Gods of Egypt (film)
Gods of Egypt is a 2016 fantasy action film directed by Alex Proyas based on the ancient Egyptian deities. It stars Nikolaj Coster-Waldau, Gerard Butler, Brenton Thwaites, Chadwick Boseman, Élodie Yung, Courtney Eaton, Rufus Sewell and Geoffrey Rush. The film portrays a mortal Egyptian hero who partners with the Egyptian god Horus to save the world from Set and rescue his love.
|Gods of Egypt|
Theatrical release poster
|Directed by||Alex Proyas|
|Music by||Marco Beltrami|
|Cinematography||Peter Menzies Jr.|
|Edited by||Richard Learoyd|
|Distributed by||Summit Entertainment|
|Box office||$150.7 million|
Filming took place in Australia under the American film production and distribution company Summit Entertainment. While the film's production budget was $140 million, the parent company Lionsgate's financial exposure was less than $10 million due to tax incentives and pre-sales. The Australian government provided a tax credit for 46% of the film's budget. When Lionsgate began promoting the film in November 2015, it received backlash for its predominantly white cast playing Egyptian deities. In response, Lionsgate and director Proyas apologized for ethnically inaccurate casting.
Lionsgate released Gods of Egypt in theaters globally, starting on February 25, 2016, in 2D, RealD 3D, and IMAX 3D, and in the United States, Canada, and 68 other markets on February 26. It grossed a total of $150 million against a $140 million budget, becoming a box office bomb and losing the studio up to $90 million. It received five nominations at the 37th Golden Raspberry Awards.
In ancient Egypt, the ruling god Osiris is killed by his jealous brother Set during the coronation of Osiris's son Horus. Set seizes the throne and declares that mankind must pay riches to pass into the afterlife. Stripped of his eyes, Horus is exiled as Egypt is driven to its knees.
One year later, a thief named Bek is given the plans for Set's pyramid by his lover Zaya, a slave to chief architect Urshu. Bek steals one of Horus' eyes from Set’s treasure vault, but is caught by Urshu. Zaya is killed, and Bek takes her body to Horus and gives him the eye, promising to find the other if he brings Zaya back from the dead.
They visit the divine vessel of Horus' grandfather Ra. Neutral about the conflict with Set, and at war with the shadow beast Apophis that threatens to devour the world, Ra does not restore Horus’ power, but gives him a vial of divine waters to weaken Set. Ra explains that Horus’ loss of his powers is the result of not fulfilling his destiny, which Horus believes means avenging his parents' deaths.
Set asks Hathor to take him to the underworld, but she refuses and escapes. After an attack by Minotaurs led by Mnevis, followed by other minions and giant cobras, Hathor rescues Horus and Bek. Horus is mistrustful of Hathor, who claims Set is also her enemy. Bek and Horus explain their plan to infiltrate Set's pyramid, and Hathor warns of a guardian sphinx. They visit the library of Thoth to recruit the god to solve the sphinx’s riddle. Overcoming the pyramid's traps, they reach the source of Set's power. Before they can use the divine water, Set traps them, destroying the divine water and taking Thoth's brain, but Horus saves Hathor and Bek. Sacrificing her own safety, Hathor gives Bek her bracelet as payment (for Zaya) for the afterlife and calls Anubis to take him to Zaya, letting herself be dragged to the underworld.
Absorbing Thoth's brain, Osiris's heart, Horus's other eye, and wings from Nephthys, Set confronts Ra about his mistreatments, which Ra explains were tests to prepare Set for his true role: taking Ra's place aboard his solar barge as defender of the world against Apophis. Dismayed, Set decides to destroy the afterlife to become immortal. Ra blasts him with his spear, but Set survives through his absorbed powers. He stabs Ra, taking his spear and casting him off the barge, freeing Apophis to consume the mortal and underworld realms.
Zaya refuses Hathor's gift, not wanting an afterlife without Bek. Apophis attacks, and the gate to the afterlife is closed. Bek returns to the mortal world, determined to stop Set and encouraging Horus that Zaya still had faith in him.
Horus battles Set atop an obelisk, but is heavily outmatched. Bek throws Urshu to his death and joins the battle on the obelisk, removing Horus' stolen eye from Set's armor, but is mortally wounded. Sliding toward the edge of the obelisk, Bek throws the eye to Horus, who must choose either to catch it or to save Bek. Horus reaches for Bek, apologizing for all he has put him through. As they plummet toward the ground, Horus regains his power to transform, flying Bek to safety. Horus realizes that his true destiny was to protect his people. With renewed strength, Horus outmaneuvers and kills Set. Finding Ra wounded in the aether, Horus returns his spear, allowing Ra to repel Apophis, and Anubis to reopen the gates.
