Wu Xing(Redirected from Five elements (Chinese philosophy))
The Wu Xing (Chinese: 五行; pinyin: wǔxíng), also known as the Five Elements, Five Phases, the Five Agents, the Five Movements, Five Processes, the Five Steps/Stages and the Five Planets of significant gravity: Jupiter-木, Saturn-土, Mercury-水, Venus-金, Mars-火 is the short form of "Wǔ zhǒng liúxíng zhī qì" (五種流行之氣) or "the five types of chi dominating at different times". It is a fivefold conceptual scheme that many traditional Chinese fields used to explain a wide array of phenomena, from cosmic cycles to the interaction between internal organs, and from the succession of political regimes to the properties of medicinal drugs. The "Five Phases" are Wood (木 mù), Fire (火 huǒ), Earth (土 tǔ), Metal (金 jīn), and Water (水 shuǐ). This order of presentation is known as the "mutual generation" (相生 xiāngshēng) sequence. In the order of "mutual overcoming" (相剋/相克 xiāngkè), they are Wood, Earth, Water, Fire, and Metal.
The system of five phases was used for describing interactions and relationships between phenomena. After it came to maturity in the second or first century BCE during the Han dynasty, this device was employed in many fields of early Chinese thought, including seemingly disparate fields such as geomancy or Feng shui, astrology, traditional Chinese medicine, music, military strategy, and martial arts. The system is still used as a reference in some forms of complementary and alternative medicine and martial arts.
Xing (Chinese: 行) of 'Wu Xing' means moving; a planet is called a 'moving star' (Chinese: 行星) in Chinese. Wu Xing (Chinese: 五行) originally refers to the five major planets (Jupiter, Saturn, Mercury, Venus, Mars) that create five dimensions of earth life. "Wu Xing" is also widely translated as "Five Elements" and this is used extensively by many including practitioners of Five Element acupuncture. This translation arose by false analogy with the Western system of the four elements. Whereas the classical Greek elements were concerned with substances or natural qualities, the Chinese xíng are "primarily concerned with process and change," hence the common translation as "phases" or "agents". By the same token, Mù is thought of as "Tree" rather than "Wood". The word 'element' is thus used within the context of Chinese medicine with a different meaning to its usual meaning.
It should be recognized that the word phase, although commonly preferred, is not perfect. Phase is a better translation for the five seasons (五運 Wǔ Yùn) mentioned below, and so agents or processes might be preferred for the primary term xíng. Manfred Porkert attempts to resolve this by using Evolutive Phase for 五行 Wǔ Xíng and Circuit Phase for 五運 Wǔ Yùn, but these terms are unwieldy.
Some of the Mawangdui Silk Texts (no later than 168 BC) also present the Wu Xing as "five virtues" or types of activities. Within Chinese medicine texts the Wu Xing are also referred to as Wu Yun (五運 wǔ yùn) or a combination of the two characters (Wu Xing-Yun) these emphasise the correspondence of five elements to five 'seasons' (four seasons plus one). Another tradition refers to the Wǔ Xíng as Wǔ Dé (五德), the Five Virtues (zh:五德終始說).
The five phases are around 72 days each and are usually used to describe the state in nature:
- Wood/Spring: a period of growth, which generates abundant wood and vitality
- Fire/Summer: a period of swelling, flowering, brimming with fire and energy
- Earth: the in-between transitional seasonal periods, or a separate 'season' known as Late Summer or Long Summer - in the latter case associated with leveling and dampening (moderation) and fruition
- Metal/Autumn: a period of harvesting and collecting
- Water/Winter: a period of retreat, where stillness and storage pervades
The doctrine of five phases describes two cycles, a generating or creation (生, shēng) cycle, also known as "mother-son", and an overcoming or destruction (剋/克, kè) cycle, also known as "grandfather-grandson", of interactions between the phases. Within Chinese medicine the effects of these two main relations are further elaborated:
- Inter-promoting (shēng cycle, mother/son)
- Inter-acting (grandmother/grandson)
- Over-acting (kè cycle, grandfather/grandson)
- Counter-acting (reverse kè)
The common memory jogs, which help to remind in what order the phases are:
- Wood feeds Fire
- Fire creates Earth (ash)
- Earth bears Metal
- Metal collects Water
- Water nourishes Wood
Other common words for this cycle include "begets", "engenders" and "mothers".
