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Everything in Transit is the debut studio album by American rock band Jack's Mannequin. Following a handful of tours in early-to-mid 2004, tensions rose within Something Corporate, result in them taking a break. Returning to his home in Orange County, California, frontman Andrew McMahon started working on a new project titled Jack's Mannequin with producer Jim Wirt. After a number of demos were made, tracking commenced at 4th Street Studios in Santa Monica, California. Self-funding the sessions, McMahon co-produced the material with Wirt, with additional recording being done at other studios. At first, McMahon initially had no desire to release the material, until six songs had been complete and he felt it form as separate entity. Towards the end of the recording, McMahon signed with major label Maverick Records; tracking was presumed done in late 2004. Everything in Transit is a concept album centred around McMahon's return to California and the demise of a long-standing relationship. Removed from the musical style of Something Corporate, it is a pop rock and power pop record, taking influence pop albums from the 1960s and 1970s, namely the Beach Boys' Pet Sounds (1966).

Everything in Transit
Everything in Transit.jpg
Studio album by
ReleasedAugust 23, 2005
Recorded2004–2005
Studio
GenrePop rock, power pop
Length45:33
LabelMaverick
ProducerJim Wirt, Andrew McMahon
Jack's Mannequin chronology
Everything in Transit
(2005)
The Glass Passenger
(2008)
Singles from Everything in Transit
  1. "Holiday from Real"
    Released: May 10, 2005
  2. "The Mixed Tape"
    Released: July 19, 2005
  3. "Dark Blue"
    Released: June 27, 2006
  4. "La La Lie"
    Released: November 2006

McMahon began playing shows with Jack's Mannequin in March 2005, assembling a backing band that featured Something Corporate guitarist Bobby Anderson. With the album announced in April for release in July, the group embarked on six-week tour, which coincided with the single release of "Holiday from Real". With the recording and inclusion of "Dark Blue", the album was pushed back to early August. McMahon began suffering from chronic fatigue and laryngitis; in the following days, he was diagnosed with acute lymphoblastic leukemia. Over the course of June and July, McMahon was admitted to hospital, underwent the first round of chemotherapy, contracted pneumonia, underwent the second round of chemotherapy, and had a bone marrow/stem-cell transplant from his sister Katie. While this was happening, Maverick Records continued on with the planned release of the album at McMahon's request. "The Mixed Tape" was released as a single in mid-July, with an animated music video being made later that month. After its initial date of August 9 was pushed back, Everything in Transit was eventually released on August 23 – the same day McMahon received the transplant.

Everything in Transit received a positive reception from critics, with a few praising McMahon's lyrics. It sold over 22,000 copies in its first week, charting at number 37 of the Billboard 200 as a result. As of August 2008, it has sold over 250,000 copies. McMahon spent the next two months following the album's release recovering at his parents' house; he went into remission in October and played his first show since the diagnosis in December. He was well enough to film a second music video for "The Mixed Tape" and starred in an episode of One Tree Hill. A few late-night talk show appearances followed, as did a handful of one-off shows, culminating in a brief out-of-state tour in March 2006. Jack's Mannequin supported O.A.R. between June and August; at the start of the tour, "Dark Blue" was released as a radio single, and by the tour's end, a music video was released. Two more US tours following: a headlining one in September and October, and a supporting one for Panic! at the Disco on their US arena tour, which was promoted with the release of "La La Lie". Another headlining US tour followed in February and March 2007, leading to a performance at The Bamboozle festival.

Contents

BackgroundEdit

In the early 2000s, Andrew McMahon served as the frontman for pop punk act Something Corporate.[1] McMahon recorded and toured with the band since high school, releasing three albums (2000's Ready... Break, 2002's Leaving Through the Window and 2003's North) within a few years. As a result, he spent little time at home.[2] During some downtime, McMahon wrote "Locked Doors", a track that differed from the group's usual style,[3] in December 2003.[4] He recorded it by himself in a studio, which he found an enlightening experience.[3] The band went a co-headlining US tour with Yellowcard in March and April 2004[5] and supported the Offspring on an Australian tour in June.[6] Unable to work together, the members' relationships became strained.[7] Discussions were held about recording another album, however, despite McMahon having a batch of songs already written,[8] he thought the idea sounded "terrifying".[7]

