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Example of U.S. TV dayparting: The white area is the overnight graveyard slot (2 a.m. – 6 a.m.), which is not considered important.

A graveyard slot (or death slot) is a time period in which a television audience is very small compared to other times of the day, and therefore broadcast programming is considered far less important.[1] Graveyard slots are usually in the early morning hours of each day, when most people are asleep.

With little likelihood of a substantial viewing audience during this daypart, providing useful television programming during this time is usually considered unimportant; some broadcast stations go off the air during these hours, and some audience measurement systems do not collect measurements for these periods. Some broadcasters may do engineering work at this time. Others use broadcast automation to pass-through network feeds unattended, with only broadcasting authority-mandated personnel and emergency anchors/reporters present at the local station overnight. A few stations use "we're always on" or a variant to promote their 24-hour operation as a selling point, though as this is now the rule rather than the exception it was in the past, it has now mainly become a selling point for a station's website instead.

Contents

ProgrammingEdit

The most well-known graveyard slot in most parts of the world is the overnight television slot, after late night television and before breakfast television/morning show (between 2:00 a.m. and 6:00 a.m.). During this time slot, most people who are at home are asleep, and most of those who are awake are either at work, away from the television, trying to fall asleep, or just returning home from a bar and too intoxicated to pay attention, leaving only insomniacs, intentionally nocturnal people, and irregular shift workers as potential audiences. Because of the small number of people in those categories, the overnight shift was historically ignored as a revenue opportunity, although increases in irregular shifts have made overnight programming more viable than it had been in the past. In the United States, for example, research has shown that the number of televisions in use at 4:30 a.m. doubled from 1995 to 2010 (8% to 16%).[2]

Since the advent of home video recording, some programs in this slot may be transmitted mainly with time-shifting in mind; in the past, the BBC offered specialized overnight strands such as BBC Select (an often-encrypted block providing airtime for specialized professional programmes), and the BBC Learning Zone (which broadcast academic programmes, such as from the Open University). The BBC's current "Sign Zone" strand broadcasts repeat programmes with interpretation in British Sign Language.[3][4] Some channels may carry adult-oriented content in the graveyard slot, depending on local regulations. Live events from other time zones (most often sports) may sometimes fall in overnight slots, such as daytime events from the Asia-Pacific region on channels in the Americas, and prime-time events from the Americas on channels in Europe for example. Some anime-oriented streaming services (such as Crunchyroll) have arrangements with Japanese networks to premiere episodes at the same time as their domestic television airings, often falling within the overnight hours in the Americas.

Since the 1980s, graveyard slots, once populated by broadcasts of syndicated reruns and old movies, have increasingly been used for program-length infomercials or simulcasting of home shopping channels, which provide a media outlet with revenue and a source of programming without any programming expenses or the possible malfunctions which might come with going off-the-air. In addition, the graveyard slots can also be used as dumping grounds for government-mandated public affairs programming, as well as in-house programming a station group is mandated by their parent company to carry that would otherwise be unpalatable in prime timeslots. One example of the latter mandated by Sinclair Broadcast Group in the United States is The Right Side, a public affairs program hosted by political commentator Armstrong Williams (who has business interests with Sinclair) that is typically aired by Sinclair-affiliated stations, and is intended to air in weekend late morning slots as a complement to the national networks' Sunday morning talk shows. However, The Right Side is often programmed in graveyard slots on most Sinclair stations who locally choose to instead fill the weekend morning slots with educational shows, paid programming (including religious programs and real estate presentation shows), weekend morning newscasts and local public affairs programming.

Graveyard slots are also used by U.S. television stations as a de facto "death slot" for syndicated programs that either failed to find an audience or which a station acquired but otherwise has no room to air in a more appropriate time slot where the program would otherwise benefit. In previous years, the most often seen original programming in the overnight period were low-rated daytime talk shows and game shows being burned off. In many cases where a television station carries an irregularly-scheduled special event, breaking news or severe weather coverage that preempts a network or syndicated program, the station may elect to air the preempted programming in a graveyard slot during the same broadcast day to fulfill their contractual obligations. In markets with sports teams whose coaches' and team highlights shows preempt programs in the prime access hour before primetime, the overnight period also allows a preempted program to air in some form on a station without penalty to the syndicator.

