Heide Museum of Modern Art

Heide Museum of Modern Art
	Heide I, a former farmhouse and now one of the museum's exhibition spaces
Established	1981
Location	Bulleen, Melbourne, Victoria, Australia
Coordinates	37°45′31″S 145°05′03″E / 37.75863°S 145.08421°E
Type	Modern art, contemporary art
Visitors	70,000
Public transit access	Route 903 SmartBus from Heidelberg Station
Website	www.heide.com.au

The Heide Museum of Modern Art, also known as Heide, is an art museum in Bulleen, a suburb of Melbourne, Victoria, Australia. Established in 1981, the museum houses modern and contemporary art across three distinct exhibition buildings and is set within sixteen acres of heritage-listed gardens and a sculpture park.

The museum occupies the site of a former dairy farm owned by prominent arts benefactors John and Sunday Reed. After purchasing the farm in 1934, they named it Heide in reference to the Heidelberg School, an impressionist art movement that developed in nearby Heidelberg in the 1880s. Heide became the gathering place for a collective of young modernist painters known as the Heide Circle, which included Sidney Nolan, John Perceval, Albert Tucker and Joy Hester, who often stayed in the Reeds' 19th-century farmhouse, now known as Heide I. Today they rank among Australia's best-known artists and are also considered leaders of the Angry Penguins, a modernist art movement named after a cultural journal co-published by the Reeds and poet Max Harris. Heide's close relationship to this movement is evidenced in many of its displays.

Between 1964 and 1967, the Reeds built a new residence, Heide II, now considered one of the finest examples of modernist architecture in Victoria. In 1980, after several years of negotiations, the Reeds sold Heide II, most of the adjoining property and significant works from their art collection to the Victorian Government for the establishment of a public art museum and park. The museum has since expanded its collection through many individual gifts, and in keeping with the Reeds' original aim, continues to support young and emerging artists.

In 1993, Heide III, a new purpose-built gallery building designed by Andrew Andersons, was added to the Heide complex. This building was extended when Heide underwent major redevelopments in 2005–06. Also during this period, the Sidney Myer Education Centre was built, Heide II and the surrounding gardens were restored, and new facilities were constructed.

History edit

Early history edit

Members of the Heide Circle, including the Reeds and Sidney Nolan, gathered in the library at Heide I, 1942

The museum is situated on land originally used by indigenous peoples, a history evident in a distinguished scarred tree at the top of the property, called Yingabeal. In late colonial times through to the early twentieth century the site was a grazing property and dairy farm with a frontage on the Yarra River. The original farmhouse was built in the 1880s-1890s. From the nineteenth century on, the area was frequented by artists and writers who found the Yarra River and surrounding hills east of Melbourne an ideal setting in which to work, exemplified in the formation of the Heidelberg School at Heidelberg, Montsalvat in Eltham and various artist camps in locations such as Box Hill and Warrandyte.

In 1934, the farm was purchased by John and Sunday Reed, passionate supporters and collectors of modern Australian art, who named the property Heide after the nearby town of Heidelberg. After moving into the farmhouse in 1935, they established a unique private library, including modernist literature, international art books, journals and magazines. Heide became a focal point for progressive art and culture as the Reeds opened their home to like-minded individuals such as artists Sidney Nolan, Albert Tucker, Joy Hester, John Perceval and Danila Vassilieff. Nolan, who lived at Heide intermittently for almost a decade, painted his celebrated Ned Kelly series in the dining room in 1946–47.^[2]

In 1963, the Reeds commissioned Melbourne architect David McGlashan to design a new residence on the property, one that had a sense of mystery and romance, and was "a gallery to be lived in". Synthesising local and international design ideas, the light-filled home they called Heide II was constructed out of Mount Gambier limestone with a palette of minimal secondary materials and neutral colours. The Reeds moved into Heide II in 1967 and Sunday Reed established the second kitchen garden near the new house. .

Museum establishment edit

The Reeds returned to live in Heide I, the old farmhouse after selling Heide II, most of the adjoining property and a significant portion of their art collection (113 works) to the Victorian State Government in August 1980. The purchase was agreed to and formalised by the Minister for the Arts at the time, the Hon. Norman Lacy, who continued to provide the Government's on-going support for the creation of a public art gallery on the site, to be named 'Heide Park and Art Gallery'. The interior of Heide II was modified in preparation of it opening as a public art gallery in November 1981. Now Heide Museum of Modern Art operates as a non-profit company limited by guarantee, and on behalf of the Victorian Government, a Board of Directors is delegated as a Committee of Management.

