|Born||December 8, 1913|
Brooklyn, New York, U.S.
|Died||July 11, 1966 (aged 52)|
New York City, U.S.
|Alma mater||New York University|
|Notable works||In Dreams Begin Responsibilities, Summer Knowledge: New and Selected Poems|
|Notable awards||Bollingen Prize|
Schwartz was born in 1913 in Brooklyn, New York, where he also grew up. His parents, Harry and Rose, both Romanian Jews, separated when Schwartz was nine, and their divorce had a profound effect on him. He had a younger brother, Kenneth. In 1930, Schwartz's father suddenly died at the age of 49. Though Harry had accumulated a good deal of wealth from his dealings in the real estate business, Delmore inherited only a small amount of that money as the result of the shady dealings of the executor of Harry's estate. According to Schwartz's biographer, James Atlas, "Delmore continued to hope that he would eventually receive his legacy [even] as late as 1946."
Schwartz spent time at Columbia University and the University of Wisconsin before graduating with a B.A. from New York University in 1935. He then did some graduate work in philosophy at Harvard University, where he studied with the philosopher Alfred North Whitehead, but left and returned to New York without receiving a degree.
In 1937, he married Gertrude Buckman, a book reviewer for Partisan Review, whom he divorced after six years.
Career in writingEdit
Soon thereafter, he made his parents' disastrous marriage the subject of his most famous short story, "In Dreams Begin Responsibilities", which was published in 1937 in the first issue of Partisan Review. This story and other short stories and poems became his first book, also titled In Dreams Begin Responsibilities, published in 1938 when Schwartz was only 25 years old. The book was well received, and made him a well-known figure in New York intellectual circles. His work received praise from some of the most respected people in literature, including T. S. Eliot, William Carlos Williams, and Ezra Pound, and Schwartz was considered one of the most gifted and promising young writers of his generation. According to James Atlas, Allen Tate responded to the book by stating that "[Schwartz's] poetic style marked 'the first real innovation we've had since Eliot and Pound.'"
For the next couple of decades, he continued to publish stories, poems, plays, and essays, and edited the Partisan Review from 1943 to 1955, as well as The New Republic. Schwartz was deeply upset when his epic poem, Genesis, which he published in 1943 and hoped would stand alongside other Modernist epics like The Waste Land and The Cantos as a masterpiece, received a negative critical response. Later, in 1948, he married the much younger novelist, Elizabeth Pollet. This relationship also ended in divorce.
In 1959, he became the youngest-ever recipient of the Bollingen Prize, awarded for a collection of poetry he published that year, Summer Knowledge: New and Selected Poems. His poetry differed from his stories in that it was less autobiographical and more philosophical. His verse also became increasingly abstract in his later years. He taught creative writing at six universities, including Syracuse, Princeton, and Kenyon College.
The heavy bear who goes with me,
A manifold honey to smear his face,
Clumsy and lumbering here and there,
The central ton of every place,
The hungry beating brutish one
In love with candy, anger, and sleep,
Crazy factotum, dishevelling all,
Climbs the building, kicks the football,
Boxes his brother in the hate-ridden city.
from "The Heavy Bear Who Goes With Me"
In addition to being known as a gifted writer, Schwartz was considered a great conversationalist and spent much time entertaining friends at the White Horse Tavern in New York City.
Much of Schwartz's work is notable for its philosophical and deeply meditative nature, and the literary critic, R.W. Flint, wrote that Schwartz's stories were "the definitive portrait of the Jewish middle class in New York during the Depression." In particular, Schwartz emphasized the large divide that existed between his generation (which came of age during the Depression) and his parents' generation (who had often come to the United States as first-generation immigrants and whose idealistic view of America differed greatly from his own). In another take on Schwartz's fiction, Morris Dickstein wrote that "Schwartz’s best stories are either poker-faced satirical takes on the bohemians and outright failures of his generation, as in 'The World Is a Wedding' and 'New Year’s Eve,' or chronicles of the distressed lives of his parents’ generation, for whom the promise of American life has not panned out."
A selection of his short stories was published posthumously in 1978 under the title In Dreams Begin Responsibilities and Other Stories and was edited by James Atlas who had written a biography of Schwartz, Delmore Schwartz: The Life of An American Poet, two years earlier. Later, another collection of Schwartz's work, Screeno: Stories & Poems, was published in 2004. This collection contained fewer stories than In Dreams Begin Responsibilities and Other Stories but it also included a selection of some of Schwartz's best-known poems like "The Heavy Bear Who Goes With Me" and "In The Naked Bed, In Plato's Cave". Screeno also featured an introduction by the fiction writer and essayist, Cynthia Ozick.
Schwartz was unable to repeat or build on his early successes later in life as a result of alcoholism and mental illness, and his last years were spent in seclusion at the Chelsea Hotel in New York City. In fact, Schwartz was so isolated from the rest of the world that when he died in his hotel room on July 11, 1966, at age 52, of a heart attack, two days passed before his body was identified at the morgue.
