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First Men in the Moon is a 1964 British Technicolor science fiction film produced by Charles H. Schneer, directed by Nathan Juran, starring Edward Judd, Martha Hyer and Lionel Jeffries. It is an adaptation by science fiction scriptwriter Nigel Kneale of H. G. Wells' 1901 novel The First Men in the Moon. Ray Harryhausen provided the stop-motion animation effects, which include the Selenites, giant caterpillar-like "Moon Cows", and the big-brained Prime Lunar.[3][4]

The First Men in the Moon
Directed byNathan Juran
Produced byCharles H. Schneer
Screenplay byNigel Kneale
Jan Read
Based onThe First Men in the Moon
1901 (novel)
by H. G. Wells
StarringEdward Judd
Martha Hyer
Lionel Jeffries
Music byLaurie Johnson
CinematographyWilkie Cooper
Edited byMaurice Rootes
Ameran Films
Distributed byColumbia Pictures
Release date
6 August 1964[1] (UK)
Running time
103 minutes
CountryUnited Kingdom
Box office$1,650,000 (US/Canada)[2]



In 1964, the United Nations (UN) has launched a rocket flight to the Moon. A multi-national group of astronauts in the UN spacecraft land on the Moon, believing themselves to be the first lunar explorers. However, they discover a Union Jack flag on the surface and a note mentioning Katherine Callender, which claims the Moon for Queen Victoria. Attempting to trace Callender, UN authorities find she has died but that her husband Arnold Bedford is still living, and resides in an old people's home. The nursing home staff do not let him watch television reports of the expedition because, according to the matron, it "excites him", and dismiss his claims to have been on the Moon as an insane delusion. The UN representatives question him about the Moon and he tells them his story. The rest of the film, as a flashback, shows what Bedford and Professor Cavor did in the 1890s.

In 1899, Arnold Bedford and his fiancée Katherine Callender – known as Kate – meet an inventor, Joseph Cavor, who has invented Cavorite, a substance that will let anything it is applied to or made of deflect the force of gravity and which he plans to use to travel to the Moon. Cavor has already built a spherical spaceship for this purpose, taking Arnold and (accidentally) Kate with him. While exploring the Moon, Bedford and Cavor fall down a vertical shaft and discover to their amazement an insectoid population, the Selenites, living beneath the surface. (Cavor coins this name for the creatures after the Greek goddess of the moon, Selene). Bedford attacks a group of Selenites in fear -- killing several, despite Cavor's horrified protests. After escaping from the Selenites back to the surface, they discover that their ship, still containing Kate (who stayed behind because Cavor had brought only two spacesuits), has been dragged into their underground city.

The two, following the drag trail, find and enter the city. The city holds a breathable atmosphere, so they remove and leave their spacesuit helmets. Upon finding the living quarters, they are attacked by a giant caterpillar-like "moon bull" which pursues them until the Selenites find out and are able to kill it with their tesla coil-like electrical stun ray gun. Cavor and Bedford see the city's power station, powered by sunlight. In the end, they reach their ship underground. The Selenites quickly learn English and interrogate Cavor, who believes they wish to exchange scientific knowledge; this also leads up to Cavor having a discussion with the "Grand Lunar", the ruling entity of the Selenites. Bedford, however, upon entering the chamber just as the Grand Lunar voices his concerns over human aggressiveness, makes the assumption that Cavor, and presumably all humanity, is on trial, attempts to kill the Grand Lunar with an elephant gun -- failing due to Cavor's attempts to stop him. Running for their lives, Bedford manages to find the sphere and escape, but Cavor stays voluntarily on the Moon.

Bedford, along with Kate, flies the ship up a vertical shaft, shattering the window cover at the top, and back to Earth. The aged Bedford concludes his story by mentioning that the ship came down in the sea off Zanzibar, and sank, but he and Kate managed to swim ashore. Cavor's ultimate fate remained unknown.

Back in the present day, Bedford, the UN party and newspaper reporters watch on television the latest events on the Moon, where the UN astronauts have broken into the Selenite city and find it deserted and decaying. Moments later, the ruined city starts to crumble and collapse, forcing the landing crew to retreat hastily, and seconds later the city -- and all of its history -- is completely destroyed. Bedford realizes that the Selenites must have been killed off by Cavor's common cold viruses to which they had no immunity.


The 1890s expedition claim the Moon for Queen Victoria
The 1960s astronauts find Cavor's party's flag

* Not credited on-screen.


