Gilbert Keith Chesterton  philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox". Time magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out."(29 May 1874 – 14 June 1936) was an English writer,
G. K. Chesterton
|Born||29 May 1874|
Kensington, London, England
|Died||14 June 1936 (aged 62)|
Beaconsfield, Buckinghamshire, England
|Resting place||Roman Catholic Cemetery, Beaconsfield|
|Education||St Paul's School|
|Alma mater||Slade School of Art|
University College London
|Genre||Essays, fantasy, Christian apologetics, Catholic apologetics, mystery, poetry|
|Literary movement||Catholic literary revival|
|Notable works||The Napoleon of Notting Hill|
The Man Who Was Thursday
Father Brown stories
The Everlasting Man
|Relatives||Cecil Chesterton (brother)|
A. K. Chesterton (2nd cousin)
Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman, and John Ruskin.
Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton (1841–1922). Chesterton was baptised at the age of one month into the Church of England, though his family themselves were irregularly practising Unitarians. According to his autobiography, as a young man he became fascinated with the occult and, along with his brother Cecil, experimented with Ouija boards. He was educated at St Paul's School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject. He married Frances Blogg in 1901; the marriage lasted the rest of his life. Chesterton credited Frances with leading him back to Anglicanism, though he later considered Anglicanism to be a "pale imitation". He entered full communion with the Catholic Church in 1922. The couple were unable to have children.
A friend from schooldays was Edmund Clerihew Bentley, inventor of the clerihew. Chesterton himself wrote clerihews and illustrated his friend's first published collection of poetry, Biography for Beginners (1905), which popularised the clerihew form. He became godfather to Bentley's son, Nicolas, and opened his novel The Man Who Was Thursday with a poem written to Bentley.
In September 1895, Chesterton began working for the London publisher George Redway, where he remained for just over a year. In October 1896 he moved to the publishing house T. Fisher Unwin, where he remained until 1902. During this period he also undertook his first journalistic work, as a freelance art and literary critic. In 1902 the Daily News gave him a weekly opinion column, followed in 1905 by a weekly column in The Illustrated London News, for which he continued to write for the next thirty years.
Early on Chesterton showed a great interest in and talent for art. He had planned to become an artist, and his writing shows a vision that clothed abstract ideas in concrete and memorable images. Even his fiction contained carefully concealed parables. Father Brown is perpetually correcting the incorrect vision of the bewildered folks at the scene of the crime and wandering off at the end with the criminal to exercise his priestly role of recognition and repentance. For example, in the story "The Flying Stars", Father Brown entreats the character Flambeau to give up his life of crime: "There is still youth and honour and humour in you; don't fancy they will last in that trade. Men may keep a sort of level of good, but no man has ever been able to keep on one level of evil. That road goes down and down. The kind man drinks and turns cruel; the frank man kills and lies about it. Many a man I've known started like you to be an honest outlaw, a merry robber of the rich, and ended stamped into slime."
Chesterton loved to debate, often engaging in friendly public disputes with such men as George Bernard Shaw, H. G. Wells, Bertrand Russell and Clarence Darrow. According to his autobiography, he and Shaw played cowboys in a silent film that was never released. On 7 January 1914 Chesterton (along with his brother Cecil and future sister-in-law Ada) took part in the mock-trial of John Jasper for the murder of Edwin Drood. Chesterton was Judge and George Bernard Shaw played the role of foreman of the jury.
Chesterton was a large man, standing 6 feet 4 inches (1.93 m) and weighing around 20 stone 6 pounds (130 kg; 286 lb). His girth gave rise to an anecdote during the First World War, when a lady in London asked why he was not "out at the Front"; he replied, "If you go round to the side, you will see that I am." On another occasion he remarked to his friend George Bernard Shaw, "To look at you, anyone would think a famine had struck England." Shaw retorted, "To look at you, anyone would think you had caused it." P. G. Wodehouse once described a very loud crash as "a sound like G. K. Chesterton falling onto a sheet of tin". Chesterton usually wore a cape and a crumpled hat, with a swordstick in hand, and a cigar hanging out of his mouth. He had a tendency to forget where he was supposed to be going and miss the train that was supposed to take him there. It is reported that on several occasions he sent a telegram to his wife Frances from an incorrect location, writing such things as "Am in Market Harborough. Where ought I to be?" to which she would reply, "Home". Chesterton himself told this story, omitting, however, his wife's alleged reply, in his autobiography.
In 1931, the BBC invited Chesterton to give a series of radio talks. He accepted, tentatively at first. However, from 1932 until his death, Chesterton delivered over 40 talks per year. He was allowed (and encouraged) to improvise on the scripts. This allowed his talks to maintain an intimate character, as did the decision to allow his wife and secretary to sit with him during his broadcasts.[page needed] The talks were very popular. A BBC official remarked, after Chesterton's death, that "in another year or so, he would have become the dominating voice from Broadcasting House."
Chesterton was part of the Detection Club, a society of British mystery authors founded by Anthony Berkeley in 1928. He was elected as the first president and served from 1930 to 1936 till he was succeeded by E. C. Bentley.
Death and venerationEdit
Chesterton died of congestive heart failure on 14 June 1936, at his home in Beaconsfield, Buckinghamshire. The sermon at Chesterton's Requiem Mass in Westminster Cathedral, London, was delivered by Ronald Knox on 27 June 1936. Knox said, "All of this generation has grown up under Chesterton's influence so completely that we do not even know when we are thinking Chesterton." He is buried in Beaconsfield in the Catholic Cemetery. Chesterton's estate was probated at £28,389, equivalent to £1,972,065 in 2020.
Near the end of Chesterton's life, Pope Pius XI invested him as Knight Commander with Star of the Papal Order of St. Gregory the Great (KC*SG). The Chesterton Society has proposed that he be beatified. He is remembered liturgically on 13 June by the Episcopal Church, with a provisional feast day as adopted at the 2009 General Convention.