The overnight period is also noted for the prevalence of cheaply produced local advertisements which allow an advertiser to purchase time on the station for a low cost, advertisements for services of a sexual nature (such as premium-rate adult rate entertainment services and adult products from companies such as Adam & Eve), direct response advertising for products and services (often marketed "As Seen On TV") otherwise seen during infomercials, and public service announcements (such as those commissioned by the Ad Council) airing in these time slots due to the reduced importance of advertising revenue.

Network overnight programmingEdit

The Big Three television networks in the United States all offer regular programming in the overnight slot. Both ABC and CBS carry overnight newscasts with some repackaged content from the day's previous network news broadcasts, with an emphasis on sports scores from West Coast games that typically conclude after 1 a.m. ET and international financial markets with the ending of the Australasian and beginning of the European trading day, all of which takes place between 2 and 5 a.m. ET, while NBC (which dropped its overnight news in the late 1990s) replays the fourth hour of Today. Each network also produces its early morning newscast at 4 a.m. local time so that it may be tape-delayed to air as a lead-in to local news. A growing trend in the United States is an increasingly early local newscast, which now begins as early as 4:00 a.m. in some major markets, targeting those who work early shifts or are returning from late shifts; this early newscast would fit into the overnight daypart rather than breakfast television.[2]

The graveyard slots' lack of importance sometimes benefits programs; producers and program-makers can afford to take more risks, as there is less advertising revenue at stake. For example, an unusual or niche program may find a chance for an audience in a graveyard slot (a current day example is Adult Swim's FishCenter Live, which features games projected onto the video image of an aquarium), or a formerly popular program that no longer merits an important time slot may be allowed to run in a graveyard slot instead of being removed from the schedule completely. However, abusing this practice may lead to channel drift if the demoted programs were presented as channel stars at some time.[5]

Up until 2014, some cable networks would broadcast educational programing that educators can tape as part of Cable in the Classroom during these hours.

ExamplesEdit

JapanEdit

Japanese over-the-air stations broadcast late night anime almost exclusively, starting in the Late night television slot at 11:00 p.m., but bridging the graveyard slot and running until 4:00 a.m.. Because advertising revenue is scant in these time slots, the broadcasts primarily promote DVD versions of their series, which may be longer, uncensored, and/or have added features like commentary tracks, side stories and epilogues.[6]

United KingdomEdit

In the UK, overnight is from 12:30 a.m. to 6:00 a.m..

BBC One showed Sign Zone from 2000 to 2013 during this time before simulcasting with BBC World News (in a 3 way simulcast between BBC One, BBC News Channel and BBC World News for the second part). Nowadays, BBC World News comes on usually after midnight or 1 a.m. depending on which films or programmes are broadcast usually followed by Weather for the week ahead BBC Two shows Sign Zone and repeats for the first part and then either closes down which is marked in schedules as "This is BBC Two" ITV shows Jackpot247 (After Midnight on STV; Teleshopping on UTV) and then a repeats before showing ITV Nightscreen until 5:05 am on weekdays followed by The Jeremy Kyle Show, and 6 a.m. at the weekend. Channel 4 shows repeats and films during these hours apart from Wednesdays where sports including, Motor Racing, Triathlon and Beach Volleyball are shown. During the National Football League season for American football, the American NBC's Sunday Night Football game, along with playoff games and the Super Bowl, are carried live, which is often also the case with other popular American sports airing in primetime in the UK on Sky Sports and BT Sport. Channel 5 shows Supercasino and some repeats. Most digital channels during this time either go off air or show simulcast with shopping channels and some stay on the air. BBC News Channel simulcasts with BBC World News during these hours.

United StatesEdit

Outside of the traditional overnight slots, other examples of graveyard slots in the United States include:

Weekdays, 12 p.m. to 1 p.m. Eastern
Before the 1970s, this slot was often viewed as a popular "lunch slot" where daytime shows such as Jeopardy! were popular with a larger-than-average audience that included both college and high school students and employees either returning home or eating at a restaurant on their lunch break, in addition to the traditional American daytime audience of stay-at-home housewives. However, as the 1970s dawned the introduction of local midday newscasts on many network affiliates resulted in the time slot becoming a "death slot". Local news in this slot usually consists of the morning newscast's stories repeated with spare updating, farm reports in mainly rural markets, and community interest segments where organizations are highlighted in an interview setting, along with paid placement advertorial segments for businesses. Stations that do not carry news in this slot usually air syndicated fare or an infomercial; in numerous cases, educational programs can be buried in this slot or any other daytime slot as a form of malicious compliance with the mandate for such programs. Mainly to accommodate affiliates in the Central and Mountain time zones that choose to air local news at noon in their respective markets, CBS and NBC still offer options for affiliates to air The Young and the Restless and Days of Our Lives at noon Eastern (11 a.m. Central), but actual participation in this varies by individual station.
Weekdays, 4 p.m. to 5 p.m. Eastern
When the noon time slot became unfavorable in the late 1970s, networks began doubling up airings of their noon shows at 4 p.m.. However, as many stations chose to preempt network offerings in favor of more lucrative syndicated programs during this time (which played a factor in ABC canceling the soap opera Edge of Night at the end of 1984 and CBS ending production on Press Your Luck in the late summer of 1986), the networks had increasingly fewer affiliates airing network programs in this time slot as well, and eventually all networks abandoned regularly programming the slot by 1986. That year also happened to be the year in which The Oprah Winfrey Show made its debut as a nationally syndicated talk show, and eventually soon came to dominate the time slot in many markets, while the networks still continued to program occasional afterschool specials for children until 1996. Since the 1990s, the expansion of local television news has led to stations without major syndicated hits choosing to offer local news in this hour. By 2012, most networks' daytime programming had ended at 3 p.m. Eastern, and many stations have begun offering up to three hours of local news, interrupted either by a 4:30 syndicated program or the 6:30 network news.
Friday night death slot
In the late 1970s and into the 1980s, several television series emerged that became widely popular among the viewing audiences (such as Dallas, Falcon Crest, and Miami Vice), and most programs that were scheduled against them were doomed to cancellation because of the competition, which marked the beginning of a phenomenon known as the "Friday night death slot."[7][8][9] Beginning in the mid-1990s however, fewer viewers stayed home to watch television on Friday nights, particularly those in the much-sought after 18–49 demographic, which prompted a revival of the phrase in a new context in that a series on Friday was still more likely to lose money and lag in viewership compared to shows on other nights, regardless of its direct competition.[10][11] As such, networks have since programmed inexpensive reality programming or news magazines on this night instead of scripted programs. Consequently, scripted programs that do end up airing on Friday night have often been moved there from more lucrative Monday-Thursday evening time slots due to poor performance, and this is often an indication that the series is facing cancellation. This was the case with ABC's 8 Simple Rules in 2004–05 (whose ratings declined following the death of lead actor John Ritter), and Fox's 'Til Death in 2009–10 (which was kept alive in that time slot to garner enough episodes for syndication). Also, with media conglomerates now owning both television networks and film studios (e.g. Comcast's ownership of NBC and Universal Pictures under its NBCUniversal umbrella), the former must downplay programming by corporate demand to attract moviegoers to theaters on the traditional opening night for major films.
Since 2005, CBS is the only major network that continues to air a full line-up of first-run scripted programming on Fridays, and has become successful on this night over the last 15 years. Its semi-sister network, The CW (co-owned with AT&T's WarnerMedia subsidiary) has also maintained an entire primetime schedule of scripted programs since 2010, with similar success. Historically, ABC had notable success on Friday evenings with its TGIF lineup beginning in 1989, but the time slot's ratings began to wane in the late 1990s (in part also influenced by a botched attempt by CBS (called the CBS Block Party) to compete full-force with ABC during the 1997-98 season). ABC made another attempt at Friday success in the 2012–13 season, moving the family-oriented Tim Allen sitcom Last Man Standing to Fridays for its sophomore season. Despite this move, the show's ratings held steady from the previous season, when it aired on Tuesdays, and continued to air Fridays for another five seasons before its cancellation and eventual move to Fox (where it remained on Friday night for one additional season before moving to Thursday nights for the 2019–20 season).