The group were also facing pressure from the music industry, with a lot of things disrupting the otherwise friendly atmosphere between the members.[9] Concerned that a new album would feel forced,[7] and that they had reached the point of burning out, the band decided to go on a break to recuperate.[8] After returning home to Orange County, McMahon spent some time with his friends and family, and frequented local eateries.[10] McMahon began working on a project titled Jack's Mannequin[7] with Something Corporate collaborator Jim Wirt. McMahon and Wirt played all of the instruments while the former handled the writing.[11] McMahon toyed with the idea of calling it The Mannequins, but was tired of bands beginning with "the".[12] He got the word mannequin from a random conversation at the time.[13] At the same time, he had finished a song entitled "Dear Jack", and merged the two names together.[12]

McMahon threw himself into the project, claiming he worked harder on it than he did with Something Corporate. He rarely slept and rarely ate, and was typically wasted for over half a day at a time.[14] Within a few months, he stockpiled dozens of songs, which were influenced by Southern California's landscape and atmosphere. Though he had no plan to release the songs, he intended to record them.[2] During this time, McMahon did session work for Hidden in Plain View and Mötley Crüe drummer Tommy Lee.[15][16] McMahon heard through mutual business associates that Lee enjoyed North, and during one night, Lee invited McMahon to work with him.[12] In addition, he spent a lot of time working on the Something Corporate video album Live at the Ventura Theater.[11]

ProductionEdit

McMahon eventually tracked 17 demos, most of which centred around his family and his upbringing,[17] at The Jungle Room, with recording and engineering being handled by Brian Reeves.[18] The main tracking occurred at 4th Street Studios in Santa Monica, California with engineer CJ Eiriksson.[18] McMahon financed the recording sessions with over $40,000 from his own funds,[19] and co-produced the album with Wirt. Eirkisson and Neil Couser, who served as additional engineer and engineered "La La Lie", handled Pro Tools.[18] McMahon felt protective of the recording environment and was cautious about how many people would be in the studio. He wanted to "do and say exactly what was on my mind", and brought in people only after the tracks were mainly completed.[20] A few of McMahon's friends contributed to the recordings: Wirt (vocals, bass and guitar), Something Corporate guitarist Bobby Anderson (guitar), session musician Patrick Warren (organ, strings and arrangements) and Lee (drums).[2]

Out of the 17 demos, only one was recorded for the album, "Holiday from Real".[17] The drum tracks were made up of samples by Eiriksson,[2] which were recorded by Scott Humphrey and Chris Baseford at The Chop Shop.[18] When McMahon realised he need an actual drummer, Lee was brought in[21] and tracked drums in a single day.[22] The samples were then mixed with Lee's drums;[2] Eiriksson and Jay McMillian also performed drums during the sessions. Additional recording was done at three studios with extra engineers: Rock Central Studios with engineer Josey Alcantar; NRG Studios with Eiriksson and assistant engineer Dave Colvin; and Sound City Studios with assistant engineer Peter Martinez.[18] Terry Wilson and Brian Coffman contributed to the recordings, the former with sitar on "Kill the Messenger", and the latter with guitar on "MFEO" and "Into the Airwaves".[18] After having tracked six songs, he felt it starting to take shape as a separate entity and became adamant on releasing it.[23]

He approached major label Maverick Records[24] three quarters through the recording process and signed with them.[2] They gave him a handheld video camera to videotape the remaining sessions with the intent on using clips for online promotion. Initially, he would simply say what he intended to do in the studio on the given day, before it evolved into a dialogue on how his day went.[25] After finishing the initial track listing,[26] McMahon showed the album to his label. An A&R representative suggested adding one more song;[17] instead, he went back and reworked the track listing, adding two songs in the process[26] ("La La Lie" and "Into the Airwaves").[17] Apart from a brief two-week tour excursion with Something Corporate in November 2004,[27] recording was presumed finished in December,[25] until "Dark Blue" was recorded in May 2005.[28] The recordings were then mixed by Chris Lord-Alge.[2] An outtake from the sessions, "Cell Phone", was later recorded for The Glass Passenger (2008).[25]