Chesterton wrote around 80 books, several hundred poems, some 200 short stories, 4,000 essays (mostly newspaper columns), and several plays. He was a literary and social critic, historian, playwright, novelist, Catholic theologian and apologist, debater, and mystery writer. He was a columnist for the Daily News, The Illustrated London News, and his own paper, G. K.'s Weekly; he also wrote articles for the Encyclopædia Britannica, including the entry on Charles Dickens and part of the entry on Humour in the 14th edition (1929). His best-known character is the priest-detective Father Brown, who appeared only in short stories, while The Man Who Was Thursday is arguably his best-known novel. He was a convinced Christian long before he was received into the Catholic Church, and Christian themes and symbolism appear in much of his writing. In the United States, his writings on distributism were popularised through The American Review, published by Seward Collins in New York.
Of his nonfiction, Charles Dickens: A Critical Study (1906) has received some of the broadest-based praise. According to Ian Ker (The Catholic Revival in English Literature, 1845–1961, 2003), "In Chesterton's eyes Dickens belongs to Merry, not Puritan, England"; Ker treats Chesterton's thought in Chapter 4 of that book as largely growing out of his true appreciation of Dickens, a somewhat shop-soiled property in the view of other literary opinions of the time. The biography was largely responsible for creating a popular revival for Dickens's work as well as a serious reconsideration of Dickens by scholars.
Chesterton's writings consistently displayed wit and a sense of humour. He employed paradox, while making serious comments on the world, government, politics, economics, philosophy, theology and many other topics.
T.S. Eliot summed up his work as follows:
He was importantly and consistently on the side of the angels. Behind the Johnsonian fancy-dress, so reassuring to the British public, he concealed the most serious and revolutionary designs—concealing them by exposure ... Chesterton's social and economic ideas...were fundamentally Christian and Catholic. He did more, I think, than any man of his time—and was able to do more than anyone else, because of his particular background, development and abilities as a public performer—to maintain the existence of the important minority in the modern world. He leaves behind a permanent claim upon our loyalty, to see that the work that he did in his time is continued in ours.
Eliot commented further that "His poetry was first-rate journalistic balladry, and I do not suppose that he took it more seriously than it deserved. He reached a high imaginative level with The Napoleon of Notting Hill, and higher with The Man Who Was Thursday, romances in which he turned the Stevensonian fantasy to more serious purpose. His book on Dickens seems to me the best essay on that author that has ever been written. Some of his essays can be read again and again; though of his essay-writing as a whole, one can only say that it is remarkable to have maintained such a high average with so large an output."
Views and contemporariesEdit
Wilde and ShawEdit
This section possibly contains original research. (October 2021)
In his book Heretics, Chesterton has this to say of Oscar Wilde: "The same lesson [of the pessimistic pleasure-seeker] was taught by the very powerful and very desolate philosophy of Oscar Wilde. It is the carpe diem religion; but the carpe diem religion is not the religion of happy people, but of very unhappy people. Great joy does not gather the rosebuds while it may; its eyes are fixed on the immortal rose which Dante saw." More briefly, and with a closer approximation of Wilde's own style, he writes in his 1908 book Orthodoxy concerning the necessity of making symbolic sacrifices for the gift of creation: "Oscar Wilde said that sunsets were not valued because we could not pay for sunsets. But Oscar Wilde was wrong; we can pay for sunsets. We can pay for them by not being Oscar Wilde."
Chesterton and George Bernard Shaw were famous friends and enjoyed their arguments and discussions. Although rarely in agreement, they both maintained good will toward, and respect for, each other. However, in his writing, Chesterton expressed himself very plainly on where they differed and why. In Heretics he writes of Shaw:
After belabouring a great many people for a great many years for being unprogressive, Mr. Shaw has discovered, with characteristic sense, that it is very doubtful whether any existing human being with two legs can be progressive at all. Having come to doubt whether humanity can be combined with progress, most people, easily pleased, would have elected to abandon progress and remain with humanity. Mr. Shaw, not being easily pleased, decides to throw over humanity with all its limitations and go in for progress for its own sake. If man, as we know him, is incapable of the philosophy of progress, Mr. Shaw asks, not for a new kind of philosophy, but for a new kind of man. It is rather as if a nurse had tried a rather bitter food for some years on a baby, and on discovering that it was not suitable, should not throw away the food and ask for a new food, but throw the baby out of window, and ask for a new baby.
Shaw represented the new school of thought, modernism, which was rising at the time. Chesterton's views, on the other hand, became increasingly more focused towards the Church. In Orthodoxy he writes: "The worship of will is the negation of will ... If Mr. Bernard Shaw comes up to me and says, 'Will something', that is tantamount to saying, 'I do not mind what you will', and that is tantamount to saying, 'I have no will in the matter.' You cannot admire will in general, because the essence of will is that it is particular."
This style of argumentation is what Chesterton refers to as using 'Uncommon Sense' – that is, that the thinkers and popular philosophers of the day, though very clever, were saying things that were nonsensical. This is illustrated again in Orthodoxy: "Thus when Mr. H. G. Wells says (as he did somewhere), 'All chairs are quite different', he utters not merely a misstatement, but a contradiction in terms. If all chairs were quite different, you could not call them 'all chairs'." Or, again from Orthodoxy:
The wild worship of lawlessness and the materialist worship of law end in the same void. Nietzsche scales staggering mountains, but he turns up ultimately in Tibet. He sits down beside Tolstoy in the land of nothing and Nirvana. They are both helpless – one because he must not grasp anything, and the other because he must not let go of anything. The Tolstoyan's will is frozen by a Buddhist instinct that all special actions are evil. But the Nietzscheite's will is quite equally frozen by his view that all special actions are good; for if all special actions are good, none of them are special. They stand at the crossroads, and one hates all the roads and the other likes all the roads. The result is – well, some things are not hard to calculate. They stand at the cross-roads.
Chesterton, as a political thinker, cast aspersions on both progressivism and conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." He was an early member of the Fabian Society, but resigned from it at the time of the Boer War.