A child in the crowd returns Horus' other eye and the god lays a dying Bek in Osiris's tomb beside Zaya. For his deeds, Ra offers to bestow Horus with any power, but all Horus wants is to bring Bek and Zaya back to life. Ra grants his wish, and the other gods were restored, except Horus' parents who had already passed into the afterlife. Horus is crowned king and declares access to the afterlife will be paid with good deeds in life. Bek is made chief advisor and gives Horus Hathor's bracelet; Horus leaves to rescue her from the underworld.
- Nikolaj Coster-Waldau as Horus, the Egyptian God of Air and Hathor's lover.
- Gerard Butler as Set, the Egyptian God of the Desert
- Brenton Thwaites as Bek, a young thief who allies with Horus.
- Lindsay Farris voices an older Bek that narrates the film.
- Chadwick Boseman as Thoth, the Egyptian God of Wisdom.
- Élodie Yung as Hathor, the Egyptian Goddess of Love and Horus's lover.
- Courtney Eaton as Zaya, Bek's lover.
- Geoffrey Rush as Ra, the Egyptian God of the Sun
- Rufus Sewell as Urshu, Set's architect.
- Bryan Brown as Osiris, the Egyptian God of the Afterlife, who is the king of Egypt and the father of Horus
- Goran D. Kleut as the voice and motion capture of Anubis, the Egyptian God of Death
- Rachael Blake as Isis, the Egyptian Goddess of Health, Marriage and Wisdom who is the wife of Osiris and the mother of Horus.
- Emma Booth as Nephthys, the Goddess of Protection.
- Alexander England as the voice and motion capture of Mnevis, the leader of the Egyptian Minotaurs that work for Set.
- Yaya Deng as Astarte
- Abbey Lee as Anat
- Kenneth Ransom as the voice and motion capture of Sphinx
- Robyn Nevin as Sharifa
- Bruce Spence as Head Judge
—Director Alex Proyas, December 2015
Gods of Egypt is directed by Alex Proyas based on a screenplay by Matt Sazama and Burk Sharpless. The film was produced under Summit Entertainment. Proyas was contracted by Summit in May 2012, to write the screenplay with Sazama and Sharpless, and to direct the film. Proyas said he sought to make a big-budget film with an original premise, to contrast franchise films. The director cited the following films as influences on Gods of Egypt: The Guns of Navarone (1961), Lawrence of Arabia (1962), The Man Who Would Be King (1975), Raiders of the Lost Ark (1981), and Sergio Leone's Western films. Lionsgate anticipated that Gods of Egypt would be the first film in a new franchise after it finished releasing The Hunger Games films.
Actor Nikolaj Coster-Waldau was cast in June 2013. Gerard Butler, Geoffrey Rush, and Brenton Thwaites joined the cast toward the end of 2013. Chadwick Boseman and Élodie Yung joined the cast at the start of 2014.
The film was shot in Australia. A crew of 200 began pre-production in Sydney in New South Wales, and producers considered filming in Melbourne in Victoria, to take advantage of the state's tax incentive. Docklands Studios Melbourne was too booked to accommodate Gods of Egypt, and producers were instead offered an airport facility for production. The Australian states New South Wales and Victoria competed to be the location of the film's production, and Summit selected NSW in February 2014. The state's deputy premier, Andrew Stoner, estimated that the production would add 400 jobs to the state and contribute $75 million to its economy.[nb 1]
Principal photography began on March 19, 2014 at Fox Studios Australia in Sydney. The setting of Anubis' temple was filmed at Centennial Park in Sydney, and visual effects were laid over the scene. The production budget was $140 million. Jon Feltheimer, the CEO of Summit's parent company Lionsgate, said Lionsgate's financial exposure was under $10 million due to tax incentives of filming in Australia, as well as foreign pre-sales. The Australian government's tax credit to have the film produced in the country covered 46% of the $140 million production budget, and most of the remaining budget was covered by the foreign pre-sales.
In the film, the gods in humanoid form are 9 feet (2.7 m) tall and in "battle beast" form are over 12 feet (3.7 m) tall. Proyas used forced perspective and motion control photography to portray the difference in height between the actors portraying the gods and the humans. Proyas called the logistical challenge a "reverse Hobbit", referring to The Lord of the Rings films, in which Hobbits are depicted as shorter than humans. For the Sphinx, actor Kenneth Ransom portrayed the giant creature via motion capture. For the god Thoth, who can appear as many copies, actor Chadwick Boseman was filmed hundreds of times from different angles. For a scene with many copies of Thoth, other actors took a day to film the scene, where Boseman filmed the scene for three days.