CompositionEdit

Everything in Transit is a concept album that details McMahon's return to his hometown, which he left to pursue a career in music, and the end of a long relationship[2] with Kelly Hansch as a result of it. The pair would later reconcile and get married.[29] Throughout the album, references are made to being in hospital and becoming sick. McMahon mentioned that the lyrics were about recovering from his frequent touring with Something Corporate, which he compared to recovering from an illness of sorts.[24] The material was written during a dark period of self-exploration in McMahon's life, following Something Corporate's hiatus and the break-up of his relationship.[30] He realised the best way to get the material out of himself was to put the lyrics against the ideology of hope.[31] A lot of the Something Corporate material was written when McMahon was 16–17 years old during various make-up-and-break-ups.[32] For Everything in Transit, he thought he found real love, and had decided to put the relationship on hold in an attempt to find himself.[33]

Musically, the album has been classed as pop rock[1][34][35] and power pop,[36] abandoning the pop punk style of Something Corporate.[37] When working in a band, decisions are often made as a collective democratically. While working on the project alone, it allowed McMahon to write a song more so towards what he could hear in his head.[12] He tried to shape the album after some of his favorite records, namely the Beach Boys' Pet Sounds (1966), Weezer's Weezer (1994) and Tom Petty's Wildflowers (1994).[19] Numerous elements of the Beach Boys are found on the album,[38] including the booklet featuring an autobiographical tale in the form of a storybook, which was inspired by Pet Sounds.[2] It reignited McMahon's love of pop music and his interesting in crafting a record that was unashamedly pop.[38] He subsequently began consuming a lot of pop albums from the 1960s and 1970s that he considered better than his own material.[24] After partially reconnecting with Southern California he used the sounding landscape as a backdrop for a few of the tracks.[38] Throughout the album are audio clips that McMahon had done during the recording sessions on his handheld camera.[25]

"Holiday from Real" opens with the quiet sounds of seagulls,[39] beaches and traffic, before moving into a bass slide.[40] McMahon talks about arriving home and being viewed as a visitor in his own world[2] against the backdrop of Los Angeles.[40] McMahon wrote "The Mixed Tape" about making the perfect mixtape for his girlfriend.[41] "I'm Ready" features a tongue-in-cheek monologue, sounding like a journal entry,[39] about the annoyance of putting on new clothes every day.[42] "Dark Blue" was written on a college campus stage[43] and became the last song recorded for the album. The song's lyrics were completely re-written from its original draft, which included the placeholder lyric "I'm black and blue". As it was the last song, McMahon was initially unsure what to talk about. It then became the album's centrepiece, with McMahon explaining: "...all of a sudden I knew what the story was, and I was having these crazy dreams about tidal waves and the characters … became this story about this massive storm coming and sweeping us off into the water."[17] "Miss Delaney" has a theremin which was reminiscent of the one heard on the Beach Boys' "Good Vibrations".[38] "MFEO" is a two-part track, part one being "Made for Each Other" and the second part "You Can Breathe". The first part is about McMahon analysing his place in the world;[2] the second part concludes with commentary from McMahon about the making of the album and his need to purchase more videotape.[39]

ReleaseEdit

Initial promotion and McMahon's leukemiaEdit

After touring with Something Corporate in January and February 2005,[44] McMahon began playing shows with Jack's Mannequin in March and debuted material from the project.[45] McMahon's backing band, which was given the name the Mannequins, consisted of Anderson and Jacques Brautbar on guitar, Jon Sullivan on bass and Jay McMillan on drums.[46] Anderson studied music with Sullivan at Virginia Commonwealth University; Sullivan had been friends with McMillan for a few years prior.[47] On April 17, Jack's Mannequin's debut album was announced for release in summer of that year through Maverick Records.[48] Another announcement followed four days later, revealing the album's title, Everything in Transit, and the release date of July 12.[49] In May, the group embarked on a six-week tour to build up hype for the album.[26] On May 10, "Holiday from Real" was released as a 7" vinyl single,[50] featuring two versions of "Kill the Messenger" (album version and an acoustic version) as B-sides.[51] On May 20, two songs were made available for streaming through the band's Myspace account.[52] Two days later, it was announced that the album's release date was pushed back to August 9 as "Dark Blue" was written and recorded for inclusion.[28]