The author James Parker, in The Atlantic, gives a modern appraisal:
In his vastness and mobility, Chesterton continues to elude definition: He was a Catholic convert and an oracular man of letters, a pneumatic cultural presence, an aphorist with the production rate of a pulp novelist. Poetry, criticism, fiction, biography, columns, public debate...Chesterton was a journalist; he was a metaphysician. He was a reactionary; he was a radical. He was a modernist, acutely alive to the rupture in consciousness that produced Eliot’s “The Hollow Men”; he was an anti-modernist...a parochial Englishman and a post-Victorian gasbag; he was a mystic wedded to eternity. All of these cheerfully contradictory things are true...for the final, resolving fact that he was a genius. Touched once by the live wire of his thought, you don’t forget it ... His prose...[is] supremely entertaining, the stately outlines of an older, heavier rhetoric punctually convulsed by what he once called (in reference to the Book of Job) "earthquake irony". He fulminates wittily; he cracks jokes like thunder. His message, a steady illumination beaming and clanging through every lens and facet of his creativity, was really very straightforward: get on your knees, modern man, and praise God.
Advocacy of CatholicismEdit
Chesterton's The Everlasting Man contributed to C. S. Lewis's conversion to Christianity. In a letter to Sheldon Vanauken (14 December 1950),[page needed] Lewis calls the book "the best popular apologetic I know", and to Rhonda Bodle he wrote (31 December 1947) "the [very] best popular defence of the full Christian position I know is G. K. Chesterton's The Everlasting Man". The book was also cited in a list of 10 books that "most shaped his vocational attitude and philosophy of life".
Chesterton's hymn "O God of Earth and Altar" was printed in The Commonwealth and then included in the English Hymnal in 1906. Several lines of the hymn are sung in the beginning of the song "Revelations" by the British heavy metal band Iron Maiden on their 1983 album Piece of Mind. Lead singer Bruce Dickinson in an interview stated "I have a fondness for hymns. I love some of the ritual, the beautiful words, Jerusalem and there was another one, with words by G.K. Chesterton O God of Earth and Altar – very fire and brimstone: 'Bow down and hear our cry'. I used that for an Iron Maiden song, "Revelations". In my strange and clumsy way I was trying to say look it's all the same stuff."
Étienne Gilson praised Chesterton's book on St Thomas Aquinas: "I consider it as being, without possible comparison, the best book ever written on Saint Thomas ... the few readers who have spent twenty or thirty years in studying St. Thomas Aquinas, and who, perhaps, have themselves published two or three volumes on the subject, cannot fail to perceive that the so-called 'wit' of Chesterton has put their scholarship to shame."
Archbishop Fulton J. Sheen, the author of seventy books, identified Chesterton as the stylist who had the greatest impact on his own writing, stating in his autobiography Treasure in Clay, "the greatest influence in writing was G. K. Chesterton who never used a useless word, who saw the value of a paradox, and avoided what was trite." Chesterton wrote the introduction for Sheen's book God and Intelligence in Modern Philosophy; A Critical Study in the Light of the Philosophy of Saint Thomas.
Charges of antisemitismEdit
Chesterton faced accusations of antisemitism during his lifetime, saying in his 1920 book The New Jerusalem that it was something "for which my friends and I were for a long period rebuked and even reviled". Despite his protestations to the contrary, the accusation continues to be repeated. An early supporter of Captain Dreyfus, by 1906 he had turned into an anti-dreyfusard. From the early 20th century, his fictional work included caricatures of Jews, stereotyping them as greedy, cowardly, disloyal and communists.
The Marconi scandal of 1912–13 brought issues of anti-Semitism into the political mainstream. Senior ministers in the Liberal government had secretly profited from advanced knowledge of deals regarding wireless telegraphy, and critics regarded it as relevant that some of the key players were Jewish. According to historian Todd Endelman, who identified Chesterton as among the most vocal critics, "The Jew-baiting at the time of the Boer War and the Marconi scandal was linked to a broader protest, mounted in the main by the Radical wing of the Liberal Party, against the growing visibility of successful businessmen in national life and their challenge to what were seen as traditional English values."
In a work of 1917, titled A Short History of England, Chesterton considers the royal decree of 1290 by which Edward I expelled Jews from England, a policy that remained in place until 1655. Chesterton writes that popular perception of Jewish moneylenders could well have led Edward I's subjects to regard him as a "tender father of his people" for "breaking the rule by which the rulers had hitherto fostered their bankers' wealth". He felt that Jews, "a sensitive and highly civilized people" who "were the capitalists of the age, the men with wealth banked ready for use", might legitimately complain that "Christian kings and nobles, and even Christian popes and bishops, used for Christian purposes (such as the Crusades and the cathedrals) the money that could only be accumulated in such mountains by a usury they inconsistently denounced as unchristian; and then, when worse times came, gave up the Jew to the fury of the poor".
In The New Jerusalem Chesterton dedicated a chapter to his views on the Jewish question: the sense that Jews were a distinct people without a homeland of their own, living as foreigners in countries where they were always a minority. He wrote that in the past, his position:
was always called Anti-Semitism; but it was always much more true to call it Zionism. ... my friends and I had in some general sense a policy in the matter; and it was in substance the desire to give Jews the dignity and status of a separate nation. We desired that in some fashion, and so far as possible, Jews should be represented by Jews, should live in a society of Jews, should be judged by Jews and ruled by Jews. I am an Anti-Semite if that is Anti-Semitism. It would seem more rational to call it Semitism.
In the same place he proposed the thought experiment (describing it as "a parable" and "a flippant fancy") that Jews should be admitted to any role in English public life on condition that they must wear distinctively Middle Eastern garb, explaining that "The point is that we should know where we are; and he would know where he is, which is in a foreign land."
When Hitlerism came, he was one of the first to speak out with all the directness and frankness of a great and unabashed spirit. Blessing to his memory!
In The Truth about the Tribes Chesterton blasted German race theories, writing: "the essence of Nazi Nationalism is to preserve the purity of a race in a continent where all races are impure."