One of the earliest tributes to Schwartz came from Schwartz's friend, fellow poet Robert Lowell, who published the poem "To Delmore Schwartz" in 1959 (while Schwartz was still alive) in the book Life Studies. In it, Lowell reminisces about the time that the two poets lived together in Cambridge, Massachusetts, in 1946, writing that they were "underseas fellows, nobly mad,/ we talked away our friends."
Schwartz's former student at Syracuse University, Lou Reed, was the singer and principal songwriter for the band the Velvet Underground. Wanting to dedicate a song to Schwartz on their debut album The Velvet Underground and Nico Reed chose "European Son" as it had the fewest lyrics; rock and roll lyrics were something Schwartz abhorred. The song was recorded in April 1966, three months before Schwartz's death but was not released until March 1967. According to musicologist Richard Witts, the song "reads like little more than a song of loathing" to Schwartz, who refused to see Reed while living at the Chelsea Hotel.  The first pressing of The Velvet Underground & Nico referred to the song as "European Son (to Delmore Schwartz)".
Lou Reed's 1982 solo album The Blue Mask includes his second Schwartz homage with the song "My House". A more direct tribute to Schwartz than the Velvet Underground's "European Son", the lyrics of "My House" are about Reed's relationship with Schwartz. In the song, Reed writes that Schwartz "was the first great man that I ever met".
In the June 2012 issue of Poetry magazine, Lou Reed published a short prose tribute to Schwartz entitled "O Delmore How I Miss You."  In the piece, Reed quotes and references a number of Schwartz's short stories and poems including "In Dreams Begin Responsibilities," "The World is a Wedding," and "The Heavy Bear Who Goes With Me." "O Delmore How I Miss You" was re-published as the preface to the New Directions 2012 reissue of Schwartz's posthumously published story collection In Dreams Begin Responsibilities and Other Stories.
In 1968, Schwartz's friend and peer, fellow poet John Berryman, dedicated his book His Toy, His Dream, His Rest "to the sacred memory of Delmore Schwartz," including 12 elegiac poems about Schwartz in the book. In "Dream Song #149," Berryman wrote of Schwartz,
In the brightness of his promise,
unstained, I saw him thro' the mist of the actual
blazing with insight, warm with gossip
thro' all our Harvard years
when both of us were just becoming known
I got him out of a police-station once, in Washington, the world is tref
and grief too astray for tears.
The most ambitious literary tribute to Schwartz came in 1975, when Saul Bellow, a one-time protégé of Schwartz, published his Pulitzer Prize-winning novel Humboldt's Gift which was based on his relationship with Schwartz. Although the character of Von Humboldt Fleischer is Bellow's portrait of Schwartz during Schwartz's declining years, the book is actually a testament to Schwartz's lasting artistic influence on Bellow. Although he is a genius, the Fleischer/Schwartz character struggles financially and has trouble finding a secure university teaching position. He becomes increasingly paranoid and jealous of the success of the main character, Charlie Citrine (who is based upon Bellow himself), becoming isolated and descending into alcoholism and madness.
In John A. McDermott's poetry collection, The Idea of God in Tennessee, he includes a poem written for and referencing Schwartz, titled The Poet's Body, Unclaimed in the Manhattan Morgue. The poem makes mention of Schwartz's writing, daily habits, and death.
A play by Romulus Linney about Schwartz's friendship with Milton Klonsky, Schwartz's protege and friend and a writer of nonfiction, was presented at Ensemble Theater Company in New York City in November and December 2005, and at The Redhouse Theatre in Syracuse, NY, during its 2004/05 season.
- Scott Spencer uses the final six lines of Schwartz's poem "I Am a Book I Neither Wrote nor Read" as an epigraph for his National Book Award nominated novel, Endless Love. The words "endless love" are the final two words of that poem.
- In the film Star Trek Generations, the villain Tolian Soran quotes from Schwartz's poem, "Calmly We Walk Through This April's Day", telling Captain Jean-Luc Picard, "They say time is the fire in which we burn." Playwright Philip Ridley uses the same line as one of the epigraphs for his 2012 play Shivered. The German symphonic metal band Agathodaimon uses the line "Time is the fire" as the title to one of the songs on the album Phoenix. Grant Morrison named a story in his DC Comics miniseries Multiversity, Pax Americana, after the same line as well as quoting it on the cover.
- Bono, the lead singer of the Irish rock band U2, was inspired by the work of Schwartz when he wrote the lyrics of "Acrobat". The song, from the band's 1991 album Achtung Baby, is dedicated to the poet and in its final verse is quoted the title of his book In Dreams Begin Responsibilities.
- In 1996, Donald Margulies wrote the play Collected Stories, in which the aging writer and teacher Ruth Steiner (a fictional character) reveals to a young student, Lisa Morrison, that Ruth once had a great affair in her youth with Delmore Schwartz in Greenwich Village (during the period of time when Schwartz was in declining health from alcoholism and mental illness). Lisa then controversially uses the affair revelation as the basis for a successful novel. The play was produced twice off-Broadway and once on Broadway.
