Crust punk (also known as crust or stenchcore) is a form of music influenced by English punk rock and extreme metal. The style, which evolved in the early-1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo.
|Cultural origins||Early-1980s, England|
|Blackened crust, crack rock steady|
Crust is partly defined by its "bassy" and "dirty" sound. It is often played at a fast tempo with occasional slow sections. Vocals are usually harsh and may be grunted, growled or screamed. Crust punk takes cues from the anarcho-punk of Crass and Discharge and the heavy metal of bands like Venom, Trouble, Hellhammer, Celtic Frost, Black Sabbath and Motörhead. While the term was first associated with Hellbastard, Amebix have been described as the originators of the style, along with Discharge and Antisect.
- 1 Characteristics
- 2 History
- 3 Relations with other genres
- 4 Clothing
- 5 Crust punk record labels
- 6 See also
- 7 References
- 8 Further reading
Crust punk is a derivative form of hardcore punk and anarcho-punk, mixed with metal riffs. The tempos are often fast, but just short of thrashcore or grindcore. However, many groups confine themselves to a crawling, sludgy pace. The overall musical sound has been described as being "stripped down". Drumming is typically done at high speed, with D-beats sometimes being used.
Vocals and lyricsEdit
Vocals in crust punk are often shrieked or shouted, and may be shared between two or more vocalists. The lyrical content of crust punk tends to be bleak and nihilistic, yet politically engaged. Crust punk songs are often about nuclear war, militarism, animal rights, police, personal grievances, oppressive states and fascism. Amebix were also interested in various forms of mysticism and Gnosticism. Malcolm "Scruff" Lewty, guitarist and vocalist of Hellbastard, describes the distinction between metal and crust punk lyrics:
Metal lyrics were so dumb, so far removed from daily life. Venom were going on about Satan... and bikes... and Satan... and women... and Satan! You know what? I never got up in the morning and said, 'Fuck yeah! Satan! Let's go and meet my disciples from Hell!' I'd switch on the TV and know I was going to see hundreds of people dying because there'd been an earthquake in the third world... and all these people starving to death while military expenditure still increased... That was — and still is — the reality of it. The whole heavy metal thing is just an escape from reality, into this other world of... well, bullshit basically.
The initial inspiration for the crust punk scene came from the anarcho-punk of Crass and D-beat of Discharge. Swedish D-beat groups such as Crude SS, Skitslickers/Anti Cimex and Mob 47 and the Finnish Rattus were also early influences. Amebix also brought in influences from various post-punk bands, including Public Image Ltd., Bauhaus, Joy Division, and especially Killing Joke. The early metal sound of Black Sabbath and Motörhead was also a big influence on both Amebix and Antisect.
'Rippercrust' is widely regarded as the first time the word 'crust' was used in the punk context, and hence the specific starting point of the whole crust punk genre, although some would attribute that accolade to the likes of Disorder, Chaos UK, and Amebix several years earlier.— 
Malcolm "Scruff" Lewty, vocalist and guitarist of the group, commented,
A lot of people say we started the crust punk genre, but whatever. If they wanna say that, I don't mind, but I'm certainly no Malcolm McLaren, saying I invented something I didn't.— 
Punk journalist Felix von Havoc contends that Doom, Excrement of War, Electro Hippies and Extreme Noise Terror were among the first bands to have the traditional UK "crust" sound. Additional subgenres of this style began to develop. Deviated Instinct, from Norwich, created "stenchcore", bringing "both the look and sound — dirty and metallic, respectively — to their natural conclusion". Initially an anarcho-punk group, they began to take increasing influence from metal. As vocalist Julian "Leggo" Kilsby comments,
We were very much a part of the anarcho scene, to start with, very politically motivated... all the way through the band's existence, really, although it got less obvious as time went by. But I never really liked the straightforward 'War is bad...' lyrics that were so prevalent at the time, so as my writing skills improved I wanted to add more depth to our lyrics and make them more metaphorical; I'd always been into horror films, so that started to manifest itself in the imagery I was using...— 
Extreme Noise Terror is credited with developing this style into grindcore. However, Pete Hurley, the guitarist for the group, declared that he had no interest in being remembered as a pioneer of this style: "'grindcore' was a legendarily stupid term coined by a hyperactive kid from the West Midlands, and it had nothing to do with us whatsoever. ENT were, are, and — I suspect — always will be a hardcore punk band... not a grindcore band, a stenchcore band, a trampcore band, or any other sub-sub-sub-core genre-defining term you can come up with."