The historian Simon Mayers points out that Chesterton wrote in works such as The Crank, The Heresy of Race, and The Barbarian as Bore against the concept of racial superiority and critiqued pseudo-scientific race theories, saying they were akin to a new religion. In The Truth About the Tribes Chesterton wrote, "the curse of race religion is that it makes each separate man the sacred image which he worships. His own bones are the sacred relics; his own blood is the blood of St. Januarius." Mayers records that despite "his hostility towards Nazi antisemitism … [it is unfortunate that he made] claims that 'Hitlerism' was a form of Judaism, and that the Jews were partly responsible for race theory." In The Judaism of Hitler, as well as in A Queer Choice and The Crank, Chesterton made much of the fact that the very notion of "a Chosen Race" was of Jewish origin, saying in The Crank: "If there is one outstanding quality in Hitlerism it is its Hebraism" and "the new Nordic Man has all the worst faults of the worst Jews: jealousy, greed, the mania of conspiracy, and above all, the belief in a Chosen Race."
Mayers also shows that Chesterton portrayed Jews not only as culturally and religiously distinct, but racially as well. In The Feud of the Foreigner (1920) he said that the Jew "is a foreigner far more remote from us than is a Bavarian from a Frenchman; he is divided by the same type of division as that between us and a Chinaman or a Hindoo. He not only is not, but never was, of the same race."
In The Everlasting Man, while writing about human sacrifice, Chesterton suggested that medieval stories about Jews killing children might have resulted from a distortion of genuine cases of devil-worship. Chesterton wrote:
the Hebrew prophets were perpetually protesting against the Hebrew race relapsing into an idolatry that involved such a war upon children; and it is probable enough that this abominable apostasy from the God of Israel has occasionally appeared in Israel since, in the form of what is called ritual murder; not of course by any representative of the religion of Judaism, but by individual and irresponsible diabolists who did happen to be Jews.
The American Chesterton Society has devoted a whole issue of its magazine, Gilbert, to defending Chesterton against charges of antisemitism. Likewise, Ann Farmer, author of Chesterton and the Jews: Friend, Critic, Defender, writes, "Public figures from Winston Churchill to Wells proposed remedies for the 'Jewish problem' — the seemingly endless cycle of anti-Jewish persecution — all shaped by their worldviews. As patriots, Churchill and Chesterton embraced Zionism; both were among the first to defend the Jews from Nazism," concluding that "A defender of Jews in his youth — a conciliator as well as a defender — GKC returned to the defence when the Jewish people needed it most."
Opposition to eugenicsEdit
In Eugenics and Other Evils, Chesterton attacked eugenics as Parliament was moving towards passage of the Mental Deficiency Act 1913. Some backing the ideas of eugenics called for the government to sterilise people deemed "mentally defective"; this view did not gain popularity but the idea of segregating them from the rest of society and thereby preventing them from reproducing did gain traction. These ideas disgusted Chesterton who wrote, "It is not only openly said, it is eagerly urged that the aim of the measure is to prevent any person whom these propagandists do not happen to think intelligent from having any wife or children." He blasted the proposed wording for such measures as being so vague as to apply to anyone, including "Every tramp who is sulk, every labourer who is shy, every rustic who is eccentric, can quite easily be brought under such conditions as were designed for homicidal maniacs. That is the situation; and that is the point ... we are already under the Eugenist State; and nothing remains to us but rebellion." He derided such ideas as founded on nonsense, "as if one had a right to dragoon and enslave one's fellow citizens as a kind of chemical experiment". Chesterton mocked the idea that poverty was a result of bad breeding: "[it is a] strange new disposition to regard the poor as a race; as if they were a colony of Japs or Chinese coolies ... The poor are not a race or even a type. It is senseless to talk about breeding them; for they are not a breed. They are, in cold fact, what Dickens describes: 'a dustbin of individual accidents,' of damaged dignity, and often of damaged gentility."
Chesterton's fence is the principle that reforms should not be made until the reasoning behind the existing state of affairs is understood. The quotation is from Chesterton's 1929 book, The Thing: Why I Am a Catholic, in the chapter, "The Drift from Domesticity":
In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, 'I don't see the use of this; let us clear it away.' To which the more intelligent type of reformer will do well to answer: 'If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it.'
Chesterton is often associated with his close friend, the poet and essayist Hilaire Belloc. George Bernard Shaw coined the name "Chesterbelloc" for their partnership, and this stuck. Though they were very different men, they shared many beliefs; in 1922, Chesterton joined Belloc in the Catholic faith, and both voiced criticisms of capitalism and socialism. They instead espoused a third way: distributism. G. K.'s Weekly, which occupied much of Chesterton's energy in the last 15 years of his life, was the successor to Belloc's New Witness, taken over from Cecil Chesterton, Gilbert's brother, who died in World War I.
In his book On the Place of Gilbert Chesterton in English Letters, Belloc wrote that "Everything he wrote upon any one of the great English literary names was of the first quality. He summed up any one pen (that of Jane Austen, for instance) in exact sentences; sometimes in a single sentence, after a fashion which no one else has approached. He stood quite by himself in this department. He understood the very minds (to take the two most famous names) of Thackeray and of Dickens. He understood and presented Meredith. He understood the supremacy in Milton. He understood Pope. He understood the great Dryden. He was not swamped as nearly all his contemporaries were by Shakespeare, wherein they drown as in a vast sea – for that is what Shakespeare is. Gilbert Chesterton continued to understand the youngest and latest comers as he understood the forefathers in our great corpus of English verse and prose."