Around this time, McMahon started feeling sick while on tour,[24] suffering from chronic fatigue[53] and laryngitis. On May 25, McMahon contacted his doctor, who said he should cancel the following night's show as he could face permanent damage to his voice. He then meet up with his doctor, who ran some blood tests after seeing McMahon's pale complexion. Two days later,[28] during a mastering session for the album, McMahon received a phone call[17] where the doctor said he needed a blood transfusion. He subsequently checked in to the Presbyterian Hospital in New York City, where he was directly sent to the leukemia ward.[45] McMahon spent the next few days waiting for the results of a bone marrow sample take from his hip.[28] On June 1, McMahon was diagnosed with acute lymphoblastic leukemia.[54] All forthcoming tour dates with both Jack's Mannequin and Something Corporate were postponed indefinitely.[55] He flew to Los Angeles and was admitted to the UCLA Medical Center[56] and underwent a first round of chemotherapy.[17]

As he was at a rare age to get cancer, there was a debate whether to put him on an adult regimen or a vigorous pediatric treatment. He went with the adult regimen as the hospital was part of a clinical trial that was testing the regimen.[57] McMahon contacted the label and told them that while he would be unable to promote the album until he was completely healthy,[17] they should go ahead with its August 9 release date.[28] Due to the multiple rounds of chemotherapy, his white blood cell count was almost at zero, coupled with a weak immune system, he contracted pneumonia. His white blood cell count eventually increased, and he decided on having a stem-cell transplant, over the longer and painful process of bone-marrow grafting.[53] The chemotherapy could've potentially last several years if he was unable to receive a transplant. McMahon said the prospect of "waiting three years to put out a record that was so personal and immediate to me ... was just not an option to me."[17]

On July 3, McMahon was released from hospital and returned home to Los Angeles.[nb 1] On July 8, the album's release date would be pushed back a further two weeks to August 23 in an attempt to give the album more traction prior to its release.[28] "The Mixed Tape" was released as a single on July 19.[59] In late July, a music video was filmed for "The Mixed Tape". On August 3, McMahon began preparations for a bone marrow transplant.[60] On August 18, the animated music video for "The Mixed Tape" was released. It was directed by Michael Perlmutter and Full Tank,[61] and was filmed while McMahon was being treated in hospital.[22] Watercolour-esque paintings are seen throughout the clip, changing from a pastoral countryside to a dense forest to a city and then outer space. Shots of McMahon were interlaced over the animation.[61] After finding out his sister Katie was eligible,[17] he went through a second round of chemotherapy,[57] before receiving the stem-cell transplant on the same day the album was released.[29] It subsequently gave him a new immune system.[19]

Recovery and later promotionEdit

McMahon spent the following months recovering at his parents' house.[19] He met with his doctor weekly to check his blood count,[62] and had to use testosterone patches due to the chemotherapy reducing his testosterone.[53] "The Mixed Tape" was released to radio on September 20.[63] McMahon contracted a prolonged bout of shingles,[53] before eventually going into remission in October.[64] The bout of shingles subsided by December;[53] he played his first two concerts since his diagnosis later that month.[54] By January 2006, he was still on some medication, but was almost completely healthy.[22] During that month, McMahon performed "The Mixed Tape" on an episode of One Tree Hill, in which Hilarie Burton's character holds a benefit concert. While filming the episode in Wilmington, North Carolina, a second music video was filmed for "The Mixed Tape"[22] with director Jay Martin.[65] In the clip, McMahon delivers a package to Burton's house, which contained a mixtape and a flier for a Jack's Mannequin show. Burton's character eventually listens to the tape and goes to the show.[22] The band eventually played "The Mixed Tape" and "Dark Blue".[66]

 
Jack's Mannequin performing during a support tour for O.A.R., July 2006

Following this, he appeared on Jimmy Kimmel Live!, The Late Late Show with Craig Ferguson and Last Call with Carson Daly.[56] He slowly started performing one-off shows with his backing band in California, before eventually going on a short five-date tour out of the state in March.[24] "Dark Blue" was released to radio on June 27.[63] Between June and August, Jack's Mannequin supported O.A.R. on their headlining US tour.[67] In early July, McMahon finished taking the last of his prescribed medicine. Later that month, filming for a music video for "Dark Blue" began, before wrapping in August.[68] The video, directed Brett Simon,[69] was released on September 21.[70] Inspired by They Shoot Horses, Don't They? (1969), the clip features a dance marathon in 1950s Venice.[68] In September and October, the band went on the Tour for a Cure, with support from Copeland, the Hush Sound and Daphne Loves Derby.[71] Proceeds for the tour went to cancer research for the 15–22 age span.[72] Everything in Transit was re-released on November 7, featuring a DVD of live performances, music videos for "The Mixed Tape" and "Dark Blue", and interviews.[73]