American crust punk began in New York City, also in the mid-1980s, with the work of Nausea. The group emerged from the Lower East Side squat scene and New York hardcore, living with Roger Miret of Agnostic Front. The early work of Neurosis, from San Francisco, also borrowed from Amebix, and inaugurated crust punk on the West Coast. Disrupt (Boston), Antischism (South Carolina), MISERY and Destroy (Minneapolis) were also significant U.S. crust groups.
An important American crust punk band was Aus Rotten from Pittsburgh, Pennsylvania. Crust punk also flourished in Minneapolis, shepherded by the Profane Existence label. In this period, the ethos of crust punk became particularly codified, with vegetarianism, feminism, and sometimes straight edge being prescribed by many of the figures in the scene. The powerviolence scene associated with Slap-a-Ham Records was in close proximity to crust punk, particularly in the case of Man Is the Bastard and Dropdead. Crust was also prominent in the American South, where Prank Records and CrimethInc. acted as focal points of the scene. The most well-known representative of Southern crust was His Hero Is Gone. Prominent crust punk groups (Driller Killer, Totalitär, Skitsystem, Wolfbrigade, and Disfear) also emerged from Sweden, which had always had a strong D-beat scene. Many of these groups developed in parallel with the much more commercial Scandinavian death metal scene.
Some notable crust bands in the 2000s include Iskra, Behind Enemy Lines, and Tragedy. The Spanish city A Coruña has a crust scene which includes bands as Black Panda, Ekkaia and Madame Germen. In 2017, Bandcamp Daily wrote that Fluff Fest, held in Czechia since 2000, has become a "summer ritual" for many fans of crust punk in Europe.
Relations with other genresEdit
As Amebix was heavily influenced by Killing Joke, who are among the founders of industrial rock, crust punk has always had some relationship to this style. Nausea also eventually incorporated elements of industrial rock.
Crust punk had a major impact on grindcore's emergence. The first grindcore, practiced by the British bands such as Napalm Death and Extreme Noise Terror emerged from the crust punk scene. This early style is sometimes dubbed "crustgrind".
Thrashcore and powerviolenceEdit
Crustcore (also known as crusty hardcore), is a sub-genre of crust punk that takes influence from hardcore punk and sometimes thrashcore. Felix Havok described Extreme Noise Terror's segment of the "Earslaughter" split album with Chaos UK as the first album in the genre. Crustcore bands include Extreme Noise Terror, Doom, Disrupt, Wolfbrigade, Neurosis, Baptists, Discharge and Filth.
Crack rock steadyEdit
Crack rock steady is a punk rock fusion-genre, which combines elements of crust punk and ska punk. Lyrics often focus on themes such as drug-use, religion, politics and social issues. Other genres sometimes incorporated in conjunction with the style include black metal, hardcore punk classical music and heavy metal. Notable bands within the genre include Choking Victim, Leftöver Crack, Morning Glory and Star Fucking Hipsters.
Crust punk groups, such as Antisect, Sacrilege and Anti System took some influence from early black metal bands like Venom, Hellhammer, and Celtic Frost, while Amebix's lead vocalist and guitarist sent his band's early demo tape to Cronos of Venom, who replied by saying "We’ll rip you off". Similarly, Bathory was initially inspired by crust punk as well as heavy metal. Crust punk was affected by a second wave of black metal in the 1990s, with some bands emphasizing these black metal elements. Iskra are probably the most obvious example of second wave black metal-influenced crust punk; Iskra coined their own phrase "blackened crust" to describe their new style. The Japanese group Gallhammer also fused crust punk with black metal while the English band Fukpig has been said to have elements of crust punk, black metal, and grindcore. Germany's Downfall of Gaia has been described as mixing crustgrind and black metal, along with elements of sludge metal, doom metal and post-metal. North Carolina's Young and in the Way have been playing blackened crust since their formation in 2009. In addition, Norwegian band Darkthrone have incorporated crust punk traits in their more recent material. As Daniel Ekeroth wrote in 2008,
In a very ironic paradox, black metal and crust punk have recently started to embrace one another. Members of Darkthrone and Satyricon have lately claimed that they love punk, while among crusties, black metal is the latest fashion. In fact, the latest album by crust punk band Skitsystem sounds very black metal--while the latest black metal opus by Darkthrone sounds very punk! This would have been unimaginable in the early 90s.— 
Crust punk also has an associated DIY-oriented branch of punk garb. Similar to anarcho-punk, most clothing is black in color. Denim jackets and hooded sweatshirts with sewn-on patches, or vests covered in studs, spikes and band patches are characteristic elements of the crust punk style of dress or pants covered in band patches. Crusties sometimes wear dreadlocks.