Chesterton's socio-economic system of Distributism affected the sculptor Eric Gill, who established a commune of Catholic artists at Ditchling in Sussex. The Ditchling group developed a journal called The Game, in which they expressed many Chestertonian principles, particularly anti-industrialism and an advocacy of religious family life. His novel The Man Who Was Thursday inspired the Irish Republican leader Michael Collins with the idea that "If you didn't seem to be hiding nobody hunted you out." Collins's favourite work of Chesterton was The Napoleon of Notting Hill, and he was "almost fanatically attached to it", according to his friend Sir William Darling. His column in the Illustrated London News on 18 September 1909 had a profound effect on Mahatma Gandhi. P. N. Furbank asserts that Gandhi was "thunderstruck" when he read it, while Martin Green notes that "Gandhi was so delighted with this that he told Indian Opinion to reprint it." Another convert was Canadian media theorist Marshall McLuhan, who said that the book What's Wrong with the World changed his life in terms of ideas and religion. The author Neil Gaiman stated that he grew up reading Chesterton in his school's library, and that The Napoleon of Notting Hill influenced his own book Neverwhere. Gaiman based the character Gilbert from the comic book The Sandman on Chesterton, while the novel he co-wrote with Terry Pratchett is dedicated to him. The Argentine author and essayist Jorge Luis Borges cited Chesterton as influential on his fiction, telling interviewer Richard Burgin that "Chesterton knew how to make the most of a detective story."
In 1974, Father Ian Boyd, C.S.B, founded The Chesterton Review, a scholarly journal devoted to Chesterton and his circle. The journal is published by the G.K. Chesterton Institute for Faith and Culture based in Seton Hall University, South Orange, New Jersey.
A fictionalised G. K. Chesterton is the central character in the Young Chesterton Chronicles, a series of young adult adventure novels by John McNichol, and in the G K Chesterton Mystery series, a series of detective novels by Australian Kel Richards.
- Chesterton, Gilbert Keith (1904), Ward, M. (ed.), The Napoleon of Notting Hill
- ——— (1903), Robert Browning, Macmillan
- ——— (1905), Heretics, John Lane
- ——— (1906), Charles Dickens: A Critical Study, Dodd, Mead & Co., p. 299
- ——— (1908a), The Man Who Was Thursday
- ——— (1908b), Orthodoxy
- ——— (1911a), The Innocence of Father Brown
- ——— (1911b), The Ballad of the White Horse
- ——— (1912), Manalive
- ———, Father Brown (short stories) (detective fiction)
- ——— (1920), Ward, M. (ed.), The New Jerusalem
- ——— (1922),
- ——— (1923), Saint Francis of Assisi
- ——— (1925), The Everlasting Man
- ——— (1925), William Cobbett
- ——— (1933), Saint Thomas Aquinas
- ——— (1935), The Well and the Shallows
- ——— (1936), The Autobiography
- ——— (1950), Ward, M. (ed.), The Common Man
- "The Trees of Pride", 1922
- "The Crime of the Communist", Collier's Weekly, July 1934.
- "The Three Horsemen", Collier's Weekly, April 1935.
- "The Ring of the Lovers", Collier's Weekly, April 1935.
- "A Tall Story", Collier's Weekly, April 1935.
- "The Angry Street – A Bad Dream", Famous Fantastic Mysteries, February 1947.
- Magic, 1913.
- Ker, Ian (2003), The Catholic Revival in English Literature (1845–1961): Newman, Hopkins, Belloc, Chesterton, Greene, Waugh, University of Notre Dame Press
- "Obituary", Variety, 17 June 1936
- Douglas, J. D. (24 May 1974). "G.K. Chesterton, the Eccentric Prince of Paradox". Christianity Today. Archived from the original on 1 November 2014. Retrieved 8 July 2014.
- "Orthodoxologist", Time, 11 October 1943, archived from the original on 20 November 2009, retrieved 24 October 2008
- O'Connor, John (1937). Father Brown on Chesterton (PDF). Frederick Muller Ltd. Archived (PDF) from the original on 3 April 2013. Retrieved 7 April 2013.
- Douglas 1974: "Like his friend Ronald Knox he was both entertainer and Christian apologist. The world never fails to appreciate the combination when it is well done; even evangelicals sometimes give the impression of bestowing a waiver on deviations if a man is enough of a genius."
- Ker 2011, p. 485.
- Simkin, John. "G. K. Chesterton". Spartacus Educational. Archived from the original on 4 February 2015. Retrieved 4 February 2015.
- Haushalter, Walter M. (1912), "Gilbert Keith Chesterton", The University Magazine, XI, p. 236 – via Internet Archive
- Ker 2011, p. 1.
- Ker 2011, p. 13.
- Chesterton 1936, Chapter IV.
- Ker 2011, p. 265–266.
- Chesterton and the child - A Collection of Papers presented at a conference of the Australian Chesterton Society on October 20, 2018, at Campion College Australia, Sydney (PDF). Sidney, Australia: Australian Chesterton Society. 2018. p. 41. Archived (PDF) from the original on 1 August 2019. Retrieved 13 November 2019.
- Ker 2011, p. 162–163.
- Ker 2011, p. 41.
- Chesterton, G. K. (1911), "The Flying Stars", The Innocence of Father Brown, London: Cassell & Company, Ltd., p. 118
- Do We agree? A Debate between G. K. Chesterton and Bernard Shaw, with Hilaire Belloc in the Chair, London: C. Palmer, 1928
- "Clarence Darrow debate". American Chesterton Society. 30 April 2012. Archived from the original on 21 May 2014. Retrieved 21 May 2014.
- "G.K. Chesterton January, 1915". Clarence Darrow digital collection. University of Minnesota Law School. Archived from the original on 21 May 2014. Retrieved 21 May 2014.
- Chesterton 1936, pp. 231–235.
- Programme, The Trial of John Jasper for the Murder of Edwin Drood, at King's Hall, Covent Garden, January 7th 1914. (A copy in a private collection, annotated by the original owner.)
- Wilson, A. N. (1984), Hilaire Belloc, London: Hamish Hamilton, p. 219
- Cornelius, Judson K. Literary Humour. Mumbai: St Paul's Books. p. 144. ISBN 978-81-7108-374-9.
- Wodehouse, P.G. (1972), The World of Mr. Mulliner, Barrie and Jenkins, p. 172
- Ward 1944, chapter XV.
- Chesterton 1936, Chapter 16.
- Ker 2011.
- "Detection Club, The". Gadetection / Detection Club, The, gadetection.pbworks.com/w/page/7930445/Detection%20Club%2C%20The.
