Francine Everett (born Franciene Williamson; April 13, 1915[1] – May 27, 1999) was an American actress and singer.
Francine Everett | |
|---|---|
.jpg) Everett in Dirty Gertie from Harlem U.S.A. (1946) | |
| Born | Franciene Williamson April 15, 1915 |
| Died | May 27, 1999 (aged 84) The Bronx, New York City, U.S. |
| Occupation | Actress |
| Years active | 1939–1950 |
| Spouses | |
Everett is best known for her performances in race films, independently produced motion pictures with all-black casts that were created exclusively for distribution to cinemas that catered to African-American audiences.
Early life edit
She was born in Louisburg, North Carolina in 1915, and her father Noah was a tailor. She married Booker Everett in 1933 when she was 18.[citation needed] This marriage was dissolved,and she later married actor Rex Ingram. They divorced three years later in 1939. She studied and acted with the Federal Theater in Harlem, which was sponsored by the Works Progress Administration.[2]
Career edit
Among Everett's starring roles were the films Paradise in Harlem (1939), Keep Punching (1939) co-starring Canada Lee and Dooley Wilson, Big Timers (1945) co-starring Moms Mabley and Stepin Fetchit, Tall, Tan and Terrific (1946) with Mantan Moreland and Dots Johnson, and Dirty Gertie from Harlem U.S.A. (1946), directed by Spencer Williams.
Everett appeared as a singer in more than 50 short musical films that were produced in the 1940s, notably Ebony Parade (1947), which co-starred Dorothy Dandridge, Cab Calloway and the Count Basie band. She also worked as a model in print advertisements for clothing and cosmetics.[3]
Hollywood edit
Everett's association with Hollywood was brief and desultory. She first arrived in Hollywood in the mid-1930s with husband Rex Ingram, but refused to accept racially demeaning stereotypical roles. After starring in Dirty Gertie from Harlem U.S.A., she had bit parts in two Hollywood films: Lost Boundaries (1949) and Sidney Poitier's first film, No Way Out (1950).[3]
At the height of her career, Everett was dubbed "the most beautiful woman in Harlem" by columnist Billy Rowe in The Amsterdam News, a black-owned newspaper in New York City.[4] Looking back at her career, filmmaker William Greaves commented: "She would have been a superstar in Hollywood were it not for the apartheid climate in America and the movie industry at the time."[5]
Later life edit
Retirement edit
After retiring from the entertainment industry, Everett took a clerical job at Harlem Hospital in New York.[5][6] She retired from her hospital job in 1985, and in her later years she spoke about the race films at seminars sponsored by the International Agency for Minority Artist Affairs.[5]
Death edit
Everett died at a nursing home in The Bronx, New York, aged 84, on May 27, 1999.[2]
References edit
- ^ Date of birth, April 13, 1915, as per Social Security Death Index under the name Franciene Everett
- ^ a b Watkins, Mel (NY Times). "Star of all-black-cast movies of '30s and '40s". Pittsburgh Post-Gazette. June 21, 1999. p. C-4. Retrieved June 12, 2023.
- ^ a b "Francine Everett, Striking Star Of All-Black Movies, Is Dead". New York Times obituary, June 20, 1999
- ^ "The Bootleg Files: Dirty Gertie from Harlem U.S.A.," Film Threat, October 24, 2008
- ^ a b c "Obituary: Francine Everett," The Independent (London), June 25, 1999
- ^ Wilson, Sondra Kathryn. Meet Me at the Theresa. Atria Books, 2004. ISBN 0-7434-6688-8
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