Despite being a known graveyard slot, there have been notable exceptions to this rule, such as Last Man Standing, The Brady Bunch, Sanford and Son, Full House, Homicide: Life on the Street, Reba, Numb3rs, Ghost Whisperer, CSI: NY, WWE SmackDown, and Shark Tank. In addition, a handful of cable channels have also had success with Friday night programming. This includes USA Network, which had a lineup of original programming on Friday evenings from 2002 to 2010 featuring Monk as the lineup's centerpiece, and Disney Channel, which since 2006 has successfully maintained a schedule of largely scripted Friday night programming which appeals to pre-teens and young teenagers (including series such as Wizards of Waverly Place, Phineas & Ferb, The Suite Life on Deck, Jessie and Girl Meets World) and has largely served as somewhat of a successor to sister network ABC's original TGIF lineup. Original made-for-TV movies occasionally premiere in the slot several times per year as an attempt to keep potential movie-goers at home.
Weekend afternoons
Particularly when no sporting events are airing (either from the networks or from local syndicated distributors such as Raycom Sports), there is very little incentive to watch television after Saturday morning news programs or Sunday morning talk shows end, especially with NFL or college football, where most stations refuse outright to put on competitive programming if a local team is playing on another station carrying that game. Most stations air infomercials, movies, or little-watched syndicated fare in this slot, and often use this time period to air mandated educational and public affairs programming mandated either by station groups or federal broadcast regulations. When it is not carrying content from sister network ESPN, ABC airs reality television reruns in the late afternoon slot.
Saturday nights
Until the 1990s, many popular series aired on Saturdays, including CBS series such as Have Gun - Will Travel, All in the Family, The Mary Tyler Moore Show, The Bob Newhart Show, The Carol Burnett Show, Dr. Quinn, Medicine Woman, Early Edition and Walker, Texas Ranger, NBC series such as The Golden Girls and its numerous spin-offs, The Pretender, and Profiler, as well as Fox's Cops and America's Most Wanted; most networks maintained a full schedule (though the night was also often used for airing movies). However, in the past decade a similar situation to Friday nights has emerged, with fewer viewers in front of a TV set. The last major efforts to program Saturday nights on the Big Three networks ended in 2001, when CBS canceled Walker, Texas Ranger and NBC failed with the XFL; Fox continued to air Cops and America's Most Wanted on Saturday nights until both programs ended their Fox runs between 2011 and 2013 (with Cops moving to what is now Paramount Network and America's Most Wanted moving to Lifetime, where it remained until its cancellation in 2012). Between 2017 and 2019, CBS aired Ransom on Saturday nights during the middle of the television season.
Since 2004, the mainstream U.S. networks have largely abandoned original programming on Saturday nights in favor of reruns, with the exception of CBS, which continues a limited first-run presence with 48 Hours Mystery. In recent years, a new trend has emerged where a show that is considered to be a ratings failure (or is already canceled) is moved to Saturday nights to finish airing its original episodes. Such examples have included NBC's Crusoe and the CBS miniseries Harper's Island in 2008–09, CBS's Three Rivers and ABC's The Forgotten in 2009–10, NBC's Outlaw and Chase and CBS's Chaos in 2010–11, CBS's How to Be a Gentleman and NBC's The Firm in 2011–12, and ABC's The Alec Baldwin Show and CBS's Million Dollar Mile in 2018–19. The night is also used by the networks to air encore presentations of their weekday primetime series' most recent episode, as well as to air sports programming including college football (e.g. SEC on CBS) on all of the major networks, NBA basketball on ABC, NHL hockey on NBC, and UFC fights on Fox. Local stations also use the night to carry specialized local news programs, including documentaries and political debates, where it would otherwise air their affiliate network's encore repeats.