- Lauer, Quentin (1991), G.K. Chesterton: Philosopher Without Portfolio, New York City, NY: Fordham University Press, p. 25
- Barker, Dudley (1973), G. K. Chesterton: A Biography, New York: Stein and Day, p. 287
- Gaspari, Antonio (14 July 2009). "'Blessed' G. K. Chesterton?: Interview on Possible Beatification of English Author". Zenit: The World Seen from Rome. Rome. Archived from the original on 15 June 2010. Retrieved 18 October 2010.
- Kiefer, James. "G. K. Chesterton". The Lectionary. Charles Wohlers. Archived from the original on 13 March 2015. Retrieved 13 June 2014.
- Bridges, Horace J. (1914). "G. K. Chesterton as Theologian". In: Ethical Addresses. Philadelphia: The American Ethical Union, pp. 21–44.
- Caldecott, Stratford (1999). "Was G.K. Chesterton a Theologian?", The Chesterton Review. (Rep. by CERC: Catholic Education Research Center Archived 13 July 2013 at the Wayback Machine.)
- Ahlquist, Dale (2006). Common Sense 101: Lessons from G.K. Chesterton. Ignatius Press. p. 286.
- Douglas, J. D. "G.K. Chesterton, the Eccentric Prince of Paradox", Archived 20 April 2016 at the Wayback Machine Christianity Today, 8 January 2001.
- Gray, Robert. "Paradox Was His Doxy", Archived 10 June 2013 at the Wayback Machine The American Conservative, 23 March 2009.
- Eliot, T. S. (20 June 1936). "Gilbert Chesterton by T. S. Eliot". The Tablet. 167 (5015): 785. Archived from the original on 1 August 2020. Retrieved 19 April 2020.
- Chesterton 1905, chapter 7.
- Chesterton 1905, chapter 4.
- Chesterton 1905, chapter 20.
- Chesterton 1908b, chapter 3.
- "The Suicide of Thought>". dmu.ac.uk. Archived from the original on 8 August 2007. Retrieved 14 February 2008.
- "The Blunders of Our Parties", Illustrated London News, 19 April 1924
- Holroyd, Michael (1989). Bernard Shaw Vol 2. London: Chatto & Windus. p. 214. ISBN 978-0701133504.
- Parker, James (April 2015). "A Most Unlikely Saint: The case for canonizing G. K. Chesterton, the bombastic man of letters and paradoxical militant for God". The Atlantic Magazine (April 15th Issue). Archived from the original on 17 May 2020. Retrieved 19 April 2020.
- Lewis, Clive Staples, A Severe Mercy
- Letter to Sheldon Vanauken, Archived 3 March 2013 at the Wayback Machine 14 December 1950.
- Lewis, Clive Staples, The Collected Letters, 2, p. 823
- The Christian Century, 6 June 1962
- Routley, Erik (2005). An English-speaking Hymnal Guide. GIA publications. p. 129.
- Edmondson, ed. (2013). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Culture. Santa Barbara, CA: Greenwood. p. 39.
- "Bruce Dickinson: Faith And Music (1999)". Archived from the original on 18 February 2017. Retrieved 11 September 2017 – via YouTube.
- Gilson, Etienne (1987), "Letter to Chesterton's editor", in Pieper, Josef (ed.), Guide to Thomas Aquinas, University of Notre Dame Press, pp. 6–7
- Sheen, Fulton J. (2008). Treasure in Clay. New York: Image Books/Doubleday, p. 79.
- Sheen, Fulton J. God and Intelligence. IVE Press.
- Chesterton, G. K. (1920) The New Jerusalem, Hodder and Stoughton, chapter 13.
- "Last orders", The Guardian, 9 April 2005, archived from the original on 27 August 2006, retrieved 2 July 2006
- Chesterton, Gilbert. G.K. Chesterton to the Editor. The Nation, 18 March 1911.
- Mayers, Simon (2013). Chesterton's Jews: Stereotypes and Caricatures in the Literature and Journalism of G.K. Chesterton. pp. 85–87. ISBN 9781490392462. Archived from the original on 29 May 2021. Retrieved 4 October 2020.
- Donaldson, Frances (2011). The Marconi Scandal. Bloomsbury Publishing. p. 51. ISBN 978-1448205547. Archived from the original on 1 August 2020. Retrieved 24 October 2016.
- Endelman, Todd M. (2002). The Jews of Britain, 1656 to 2000. p. 155. ISBN 9780520227194. Archived from the original on 1 August 2020. Retrieved 30 May 2017.
- Julius, Anthony (2010), Trials of the Diaspora: A History of Anti-Semitism in England, Oxford University Press, p. 422
- Chesterton, G. K. (1917), A Short History of England, Chatto and Windus, pp. 108–109
- Chesterton 1920, Chapter 13.
- Pearce, Joseph (2005). Literary Giants, Literary Catholics. San Francisco: Ignatius Press. p. 95. ISBN 978-1-58617-077-6.
- Ward 1944, p. 265.
- The Collected Works of G.K. Chesterton Archived 1 August 2020 at the Wayback Machine, Volume 5, Ignatius Press, 1987, page 593
- Chesterton, G. K. (2007). The Everlasting Man. Mineola, NY: Dover publications. p. 117.
- "Was G.K. Chesterton Anti-Semitic?", Archived 29 April 2014 at the Wayback Machine by Dale Ahlquist.
- Ann Farmer, Chesterton and the Jews: Friend, Critic, Defender (Angelico Press, 2015)
- Ahlquist, Dale. "Defending the Defender of the Jews". www.catholicworldreport.com. Archived from the original on 10 April 2021.
- "The debate: Was Chesterton an anti-Semite?". 28 August 2019. Archived from the original on 1 August 2020.
- Chesterton, Gilbert Keith (1922). Eugenics and Other Evils. London, UK: Cassell and Company.
- "The Enemy of Eugenics" Archived 23 March 2017 at the Wayback Machine, by Russell Sparkes.
- Chesterton, G. K. (1929). "The Drift from Domesticity". Archived 6 November 2018 at the Wayback Machine In: The Thing. London: Sheed & Ward, p. 35.