In November and December, the band supported Panic! at the Disco on their US arena tour.[74] To promote Jack's Mannequin's appearance on the tour, "La La Lie" was released as a single.[75] In February 2007, the band went on their first headlining tour,[76] dubbed The West Coast Winter Tour.[77] They toured the US with support from Head Automatica and The Audition.[76] They extended this tour into March, with support from The Audition and We Are the Fury.[78] Following this, the band appeared at The Bamboozle festival.[79] McMahon contributed an acoustic version of "Bruised" to Punk Goes Acoustic 2,[80] and an early version of "La La Lie", dubbed the West Coast Winter version, to Punk the Clock Volume Three.[81] The constant touring over the preceding 14 months resulted in McMahon suffering mental exhaustion and physical fatigue. His management said: "The extensive travel has taken a toll on his mind and body - ... [we believe] that it is in his, and his fans', best interest for him to be home so that he can regain his strength." As a result, tour dates in October were cancelled.[82]

Reception and legacyEdit

Professional ratings
Review scores
SourceRating
AbsolutePunk95%[34]
AllMusic     [36]
IGN7.2/10[83]
Melodic     [37]
The Morning Call3/5[84]
PopMatters          [42]
Sputnikmusic     [39]
Ultimate Guitar10/10[85]

Critical responseEdit

AbsolutePunk staff member Rohan Kohli wrote that the album explored the "complete emotional spectrum, taking you along on a journey that will make you both smile and cry," in some cases in the same track.[34] He said McMahon's "impassioned" lyrics "really take the songs to an entirely different level."[34] AllMusic reviewer Stephen Thomas Erlewine noted that while it wasn't far removed from what McMahon was doing with Something Corporate, it "sounds truer to his artistic inclinations" than any of that band's releases.[36] Though he said it "really shouldn't work … [an album] delivered by an emo songwriter, backed by an aging metalhead, and co-produced by a guy who gave Hoobastank hits."[36] JR of IGN viewed the record as "mature, studied, delicate, and memorable", but felt it "drags, at times… both sonically and thematically."[83] Melodic reviewer Kaj Roth also found it similar to Something Corporate, and called it "very catchy and infectious".[37] The Morning Call's John J. Moser considered it "a heck of a record … The disc is so intelligent and complex … it well may be beyond mass acceptance.[84]

PopMatters writer David Bernard viewed the album's melodies as being its strongest trait, "sav[ing] it from mediocrity, but the album could achieve much more."[42] He added that around a third of the tracks were "in need of revisions, [but] perhaps the most troubling aspect … is that a collection of songs about such a personal episode can sound so blandly general."[42] Sputnikmusic staff member SowingSeason considered the release perfect for "lazy, sunny afternoons when the sky is blue [and] the seagulls are flying around in a frenzy".[39] Despite finding "nothing completely out of the ordinary", there was "endearing sense of personality that permeates" every track that listeners might find themselves gravitating to them immediately.[39] Ultimate Guitar said McMahon's phenomenal "meaningful" lyrics aid the listening in creating "a set of vivid pictures and moods in your head."[85] Overall, they wrote that it had "three ingredients" that make a good record: "very well-crafted music, intelligent lyrics with sense and emotions. Plus it's very well put together."[85]

Commercial performance, subsequent events and releasesEdit

Everything in Transit debuted at number 37 of the Billboard 200, selling over 22,000 copies sold in its first week of release.[54] By August 2008, it has sold over 250,000 copies.[86] Orange County Register ranked the album at number 1 on their best local releases of 2005 list,[87] and number 28 on the best albums of the 2000s list.[88] Rock Sound ranked it at number 116 on the list of best albums in their lifetime.[35]

