Heather Thatcher (3 September 1896 – 15 January 1987) was an English actress in theatre and films.
|Died||15 January 1987 (aged 90)|
|Occupation||Actress and dancer|
By 1922, Thatcher was a dancer. She was especially noted for her interpretation of an Egyptian harem dance. Her exotic clothes were designed in Russia. They featured stencil slits in the waist, trouserettes and sleeves. Her attire was billed as the boldest costume ever shown in Britain.
Thatcher played the feminine lead in London stage productions such as Oh Daddy and Warm Corner. At the London Winter Garden she sang and danced in a revue in 1923. In August 1926, she appeared in Thy Name Is Woman at the Q Theatre. It marked her graduation from musical comedy to serious acting.
She continued her London stage work, performing with June Clyde in Lucky Break. Premiering at the Strand Theatre in September 1934, the theatrical presentation was a production of Leslie Henson. In 1937, Thatcher went to America in Full House. The previous season, she was paired with Ivor Novello in the English rendition. Jack Buchanan, Austin Trevor and Coral Browne teamed with Thatcher in Canaries Sometimes Sing (1947). Produced by Firth Shephard, the theatrical presentation opened in Blackpool and moved to London a month later. Thatcher participated in a Salute To Ivor Novello at the London Coliseum in September 1951. The production raised funds to run his old home, Redroofs. It had been purchased by the Actors' Benevolent Fund.
The Plaything (1929), produced by Castleton Knight and Elstree Studios, begins as a silent film. It develops into a sound film. The theme concerns a Highland laird who falls in love with a hedonistic London heiress. Thatcher plays a prominent role as Martyn Bennett.
In 1931, she visited Hollywood while attending the wedding of James Gleason. As a star of English comedy, she was being compared to Marilyn Miller, Thatcher wore a monocle to the marriage ceremony. In the autumn of 1931, she was invited to a reception following the premiere of Strictly Dishonorable (1931), at the Carthay Circle Theatre. Among her friends in films were Anthony Bushell and Zelma O'Neal.
Thatcher was signed by MGM in February 1932. She was given a feature role in But the Flesh Is Weak (1932). The film stars Robert Montgomery and is directed by Jack Conway. The film was adapted from a British stage production which showcased Novello. Thatcher was praised for her performance. German actress, Nora Gregor was found disappointing. The English actress "gives a brilliant performance and creates the only human being in the piece."
Thatcher sued Gloria Swanson British Productions for breach of contract in a suit which was settled in December 1933. During the filming of Perfect Understanding (1933) Thatcher's contract was cancelled before the production was completed. No explanation was given. She was excluded from the film when a new author was hired. The replacement writer chose to eliminate her character.
The Private Life of Don Juan (1934) was also filmed at Elstree Studios. The film has Douglas Fairbanks Sr. as its leading man. Owen Nares plays the title role and Thatcher is Anna Dora, one of the ladies.
Later in her career, Thatcher returned to the UK to make films. Among these is Will Any Gentleman...? (1953), filmed at Elstree Studios in Borehamwood. Thatcher appears together with George Cole and Veronica Hurst. The film was a short adventure about a hypnotist who puts a man in a trance.
Thatcher made her last films in 1955. The Deep Blue Sea has a screenplay written by Terence Rattigan and features Vivien Leigh and Kenneth More. Thatcher depicts Aunt May Luton in Josephine and Men, a comedy starring Glynis Johns and Peter Finch.
- The Prisoner of Zenda (1915) - Extra (uncredited)
- Altar Chains (1916) - Alice Vaughan
- The Key of the World (1918) - Dina Destin
- Pallard the Punter (1919) - Gladys Callender
- The First Men in the Moon (1919) - Susan
- The Green Terror (1919) - Olive Crosswell
- The Little Hour of Peter Wells (1920) - Camille Pablo
- The Plaything (1929) - Martyn Bennett
- A Warm Corner (1930) - Mimi
- Comets (1930) - Himself
- Stepping Stones (1931)
- But the Flesh Is Weak (1932) - Lady Joan Culver
- It's a Boy (1933) - Anita Gunn
- Loyalties (1933) - Margaret Orme
- The Private Life of Don Juan (1934) - Anna Dora, an Actress as Actresses Go
- The Dictator (1935) - Lady of the Court
- Mama Steps Out (1937) - Nadine Wentworth - the Poet
- The Thirteenth Chair (1937) - Mary Eastwood
- Tovarich (1937) - Lady Kartegann
- Fools for Scandal (1938) - Lady Potter-Porter
- If I Were King (1938) - The Queen
- Girls' School (1938) - Miss Brackett
- Beau Geste (1939) - Lady Patricia Brandon
- Man Hunt (1941) - Lady Alice Risborough
- Son of Fury: The Story of Benjamin Blake (1942) - Maggie Martin
- We Were Dancing (1942) - Mrs. Tyler-Blane
- This Above All (1942) - Nurse (uncredited)
- The Moon and Sixpence (1942) - Rose Waterford (uncredited)
- The Undying Monster (1942) - Christy
- Journey for Margaret (1942) - Mrs. Harris
- Above Suspicion (1943) - English Girl Dancing with Richard (uncredited)
- Flesh and Fantasy (1943) - Lady Flora (uncredited)
- Gaslight (1944) - Lady Dalroy
- Anna Karenina (1948) - Countess Lydia Ivanovna
- Trottie True (1949) - Angela Platt-Brown
- Dear Mr. Prohack (1949) - Lady Maslam
- Encore (1951) - Eva Barrett (segment "Gigolo and Gigolette")
- Father's Doing Fine (1952) - Lady Buckering
- The Hour of 13 (1952) - Mrs. Chumley Orr
- Will Any Gentleman...? (1953) - Mrs. Whittle
- Duel in the Jungle (1954) - Lady on S.S. Nigeria
- The Deep Blue Sea (1955) - Lady Dawson
- Josephine and Men (1955) - Aunt May Luton (final film role)
- Lima News, "Has London Gone Crazy About Clothes?", 10 December 1922, Page 38.
- Lima News, "Why They Covered Up The Three Prettiest Figures in England", 1 April 1923, Page 12.
- Los Angeles Times, "English Star Here", 15 September 1931, Page A9.
- Los Angeles Times, "Silver Wedding Bells", 4 October 1931, Page I2.
- Los Angeles Times, "Society of Cinemaland", 15 November 1931, Page B19.
- Los Angeles Times, "Heather Thatcher With MGM", 2 February 1932, Page A9.
- Los Angeles Times, "English Play Being Screened", 21 February 1932, Page B11.
- Los Angeles Times, "Feeble Follow-Up", 24 April 1932, Page B15.
- New York Times, "London Stage Notes", 22 August 1926, Page X1.
- New York Times, "London Film Notes", 6 October 1929, Page X9.
- New York Times, "Don Juan Is To Be A Film Hero", 17 January 1934, Page X2.
- New York Times, "The Cable Spies on London", 30 September 1934, Page X1.
- New York Times, "News of the Stage", 18 September 1936, Page 19.
- New York Times, "London Notes", 25 October 1947, Page 13.
- The Times, "Actress' Action Settled", Wednesday, 13 December 1933, Page 4.
- The Times, "Stage Tribute To Ivor Novello", Saturday, 8 September 1951, Page 8.
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