Van de Velde, Bauhaus Universität Weimar, 29 March – 12 May 2013.
- 1895–96: "Bloemenwerf", Van de Velde's first private residence, in Ukkel, Belgium
- 1895: Interior decoration of Siegfried Bing's art Gallery "Maison de l'art nouveau" in Paris, France
- 1900–02: Interior of the Folkwang Museum in Hagen, Germany
- 1902–03, 1911 (extension): "Villa Esche" in Chemnitz, Germany
- 1903: Extension and interior decoration of the Nietzsche Archive in Weimar, Germany
- 1906–07: Clubhouse of the "Chemnitzer Lawn-Tennis-Club" in Chemnitz (demolished)
- 1907–08: "Hohenhof", Mansion for Karl Ernst Osthaus in Hagen, Germany
- 1907–08: "Haus Hohe Pappeln", Van de Velde's private residence in Weimar, Germany
- 1909–11: "Ernst-Abbe-Denkmal", Memorial for Ernst Abbe in Jena (in collaboration with the sculptors Max Klinger and Constantin Meunier)
- 1912–13: Palace for Graf Dürckheim in Weimar, Germany
- 1913–14: "Werkbund-Theater", Theatre at the Deutsche Werkbund exhibition in Cologne, Germany
- 1913–14: "Villa Schulenburg" in Gera, Germany
- 1913–14: Wohnhaus für den Fabrikanten Dr. Theo Koerner in Chemnitz, Germany
- 1927–28: "La Nouvelle Maison", Van de Velde's private residence in Tervuren, Belgium
- 1929–31: Home for the elderly of the 'Minna und James Heinemann-Stiftung' in Hannover, Germany
- 1933–35: Polyclinic and "Villa Landing" for Dr. Adriaan Martens in "Astene" near Ghent, Belgium
- 1933–38: Library of Ghent University with "Boekentoren" in Ghent, Belgium
- 1936–42: "Technische School", School building in Leuven, Belgium
- 1937: Belgian Pavilion at the 1937 Paris Exposition
- 1937: "Station Blankenberge", Train station in Blankenberge
- 1939: Belgian Building for the 1939 New York World's Fair
- Henry Van de Velde, Facts, 2010, archived from the original on 16 May 2011, retrieved 24 December 2010
- Henry Van de Velde, Récit de ma vie: Anvers, Bruxelles, Paris, Berlin I. 1863-1900, ed. Anne Van Loo (Bruxelles; Paris: Versa; Flammarion, 1992), 265 and 297.
- Henry Van de Velde, Récit de ma vie: Anvers, Bruxelles, Paris, Berlin I. 1863-1900, ed. Anne Van Loo (Bruxelles; Paris: Versa; Flammarion, 1992), 289.
- Berko, P; Berko, V (1981), Dictionary of Belgian painters born between 1750 & 1875, Knokke, pp. 684–85.
- Jacobs, Steven (2005), Wonen als kunstwerk, een woonplaats voor de kunst, Van Halewyck.
- Marechal, Dominique (2010), Frank Brangwyn et la galerie L’Art nouveau, in : Siegfried Bing & la Belgique / België. Bulletin 1 – 2010, [ colloquium Siegfried Bing et la Belgique, 11-12.V.2006], Brussels Royal Museums of Fine Arts of Belgium, pp. 176–193. [English influence on H.van de Velde, Dahlia Wallpaper].
- Léon Ploegaerts et Pierre Puttemans, L'œuvre architecturale de Henry van de Velde, Laval, 1987
|Wikimedia Commons has media related to Henry Van de Velde.|
- Works by Henry van de Velde at Project Gutenberg
- Works by or about Henry van de Velde at Internet Archive
- Villa Esche (official website), Chemnitz, DE.
- van de Velde, Henry, Villa Koerner (in German), Chemnitz, archived from the original on 15 August 2001.
- Villa "De Zeemeeuw" (in Dutch), Scheveningen, NL, archived from the original on 27 September 2007.
- Boekentoren Belvedère in 360°, BE: Visoog.
- Boekentoren (official website), BE, archived from the original on 21 February 2010 and building blog on the renovation.
- Leidenschaft, Funktion und Schönheit: Henry van de Velde und sein Beitrag zur europäischen Moderne, Neues Museum Weimar, 24 March – 23 June 2013[permanent dead link].
- Der Architekt Henry van de Velde, Universität Weimar, 29 March – 12 May 2013.
- On his 150th birthday, Google dedicated its home page to van de Velde.
- Royal Museums of Art and History, Brussels, Belgium: exhibition Henry van de Velde, Passion - Function - Beauty (official website), BE, archived from the original on 5 November 2013 from 13 September 2013 to 12 January 2014.