After going through his diagnosis, McMahon became aware of the affects cancer was having on young adults and founded The Dear Jack Foundation in July 2006.[89] It acts as a non-profit charity to raise funds for cancer research.[90] Footage of the recording sessions, and McMahon's diagnosis and subsequently recovery was released as part of the documentary film Dear Jack in November 2009.[91] Everything in Transit was re-pressed on vinyl in December 2010 and included an a cappella version of "Holiday from Real" and the West Coast Winter version of "La La Lie" as bonus tracks.[92] A 10th anniversary edition of the album, which included bonus tracks, was released in October 2015.[93] This version charted at number 6 on the Vinyl Albums and number 40 on the Catalog Albums charts.[94][95] Following this, the group performed the album in its entirety on tour in December 2015 and January 2016.[96] "Dark Blue" was certified gold by the Recording Industry Association of America in January 2016.[97]

Track listingEdit

All songs written by Andrew McMahon.[18]

No.TitleLength
1."Holiday from Real"2:58
2."The Mixed Tape"3:14
3."Bruised"4:02
4."I'm Ready"3:55
5."La La Lie"3:54
6."Dark Blue"4:11
7."Miss Delaney"3:44
8."Kill the Messenger"3:24
9."Rescued"3:56
10."MFEO Pt 1 – Made for Each Other / Pt 2 – You Can Breathe"8:01
Total length:45:33

PersonnelEdit

Personnel per booklet.[18]

ChartsEdit

Charts (2005) Peak
position
US Billboard 200[99] 37
Charts (2015) Peak
position
US Top Catalog Albums (Billboard)[95] 40
US Vinyl Albums (Billboard)[94] 6

ReferencesEdit

Footnotes

  1. ^ Alternative music news website AbsolutePunk organized a charity wristband fundraiser to help offset the cost of McMahon's medical bills.[58]

