Der Zwerg (The Dwarf), Op. 17, is an opera in one act by Austrian composer Alexander von Zemlinsky to a libretto by Georg C. Klaren, freely adapted from the short story "The Birthday of the Infanta" by Oscar Wilde.
| Der Zwerg | |
|---|---|
| Opera by Alexander von Zemlinsky | |
 The composer in 1908 | |
| Translation | The Dwarf |
| Librettist | Georg C. Klaren |
| Language | German |
| Based on | "The Birthday of the Infanta" by Oscar Wilde |
| Premiere | 22 May 1922 Stadttheater Glockengasse, Cologne |
Composition history edit
Zemlinsky's choice of this story was a reflection of the end of his relationship with Alma Mahler, and the identification he felt with the drama's main character.[1] He completed the short score in December 1919 and the orchestration in January 1921.[2] The score was published by Universal Edition Vienna.[3]
Performance history edit
The opera's premiere took place on 28 May 1922 at the Stadttheater Glockengasse in Cologne, Germany, under the baton of Otto Klemperer. Further productions followed in Vienna, Karlsruhe and Prague.[4] Its last performance in Zemlinsky's lifetime was in September 1926 at the Städtische Oper in Berlin-Charlottenburg.[5] The work runs for approximately 90 minutes and is usually paired with another work when performed.
In 1981, the Hamburg State Opera presented the first double-bill of Zemlinsky's two one-act operas Der Zwerg and Eine florentinische Tragödie.[5] Der Zwerg, however, was presented in an abridged version with a substantially altered libretto under the title The Birthday of the Infanta. The first modern performances of the opera as Zemlinsky intended were given in Cologne in February 1996 under the direction of James Conlon.[6] In 2004 'Der Zwerg' was one of the 'Eight Little Greats' season given by Opera North throughout the north of England.
In 2013, the Opéra national de Lorraine in Nancy, who had previously presented Zemlinsky's Der König Kandaules and Eine florentinische Tragödie, continued its exploration of his work with Der Zwerg, presented under the French title Le nain[7] with Erik Fenton as the Dwarf, Helena Juntuen as the Infanta, Eleanore Marguerre as Ghita and Pley Bryjak as Don Estoban. The staging was by Philipp Himmelmann with sets by Raimund Bauer and costumes by Bettina Walter.
The success of the performances in Nancy led to another adaptation in France in 2018 at the Opera de Rennes.[8]
Numi Opera Theatre's inaugural season presented Der Zwerg with excerpts from Oscar Wilde's "Birthday of the Infanta" in Los Angeles in 2019.[9]
In November 2022, Cologne Opera commemorated the centenary of the work's premiere there with a new production directed by Paul-Georg Dittrich and conducted by Lawrence Renes.[10]
Roles edit
| Role[3] | Voice type | Premiere cast, 28 May 1922[11] (Conductor: Otto Klemperer) |
|---|---|---|
| Donna Clara, the Infanta | soprano | Erna Schröder |
| Ghita, her attendant | soprano | Käthe Herwig |
| Don Estoban, the chamberlain | bass | Hubert Mertens |
| The Dwarf | tenor | Karl Schröder |
| First Maid | soprano | Hedwig Werle |
| Second Maid | soprano | Hedwig Hertel |
| Third Maid | alto | Agnes Achnitz |
| Friends of the Infanta | sopranos and altos | Johanna Klemperer, Else Karsten, Adelheid Wollgarten |
Instrumentation edit
- 3 flutes (2nd and 3rd doubling piccolo), 3 oboes (3rd doubling English horn), 3 clarinets in B-flat/A (2nd doubling E-flat clarinet, 3rd doubling bass clarinet), 3 bassoons (3rd doubling contrabassoon);
- 4 horns, 3 trumpets, 3 trombones, bass tuba;
- timpani, percussion (cymbals, bass drum, side drum, triangle, tambourine, tam-tam, xylophone, glockenspiel), harp, celesta, guitar, mandolin;
- strings
Offstage music: 3 trumpets; clarinet in C, bassoon, 2 horns, tambourine, mandoline, strings
Synopsis edit
A sultan has sent a dwarf as a present to the Infanta (Spanish princess) Donna Clara on her birthday. The dwarf is unaware of his physical deformity and becomes infatuated with the Infanta. He sings her a love song and imagines himself her brave knight. She toys with him and gives him a white rose as a present. Left alone, he accidentally uncovers a mirror and sees his own reflection for the first time. In great agitation, he tries to obtain a kiss from the Infanta, but she spurns him and calls him a monster. His heart broken, he dies clutching the white rose as the Infanta rejoins the party.
Recordings edit
- Soile Isokoski, David Kuebler, Iride Martinez, Andrew Collis, Juanita Lascarro, Machiko Obata, Anne Schwanewilms, Frankfurter Kantorei, Gürzenich-Orchester Köln, James Conlon. EMI Classics (live recording), 1996.
- Elena Tsallagova, David Butt Philip, Emily Magee, Philipp Jekal, Deutsche Oper Berlin conducted by Donald Runnicles, Tobias Kratzer, stage director. Video recording, Naxos Cat: NBD0108V, 2020.
References edit
- ^ Allenby, David, "More Than a Footnote" (Winter 2000). The Musical Times, 141 (1873): pp. 59–61.
- ^ Clayton, Alfred, "Zemlinsky's One-Act Operas" (August 1983). The Musical Times, 124 (1686): pp. 474–477.
- ^ a b "Alexander Zemlinsky – Der Zwerg op.17". Universal Edition. Retrieved 14 August 2010.
- ^ Antony Beaumont: Zemlinsky (Faber and Faber, 2000), p. 312.
- ^ a b Clayton, Alfred, "Reports: Hamburg" (December 1981). The Musical Times, 122 (1666): pp. 841–842.
- ^ Antony Beaumont: introduction to published score (Universal Edition, 2005)
- ^ Erik Fenton, intense Nain de Zemlinsky, conquiert Nancy, Bruno Serrou, June 24, 2013
- ^ Un très grand Nain à Rennes, Véronique Boudier, March 27, 2018
- ^ "Numi Opera Theatre Revives Jewish Composed Opera Censored by the Nzis in Their Debut Season". PR.com.
- ^ https://www.oper.koeln/de/programm/der-zwerg-petruschka/6204. Retrieved August 2022.
- ^ Casaglia, Gherardo (2005). "Der Zwerg, 28 May 1922". L'Almanacco di Gherardo Casaglia (in Italian).
Sources
- Antony Beaumont: Zemlinsky. Cornell University Press 2000.
Further reading edit
- Ulrich Wilker: "'Das Schönste ist scheußlich': Alexander Zemlinskys Operneinakter Der Zwerg", in Schriften des Wissenschaftszentrums Arnold Schönberg, volume 9. Böhlau, Wien/Köln/Weimar 2013.
