File:Sunderland Harbour, 19th century (Entrance to Sunderland Harbour) by Stuart Henry Bell.jpg

Sunderland_Harbour,_19th_century_(Entrance_to_Sunderland_Harbour)_by_Stuart_Henry_Bell.jpg(648 × 420 pixels, file size: 209 KB, MIME type: image/jpeg)

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Description
English: Sunderland Harbour, England. Painted in the late 19th century by S. H. Bell from a sketch completed earlier in the century. Stuart Henry Bell (1823 - 1896). Marine and scenic painter in oil. Born in Newcastle. Bell became connected with Tyneside theatres in his boyhood, and is said to have become a scene painter at an early age. His first commission was to paint scenery for the Theatre Royal, Newcastle, following which he was engaged in this line by almost every metropolitan and provincial theatre, from 1850 achieving special recognition for his marine back-drops. In 1855 he moved to Sunderland and eventually devoted himself to being a professional artist painting marine subjects in oil. He then achieved such accomplishment that it is said that in 1886 Queen Victoria regarded him as the best marine painter since Clarkson Stanfield RA (1793-1867). His work was exhibited principally at Newcastle including the Central Exchange News Room Art Gallery and Polytechnic Exhibition, Newcastle in 1870. Where he showed Entrance to Sunderland Harbour (his favourite subject). He was also a regular exhibitor at the Bewick Club, Newcastle and the Central Exchange Gallery. Sunderland Art Gallery has a collection of his marine paintings, dated 1857 - 1896.
Date
Source https://www.vallejogallery.com/item.php?title=Sunderland_Harbor&artist=Stuart+Henry+Bell&id=439
Author Stuart Henry Bell (1823-1896)

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1896, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current10:55, 11 May 2019Thumbnail for version as of 10:55, 11 May 2019648 × 420 (209 KB)BroichmoreUser created page with UploadWizard
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