- Wood parts Earth (such as roots or trees can prevent soil erosion)
- Earth dams (or muddies or absorbs) Water
- Water extinguishes Fire
- Fire melts Metal
- Metal chops Wood
This cycle might also be called "controls", "restrains" or "fathers".
Cosmology and feng shuiEdit
According to Wu Xing theory, the structure of the cosmos mirrors the five phases. Each phase has a complex series of associations with different aspects of nature, as can be seen in the following table. In the ancient Chinese form of geomancy, known as Feng Shui, practitioners all based their art and system on the five phases (Wu Xing). All of these phases are represented within the trigrams. Associated with these phases are colors, seasons and shapes; all of which are interacting with each other.
Based on a particular directional energy flow from one phase to the next, the interaction can be expansive, destructive, or exhaustive. A proper knowledge of each aspect of energy flow will enable the Feng Shui practitioner to apply certain cures or rearrangement of energy in a way they believe to be beneficial for the receiver of the Feng Shui Treatment.
|Planet (Celestial Body)||Neptune||Venus||Mars||Jupiter||Pluto||Mercury||Uranus||Saturn|
According to the Warring States period political philosopher Zou Yan 鄒衍 (c. 305–240 BCE), each of the five elements possesses a personified "virtue" (de 德), which indicates the foreordained destiny (yun 運) of a dynasty; accordingly, the cyclic succession of the elements also indicates dynastic transitions. Zou Yan claims that the Mandate of Heaven sanctions the legitimacy of a dynasty by sending self-manifesting auspicious signs in the ritual color (yellow, blue, white, red, and black) that matches the element of the new dynasty (Earth, Wood, Metal, Fire, and Water). From the Qin dynasty onward, most Chinese dynasties invoked the theory of the Five Elements to legitimize their reign.
|Movement||Wood (Wu Xing)||Fire (Wu Xing)||Earth (Wu Xing)||Metal (Wu Xing)||Water (Wu Xing)|
|Mental Quality||idealism, spontaneity, curiosity||passion, intensity||agreeableness, honesty||intuition, rationality, mind||erudition, resourcefulness, wit|
|Emotion||anger, kindness||hate, resolve||anxiety, joy||grief, bravery||fear, gentleness|
|Zang (yin organs)||liver||heart/pericardium||spleen/pancreas||lung||kidney|
|Fu (yang organs)||gall bladder||small intestine/San Jiao||stomach||large intestine||urinary bladder|
|Finger||index finger||middle finger||thumb||ring finger||pinky finger|
|Life||early childhood||pre-puberty||adolescence/intermediate||adulthood||old age, conception|
|Heavenly Stem||Jia 甲
|Ren 壬 |
|Year ends with||4, 5||6, 7||8, 9||0, 1||2, 3|
In Ziwei, neiyin (纳音) or the method of divination is the further classification of the Five Elements into 60 ming (命), or life orders, based on the ganzhi. Similar to the astrology zodiac, the ming is used by fortune-tellers to analyse a person's personality and future fate.