Racial and ethnic castingEdit
White actors make up most of the principal cast of Gods of Egypt. When Lionsgate began marketing the film, the Associated Press said the distributor received backlash for ethnically inaccurate casting. Lionsgate and director Alex Proyas both issued apologies. The AP said, "While some praised the preemptive mea culpa ... others were more skeptical, concluding that it's simply meant to shut down any further backlash."
The casting practice of white actors as Egyptian characters was first reported after filming started in March 2014, when Daily Life's Ruby Hamad highlighted the practice as "Hollywood whitewashing". Lionsgate released a set of character posters in November 2015, and The Guardian reported that the casting received a backlash on Twitter over the predominantly white cast. Some suggested that the casting of black actor Chadwick Boseman, who plays the god Thoth, played into the Magical Negro stereotype. The previous year, the biblical epic Exodus: Gods and Kings by director Ridley Scott received similar backlash for having a white cast.[nb 2] The Washington Post's Soraya Nadia McDonald also disparaged the casting practice for Gods of Egypt and said Lionsgate released the posters at an unfortunate time. She said with the release of Aziz Ansari's TV series Master of None in the previous week, "Whitewashed casting and the offensiveness of brownface has pretty much dominated the pop culture conversation this week. Promotion for the movie is beginning just as we're wrapping a banner year for discussions of diversity and gender pay equity in the film industry."
When Lionsgate followed its release of posters with a release of a theatrical trailer, Scott Mendelson at Forbes said, "The implication remains that white actors, even generic white actors with zero box office draw, are preferable in terms of domestic and overseas box office than culturally-specific (minority) actors who actually look like the people they are supposed to be playing." He said almost none of the actors, aside from potentially Butler, qualified as box office draws. BET's Evelyn Diaz said while Ridley Scott had defended his casting practice for Exodus by claiming the need to cast box office draws, "Gods of Egypt is headlined by character actors and Gerard Butler, none of whom will have people running to the theater on opening day." Deadline's Ross A. Lincoln said of the released trailer, "Casting here stands out like a sore thumb leftover from 1950s Hollywood. I suspect this film generates a lot of conversation before it hits theaters February 26, 2016."
In response to criticisms of its casting practice, director Alex Proyas and Lionsgate issued apologies in late November 2015 for not considering diversity; Lionsgate said it would strive to do better. Mendelson of Forbes said the apologies were "a somewhat different response" than defenses made by Ridley Scott for Exodus and Joe Wright for Pan (2015). Ava DuVernay, who directed Selma (2014), said, "This kind of apology never happens – for something that happens all the time. An unusual occurrence worth noting." The Guardian's Ben Child said, "The apologies are remarkable, especially given that Gods of Egypt does not debut in cinemas until 26 February and could now suffer at the box office." Michael Ordoña of San Francisco Chronicle said of the apologies, "That's little comfort to the nonwhite actors denied opportunities or the Egyptians who will see a pale shadow of their ancestral traditions." The Casting Society of America applauded the statements from Lionsgate and Proyas. Professor Todd Boyd, chair for the Study of Race and Popular Culture at the University of Southern California, said, "The apology is an attempt to have it both ways. They want the cast that they selected and they don't want people to hold it against them that it's a white cast."
Boseman, who plays the god Thoth, commenting on the whitewashing, said he expected the backlash to happen when he saw the script. He said, "I'm thankful that it did, because actually, I agree with it. That's why I wanted to do it, so you would see someone of African descent playing Thoth, the father of mathematics, astronomy, the god of wisdom." Actor Nikolaj Coster-Waldau said, "A lot of people are getting really worked up online about the fact that I'm a white actor. I'm not even playing an Egyptian; I'm an 8-foot-tall god who turns into a falcon. A part of me just wants to freak out, but then I think, 'There's nothing you can do about it.' You can't win in that sort of discussion."
In the month leading up to release, director Proyas said his film was fantasy and not intended to be history. He cited "creative license and artistic freedom of expression" to cast the actors he found to fit the roles. He said "white-washing" was a justified concern but for his fantasy film, "To exclude any one race in service of a hypothetical theory of historical accuracy ... would have been biased." Proyas said that films "need more people of color and a greater cultural diversity" but that Gods of Egypt "is not the best one to soap-box issues of diversity with". He argued that the lack of English-speaking Egyptian actors, production practicalities, the studio's requirement for box office draws, and Australia having guidelines limiting "imported" actors were all factors in casting for the film. He concluded, "I attempted to show racial diversity, black, white, Asian, as far as I was allowed, as far as I could, given the limitations I was given. It is obviously clear that for things to change, for casting in movies to become more diverse many forces must align. Not just the creative. To those who are offended by the decisions which were made I have already apologised. I respect their opinion, but I hope the context of the decisions is a little clearer based on my statements here." After the film was critically panned, Proyas said, "I guess I have the knack of rubbing reviewers the wrong way. This time of course they have bigger axes to grind – they can rip into my movie while trying to make their mainly pale asses look so politically correct by screaming 'white-wash!!!'"