Despite being a known graveyard time period, some channels have gained or maintained success on Saturday nights. Perhaps (and arguably) the most famous example has been NBC's late night program Saturday Night Live, which has been a staple of that network (and also that of the United States' pop culture conscience) since its 1975 debut, and has gone on to launch the careers of dozens of comedians and other actors. Other notable exceptions include Nickelodeon, which has successfully aired a Saturday primetime lineup of first-run programming aimed at pre-teens and teenagers since August 1992 (which has included popular series such as Clarissa Explains It All, All That, Kenan & Kel, iCarly, and Victorious), and Syfy, which has had respectable success with made-for-TV movies that regularly air during Saturday primetime.
To this day, many television stations in the United States have often filled their Saturday (and Sunday) late night slots with off-network syndicated reruns of primetime serials, long-form interview programs, movie showcases (including most notably horror film showcases such as Svengoolie), and weekend editions of infotainment news programs (often with curated segments repackaged from earlier in the week or (in the case of Entertainment Tonight) special retrospect editions focused on a single topic). Historically, music and variety shows such as Hee Haw, Don Kirshner's Rock Concert, Solid Gold, Showtime at the Apollo and Soul Train, as well as weekly competition programs including American Gladiators and Star Search, also often filled weekend late night time slots (in many cases either complementing or even competing against Saturday Night Live). During the weekends, the prime access hour also featured popular weekly syndicated series including The Muppet Show during the 1970s and the movie review program At the Movies (known most famously under its original title of Siskel & Ebert) during the 1980s up to the 2000s. To this day, Sony Pictures Television also offers a selection of episodes from the previous season's runs of its popular weekday game shows Wheel of Fortune and Jeopardy! to air on weekends, usually airing in their traditional weekday slots.
Early weekend mornings (prior to 7 a.m.)
Because people generally stay out later on Friday and Saturday nights than other nights of the week, people also tend to sleep in longer on weekend mornings. The weekend morning 5 – 7 a.m. time slot is the most common time for stations to air public affairs, specialty news and (on Sundays) televangelism programs.
Sunday nights, 7 – 8 p.m. and 10 – 11 p.m. during the NFL season
Because of overruns from National Football League (NFL) games, Sunday afternoon broadcasters Fox (in the earlier slot) and, to a lesser extent, CBS (in the latter slot) have had difficulty launching shows in these time slots. Fox and CBS both use different strategies to handle overruns, with other networks attempting various means of counterprogramming to meet parity on the night:
  • Fox, which primarily carries Sunday afternoon NFC road games, would preempt its programming in the early time slot if an NFL game overran its time slot, often to the frustration of fans of series such as King of the Hill and Malcolm in the Middle, who often had episodes joined in progress or unseen in the Eastern or Central time zones until summer reruns after games ended. Fox has since addressed the issue by clearing out the time slot completely for an NFL post-game show titled The OT during the NFL regular season and setting aside a portion for short-run animated series under its Animation Domination (later Sunday Funday) block, though mid-season replacement series have still had problems finding an audience in the time slot.
  • CBS, which holds the rights to most Sunday afternoon AFC road games, protects its acclaimed newsmagazine 60 Minutes by delaying its entire prime time broadcast programming schedule if a game overruns, resulting in the show scheduled for the 10 p.m. slot being pushed well past its original start time and occasionally being bumped.[12] After a series of failures in the time slot, beginning in 2010 CBS attempted to stabilize it by moving an established series (usually one co-owned CBS Television Distribution already offers to stations in off-network syndication) there, starting with CSI: Miami which moved from its original Monday night slot to Sunday nights. CSI: Miami was nonetheless canceled after two seasons in its Sunday time slot, and as of 2019, the last show of the evening, Madam Secretary is pre-empted occasionally if a game runs long to allow local newscasts to air as close to 11 p.m. Eastern as possible. For the 2019-20 season, CBS will fill the 10 p.m. slot with the final seasons of Madam Secretary in the fall and Criminal Minds in the spring.
