"Hardhome" is the eighth episode of the fifth season of HBO's fantasy television series Game of Thrones, and the 48th overall. The episode was written by the series' creators David Benioff and D. B. Weiss, and directed by Miguel Sapochnik.
|Game of Thrones episode|
|Episode no.||Season 5|
|Directed by||Miguel Sapochnik|
|Written by||David Benioff|
D. B. Weiss
|Featured music||Ramin Djawadi|
|Cinematography by||Fabian Wagner|
|Editing by||Tim Porter|
|Original air date||May 31, 2015|
|Running time||60 minutes|
The episode features a climactic battle sequence at the episode's eponymous Wildling village, a battle mentioned but not seen in the original source material. It has since been hailed by many reviewers and fans as one of the series' best episodes. Filming of the episode's eponymous battle required nearly a month of shooting. In the United States, the episode achieved a viewership of 7.01 million in its initial broadcast. The episode earned Game of Thrones several nominations at the 67th Primetime Emmy Awards and was also Dinklage's pick to support his nomination for Outstanding Supporting Actor.
This episode marks the only appearance for Birgitte Hjort Sørensen.
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In King's LandingEdit
Septa Unella visits Cersei in her cell and offers her water if she confesses her crimes, but Cersei refuses to confess. Qyburn visits her and informs her that she is being charged for incest and Robert's murder and that Kevan returned from Casterly Rock and serves as Hand, at Pycelle's order.
Arya takes the identity of Lanna. Jaqen tells her that the family of one of the insurance salesman's clients hired the Faceless Men to kill him after he refused to pay when the client drowned at sea. He tells her to learn everything about the insurer and poison him.
At the WallEdit
Sam tells Olly that they have no chance of defeating the White Walkers without wildlings.
Reek tells Sansa that there is no escape from Ramsay and admits that he didn't kill Bran and Rickon. Roose and Ramsay plan for battle with Stannis' army. Ramsay asks Roose for 20 men.
Tyrion convinces Daenerys to allow him to advise her. Tyrion convinces her to spare Jorah's life and exile him. Tyrion tells her that she will not succeed in taking the Iron Throne without a powerful Westerosi house. Jorah returns to Yezzan and asks to fight in the fighting pits.
Jon and Tormund arrive at Hardhome and meet the Lord of Bones, who is killed by Tormund after a tense standoff. Jon shares dragonglass with the wildlings and offers them to settle south of the Wall if they help the Night's Watch against the White Walkers. Jon and Tormund convince 5,000 wildlings to join them, but Thenns, led by Loboda, refuse. They are attacked by wights. A White Walker kills Loboda and forces Jon to flee without the dragonglass. Jon kills the White Walker with his Valyrian steel sword. Hardhome walls fall to the wights and Jon and his remaining allies are forced to flee. The Night King revives the dead as wights.
This episode was written by David Benioff and D. B. Weiss, the series' creators. It contains content from George Martin's novels A Feast for Crows, chapters Cersei X and Cat of the Canals and A Dance with Dragons, chapter The Ugly Little Girl.
Like other episodes this season, "Hardhome" contained a large amount of original material that does not appear in Martin's novels. This includes the battle scene in which the Wildlings and Night's Watch are ambushed by the White Walkers and army of the undead, as well as the meeting of Daenerys Targaryen and Tyrion Lannister. According to Erik Kain of Forbes, "We have now fully parted ways with the books. If the rest of Season 5 hadn't convinced you that the show was forging its own path, this episode is the final nail in the coffin."
Birgitte Hjort Sørensen was cast as Karsi, a wildling chieftain originally written as a male character. Zachary Baharov appeared as Loboda, a Thenn leader, and Ross O'Hennessy replaced Edward Dogliani as the Lord Of Bones in this episode. Ian Whyte, who had previously been cast as a White Walker, played the giant. Members of the metal band Mastodon acted as wildlings at Hardhome in a cameo appearance.
"Hardhome" was directed by Miguel Sapochnik. He joined the series as a director in the fifth season. He also directed the previous episode, "The Gift".  The sequence at Hardhome was filmed at the Magheramorne quarry and took nearly a month to film.
"Hardhome" was watched by an estimated 7.01 million American viewers during its first airing.
With Live+7 DVR viewing factored in, the episode had an overall rating of 9.94 million viewers, and a 5.1 in the 18–49 demographic. In the United Kingdom, the episode was viewed by 2.383 million viewers, making it the highest-rated broadcast that week. It also received 0.211 million timeshift viewers.
The episode received universal acclaim from both critics and viewers, with critics calling it the best episode of the series. It received a 100% rating on the review aggregator Rotten Tomatoes from 35 reviews with an overall rating of 9.7 out of 10 and the critics' consensus reading "Following several episodes of setup, 'Hardhome' blends a sharp script with spectacular blockbuster action to offer viewers a powerful, game-changing payoff."