Lionsgate spent an estimated $30 million on marketing the film. It released a set of character posters in November 2015, for which it received backlash due to white actors playing Egyptian characters, as noted above. Later in the month, it released a theatrical trailer. Lionsgate aired a 60-second spot for Gods of Egypt during the pre-game show of the Super Bowl 50 on February 7, 2016, though they released the trailer online a day earlier.
Box office forecastEdit
BoxOffice forecast two months in advance that Gods of Egypt would gross $14.5 million on its opening weekend in the United States and Canada, and that it would gross $34 million total on its theatrical run. The magazine said the film had "a strong ensemble cast" and that its director has "had a noteworthy following". BoxOffice also said the premise could attract movie-goers who saw Clash of the Titans, Wrath of the Titans, and the Percy Jackson films. Admissions to 3D screenings would help boost Gods of Egypt's gross. The magazine said factors negatively affecting the film's gross were a "lackluster reaction" to its marketing and the backlash to its predominantly white cast causing negative buzz. It anticipated that the film's release would be front-loaded (focused on profiting mainly from opening weekend) due to the poor buzz, its categorization as a fantasy film, and with London Has Fallen opening the following weekend.
A week before the film's release, TheWrap's Todd Cunningham reported an updated forecast of $15 million for its opening weekend in the United States and Canada. The Hollywood Reporter's Pamela McClintock said it was tracking to gross between $12 million and $15 million. Cunningham said the expected gross was low for the film's triple-digit budget as well as additional marketing costs. He said the film could attract Alex Proyas's fan base but that it had suffered "some negativity out there" due to the predominantly white casting as well as the film being perceived to have an "old-fashioned" feel. Exhibitor Relations senior media analyst Jeff Bock said the film "feels late" years after the release of 300 (2007) and Immortals (2011), and an earlier production and release would have been more advantageous. Cunningham said with Lionsgate's financial exposure only being $10 million and the expected opening gross, the film could gross between $40 million and $50 million for its theatrical run in the United States and Canada and ultimately avoid a loss. The Hollywood Reporter's McClintock said "ancient epics" in recent years had not performed well at the box office, citing the 2014 films Hercules, The Legend of Hercules, and Pompeii.
Ryan Faughnder of the Los Angeles Times said in the week before the film's release that the expected opening weekend gross meant that Lionsgate's plans to make Gods of Egypt the first film in a new franchise were unlikely. Faughnder said the film would need to perform strongly in territories outside the United States and Canada for a sequel to be developed. Variety's Brent Lang reported that analysts said the film would need to open to $30 million or more in the United States to justify a sequel.
Gods of Egypt grossed $31.2 million in the United States and Canada, and $119.6 million in other countries, for a worldwide total of $150.7 million against a production budget of $140 million. The Hollywood Reporter estimated the film lost the studio up to $90 million, when factoring together all expenses and revenues.
Lionsgate released Gods of Egypt in theaters globally starting on February 25, 2016. It was released in 2D, RealD 3D, and IMAX 3D. Lionsgate released the film in the United States and Canada on the weekend of February 26–28, as well as in 68 other markets,[nb 3] including Russia, South Korea, and Brazil. Jaguar Films released the film in the United Arab Emirates (February 25) and other countries in the Middle East under the title Kings of Egypt. Viacom 18 released the film in India on February 26, 2016 in four languages: English, Hindi, Tamil, and Telugu.
In the United States and Canada, the film was released in 3,117 theaters. It grossed an estimated $800,000 in Thursday-night previews and $4.8 million on Friday, lowering the projected weekend gross to $11–13 million. It went on to gross $14.1 million in its opening weekend, finishing second at the box office behind Deadpool ($31.5 million). It competed with fellow newcomers Eddie the Eagle and Triple 9, as well as with Deadpool, which opened two weekends earlier. Opening-day audiences polled by CinemaScore gave the film an average grade of "B–" on an A+ to F scale. The Christian Science Monitor's Molly Driscoll said the Gods of Egypt's US release was during "a traditionally quiet time at the box office". Scott Mendelson of Forbes commented on supporting versus opposing a successful debut of the film, as "It's an example of a great wrong in modern Hollywood (whitewashing) while existing as a great right (an original fantasy from a gifted and visionary director) at the same time."