  • NBC holds the Sunday Night Football contract that takes up the entire night during the fall and early winter, and carries the pre-game show Football Night in America within the 7 p.m.-8 p.m. timeslot, which uses a carousel reporting format to cover early (1 p.m. Eastern) games before the conclusion of late (4 p.m. Eastern) NFL games, and then transitions to a quick rundown of all games before focusing on the upcoming game within the last twenty minutes before the game starts. After their NFL coverage ends in mid-January, NBC counts on carrying Dateline NBC in the slot during the NFL offseason along with some limited first-run and encore programming. When the network carried the rights to Sunday afternoon AFC games from 1965 (when it acquired the television rights to the American Football League from ABC) until losing those rights to CBS in 1998, the latter-day issues with regards to CBS were virtually nonexistent since most NBC programs in the 7 p.m. Eastern slot usually trailed 60 Minutes on CBS; in the 1990s NBC attempted to compete full-force with 60 Minutes with a string of unsuccessful hard newsmagazines before relying on the lighter or true crime-focused Dateline. The most significant programming controversy during NBC's run as the AFC broadcaster came in 1968 during a high-profile West Coast game that prematurely ended broadcast in the Eastern and Central time zones to accommodate a made-for-TV adaptation of Heidi.
  • ABC, which has not carried regular season NFL games since the move of Monday Night Football to sister network ESPN in 2006, has for most of its history since the 1990s carried America's Funniest Home Videos, a relatively low-cost and low-risk program popular for family viewing, in the early time slot. More recently, ABC has had somewhat greater success later in the evening with scripted dramas (e.g. The Practice and Brothers & Sisters). The NFL's preference for a marquee Sunday night game as opposed to Mondays, which became difficult to envision due to the success of such aforementioned scripted dramas and the then-recently launched Dancing with the Stars, played a factor in Monday Night Football moving to ESPN.
  • The CW (and in the past The WB) has had varied scheduling strategies since the network's 1995 launch involving Sunday evenings. From 1995 until 2001, The WB aired new programming (usually sitcoms) in the 7 p.m. slot, and then from 2001 until 2007, aired encore programming (Seventh Heaven, Gilmore Girls and Reba) under the secondary titles Beginnings and Easy View. In the 2007-08 season it featured advertorial entertainment programs (CW Now and Online Nation) widely considered a failure, with sitcom repeats returning to the slot after the Super Bowl. In 2008-09, the slot carried In Harm's Way, a reality series from the timeslot's lessee (Media Rights Capital) also considered a failure, and after that year, the CW returned Sunday evenings to their affiliates, leaving the night completely until returning in 2018-19. It decided in that schedule form to not program the 7 p.m. slot, starting their programming at 8 p.m. Eastern to avert programming around football.
  • UPN, which merged with The WB to form The CW in 2006, generally never programmed Sunday nights, with its only contribution to the night being in early 2001 lower-tier XFL football games on Sunday evenings during the league's only season in its first iteration. Its de facto successor MyNetworkTV has never programmed the night.
Opposite dominant television series
On occasion, a regularly scheduled program may have this kind of dominant drawing power. Notable examples included NBC's The Cosby Show for most of the mid- and late-1980s, ER during its peak in the second half of the 1990s (at a time when NBC's Thursday primetime schedule represented the most watched television programs of the decade), and Fox's American Idol during its peak in the mid-2000s and early 2010s (at the peak of reality television in the U.S. during those decades) - each of which was dubbed a "Death Star" by the other networks because of the show's consistent ability to dominate the ratings. Many programs that competed against such shows often either flopped or (in the case of an existing series) saw their ratings decline significantly to the brink of cancellation.
Opposite popular annual programming specials
Programs such as the Academy Awards (on ABC since 1976), the Super Bowl, and the Olympic Games; as well as seasonal airings of popular classic films such as The Wizard of Oz, have been known to draw so many viewers that almost all efforts to counterprogram against them have failed. As such, broadcasters have traditionally countered these events with either reruns or movies. The Super Bowl has historically attracted more unusual fare (such as Animal Planet's Puppy Bowl, a football-themed special featuring puppies at play),[13] with most aiming to counter the halftime show to emulate Fox's success with its live In Living Color special in 1992. However, as all four major commercial networks now have some tie to the National Football League's television deals (current through Super Bowl LVII in 2023, with all but ABC alternating to air the game), major networks have aired little to no new original programming on the night of the Super Bowl under an unsaid gentleman's agreement.[14] This agreement also played a factor in the recent decision of CBS and NBC to swap broadcast rights for Super Bowl LV in 2021 and Super Bowl LVI in 2022; the latter was swapped from CBS to NBC in order to eliminate a conflict with NBC's concurrent coverage of the 2022 Winter Olympics in Beijing.

