Folk poetry in general has several characteristics. It may be informal and unofficial, generally lacks an owner and may "belong" to the society, and its telling may be an implicitly social activity. The term can refer to poems of an oral tradition that may date back many years; that is, it is information that has been transmitted over time (between generations) only in spoken (and non-written) form. Thus as an oral tradition folk poetry requires a performer to promulgate it over generations.
The definition can also be extended to include not just oral epics, but latrinalia, many forms of childlore (skipping-rope rhymes, the words of counting-out games etc), and limericks; as well as including anonymous or improvised poems.
Narrative folk poetry is often characterized by repetition, a focus on a single event (within an overall epic narrative if present), and an impersonal narration, as well as use of exaggeration and contrast.
Forms and worksEdit
Regional or societal formsEdit
- Landay, Afghan single couplet poems
- Zajal, Arab folk poetry form
- Bylina, east slavic oral epic narratives
- Pantun, Malay poetic form
- Classic of Poetry, ancient Chinese collection of folk poetry
- Reliques of Ancient English Poetry collected by Bishop Thomas Percy
- The Minstrelsy of the Scottish Border, collected by Walter Scott.
- Danmarks gamle Folkeviser, collection of Danish ballads.
- Gwyndaf, Robin (2006), "Poetry in Action: Verse and Narration in Everyday Communication" (PDF), folklore, 33, doi:10.7592/FEJF2006.33.gwyndaf
- "Folk Poetry", CCP Encyclopedia of Philippine Art: Philippine literature, p. 170, 1994
- Dorson 1982, p. 85.
- Dorson 1982, p. 86.
- Herrera-Sobek, María (2006), Chicano Folklore: A Handbook, pp. 23–4 ; definition from Dundes "What is Folkore?", (1965)
- Bloom, Harold (1989), The Art of the Critic: Early twentieth century, p. 111-
- Dorson 1982, pp. 87-90.
- Dorson 1982, p. 90.
- Dorson, Richard M., ed. (1982), Folkore and Folklife: An introduction