Outside North America, the film got a staggered release. In its opening weekend, it was number one across Central America, Eastern Europe and South East Asia. Top openings were in Russia ($4.3 million), Brazil ($1.9 million) and Philippines ($1.7 million).
Le Vision Pictures acquired rights from Lionsgate in November 2015 to distribute Gods of Egypt in China, and released the film there on March 11, 2016. China was the film's largest territory, with US$35.6 million. Lionsgate also released the film in the United Kingdom on June 17, 2016.
Gods of Egypt was panned by critics. On Rotten Tomatoes, the film has an approval rating of 16% based on 192 reviews, with an average rating of 3.42/10. Metacritic gives the film a score of 25 out of 100 based on 25 critics, indicating "generally unfavorable reviews".
Alonso Duralde of TheWrap wrote, "A mishmash of unconvincing visual effects and clumsy writing—not to mention another depiction of ancient Egypt in which the lead roles are almost all played by white folks—Gods of Egypt might have merited a so-bad-it's-good schadenfreude fanbase had it maintained the unintentional laughs of its first 10 minutes. Instead, it skids into dullness, thus negating the camp classic that it so often verges on becoming." Joycelyn Noveck of the Chicago Sun Times gave the film a half star out of four, writing, "It's obvious the filmmakers were gunning for a sequel here. But this bloated enterprise is so tiresome by the end, it seems more likely headed for a long rest somewhere in the cinematic afterlife." Ignatiy Vishnevetsky of The A.V. Club called Gods of Egypt "overlong and very silly," and said: "A treasure trove of gilded fantasy bric-a-brac and clashing accents, Proyas' sword-and-sandals space opera is a head above the likes of Wrath of the Titans, but it rapidly devolves into a tedious and repetitive succession of monster chases, booby traps, and temples that start to crumble at the last minute."
Jordan Hoffman of The Guardian said, "This is ridiculous. This is offensive. This shouldn't be, and I'm not going to say otherwise if you can't bring yourself to buy a ticket for this movie. But if you are on the fence you can always offset your karmic footprint with a donation to a charity, because this movie is a tremendous amount of fun." On the other hand, Olly Richards of Empire was heavily critical, calling the film a "catastrophe" and "the Dolly Parton of movies, without any of the knowing wit".
In response to the reviews, director Proyas posted to Facebook calling critics "diseased vultures pecking at the bones of a dying carcass", who were "trying to peck to the rhythm of the consensus. I applaud any film-goer who values their own opinion enough to not base it on what the pack-mentality says is good or bad."
|Best Original Music Score||Marco Beltrami||Nominated|
|Best Sound||Wayne Pashley, Peter Grace, Derryn Pasquill, Fabian Sanjurjo, Greg P. Fitzgerald and Peter Purcell||Nominated|
|Best Costume Design||Liz Palmer||Nominated|
|Best Visual Effects or Animation||Eric Durst, Jack Geist, Andrew Hellen, James Whitlam and Julian Dimsey||Nominated|
|Best Hair and Makeup||Lesley Vanderwalt, Lara Jade Birch and Adam Johansen||Nominated|
|Golden Raspberry Awards||Worst Picture||Alex Proyas and Basil Iwanyk||Nominated|
|Worst Director||Alex Proyas||Nominated|
|Worst Actor||Gerard Butler||Nominated|
|Worst Screen Combo||Any two Egyptian gods or mortals||Nominated|
|Worst Screenplay||Matt Sazama and Burk Sharpless||Nominated|
|Houston Film Critics Society||Worst Film||Basil Iwanyk and Alex Proyas||Nominated|
The film was released on May 31, 2016, on DVD and Blu-ray.
- The union Media Entertainment & Arts Alliance filed an objection with Australia's Fair Work Commission stating that the film would adopt unfair work conditions. The union contested the production being Australian enough to receive a 40% producer rebate, yet importing work conditions substandard for Australia.
- Filmmakers for Gods of Egypt had already set their cast and had completed filming when backlash occurred over the casting practice for Exodus: Gods and Kings.
- Lionsgate initially scheduled the film to be released in the United States on February 12, 2016, then it postponed the release to April 8, 2016, before finalizing the date to February 26, 2016.
- "GODS OF EGYPT (12A)". British Board of Film Classification. April 11, 2016. Retrieved April 11, 2016.
- Ward, Sarah (February 24, 2016). "'Gods Of Egypt': Review". Screen Daily. Retrieved February 25, 2016.
- Cunningham, Todd (February 19, 2016). "'Gods of Egypt' on Track for $15 Million Opening – Can It Beat the Odds and Launch a Franchise?". TheWrap. Retrieved February 19, 2016.
