|Born||March 31, 1953|
|Genres||Rock, folk, folk rock, Israeli folk, Israeli rock, Israeli folk rock|
|Instruments||Cello, Guitar, Singing|
Ehud Banai was born in Jerusalem. His father was the actor Yaakov Banai, the eldest of the Banai siblings. The family moved to Givatayim when Banai was four. At the age of ten he learned to play the cello. In 1971 he was drafted to the Israel Defense Forces, and served in the Nahal infantry brigade. After his discharge, he moved to London, where he played in the London Underground for six months.
Banai is married to Odeliah, with whom he has three daughters.
In 1982, Banai formed a band with singer Avi Matos. He made several other attempts at a breakthrough during the following years. He tried out for Shlomo Bar's band, Habrera Hativit, but wasn't accepted. In 1986, Ehud and his band "Haplitim" ("The Refugees") broke through, with the hit single "Ir Miklat" (City of Refuge) and the rock opera "Mami".
In 1987, Banai and the Refugees released their self-titled debut, which is considered by many to be one of the best and the most important albums of Israeli rock, with original mix of new wave guitar rock with some oriental rhythms and sounds. Most of the album consisted of protest songs. The songs also included many Biblical subjects and allusions, such as the golden calf and cities of refuge.
Their follow-up, "Karov" ("Close (near)"), released in 1989, had influences ranging from Banai's early childhood in Jerusalem, traveling in Europe, Bob Dylan, the Banai family's Afghan/Persian-Jewish background, to Jewish prayer and piyutim, among others. He also released Under the Jasmine Tree, an album of Persian folk tales as told by his father.
During the 1990s, Banai released 3 albums ("The Third" was released in 1992, "In a Little While" was released in 1996, and "Tip Tipa" in 1998). "Ane' Li" was released in 2004. The song Blues Knaani (Canaanite blues) was written in memory of Meir Ariel, and Hayom (today) was written for his wife.
A triple live album, "Mamshich Linso'a" ("Keep Moving") was released in October 2006.
Banai writes the lyrics and composes the music for almost all of his own songs. Banai, for the greater part of his musical career, observed Jewish traditions, and even “returned” to Orthodox Jewish religious observance over the course of the early 2000s. Banai habitually scatters references to his connection to Jewish subjects throughout many of his songs.
In 2008, "On the Move", a documentary film directed by Avida Livny and produced by Gidi Avivi, Yael Biron and Dror Nahum, about Banai and the Refugees, participated in the official competition of the Jerusalem Film Festival, in EPOS -the international art & culture film festival in Israel and has been screened in cinemateques around Israel. The film traces Banai's early years on the music scene, through the struggle, musical passion, and deeply rooted friendship he shared with members of his first band, "The Refugees" – Yossi Elephant, Jean Jacques Goldeberg, Noam Halevi, and Gil Smetana.
Banai's album Resisei Laila ("Drops of the Night") was released in 2011.
- Ehud Banai and the Refugees (1987)
- Karov ("Close") (1989)
- Mitachat Siach HaYasmin (Under the Jasmine Tree), with Yaakov Banai (1989)
- Hashlishi ("The Third) (1992)
- Od Me'at ("Soon") (1996)
- Tip Tipa (1998)
- Ane Li ("Answer Me") (2004)
- Mamshich Linsoa (Keeps on Driving) (2006)
- Shir Chadash (New Song) (2008)
- Resisei Laila (Shards of Night) (2011)
- Beofek Acher (2012)
- "Ehud Banai". Mooma (in Hebrew). Retrieved September 2, 2008.
- Shalev, Ben (February 21, 2008). "Soundtrack of their lives". Haaretz. Retrieved September 2, 2008.
- "Kmo HaRuach". daviddor.com. February 2009. Archived from the original on May 17, 2006. Retrieved May 8, 2009.
- Shalev, Ben (March 18, 2011). "A killer line for all time". HaAretz.com. Archived from the original on March 29, 2014. Retrieved July 11, 2011.
- A genre unto himself, Haaretz
- A genre unto himself, Haaretz