Australia and New ZealandEdit

In Australia and New Zealand, overnight is from midnight to 06:00, and this slot generally consists of American sitcoms and dramas which ended up failing in their home market but need to air in some form to justify the network's investment, or archived content, along with teleshopping programs, lower-tier American syndicated newsmagazines, and American breakfast television programmes delayed to fill the remainder of the slot.

Content requirementsEdit

In Canada, federal regulations require television channels and radio stations to carry a certain percentage of Canadian content (or Cancon). It is common for most privately owned television channels to air the bulk of their Cancon in such graveyard slots (especially weekday mornings and Saturday nights), ensuring they can meet their required percentages of Canadian programming while leaving room for more popular foreign programming in other time periods. For over-the-air terrestrial television stations, the overnight hours are generally not subject to Canadian content requirements, allowing some opportunity for niche or experimental programming during those hours, although most commonly infomercials air instead. Canadian radio stations have similar practices regarding broadcasts of Canadian music, known pejoratively as the "beaver hour". For the most part in modern times however, Cancon requirements are filled easily by television stations throughout the week through local newscasts and magazine programming, along with licensed versions of American programs such as ET Canada.

Likewise, in the United States, some stations attempt to bury mandated E/I educational television programming in graveyard slots, though under current regulations by the Federal Communications Commission (FCC), Children's television series must air during times when children are awake (current standards as of 2019 state between 6:00 a.m. and 10:00 p.m.). Thus, these channels will "bury" E/I programs in the middle of a block of infomercials during daytime television hours, when most children are either at school or (on weekends) asleep or participating in youth sports, scouting or other activities, and are unlikely to ever see them. Recent changes to E/I standards by the FCC on July 10, 2019 will also result in individual stations being given the option to carry up to 52 hours of E/I content that consists of either specials or short-form content, as well as digital subchannels no longer being required to carry E/I programming and individual stations being allowed to shift up to 13 hours of E/I programming per quarter (52 hours annually) over to a digital subchannel[15], which will likely result in further attrition of the already low audience shares for E/I programming in the United States.

See alsoEdit

ReferencesEdit

  1. ^ "GCSE Media Studies Introduction". Retrieved 9 December 2016.
  2. ^ a b "TV News for Early Risers (or Late-to-Bedders)". The New York Times. 1 September 2010. Retrieved 9 December 2016.
  3. ^ "BBC – My Web My Way – BSL programmes online". Retrieved 9 December 2016.
  4. ^ Cain, John (1992). The BBC: 70 years of broadcasting. London: British Broadcasting Corporation. pp. 137 and 151. ISBN 0-563-36750-4.
  5. ^ "TV 101: Channel Drift (or, what the hell happened to A&E?)". Tvsquad.com. Retrieved 2012-01-26.
  6. ^ "Japan's Anime Broadcast Ethics Complaints for October 2011". Crunchyroll.com. 2011-11-19. Retrieved 2011-12-05.
  7. ^ Katherine Phillips. "Witty sitcoms scheduled in Friday night death slot," Richmond Times-Dispatch, March 28, 1986, page 46: "ABC is sending two of this season's brightest new sitcoms to certain death at the hands of J.R. Ewing and his Dallas clan."
  8. ^ John Voorhees. "ABC reshuffles schedule for ratings but deals only two new shows," The Seattle Times, December 13, 1985, page C5: "Also being dropped is Our Family Honor, the ABC series that has had the distinction of being the lowest-rated Nielsen show almost every week since its debut. It is in the Friday night death slot of 10 pm, against Miami Vice and Falcon Crest.'
  9. ^ Knight-Ridder News Service. 'Family Honor' ditched for 'Spenser', Lexington Herald-Leader (KY), October 19, 1985, page C6: "Spenser: For Hire, the above-par detective series starring Robert Urich, is being moved out of the Friday-night death slot opposite Miami Vice and Falcon Crest. ... To make room for "Spenser," ABC is taking "Our Family Honor" off the air [Tuesdays], at least for a while and perhaps permanently.
  10. ^ News: Election 2006, The Austin Chronicle
  11. ^ Goodman, Tim (October 10, 2007). "Saturday night is dead, yes, but Friday, too?". San Francisco Chronicle. pp. E1. Retrieved February 7, 2012.
  12. ^ Hinckley, David (30 July 2012). "CBS tackles topic of NFL overruns & whether they hurt Sunday lineup of 'Good Wife,' 'Mentalist'". New York Dally News. Retrieved 12 January 2015.
  13. ^ Ryzik, Melena (February 2, 2008). "'Just Fine as Tackles, but They Can't Pass". The New York Times.
  14. ^ "Goal of spectacle colors NFL's thinking about Super Bowl halftime show". Chicago Tribune. February 6, 2011. Retrieved 30 January 2013.
  15. ^ Littleton, Cynthia; Littleton, Cynthia (2019-07-10). "FCC Revises Children's Programming Rules for Broadcasters". Variety. Retrieved 2019-07-17.

External linksEdit

Preceded by
Late night television
Television dayparts
2:00 – 6:00 a.m.
Succeeded by
Breakfast television