- "Gods of Egypt (2016)". Box Office Mojo. Retrieved September 17, 2016.
- "Gods of Egypt | Official Movie Site | Story". godsofegypt.movie. Lionsgate. Archived from the original on December 3, 2015. Retrieved February 19, 2016.
- "Gods of Egypt | Story". godsofegyptmovie.com. Lionsgate. Archived from the original on December 3, 2015. Retrieved January 12, 2016.
- Groves, Don (December 15, 2015). "'The Gods of Egypt': Alex Proyas Grapples With a Size Issue In Fantasy Adventure". Forbes. Retrieved January 12, 2016.
- Sneider, Jeff (May 17, 2012). "Proyas in talks for Summit's 'Gods of Egypt'". Variety. Retrieved November 12, 2015.
- Groves, Don (February 3, 2016). "'Gods Of Egypt'- Silly And Outdated, Or An Unlikely Blockbuster?". Forbes. Retrieved February 5, 2016.
- Faughnder, Ryan (February 24, 2016). "A roughly $15-million debut is predicted for 'Gods of Egypt' -- a $140-million film". Los Angeles Times. Retrieved February 24, 2016.
- Sneider, Jeff (June 5, 2013). "'Game of Thrones' Star Nikolaj Coster-Waldau in Talks to Lead 'Gods of Egypt'". TheWrap. Retrieved November 12, 2015.
- Siegel, Tatiana; Kit, Borys (September 24, 2013). "Gerard Butler to Join Summit's 'Gods of Egypt'". The Hollywood Reporter. Retrieved November 12, 2015.
- Kit, Borys (September 24, 2013). "Geoffrey Rush Joining Nikolaj Coster-Waldau, Gerard Butler in 'Gods of Egypt'". The Hollywood Reporter. Retrieved November 12, 2015.
- Kroll, Justin (October 7, 2013). "Brenton Thwaites Board Summit's 'Gods of Egypt'". Variety. Retrieved November 12, 2015.
- Fleming, Mike (January 30, 2014). "Chadwick Boseman Set For Summit's 'Gods Of Egypt'". Deadline Hollywood. Retrieved November 12, 2015.
- Maddox, Gary (February 24, 2014). "Interstate battle for Gods of Egypt movie decided". Sydney Morning Herald. Retrieved November 12, 2015.
- Frater, Patrick (February 24, 2014). "Summit's 'Gods of Egypt' Heads for Australia Shoot". Variety. Retrieved November 12, 2015.
- Groves, Don (March 21, 2014). "Gods of Egypt rolls in Sydney". If Magazine. Retrieved November 12, 2015.
- Groves, Don (February 10, 2016). "'Gods Of Egypt' Unleashes Its Own Golem, A Giant Sphinx Of Stone". Forbes. Retrieved February 11, 2016.
- McNary, Dave (May 30, 2014). "Lionsgate Has Franchise Fever, Looks to Duplicate 'Hunger Games' Success". Variety. Retrieved November 12, 2015.
- Busch, Anita (February 5, 2016). "Lionsgate Plans 17 Films For 2017, Says 'Star Wars' Grabbed $50M-$100M From 'Mockingjay 2'; Stock Falls 27%". Deadline Hollywood. Retrieved February 5, 2016.
- Bahr, Lindsey (December 14, 2015). "'Gods of Egypt' renews concern about inaccurate film casting". ap.org. Associated Press. Archived from the original on December 15, 2015. Retrieved January 12, 2016.
- Hamad, Ruby (April 1, 2014). "All lead actors in The Gods of Egypt will be white". Daily Life. Fairfax Media. Retrieved November 12, 2015.
- Lee, Benjamin (November 13, 2015). "Gods of Egypt posters spark anger with 'whitewashed' cast". The Guardian. Retrieved November 13, 2015.
- Staff (November 13, 2015). "'Gods of Egypt' posters cause online uproar over predominantly white cast". FOX News. Retrieved November 13, 2015.
- Butler, Tom (November 13, 2015). "Gods of Egypt Movie Accused Of 'Whitewashing'". Yahoo! News. Archived from the original on November 17, 2015. Retrieved November 15, 2015.
- McDonald, Soraya Nadia (November 12, 2015). "'Gods of Egypt' promo posters reveal no lessons learned from 'Exodus' fiasco". The Washington Post. Retrieved November 13, 2015.
- Mendelson, Scott (November 17, 2015). "'Gods Of Egypt,' With Gerald Butler And Chadwick Boseman, Gets A Visually Spectacular Trailer". Forbes. Retrieved November 17, 2015.