This was the third collaboration between producer Charles Schneer and director Nathan Juran. [3]

Edward Judd was under contract to Columbia Pictures at the time. "I had never done anything like that at the time, so I thought it would be fun," Judd said. "Since Lionel was already a great chum of min I knew we would have laughs on the set.[5]

Ray Harryhausen used blueprints from NASA for the lunar landcraft to design sets.[3]

Spacesuits usedEdit

Two types of space suits are featured. During the main events of the story, which take place in the 1890s, the film's Victorian-era astronauts are outfitted in standard diving dresses (each fitted with a 1960s-type aqualung cylinder worn as a backpack), as spacesuits. Their suits are neither pressurised nor heated or cooled, and they do not wear protective gloves despite the vacuum of space and extreme cold and heat of the lunar surface. There are other technical issues confronting the Victorian explorerers: even with heating and cooling provided, using rubber-lined diving suits on the Moon is impractical. Even before the space age began, the 1948 science fiction short story, "Gentlemen, Be Seated!" by Robert A. Heinlein, deftly describes the brittleness of rubber once it is exposed to the vacuum of space.

Cavor and Bedford have no radio and must make their helmets touch each other to talk in the vacuum (although the filmmakers violate this rule several times). It is not clear whether the Selenites have radio. The history of radio was only just starting when the 1890s events were set. Wireless communication from Cavor in the Moon appears in H. G. Wells' novel.

The spacesuit worn by the UN Astronauts is actually the Windak high-altitude pressure suit,[6] developed for the Royal Air Force (here each fitted with a 1960s-type aqualung cylinder worn backpack). These pressure suits would also be used in two Doctor Who stories: William Hartnell's final story "The Tenth Planet" and the Patrick Troughton-era "The Wheel in Space". They also appear in the original Star Wars trilogy as the costumes for Bossk and Bo Shek.


Filming started 1 October 1963.[7]

"After you got past the first couple of reels, it was a funny film," said Juran. "Lionel was a swell actor. I liked him very much. His performance added immeasurably to the picture's entertainment value. He played it tongue in cheek but being such a good comic actor he controlled himself and never went too far. He made a great team with Edward Judd. Their personalities, one against the other, were just perfect."[3]

"It was fun to do but it was bloody hard work," said Judd. "Lionel called it 'acting with chalk marks' because we were pointing at things that weren't there, and dealing with blue backing and traveling mattes."[5]

Harryhausen would explain to the actors what the creatures would eventually look like just before they shot scenes involving them.[5]

"Lionel and I didn't like Jerry's working methods too much," said Judd. "He was more of a technician than an actor's director. We always thought of him as an art director, which of course he had been."[5]

Critical receptionEdit

Among contemporary reviews, Variety wrote, "Ray Harryhausen and his special effects men have another high old time in this piece of science-fiction hokum filmed in Dynamation," adding that "Wells' novel and has been neatly updated," and concluding that "The three principals play second fiddle to the special effects and art work, which are impressive in color, construction and animation".[8]

However, The New York Times wrote, "Only the most indulgent youngsters should derive much stimulation - let alone fun - from the tedious, heavyhanded science-fiction vehicle that arrived yesterday from England";[9].

The Guardian called it "good of its type".[10]

TV Guide called it "An enjoyable science fiction film."[11] and highly recommended "a fun and exciting viewing experience."[12]

Comic book adaptationEdit


  1. ^ "Image (3)". Photobucket.
  2. ^ "Big Rental Pictures of 1964", Variety, 6 January 1965 p 39. Please note this figure is rentals accruing to distributors not total gross.
  3. ^ a b c d Swires, Steve (May 1989). "Nathan Juran: The Fantasy Voyages of Jerry the Giant Killer Part Two". Starlog Magazine. No. 142. p. 58.
  4. ^ FIRST MEN IN THE MOON Monthly Film Bulletin; London Vol. 31, Iss. 360, (Jan 1, 1964): 134.
  5. ^ a b c d Swires, Steve. "First Man on the Moon". Starlog. No. 160. p. 18.
  6. ^ "Say; Hello Spaceman".
  7. ^ 'TOM JONES' FILM OPENS HERE OCT. 7: British Adaptation of Novel Stars Albert Finney Johnston Award Established Miss Hyer Plans 'Moon Trip' 3 Return to Movies 'The Suitor' Opens Today New York Times 17 Sep 1963: 31.
  8. ^ Staff, Variety (1 January 1964). "First Men in the Moon".
  9. ^ "The Screen: Moondust; New Space Trip Film Opens at the Capitol".
  10. ^ Cynical, but impressive The Guardian 21 Sep 1964: 4.
  11. ^ "First Men In The Moon".
  12. ^ "First Men in the Moon Blu-ray".
  13. ^ "Gold Key: First Men in the Moon". Grand Comics Database.
  14. ^ Gold Key: First Men in the Moon at the Comic Book DB

External linksEdit