Citations

  1. ^ a b Monger, James Christopher. "Jack's Mannequin | Biography & History". AllMusic. Archived from the original on October 13, 2018. Retrieved October 13, 2018.
  2. ^ a b c d e f g h i j k Everything in Transit (booklet). Jack's Mannequin. Maverick Records. 2005. 2A-49320-B.CS1 maint: others (link)
  3. ^ a b Harnal, Majoni (October 13, 2010). "Jack's Mannequin lead singer lives his music". Collegiate Times. Archived from the original on October 25, 2018. Retrieved October 25, 2018.
  4. ^ Montgomery, James (June 6, 2005). "Something Corporate Singer Andrew McMahon Has Leukemia". MTV. Archived from the original on October 25, 2018. Retrieved October 25, 2018.
  5. ^ Heisel, Scott (March 7, 2004). "Yellowcard/Something Corporate co-headlining tour". Punknews.org. Archived from the original on October 25, 2018. Retrieved February 11, 2017.
  6. ^ "Offspring 2004 Tour Dates". The Offspring. Archived from the original on July 23, 2004. Retrieved October 14, 2018.
  7. ^ a b c d Borensztajn, Jordana (April 3, 2009). "Interview with Andrew McMahon of Jack's Mannequin: A Fateful Struggle (page 3)". The Aquarian Weekly. p. 3. Archived from the original on February 22, 2018. Retrieved October 14, 2018.
  8. ^ a b Abrahamson, Kellie (October 12, 2006). "Jack's Mannequin at Plush". EU Jacksonville. Archived from the original on November 20, 2008. Retrieved October 16, 2018.
  9. ^ Parker, Chris (August 17, 2011). "Jack's Mannequin's Andrew McMahon is accountable". Charleston City Paper. Archived from the original on October 20, 2018. Retrieved October 20, 2018.
  10. ^ Tatangelo, Wade (March 25, 2010). "Andrew McMahon On Restarting Something Corporate". OC Weekly. Archived from the original on October 22, 2018. Retrieved October 15, 2018.
  11. ^ a b Moser, John J. (November 19, 2004). "Something Corporate frontman is all business". The Morning Call. Archived from the original on October 14, 2018. Retrieved October 13, 2018.
  12. ^ a b c d Herbel, Brandon (August 29, 2005). "Jacks Mannequin (Andrew McMahon) - 08.29.05". AbsolutePunk. Archived from the original on July 29, 2012. Retrieved October 14, 2018.
  13. ^ Moss, Corey. "Andrew McMahon Fight for His Life (page 3)". MTV. p. 3. Archived from the original on November 5, 2007. Retrieved October 16, 2018.
  14. ^ Borensztajn, Jordana (April 3, 2009). "Interview with Andrew McMahon of Jack's Mannequin: A Fateful Struggle (page 1)". The Aquarian Weekly. p. 1. Archived from the original on October 15, 2018. Retrieved October 14, 2018.
  15. ^ TommyLand: The Ride (booklet). Tommy Lee. Steamhammer. 2005. SPV 99742 CD.CS1 maint: others (link)
  16. ^ Life in Dreaming (booklet). Hidden in Plain View. Drive-Thru Records. 2005. DTR# 54.CS1 maint: others (link)
  17. ^ a b c d e f g h i j Whitney, Aylse (August 24, 2015). "Andrew McMahon Looks Back at Jack's Mannequin's Everything in Transit 10 Years Later". Glamour. Archived from the original on October 14, 2018. Retrieved October 13, 2018.
  18. ^ a b c d e f g h Everything in Transit (booklet). Jack's Mannequin. Maverick Records. 2005. 49320-2.CS1 maint: others (link)
  19. ^ a b c d Valby, Karen (August 26, 2005). "Something Corporate's Andrew McMahon fights cancer". Entertainment Weekly. Archived from the original on October 28, 2018. Retrieved October 15, 2018.
  20. ^ McGowan, Jed. "Jack's Mannequin: Exclusive Video Performance At LiveDaily Sessions". LiveDaily. Archived from the original on October 12, 2008. Retrieved October 18, 2018.
  21. ^ "Andrew McMahon". Beat. Retrieved August 10, 2019.
  22. ^ a b c d e Moss, Corey (January 26, 2006). "Andrew McMahon Plays First Full Post-Leukemia Gig; Tommy Lee Joins In". MTV. Archived from the original on February 22, 2018. Retrieved October 14, 2018.
  23. ^ Sculley, Alan (March 4, 2010). "Jack's Mannequin knows drama". The Virginian-Pilot. Archived from the original on July 21, 2019. Retrieved July 21, 2019.
  24. ^ a b c d e Moser, John J. (April 1, 2006). "Everything IS in transit for McMahon". The Morning Call. p. 1. Archived from the original on October 14, 2018. Retrieved October 13, 2018.
  25. ^ a b c d Tao, Paul (January 24, 2008). "Andrew McMahon / Jack's Mannequin - 12.8.07". AbsolutePunk. Archived from the original on February 21, 2013. Retrieved October 18, 2018.
  26. ^ a b c Moser, John J. (May 14, 2005). "Jack's Mannequin frontman finds something of his own". The Morning Call. Archived from the original on October 14, 2018. Retrieved October 13, 2018.
  27. ^ "News". Something Corporate. Archived from the original on October 24, 2004. Retrieved October 13, 2018.
  28. ^ a b c d e f "Blog". Jack's Mannequin. Archived from the original on July 23, 2005. Retrieved October 15, 2018.
  29. ^ a b Moser, John J. (February 17, 2007). "Jack's Mannequin happy transitioning to the brighter side". The Morning Call. Archived from the original on October 14, 2018. Retrieved October 13, 2018.
  30. ^ Shea 2008, event occurs at 6:03–10, 6:15–17
  31. ^ Shea 2008, event occurs at 6:20–35
  32. ^ Shea 2008, event occurs at 7:15–23
  33. ^ Shea 2008, event occurs at 7:39–8:03
  34. ^ a b c d Kohli, Rohan (November 21, 2005). "Jack's Mannequin - Everything in Transit - Album Review". AbsolutePunk. Archived from the original on July 7, 2012. Retrieved October 16, 2018.
  35. ^ a b Napier ed. 2019, p. 46
  36. ^ a b c d Erlewine, Stephen Thomas. "Everything in Transit - Jack's Mannequin | Songs, Reviews, Credits". AllMusic. Archived from the original on October 19, 2018. Retrieved October 19, 2018.
  37. ^ a b c Roth, Kaj (August 11, 2005). "Jacks Mannequin - Everything in Transit". Melodic. Archived from the original on October 25, 2018. Retrieved July 17, 2017.
  38. ^ a b c d Stout, Gene (February 2, 2007). "Jack's Mannequin tour strikes a reflective note". San Antonio Express-News. Archived from the original on July 21, 2019. Retrieved July 21, 2019.
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