- The Schwartz poem, “Calmly We Walk through This April’s Day,” is heard being read to a class of high school students in the opening of the final episode of True Detective, season 3.
- The Poets' Pack (Rudge, New York, 1932), school anthology including four poems by Schwartz.
- In Dreams Begin Responsibilities. (New Directions, 1938), ISBN 978-0-8112-0680-8, a collection of short stories and poems.
- Shenandoah and Other Verse Plays (New Directions, 1941).
- Genesis: Book One (New Directions, 1943), book-length poem about the growth of a human being.
- The World Is a Wedding (New Directions, 1948), a collection of short stories.
- Vaudeville for a Princess and Other Poems (New Directions, 1950).
- Summer Knowledge: New and Selected Poems. (New Directions, 1959; reprinted 1967), ISBN 978-0-8112-0191-9.
- Successful Love and Other Stories (Corinth Books, 1961; Persea Books, 1985), ISBN 978-0-89255-094-4
- Published posthumously
- Donald Dike, David Zucker (ed.) Selected Essays (1970; University of Chicago Press, 1985), ISBN 978-0-226-74214-4
- In Dreams Begin Responsibilities and Other Stories (New Directions, 1978), a short story collection.
- Letters of Delmore Schwartz, ed. Robert Phillips (1984) ISBN 978-0-86538-048-6
- The Ego Is Always at the Wheel: Bagatelles, ed. Robert Phillips (1986), a collection of humorously whimsical short essays
- Last and Lost Poems. ed. Robert Phillips (New Directions, 1989) ISBN 978-0-8112-1096-6
- Screeno: Stories & Poems. New Directions. 2004. ISBN 978-0-8112-1573-2.
- 1930 United States Federal Census
- Atlas, James (1977). Delmore Schwartz: The Life of An American Poet. New York: Farrar, Straus, Giroux. p. 32. ISBN 978-0374137618.
- Schwartz, Delmore; Howe, Irving (1978). "Foreword". In Dreams Begin Responsibilities and Other Stories. New York: New Directions. p. vii. ISBN 978-0811206808.
- Poetry Foundation Podcast
- Schwartz, Delmore; Atlas, James (1978). "Introduction". In Dreams Begin Responsibilities and Other Stories. New York: New Directions. ISBN 978-0811206808.
- R. W. Flint, "The Stories of Delmore Schwartz", Commentary, April 1962.
- Dickstein, Morris. "Growing Pains: Delmore Schwartz, Forgotten Genius". Tablet Magazine. Retrieved May 15, 2014.
- Strauss, Robert (March 28, 2004). "Sometimes the Grave Is a Fine and Public Place". New York Times.
- Robert Lowell, Collected Poems. New York: Farrar, Straus, and Giroux, 2003.
- Harvard, Joe (2007) . The Velvet Underground & Nico. 33⅓. New York, NY: Continuum International Publishing Group. pp. 132 / 136. ISBN 0-8264-1550-4.
- Witts, Richard (2006). The Velvet Underground. Indiana University Press. p. 63. ISBN 0253218322.
- Clinton Heylin, ed. (2005). All Yesterday's Parties: The Velvet Underground in Print 1966-1971 (first ed.). United States: Da Capo Press. pp. 200, 251. ISBN 0-306-81477-3.
- Reed, Lou. "My House." The Blue Mask. RCA: 1982.
- Reed, Lou. "O Delmore How I Miss You." Poetry: June 2012
- Marmer, Jake. "Lou Reed's Rabbi." Tablet Magazine. Retrieved May 5, 2014. 
- John Berryman, "Dream Song #149" in His Toy, His Dream, His Rest. New York: Farrar, Straus, and Giroux, 1968.
- Scott Spencer Endless Love (New York: Knopf, 1979), ISBN 978-0-88001-628-5
- Philip Ridley Shivered (London: Methuen Drama, 2012), ISBN 978-1-4081-7259-9
- Bailie, Stuart (13 June 1992). "Rock and Roll Should Be This Big!". NME.
- U2 (1991). Achtung Baby (music album). London, United Kingdom: Island Records. CIDU28, 510347-2. Liner notes.
- "Acrobat", lyrics. U2 Official Website. Retrieved January 14, 2018.
- New York Times review of Collected Stories
|Wikiquote has quotations related to: Delmore Schwartz|
- Biography of Delmore Schwartz
- Delmore Schwartz Papers at Yale University Beinecke Rare Book and Manuscript Library
- Delmore Schwartz-The Academy of American Poets
- Poet Delmore Schwartz: Orpheus In Purgatory A biographical overview of Schwartz from PBS.
- The Heavy Bear Who Goes With Me A poem cited in this article as one of Schwartz's best-known pieces.