The Atlantic named "Hardhome" one of the best television episodes of 2015. Erik Kain of Forbes called this "one of the best, most exciting episodes I've seen in the entire show's run, let alone this season," citing "High action and a series of pretty crazy revelations." Matt Fowler of IGN gave the episode 10/10, labeling it a "masterpiece". He praised the Tyrion/Daenerys scenes but predominantly the final sequence, which he described as "edge-of-your-seat exciting" and also "quite terrifying". This made "Hardhome" the first episode in season 5 to receive a 10/10 rating from IGN. Matt Fowler also named it the best episode of the entire series. Both Myles McNutt and Erik Adams of The A.V. Club gave the episode the website's highest grade, "A". They called it "a welcome reminder that [the show is still unpredictable]," with McNutt citing it as his favorite episode of the series thus far. Bridle Roman of SFX gave the episode a perfect five stars, and highlighted the character of Karsi, played by Birgitte Hjort Sørensen, as a great addition and "her death hits hard" even if "we have only seen her for a few scenes". The episode received praise even from some of its usual critics: Madeline Davies of Jezebel wrote, "I feel like I haven't said this in a long time, but last night's Game of Thrones was ...cool?" Davies cited the quality of the battle scene and unifying theme of hope in desperate situations as the episode's key strengths, specifically that the abused and tormented Sansa learns that her brothers may still be alive and that though Jon faces "the seemingly impossible task of defeating a constantly growing army of White Walkers, he at least possesses a sword that can kill them." Kirsten Acuna of Business Insider reports that this is the single most popular episode to date as rated by fans, noting that the "tremendous reaction is in complete juxtaposition with reactions to an episode that aired two weeks ago," which received one of the series' lowest fan ratings. Acuna credits this response to the quality of the battle scene, which featured "a fighting army of the walking dead which would easily give the AMC series of the same name a run for its money."
Awards and nominationsEdit
|2015||Primetime Emmy Awards||Outstanding Supporting Actor in a Drama Series||Peter Dinklage as Tyrion Lannister||Won|||
|Primetime Creative Arts Emmy Awards||Outstanding Cinematography for a Single-Camera Series||Fabian Wagner||Nominated|
|Outstanding Production Design for a Fantasy Program||Deborah Riley, Paul Ghirardani, Rob Cameron||Won|
|Outstanding Prosthetic Makeup for a Series||Jane Walker, Barrie Gower, and Sarah Gower||Nominated|
|Outstanding Single-Camera Picture Editing for a Drama Series||Tim Porter||Nominated|
|Outstanding Sound Editing for a Series||Tim Kimmel, Paula Fairfield, Bradley C. Katona, Peter Bercovitch, David Klotz, Jeffrey Wilhoit, Dylan T. Wilhoit||Won|
|Outstanding Sound Mixing for a Series||Ronan Hill, Richard Dyer, Onnalee Blank, Mathew Waters||Won|
|British Society of Cinematographers||Best Cinematography in a Television Drama||Fabian Wagner||Nominated|||
|ACO/BSC/GBCT Operators TV Drama Award||David Morgan, Sean Savage, Ben Wilson, David Worley||Won|||
|Gold Derby TV Awards 2015||Best Drama Episode||Nominated|||
|Hollywood Professional Alliance||Outstanding Sound||Tim Kimmel, Paula Fairfield, Bradley Katona, Paul Bercovitch, Onnalee Blank, Mathew Waters||Nominated|||
|Outstanding Color Grading||Joe Finley||Nominated|
|Outstanding Editing||Tim Porter||Nominated|
|IGN Awards||Best TV Episode||Won|||
|IGN People's Choice Awards||Best TV Episode||Nominated|
|2016||ADG Excellence in Production Design Award||One-Hour Single Camera Fantasy Television Series||Deborah Riley||Won|||
|Shorty Awards||GIF of The Year||Come At Me Bro||Nominated|||
|Cinema Audio Society Awards||Outstanding Achievement in Sound Mixing - Television Series – One Hour||Ronan Hill, Richard Dyer, Onnalee Blank, Mathew Waters, Brett Voss||Won|||
|American Society of Cinematographers||Outstanding Achievement in Cinematography in Regular Series||Fabian Wagner||Nominated|||
|American Cinema Editors Awards||Best Edited One-Hour Series For Non-Commercial Television||Tim Porter||Nominated|||
|Golden Reel Awards||Best Sound Editing in Television, Short Form: FX/Foley||Tim Kimmel||Won|||
|Best Sound Editing in Television, Short Form: Dialogue / ADR||Tim Kimmel||Won|
|Best Sound Editing in Television, Short Form: Music||David Klotz||Nominated|
|USC Scripter Award||Best Adapted Screenplay||David Benioff and D.B. Weiss||Nominated|||
|Visual Effects Society Awards||Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project||David Ramos, Antonio Lado, Piotr Weiss, Félix Bergés||Won|||
|Outstanding Compositing in a Photoreal Episode||Eduardo Díaz, Guillermo Orbe, Oscar Perea, Inmaculada Nadela||Won|
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