Greg Land

Greg Land (born 1956) is an American comic book artist, best known for his work on books such as Uncanny X-Men, Birds of Prey, and Fantastic Four.

Greg Land
Greg Land by Gage Skidmore.jpg
Land in May 2019
Notable works
Ultimate Fantastic Four
Uncanny X-Men
X-Men: Phoenix – Endsong

Land has been criticized for the extent to which he relies on photographic reference for his art, and for his repetitive use of certain facial templates and poses when rendering characters.[1][2][3]


Greg Land first got a job with an independent publisher as the artist for StormQuest after advertising himself at a Mid-Ohio Con comic convention.[citation needed] After that, he was hired by DC Comics in 1999 to finish the covers for Birds of Prey, based on the sketches of Brian Stelfreeze. He also had runs as interior penciler on both Birds of Prey and Nightwing.

Later, Land began to work at CrossGen Comics on Sojourn. The series ran from July 2001 through May 2004, for a total of 34 issues.

After CrossGen went out of business, Land went on to work at Marvel Comics, where he did covers to various series. This led to a collaboration with writer Greg Pak as the main artist of X-Men: Phoenix - Endsong. Next, Land became the penciler for Ultimate Fantastic Four. He did the artwork for a crossover between Marvel's Supremeverse and the Ultimate Universe, entitled Ultimate Power, which was written by Brian Michael Bendis, J. Michael Straczynski and Jeph Loeb. He then did the covers for Marvel Zombies 3 which were all homages to posters of famous Zombie movies.

In 2008 Land illustrated Uncanny X-Men #500. From then until December 2011 he would illustrated several sporadic sets of issues, totaling 22 in all, his last being issue #544. During this same period he also illustrated issue #210 and 235–237 of X-Men: Legacy.

In 2012 Land illustrated issues #5–8 and 11–12 of the relaunched Uncanny X-Men.

Critical receptionEdit

Land has been accused of going beyond the accepted bounds of photographic reference, lifting images from sources that include hardcore pornography, and copying them into his pages outright with minimal Photoshop alterations to make the work appear to be an original drawing, a reputation he developed from his work on Ultimate Fantastic Four and Ultimate Power. Land has agreed that he does employ photo reference to a large extent, and that he uses pornography as a source, but denies that the extent to which he does so is questionable. The A.V. Club included him in their 2009 list of "21 artists who changed mainstream comics (for better or worse)" for this reason.[1]

Commenting on Land's work on Uncanny X-Men #510, Brian Cronin of remarked that the issue "possibly has the most harmful art to a story that I’ve seen in a comic," saying that Land's limited supply of poses and use of the same models for multiple characters "results in terrible art and particularly terrible storytelling."[2] He was also mocked for his limited use of facial expressions on the Thing.[3]




Other publishersEdit

  • StormQuest #1 (1994) (Caliber Press)
  • Sojourn #1–33 (2001–2004) (CrossGen)


  1. ^ a b Adams, Sam; Murray, Noel; Phipps, Keith; Pierce, Leonard (July 20, 2009). "Reinventing the pencil: 21 artists who changed mainstream comics (for better or worse)". The A.V. Club. Retrieved 2009-07-20.
  2. ^ a b Cronin, Brian (May 21, 2009). "Possibly the Most Harmful Art I've Seen in a Comic".
  3. ^ a b "The Many Faces Of Greg Land's Ben Grimm". Bleeding Cool. June 3, 2012. Retrieved 2012-06-03.

External linksEdit