Premier, Rupert Hamer (2nd from right), Minister for the Arts, Norman Lacy (2nd from left) and Board Chairman, Dr Norman Wettenhall (far right) at the opening of the Heide Museum of Modern Art in November 1981.

Dr Norman Wettenhall was appointed the first Chairman and the then Premier of Victoria, Sir Rupert Hamer was honoured as the inaugural Patron. Maudie Palmer AO was appointed the inaugural Director.

Recent history edit

The museum underwent major redevelopment in 2005–06 which included the installation of several sculptural and installation art pieces, landscaping and redesign of the gardens, construction of a new education centre & gallery space, extension of the Heide III building to incorporate works from the Barbara Tucker Gift and various other works. On 13 July 2006 the museum officially re-opened after its $3 million dollar renovation and extension. The new buildings were designed by O'Connor + Houle Architecture.^[3]

Buildings, features, and layout edit

Heide is situated on a former floodplain of the Yarra River in Bulleen. It is bordered to the north-east and east by the Yarra Valley Country Club, to the west and south by Banksia Park, and to the south-east by Templestowe Road. The site borders the Yarra River, at Fannings Bend, in its north-west corner. The museum itself comprises several detached buildings and surrounding gardens and parklands on the site, described in further detail below, all of which are used in various capacities as exhibition spaces.

Buildings and facilities edit

Heide II

Heide I - built c.1870, renovated 1934–35, 1954, 1980, restored 2001, 2010

A former farmhouse, the building was purchased by the Reeds in 1934 and renovated in the French provincial style. It underwent various renovations in 1934–35, 1954 and 1980 and was restored in 2001 and in 2010. Currently it is dedicated to exhibitions and displays from the Heide Collection and Archive.

Heide II - commissioned by John and Sunday Reed 1963, designed 1964, constructed 1964–67

Designed by Melbourne architect David McGlashan of McGlashan Everist, it was intended as "a gallery to be lived in" and served as the Reeds' residence between 1967 and 1980. The building is considered one of the best examples of modernist architecture in Victoria and awarded the Royal Institute of Architects (Victorian Chapter) Bronze Medal - the highest award for residential architecture in the State - in 1968. It is currently used to display works from the Heide Collection and on occasion projects by contemporary artists.

Heide III - built 1993, extended 2005

Originally designed by Andrew Andersons of Peddle Thorp Architects and later extended by O'Connor + Houle to include additional exhibition spaces, storage facilities and visitor amenities. It is the largest gallery wing of the museum including: the Central Galleries; the Albert & Barbara Tucker Gallery, the Kerry Gardner & Andrew Myer Project Gallery; the Tucker Study Centre; and the Heide Store.

Sidney Myer Education Centre - built 2005

Designed by O’Connor + Houle Architecture, its purpose is expressed as "a dynamic learning and thinking space for teachers, students, and community groups." The centre accommodates diverse education and public programs based on the art, architecture and gardens of Heide.

Heide Cafe - redeveloped 2009

After a 19-month redevelopment program the cafe at reopened to the public on 24 November 2009. The $1.5 million redevelopment was designed by Chris Connell Design (CCD). Inspired by the award-winning architecture of Heide and its beautiful gardens, Situated in the former Heide II motor court, the café's glass pavilion seats 55 patrons inside and an outdoor area seats an additional 55 patrons.

Gardens and Sculpture Park edit

Garden

The sixteen acres of landscape at Heide have been developed over several decades in tandem with its art and architecture. When John and Sunday Reed purchased Heide in 1934, it was a neglected former dairy farm. They immediately set about reviving and extending the productive kitchen garden adjacent to the original farmhouse and initiated a major planting program, with a view to turning the property into a verdant parkland. Today, the cultivated landscape includes a sculpture park with over forty sculptures, several of the original gardens which are now heritage-listed, an Indigenous Remnant Conservation Zone and a diverse range of exotic trees, unusual roses, herbs, flowers and vegetables.

Access edit

Heide I, II and III: Open Tuesday to Sunday, 10:00am–5:00pm
Heide Store (in Heide III): Open Tuesday to Sunday, 10:00am–5:00pm
Gardens & Sculpture Park – FREE

The Heide Collection edit

The core of the museum's collection was assembled over five decades by Heide founders John and Sunday Reed, who collected a broad range of art from the 1940s to the 1970s, both expressionist and abstract. The collection includes works by artists such as Moya Dyring, Sidney Nolan, Albert Tucker, Joy Hester, Gray Smith, John Perceval, Arthur Boyd, Charles Blackman, Peter Booth, Mike Brown, Richard Larter, Wolfgang Sievers.^[4]