|Directed by||Adrian Brunel|
|Written by||Adrian Brunel|
Walter C. Mycroft
|Distributed by||Wardour Films (UK)|
The film, referred to as "A Cine-Radio Revue" in its original publicity, is a lavish musical film revue and was Britain's answer to the Hollywood revues which had been produced by the major studios in the United States, such as Paramount on Parade (1930) and The Hollywood Revue of 1929. The revue has a slim storyline about it being a television broadcast. The film consists of 19 comedy and music vignettes linked by running jokes of an aspiring Shakespearean actor and technical problems with a viewer's TV set.
Among Hitchcock's contributions was the comic linking segments about a man trying to "tune in" the revue on his television set, but always failing to get the picture for long because of his needless tinkering. In the UK, John Logie Baird's work in mechanical television in the 1920s made television a topical subject at the time. The film's ensemble numbers were staged by André Charlot, Paul Murray and Jack Hulbert.
Imitating the lavish use of Technicolor by Hollywood studios at that time, four sequences in the film were coloured by the Pathécolor process, which used stencils to tint selected areas of the black and white prints.
In their book Film's musical moment, Ian Conrich and Estella Tincknell write:
- "The British equivalent of Hollywood's all-star revues was Elstree Calling (1930), produced by British International Pictures (BIP), which consisted mainly of musical and comedy items from stage shows of the day introduced by compère Tommy Handley. Lacking the lavish production values and visual spectacle of its Hollywood equivalents, Elstree Calling is now something of a curio item interesting chiefly for two reasons: Alfred Hitchcock (then contracted to BIP) was... employed on the production; and the film is quite possibly the first ever to refer directly to television (the linking narrative concerns a television broadcast of the revue, some six years before the BBC began regular television transmissions)."
In credits order:
- Will Fyffe
- Cicely Courtneidge
- Jack Hulbert
- Tommy Handley
- Lily Morris
- Helen Burnell
- The Berkoffs
- Bobbie Comber
- Lawrence Green
- Ivor McLaren
- Anna May Wong
- Jameson Thomas
- John Longden
- Donald Calthrop
- Gordon Harker
- Hannah Jones
- Teddy Brown
- The Three Eddies
- The Balalaika Choral Orchestra
- The Aldelphi Girls
- The Charlot Girls
Copyright and home video statusEdit
Like Hitchcock's other British films, all of which are copyrighted worldwide, Elstree Calling has been heavily bootlegged on home video. As of early 2019, the officially licensed, preserved version has only appeared on DVD from Network Distributing in the UK.
- "Alfred Hitchcock Collectors' Guide: Elstree Calling". Brenton Film.
- Ian Conrich, Estella Tincknell, Film's musical moments, Publ. Edinburgh University Press, 2006, ISBN 0-7486-2345-0, ISBN 978-0-7486-2345-7, 226 pages (page 32)
- "Alfred Hitchcock Collectors' Guide". Brenton Film.
- "Alfred Hitchcock: Dial © for Copyright". Brenton Film.
- "Bootlegs Galore: The Great Alfred Hitchcock Rip-off". Brenton Film.
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