English: A 1922 robe de style wedding dress with hooped panniers and long train. To the lower right is a drawing of a pannier hoop to wear underneath.

English:

Identifier: artindress00brow (find matches)
Title: Art in dress
Year: 1922 (1920s)
Authors: Brown, P. Clement (Percy Clement), 1886-
Subjects: Dressmaking Clothing and dress
Publisher: New York, P. C. Brown
Contributing Library: The Library of Congress
Digitizing Sponsor: Sloan Foundation

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Text Appearing Before Image:
Block. Seventy-seven Use the bottom part of your Block or Peplum of your Block. Take thefront and divide into Yz, dot, and then one-half on each side of this dot, makingthree springs. Open and spring up to waist line, spread and insert a pieceione inch in at bottom tapering up to nothing. Do the same with the Back.Put Back and Front together after they are properly sprung, touching sidesat top and letting same spread at the bottom. Then cut one piece CircularSprung Peplum, seam back and front. Gather onto a steel wire. Hang lacefrom the edge of this. Use the regular peg top skirt underneath. It is made by taking yourregular Skirt Block that has been sprung three times, and on the waist linedivide into one-half and dot, then take and divide into one-half on each side,draw lines down 54 t^^ length and open and spring, inserting one inch at thetop tapering down to nothing. In like manner make the Back. The Model is made of Black Duchesse Satin and Metallic Lace (Silver). Seventy-eight x
Text Appearing After Image:
Eighty Theme of Line An established fact is that the Theme of Line or Knowledge of Line isderived from something already suggested. An old saying Nothing NewUnder the Sun; in this case it is making something new out of an old idea.Your Base Influence of Line is taken from Historiccd Compositions. Thevariations are to be brought up to a modern state. It is the evolution ofHistorical Silhouette Lines or Present Day Influence from some Country.Should your Inspirations come from Periods modernize the line but stillenlighten the Model with the same atmosphere. For instance the WeddingGown, Bouffant in Line—Spanish Influence and Adaptation. Adjust yourLine Form to the Present Day Ideas. Reproduce your work with relativevalues but do not make your lines an exact duplicate; vary with yourIndividuality. It is permissible to have the skirt a copy of lines with a modern bodice orjust the opposite. Some influences are reduced in design while others areexaggerated. The responsibility of the Desi

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