|1||Jia Zi 甲子||Sea metal 海中金||31||Jia Wu 甲午||Sand metal 沙中金||Metal|
|2||Yi Chou 乙丑||32||Gui Wei 乙未|
|3||Bing Yin 丙寅||Furnace fire 炉中火||33||Bing Shen 丙申||Forest fire 山下火||Fire|
|4||Ding Mao 丁卯||34||Ding You 丁酉|
|5||Wu Chen 戊辰||Forest wood 大林木||35||Wu Xu 戊戌||Meadow wood 平地木||Wood|
|6||Ji Si 己巳||36||Ji Hai 己亥|
|7||Geng Wu 庚午||Road earth 路旁土||37||Geng Zi 庚子||Adobe earth 壁上土||Earth|
|8||Xin Wei 辛未||38||Xin Chou 辛丑|
|9||Ren Shen 壬申||Sword metal 剑锋金||39||Ren Yin 壬寅||Precious metal 金白金||Metal|
|10||Gui You 癸酉||40||Gui Mao 癸卯|
|11||Jia Xu 甲戌||Volcanic fire 山头火||41||Jia Chen 甲辰||Lamp fire 佛灯火||Fire|
|12||Yi Hai 乙亥||42||Yi Si 乙巳|
|13||Bing Zi 丙子||Cave water 洞下水||43||Bing Wu 丙午||Sky water 天河水||Water|
|14||Ding Chou 丁丑||44||Ding Wei 丁未|
|15||Wu Yin 戊寅||Fortress earth 城头土||45||Wu Shen 戊申||Highway earth 大驿土||Earth|
|16||Ji Mao 己卯||46||Ji You 己酉|
|17||Geng Chen 庚辰||Wax metal 白腊金||47||Geng Xu 庚戌||Jewellery metal 钗钏金||Metal|
|18||Xin Si 辛巳||48||Xin Hai 辛亥|
|19||Ren Wu 壬午||Willow wood 杨柳木||49||Ren Zi 壬子||Mulberry wood 桑柘木||Wood|
|20||Gui Wei 癸未||50||Gui Chou 癸丑|
|21||Jia Shen 甲申||Stream water 泉中水||51||Jia Yin 甲寅||Rapids water 大溪水||Water|
|22||Yi You 乙酉||52||Yi Mao 乙卯|
|23||Bing Xu 丙戌||Roof tiles earth 屋上土||53||Bing Chen 丙辰||Desert earth 沙中土||Earth|
|24||Ding Hai 丁亥||54||Ding Si 丁巳|
|25||Wu Zi 戊子||Lightning fire 霹雳火||55||Wu Wu 戊午||Sun fire 天上火||Fire|
|26||Ji Chou 己丑||56||Ji Wei 己未|
|27||Geng Yin 庚寅||Conifers wood 松柏木||57||Geng Shen 庚申||Pomegranate wood 石榴木||Wood|
|28||Xin Mao 辛卯||58||Xin You 辛酉|
|29||Ren Chen 壬辰||River water 长流水||59||Ren Xu 壬戌||Ocean water 大海水||Water|
|30||Gui Si 癸巳||60||Gui Hai 癸亥|
The Yuèlìng chapter (月令篇) of the Lǐjì (禮記) and the Huáinánzǐ (淮南子) make the following correlations:
|Basic Pentatonic Scale pitch||角||徵||宮||商||羽|
|Basic Pentatonic Scale pitch pinyin||jué||zhǐ||gōng||shāng||yǔ|
|solfege||mi or E||sol or G||do or C||re or D||la or A|
- The Chinese word 青 qīng, has many meanings, including green, azure, cyan, and black. It refers to green in Wu Xing.
- In most modern music, various five note or seven note scales (e.g., the major scale) are defined by selecting five or seven frequencies from the set of twelve semi-tones in the Equal tempered tuning. The Chinese "lǜ" tuning is closest to the ancient Greek tuning of Pythagoras.
T'ai chi ch'uan uses the five elements to designate different directions, positions or footwork patterns. Either forward, backward, left, right and centre, or three steps forward (attack) and two steps back (retreat).
The Five Steps (五步 wǔ bù):
- Jìn bù (進步) Forward step
- Tùi bù (退步) Backward step
- Zǔo gù (左顧, in simplified characters 左顾) Left step
- Yòu pàn (右盼 ) Right step
- Zhōng dìng (中定) Central position, balance, equilibrium.
Xingyiquan uses the five elements metaphorically to represent five different states of combat.
|Metal||Splitting||劈||Pī||To split like an axe chopping up and over.|
|Water||Drilling||鑽||Zuān||Drilling forward horizontally like a geyser.|
|Wood||Crushing||崩||Bēng||To collapse, as a building collapsing in on itself.|
|Fire||Pounding||炮||Pào||Exploding outward like a cannon while blocking.|
|Earth||Crossing||橫||Héng||Crossing across the line of attack while turning over.|
There are spring, summer, fall, and winter teas. The perennial tea ceremony includes four tea settings (茶席) and a tea master (司茶). Each tea setting is arranged and stands for the four directions (north, south, east, and west). A vase of the seasons' flowers is put on tea table. The tea settings are:
- earth, (Incense), yellow, center, up and down
- wood, 春風 (Spring Wind), green, east
- fire, 夏露 (Summer Dew), red, south
- metal, 秋籟 (Fall Sounds), white, west
- water, 冬陽 (Winter Sunshine) black/blue, north
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