- Mccarthy, John P. (1982). "The Historical Vision of Chesterbelloc", Modern Age, Vol. XXVI, No. 2, pp. 175–182.
- McInerny, Ralph. "Chesterbelloc", Archived 29 April 2013 at the Wayback Machine Catholic Dossier, May/June 1998.
- Shaw, George Bernard (1918). "Belloc and Chesterton", Archived 11 September 2006 at the Wayback Machine The New Age, South Africa Vol. II, No. 16, pp. 309–311.
- Lynd, Robert (1919). "Mr. G. K. Chesterton and Mr. Hilaire Belloc". In: Old and New Masters. London: T. Fisher Unwin Ltd., pp. 25–41.
- McInerny, Ralph. "The Chesterbelloc Thing" Archived 29 December 2012 at the Wayback Machine, The Catholic Thing, 30 September 2008.
- Wells, H. G. (1908). "About Chesterton and Belloc", Archived 11 September 2006 at the Wayback Machine The New Age, South Africa Vol. II, No. 11, pp. 209–210 (Rep. in Social Forces in England and America, 1914).
- "Belloc and the Distributists", The American Review, November 1933.
- Belloc, Hilaire (1940). On the Place of Chesterton in English Letters. London: Sheed & Ward. Archived from the original on 17 February 2020. Retrieved 19 April 2020.
- Forester, Margery (2006). Michael Collins – The Lost Leader, Gill & MacMillan, p. 35.
- Mackay, James (1996). Michael Collins: A Life. London, England: Mainstream Publishing. p. Chapter 2.
- Gandhi, Rajmohan (2007). Gandhi: The Man, His People, and the Empire. Los Angeles: University of California Press. pp. 139–141.
- Furbank, PN (1974), "Chesterton the Edwardian", in Sullivan, John (ed.), GK Chesterton: A Centenary Appraisal, Harper and Row
- Green, Martin B (2009), Gandhi: Voice of a New Age Revolution, Axios, p. 266
- Marchand, Philip (1998). Marshall McLuhan: The Medium and the Messenger: A Biography. Cambridge, Mass.: MIT Press, pp. 28–30.
- Bender, Hy (2000). The Sandman Companion: A Dreamer's Guide to the Award-Winning Comic Series DC Comics, ISBN 1-56389-644-3.
- Burgin, Richard (1969). Conversations with Jorge Luis Borges. New York: Holt, Rinehart and Winston, p. 35.
- "The Chesterton Review". Philosophy Documentation Center. Archived from the original on 12 May 2021. Retrieved 12 May 2021.
- "Society of Gilbert Keith Chesterton – Apostolate of Common Sense". Archived from the original on 26 December 2019. Retrieved 13 November 2019.
- "Scuola Libera G.K. Chesterton". Chesterton Schools Network. Retrieved 8 July 2021.
- "Chesterton", Gazetteer of Planetary Nomenclature, United States: Geological Survey, 17 September 2012, archived from the original on 18 February 2013, retrieved 18 September 2012
- School built around G.K. Chesterton to open in Highland Park, United States Chicago: highlandpark suntimes, 19 March 2014, archived from the original on 25 May 2014, retrieved 25 May 2014
- Richards, Kel (2002). Murder in the Mummy's Tomb: A G.K. Chesterton Mystery. ISBN 978-1589199637.
- "Review of Robert Browning by G. K. Chesterton". The Athenaeum (3946): 744–746. 13 June 1903.
- Cited biographies
- Ahlquist, Dale (2012), The Complete Thinker: The Marvelous Mind of G.K. Chesterton, Ignatius Press, ISBN 978-1-58617-675-4
- ——— (2003), G.K. Chesterton: Apostle of Common Sense, Ignatius Press, ISBN 978-0-89870-857-8
- Belmonte, Kevin (2011). Defiant Joy: The Remarkable Life and Impact of G.K. Chesterton. Nashville, Tenn.: Thomas Nelson.
- Blackstock, Alan R. (2012). The Rhetoric of Redemption: Chesterton, Ethical Criticism, and the Common Man. New York. Peter Lang Publishing.
- Braybrooke, Patrick (1922). Gilbert Keith Chesterton. London: Chelsea Publishing Company.
- Cammaerts, Émile (1937). The Laughing Prophet: The Seven Virtues And G. K. Chesterton. London: Methuen & Co., Ltd.
- Campbell, W. E. (1908). "G.K. Chesterton: Inquisitor and Democrat", Archived 6 November 2018 at the Wayback Machine The Catholic World, Vol. LXXXVIII, pp. 769–782.
- Campbell, W. E. (1909). "G.K. Chesterton: Catholic Apologist" The Catholic World, Vol. LXXXIX, No. 529, pp. 1–12.
- Chesterton, Cecil (1908). G.K. Chesterton: A Criticism. London: Alston Rivers (Rep. by John Lane Company, 1909).
- Clipper, Lawrence J. (1974). G.K. Chesterton. New York: Twayne Publishers.
- Coates, John (1984). Chesterton and the Edwardian Cultural Crisis. Hull University Press.
- Coates, John (2002). G.K. Chesterton as Controversialist, Essayist, Novelist, and Critic. N.Y.: E. Mellen Press
- Conlon, D. J. (1987). G.K. Chesterton: A Half Century of Views. Oxford University Press.
- Cooney, A (1999), G.K. Chesterton, One Sword at Least, London: Third Way, ISBN 978-0-9535077-1-9
- Coren, Michael (2001) , Gilbert: The Man who was G.K. Chesterton, Vancouver: Regent College Publishing, ISBN 9781573831956, OCLC 45190713
- Corrin, Jay P. (1981). G.K. Chesterton & Hilaire Belloc: The Battle Against Modernity. Ohio University Press.
- Ervine, St. John G. (1922). "G.K. Chesterton". In: Some Impressions of my Elders. New York: The Macmillan Company, pp. 90–112.
- Ffinch, Michael (1986), G.K. Chesterton, Harper & Row
- Gilbert Magazine (November/December 2008). Vol. 12, No. 2-3, Special Issue: Chesterton & The Jews.