- Shepherd, Jack (November 18, 2015). "Gods of Egypt: Gerard Butler and Game of Thrones' Nikolaj Coster-Waldau star in heavily CGI'd trailer". The Independent. Retrieved November 18, 2015.
- Diaz, Evelyn (November 18, 2015). "Another Whitewashed Movie Set in Africa Is Coming to a Theater Near You". bet.com. BET. Retrieved November 18, 2015.
- Lincoln, Ross A. (November 17, 2015). "'Gods Of Egypt' Trailer: The Ancient Greek Version Of Ancient Egypt?". Deadline Hollywood. Retrieved November 17, 2015.
- Mendelson, Scott (November 27, 2015). "Exclusive: Lionsgate Responds To 'Gods Of Egypt' Whitewashing Controversy". Forbes. Retrieved November 27, 2015.
- Ge, Linda (November 27, 2015). "'Gods of Egypt' Director, Studio Apologize for Mostly White Cast: 'We Failed to Live Up to Our Own Standards'". TheWrap. Retrieved November 27, 2015.
- Staff (November 27, 2015). "'Gods of Egypt' Director, Studio Apologize for Lack of Diverse Casting: 'We Can Do Better'". Variety. Retrieved November 27, 2015.
- Evans, Greg (November 27, 2015). "Lionsgate And 'Gods Of Egypt' Director Alex Proyas Apologize For Film's Lack Of Diversity". Deadline Hollywood. Retrieved November 27, 2015.
- Whipp, Glenn (November 28, 2015). "'Gods of Egypt' backlash: Director, studio apologize for racial miscasting". Los Angeles Times. Retrieved November 28, 2015.
- Grinberg, Emanuella (November 28, 2015). "'Gods of Egypt' director, Lionsgate apologize for predominantly white cast". cnn.com. CNN. Retrieved November 29, 2015.
- Walker, Tim (November 28, 2015). "Gods of Egypt: Film-makers apologise after casting white actors to play Ancient Egyptian deities". The Independent. Retrieved November 29, 2015.
- Bui, Hoai-Tran (November 30, 2015). "'Gods of Egypt' director apologizes for 'whitewashed' cast". USA Today. Retrieved November 30, 2015.
- Shea, Christopher D. (November 30, 2015). "'Gods of Egypt' Casting Prompts Apologies From Director and Lionsgate". The New York Times. Retrieved November 30, 2015.
- Stone, Natalie (November 27, 2015). "'Gods of Egypt' Director, Studio Apologize Following Diverse Casting Controversy". The Hollywood Reporter. Retrieved November 28, 2015.
- Child, Ben (November 30, 2015). "Gods of Egypt director and studio apologise for lack of diversity". The Guardian. Retrieved November 30, 2015.
- Ordoña, Michael (December 11, 2015). "Diverse array of white actors in 'Gods of Egypt'". San Francisco Chronicle. Retrieved December 15, 2015.
- Ball, Sarah (December 4, 2015). "Chadwick Boseman on His Steph Curry Love and the Gods of Egypt Controversy". GQ. Retrieved December 8, 2015.
- Sturm, Rüdiger (February 2016). "Nikolaj Coster-Waldau On Surviving Five Seasons of Game of Thrones". The Red Bulletin. Retrieved February 25, 2016.
- Walker, Tim (March 4, 2016). "Are Egypt's gods too white – or just too hammy?". The Independent. Retrieved February 3, 2017.
- Hipes, Patrick (February 5, 2016). "'Gods Of Egypt' Getting 60-Second Spot In Super Bowl Pre-Game Show". Deadline Hollywood. Retrieved February 5, 2016.
- Lincoln, Ross A. (February 6, 2016). "New 'Gods Of Egypt' Trailer: Lionsgate Unleashes Super Bowl Spot A Day Early". Deadline Hollywood. Retrieved February 8, 2016.
- Hannley, Steve (February 17, 2016). "Gods Of Egypt Movie Tie-In Game Gets a Surprise Release". Hardcore Gamer. Retrieved February 18, 2016.
- Garris, Daniel (January 2, 2016). "Long Range Forecast: 'Gods Of Egypt' & 'Triple 9'". BoxOffice. Archived from the original on January 5, 2016. Retrieved January 10, 2016.
- McClintock, Pamela (February 24, 2016). "Box-Office Preview: Big-Budget 'Gods of Egypt' Imperiled". The Hollywood Reporter. Retrieved February 25, 2016.
- Lang, Brent (February 24, 2016). "Box Office: 'Gods of Egypt' Falling Flat, 'Deadpool' Still King". Variety. Retrieved February 25, 2016.
