The Donne Triptych (or Donne Altarpiece) is a hinged-triptych altarpiece by the Early Netherlandish painter Hans Memling. It consists of five individual panel paintings: a central inner panel, and two double-sided wings. It was painted for the soldier, courtier and diplomat Sir John Donne, probably sometime between the late 1470s or early 1480s, and contains portraits of Donne, his wife and daughter.[1] It is kept in the collection of the National Gallery, London, with the panels still in their original frames.
When Donne commissioned the work is unknown. Art historians have debated whether it was painted in the early 1480s, around the same time Memling painted Virgin and Child with Saints Catherine of Alexandria and Barbara, in New York at the Metropolitan Museum of Art. An earlier date of sometime in the late 1470s is possible, at the time he completed the similar St John Altarpiece, or it may have been painted as a precursor to that altarpiece.[2][3][4]
The donor, Sir John Donne of Kidwelly, was a Picardy-born Welsh diplomat for the House of York who visited Bruges at least once, in 1468 to attend Charles the Bold and Margaret of York's wedding; how he became acquainted with Memling is as uncertain as when he commissioned the triptych.[5]
The triptych was acquired for the National Gallery in 1957 from the Chatsworth Collection of the 10th Duke of Devonshire in part settlement of duty on his estate.[6]
References edit
- ^ Bauman (1986), p. 25
- ^ "Virgin and Child with Saints". Metropolitan Museum of Art. Retrieved May 30, 2014.
- ^ Donne Triptych Archived April 25, 2014, at the Wayback Machine. National Gallery. Retrieved May 30, 2014
- ^ Blum, 92
- ^ Bruce, 79
- ^ "Now on view at the National Gallery: The Memlinc Triptych from Chatsworth". Illustrated London News. 29 March 1958. p. 498.
Sources edit
- Bauman, Guy. "Early Flemish Portraits 1425-1525". The Metropolitan Museum of Art Bulletin, New Series, volume 43, no. 4, 1986. JSTOR 3269088
- Blum, Shirley Neilson. Early Netherlandish Triptychs: A Study in Patronage. Los Angeles: University of California Press, 1969
- Bruce, Donald. Contemporary Review. Aug 94, Vol. 265 Issue 1543, p. 72.