- Haldane, John. 'Chesterton's Philosophy of Education', Philosophy, Vol. 65, No. 251 (Jan. 1990), pp. 65–80.
- Hitchens, Christopher (2012). "The Reactionary", Archived 10 December 2016 at the Wayback Machine The Atlantic.
- Herts, B. Russell (1914). "Gilbert K. Chesterton: Defender of the Discarded". In: Depreciations. New York: Albert & Charles Boni, pp. 65–86.
- Hollis, Christopher (1970). The Mind of Chesterton. London: Hollis & Carter.
- Hunter, Lynette (1979). G.K. Chesterton: Explorations in Allegory. London: Macmillan Press.
- Jaki, Stanley (1986). Chesterton: A Seer of Science. University of Illinois Press.
- Jaki, Stanley (1986). "Chesterton's Landmark Year". In: Chance or Reality and Other Essays. University Press of America.
- Kenner, Hugh (1947). Paradox in Chesterton. New York: Sheed & Ward.
- Kimball, Roger (2011). "G. K. Chesterton: Master of Rejuvenation", Archived 27 September 2012 at the Wayback Machine The New Criterion, Vol. XXX, p. 26.
- Kirk, Russell (1971). "Chesterton, Madmen, and Madhouses", Modern Age, Vol. XV, No. 1, pp. 6–16.
- Knight, Mark (2004). Chesterton and Evil. Fordham University Press.
- Lea, F. A. (1947). "G. K. Chesterton". In: Donald Attwater (ed.) Modern Christian Revolutionaries. New York: Devin-Adair Co.
- McCleary, Joseph R. (2009). The Historical Imagination of G.K. Chesterton: Locality, Patriotism, and Nationalism. Taylor & Francis.
- McLuhan, Marshall (January 1936), "G. K. Chesterton: A Practical Mystic", Archived 29 May 2021 at the Wayback Machine Dalhousie Review, 15 (4): 455–464.
- McNichol, J. (2008), The Young Chesterton Chronicles, Book One: The Tripods Attack!, Manchester, NH: Sophia Institute, ISBN 978-1-933184-26-5
- Oddie, William (2010). Chesterton and the Romance of Orthodoxy: The Making of GKC, 1874–1908. Oxford University Press.
- Orage, Alfred Richard. (1922). "G.K. Chesterton on Rome and Germany". In: Readers and Writers (1917–1921). London: George Allen & Unwin, pp. 155–161.
- Oser, Lee (2007). The Return of Christian Humanism: Chesterton, Eliot, Tolkien, and the Romance of History. University of Missouri Press.
- Paine, Randall (1999), The Universe and Mr. Chesterton, Sherwood Sugden, ISBN 978-0-89385-511-6
- Pearce, Joseph (1997), Wisdom and Innocence – A Life of GK Chesterton, Ignatius Press, ISBN 978-0-89870-700-7
- Peck, William George (1920). "Mr. G.K. Chesterton and the Return to Sanity". In: From Chaos to Catholicism. London: George Allen & Unwin, pp. 52–92.
- Raymond, E. T. (1919). "Mr. G.K. Chesterton". In: All & Sundry. London: T. Fisher Unwin, pp. 68–76.
- Schall, James V. (2000). Schall on Chesterton: Timely Essays on Timeless Paradoxes. Catholic University of America Press.
- Scott, William T. (1912). Chesterton and Other Essays. Cincinnati: Jennings & Graham.
- Seaber, Luke (2011). G.K. Chesterton's Literary Influence on George Orwell: A Surprising Irony. New York: Edwin Mellen Press.
- Sheed, Wilfrid (1971). "Chesterbelloc and the Jews", The New York Review of Books, Vol. XVII, No. 3.
- Shuster, Norman (1922). "The Adventures of a Journalist: G.K. Chesterton". In: The Catholic Spirit in Modern English Literature. New York: The Macmillan Company, pp. 229–248.
- Slosson, Edwin E. (1917). "G.K. Chesterton: Knight Errant of Orthodoxy". In: Six Major Prophets. Boston: Little, Brown and Company, pp. 129–189.
- Smith, Marion Couthouy (1921). "The Rightness of G.K. Chesterton", The Catholic World, Vol. CXIII, No. 678, pp. 163–168.
- Stapleton, Julia (2009). Christianity, Patriotism, and Nationhood: The England of G.K. Chesterton. Lanham, MD: Lexington Books.
- Sullivan, John (1974), G.K. Chesterton: A Centenary Appraisal, London: Paul Elek, ISBN 978-0-236-17628-1
- Tonquédec, Joseph de (1920). G.K. Chesterton, ses Idées et son Caractère, Nouvelle Librairie National.
- Ward, Maisie (1952). Return to Chesterton, London: Sheed & Ward.
- West, Julius (1915). G.K. Chesterton: A Critical Study. London: Martin Secker.
- Williams, Donald T (2006), Mere Humanity: G.K. Chesterton, CS Lewis, and JRR Tolkien on the Human Condition
- Works by G. K. Chesterton in eBook form at Standard Ebooks
- Works by G. K. Chesterton at Project Gutenberg
- Works by G. K. (Gilbert Keith) Chesterton at Faded Page (Canada)
- Works by or about G. K. Chesterton at Internet Archive
- Works by G. K. Chesterton at LibriVox (public domain audiobooks)
- G. K. Chesterton at Curlie
- Works by G.K. Chesterton, at HathiTrust
- "Archival material relating to G. K. Chesterton". UK National Archives.
- What's Wrong: GKC in Periodicals Articles by G. K. Chesterton in periodicals, with critical annotations.
- The American Chesterton Society, retrieved 28 October 2010.
- G. K. Chesterton: Quotidiana
- G.K. Chesterton research collection at The Marion E. Wade Center at Wheaton College
- G.K. Chesterton Archival Collection at the University of St. Michael's College at the University of Toronto
- Newspaper clippings about G. K. Chesterton in the 20th Century Press Archives of the ZBW