- Pamela McClintock; Mia Galuppo (September 8, 2016). "'Ben Hur' to 'BFG': Hollywood's Biggest Box-Office Bombs of 2016". The Hollywood Reporter. Prometheus Global Media, LLC. Retrieved July 13, 2018.
- "Gods of Egypt". twitter.com. Twitter. Retrieved November 17, 2015.
- "Lionsgate's Visual Effects-Driven Event Film Gods of Egypt Rolls Out In Domestic And International IMAX® 3D Theatres February 26". prnewswire.com. PR Newswire. January 21, 2016. Retrieved January 21, 2016.
- D'Alessandro, Anthony (February 24, 2016). "'Deadpool' Will Cuss Out 'Gods Of Egypt', 'Eddie The Eagle' & 'Triple 9' – Box Office Preview". Deadline Hollywood. Retrieved February 25, 2016.
- Staff (December 16, 2013). "Summit Sets Release Dates For 'Gods Of Egypt' 'Allegiant' & 'Step Up 5'". Deadline Hollywood. Retrieved November 12, 2015.
- McNary, Dave (April 30, 2015). "'Power Rangers' Movie Pushed Back to 2017". Variety. Retrieved November 12, 2015.
- Tusing, David (February 1, 2016). "'Gods of Egypt' film title changed to 'Kings of Egypt'". Gulf News. Retrieved February 1, 2016.
- Staff (February 9, 2016). "Gods of Egypt to hit theatres on Feb 26". The Statesman. Retrieved February 9, 2016.
- McClintock, Pamela; Ford, Rebecca (February 26, 2016). "Box Office: 'Gods of Egypt' Bombing Friday for Dismal U.S. Debut". The Hollywood Reporter.
- D'Alessandro, Anthony (February 26, 2016). "Powerless to 'Deadpool', 'Gods of Egypt' Is First 2016 Big-Budget Bomb: Friday Late Night B.O. Update". Deadline Hollywood. Retrieved February 27, 2016.
- Brevet, Brad (February 21, 2016). "'Deadpool' Tops $490M Worldwide; 'Risen', 'Witch' & 'Mermaid' Open Strong". boxofficemojo.com. Box Office Mojo. Retrieved February 23, 2016.
- Driscoll, Molly (November 18, 2015). "'Gods of Egypt': A look at the popularity of action-heavy mythology movies". The Christian Science Monitor. Retrieved November 18, 2015.
- Mendelson, Scott (February 19, 2016). "Box Office: Does 'Gods Of Egypt' Deserve To Bomb?". Forbes. Retrieved February 19, 2016.
- Nancy Tartaglione (February 28, 2016). "'Gods Of Egypt' Bow To $24.2M; 'Zootopia' Hops With $30M in 3rd Frame – Intl B.O." Deadline Hollywood. Retrieved February 28, 2016.
- Sun, Rebecca (November 9, 2015). "China's Le Vision Acquires Lionsgate's 'Gods of Egypt,' Unveils 10-Film Slate". The Hollywood Reporter. Retrieved November 12, 2015.
- "Gods of Egypt". Box Office Mojo. Retrieved January 4, 2017.
- "Gods of Egypt (2016) - Release Info". Retrieved April 2, 2016.
- McNary, Gary (February 26, 2016). "Gods of Egypt Heading for Epic Box Office Flop". Variety. Retrieved May 29, 2016.
- "Gods of Egypt (2016)". Rotten Tomatoes. Fandango. Retrieved August 4, 2020.
- "Gods of Egypt Reviews". Metacritic. CBS Interactive. Retrieved March 2, 2016.
- "'Gods of Egypt' Review: Gerard Butler Fiasco Is the Worst Thing to Hit the Nile Since Asps". The Wrap. Retrieved February 26, 2016.
- "'Gods of Egypt': A new entry in the Pantheon of Mythical misfires". Chicago Sun Times. Retrieved February 26, 2016.
- "Look on Gods Of Egypt, ye Mighty, and be baffled". The A.V. Club. Retrieved March 2, 2016.
- Hoffman, Jordan (February 27, 2016). "Gods of Egypt review – ridiculous, offensive and tremendously fun". The Guardian. London. ISSN 0261-3077. Retrieved March 3, 2016.
- Richards, Olly (June 9, 2016). "Gods of Egypt". Empire. Retrieved June 12, 2016.
- Lee, Benjamin (March 1, 2016). "Gods of Egypt director Alex Proyas calls film critics 'diseased vultures'". The Guardian. ISSN 0261-3077. Retrieved March 3, 2016.
- "Gods of Egypt DVD Release Date May 31, 2016". dvdsreleasedates.com.