File:The Moonlight Battle off Cape St Vincent, 16 January 1780 RMG BHC0429.tiff

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Summary

Richard Paton: The Moonlight Battle off Cape St Vincent, 16 January 1780  wikidata:Q50894076 reasonator:Q50894076
Artist
Richard Paton  (1717–1791)  wikidata:Q3431102
 
Richard Paton
Alternative names
r. paton; Paten; Paton; Robert Paton; R. Paton, Wardour Street, Soho, London
Description British marine painter
Date of birth/death 1717 Edit this at Wikidata 7 March 1791 Edit this at Wikidata
Location of birth/death London London
Work location
Authority file
artist QS:P170,Q3431102
image of artwork listed in title parameter on this page
Title
The Moonlight Battle off Cape St Vincent, 16 January 1780 Edit this at Wikidata
title QS:P1476,en:"The Moonlight Battle off Cape St Vincent, 16 January 1780 Edit this at Wikidata"
label QS:Len,"The Moonlight Battle off Cape St Vincent, 16 January 1780 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Description
English: The Moonlight Battle off Cape St Vincent, 16 January 1780

A representation of a battle during the War of American Independence, 1775-83. Cape St Vincent is on the south coast of Portugal and the site of several important naval actions, including this battle. Sir George Rodney was appointed flag officer in the Leeward Island in the autumn of 1779 and it was decided that on his way out he would convoy supplies to beleaguered Gibraltar and to Minorca. For this purpose, his squadron was increased to include 22 sail of the line and 14 frigates. This convoy sailed from Plymouth on 29 December and on 16 January a Spanish convoy of 22 ships was sighted, west of Cape Finisterre. They were heading for their home port of Cadiz, 100 miles to the south. This valuable convoy, which included a 64-gun ship, three frigates and a sloop were all captured, after Rodney had ordered a general chase. Battle commenced at 4 pm and at 4.40 pm, the Spanish 'San Domingo', 70 guns, blew up and sank with all hands. Darkness fell soon after and the chase continued through the night, until 2.00 am. Despite fighting at night and in difficult, stormy conditions, Rodney did not lose any of his own fleet.

In this contemporary interpretation, Rodney's flagship, the 'Sandwich', 90 guns, is positioned in port-quarter view, right of centre in the foreground. The artist has contracted the grouping of the ships so that the exploding 'San Domingo', to the left, appears to be not far from the 'Sandwich's' port-bow. There is a Spanish ship in port-quarter view, firing her port-broadside, beyond the 'Sandwich's' starboard bow, and to the right other ships are involved in the action. In the left foreground are two men clinging to a spar attached to a topmast and sail. Beyond, a British two-decker in starboard-quarter view is in action to starboard with a Spanish two-decker in port-quarter view. Two other British ships can be seen almost stern-on in the background. Darkness is implied by the depiction of the sea in the foreground, in contrast to the rest of the scene, which is lit up by the force of the explosion.

Paton started his painting career as an assistant to a ship's painter on Sir Charles Knowles' ship. He rose to become one of the principal painters of naval actions of the 18th century. This picture was presented to the Naval Gallery at Greenwich Hospital in 1829 by William Tennant, as one of a pair: the other (BHC0443) shows the end of Rodney's victory over the French at the Battle of the Saints in 1782.

The Moonlight Battle off Cape St Vincent, 16 January 1780
Date 1780
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 1016 mm x 1473 mm; Frame: 1240 mm x 1670 mm x 100 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0429
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11921
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Entry Number: BHC0429
Greenwich Hospital Collection number: GH123
Loan File Number: Y2000.023
file number: 4G10.031
id number: BHC0429
Collection
InfoField
Oil paintings

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current15:25, 1 October 2017Thumbnail for version as of 15:25, 1 October 20177,200 × 4,950 (101.97 MB)Royal Museums Greenwich Oil paintings (1780), http://collections.rmg.co.uk/collections/objects/11921 #1984
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