Erna Morena (born Ernestine Maria Fuchs, 24 April 1885 – 20 July 1962) was a German film actress, film producer, and screenwriter of the silent era. She appeared in 104 films between 1913 and 1951.
Ernestine Maria Fuchs
24 April 1885
|Died||20 July 1962 (aged 77)|
|Occupation||Actress, producer, screenwriter|
(m. 1915; div. 1921)
Ernestine Maria Fuchs was born into the middle-class family of Eugenie Fuchs (née. Seyler, 1862–1951) and Friedrich Fuchs (1859–1895) on 24 April 1885. She had a younger brother, Friedrich Fuchs (1890–1948), who became a Brentano researcher.
She took lessons at the drama school of the German Theater in Berlin, and was hired by Max Reinhardt in 1910 as an actress. The following year she worked there in small roles, and began using the stage name Erna Morena.
She made her film debut in 1913 in The Sphinx by Eugen Illés for the newly founded film production company Literaria Film by Alfred Duskes. Her salary there was 500 marks per month, or about 2,016 euros.
Morena worked under well-known directors such as Paul Leni, Richard Oswald, Robert Wiene, F. W. Murnau, and Georg Wilhelm Pabst, and acted alongside notable actors such as Conrad Veidt, Emil Jannings, Reinhold Schünzel, and Werner Krauss.
Morena also tried to be a producer: in 1918 she founded Erna Morena Film GmbH in Berlin, supported by a few friends as partners, with whom she produced the silent films Colomba (1918) and Die 999. Nacht (1920).
From 1915 to 1921 Erna Morena was married to the writer Wilhelm Herzog. The couple had one child, daughter Eva-Maria Herzog (1915–2007).
Morena died on 20 July 1962 and was buried next to her mother at the Winthirfriedhof in Munich-Neuhausen. Morena's daughter, Eva-Maria, was later buried with them upon her death in 2007.
- Frau Eva (1916)
- Lulu (1917)
- The Ring of Giuditta Foscari (1917)
- Colomba (1918)
- Diary of a Lost Woman (1918)
- The Skull of Pharaoh's Daughter (1920)
- Figures of the Night (1920)
- Algol (1920)
- Kurfürstendamm (1920)
- The Love Affairs of Hector Dalmore (1921)
- You Are the Life (1921)
- The Maharaja's Favourite Wife (1921)
- The Indian Tomb (1921)
- Journey Into the Night (1921)
- The Conspiracy in Genoa (1921)
- The Earl of Essex (1922)
- De bruut (1922)
- Louise de Lavallière (1922)
- Fridericus Rex (1922)
- Gold and Luck (1923)
- The Great Industrialist (1923)
- William Tell (1923)
- Mountain of Destiny (1924)
- Mother and Child (1924)
- Wallenstein (1925)
- Goetz von Berlichingen of the Iron Hand (1925)
- The Iron Bride (1925)
- In the Valleys of the Southern Rhine (1925)
- Bismarck (1925)
- An Artist of Life (1925)
- The Marriage Swindler (1925)
- One Does Not Play with Love (1926)
- The Adventurers (1926)
- The Grey House (1926)
- The Right to Live (1927)
- The Trial of Donald Westhof (1927)
- Bismarck 1862–1898 (1927)
- Grand Hotel (1927)
- Only a Viennese Woman Kisses Like That (1928)
- The Fate of the House of Habsburg (1928)
- Youthful Indiscretion (1929)
- Somnambul (1929)
- Misled Youth (1929)
- The Customs Judge (1929)
- The Love Market (1930)
- Scapa Flow (1930)
- The Song of the Nations (1931)
- Ash Wednesday (1931)
- The First Right of the Child (1932)
- A Night in Paradise (1932)
- The Eleven Schill Officers (1932)
- So Ended a Great Love (1934)
- What Am I Without You (1934)
- Pygmalion (1935)
- Victoria (1935)
- Between the Parents (1938)
- Jud Süß (1940)
- The Enchanted Princess (1940)
- Immortal Beloved (1951)
- Vierhaus, Rudolf, ed. (2011). Deutsche Biographische Enzyklopädie (DBE). 7. Munich: Walter de Gruyter. ISBN 978-3-11-094026-8.
- "Erna Morena". Film Portal. Retrieved 4 January 2019.
- "Erna Morena, Schauspielerin". geni_family_tree.
- Herbert Birett: Lichtspiele. Der Kino in Deutschland bis 1914. Q-Verlag, München 1994, S. XXXV.