Crust punk record labelsEdit
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- Cunha, Ricardo. "Crust: the other side of the coin". Retrieved 30 June 2018.
- Von Havoc, Felix (1984-01-01). "Rise of Crust". Profane Existence. Archived from the original on 2008-06-15. Retrieved 2008-06-16.
- "In Crust We Trust". Retrieved 19 July 2018.
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- Anthony Bartkewicz, Decibel Magazine No. 31, May 2007.  Access date: June 18, 2008
- Nick Mangel, Disrupt LP review, Maximum Rock'n'Roll #301, June 2008, record reviews section.
- "Crust-punks Behind Enemy Lines release One Nation Under The Iron Fist of God
- "Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!." Terrorizer no. 172. July 2008. p. 36-37.
- Andrew Childers, "Kick in the South: A Look Back at Prank Records and the Southern Crust Scene." April 5, 2008.  Access date: June 21, 2008
- Ekeroth, p. 107, 266.
- Iskra Interviews Archived June 15, 2006, at the Wayback Machine.
- Mervis, Scott (2007-02-01). "Pittsburgh Calling: A capsule look at Pittsburgh bands making news". Post-gazette.com. Retrieved 2010-08-01.
- es:Crust punk#D.C3.A9cada de los 90s.2F00s .28Portland.2C Suecia.2C Espa.C3.B1a.29
- Sanna, Jacopo (20 September 2017). "The Sincere and Vibrant World of the Czech DIY Scene". Bandcamp. Retrieved 7 October 2017.
- Reynolds, Simon (2005). Rip it up and start again: Postpunk 1978-1984. London: Faber and Faber Limited, p. 435
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- Fixell, Ethan. "THE UNITED STATES OF HARDCORE". Kerrang!. Retrieved 18 July 2018.
- LUEDTKE, CHRISTOPHER. "Album Review: WOLFBRIGADE Run With The Hunted". Metal Injection. Retrieved 2 January 2019.
- Kelly, Kim. "Thrash 'n burn: why 1985 was metal's defining year". Retrieved 2 January 2019.
- Adams, Gregory. "Ladyhawk Celebrate 10th Anniversary with "Decade of Passive Aggression" Canadian Tour, Outline New Album Possibilities". Exclaim!. Retrieved 2 January 2019.
- Adams, Gregory. "Discharge Sign with Nuclear Blast for First Album in 8 Years". Exclaim!. Retrieved 2 January 2019.
- Breihan, Tom. "White Fence – "Today's Lesson" (Filth Cover)". Retrieved 2 January 2019.
- GENTILE, JOHN. "Sonic Reducer: Crack Rock Steady". Retrieved 3 January 2019.
- MOSES, JEFF. "Leftover Crack Doesn't Just Talk About Being Punk". Phoenix New Times. Retrieved 3 January 2019.
- "14 Bush-era political artworks that stood the test of time". The A.V. Club. Retrieved 3 January 2019.
- VERDUCCI, RICHARD. "Scott Sturgeon (Leftover Crack/Star F*cking Hipsters)". Retrieved 3 January 2019.
- Dunlap, Xander. "Directionless people are malleable—easily pointed in the wrong directions". Thrasher. Retrieved 19 July 2018.
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- "Hard of Hearing", Terrorizer no. 171, June 2008, p. 56.
- "Fukpig". Supersonic Festival. 22 October 2010. Retrieved 24 March 2019.
- "C: Do you think that FUKPIG has founded a style of his own? Misery: Nah its just d-beat crust, with added horror C: and then What difference to FUKPIG from the rest of the bands? Misery: We add more black metal / horror influences, but are still inspired by the same things C: Is Necro-Punk your style? Misery: Yeah, necro in the black metal style playing crust punk, so yeah Necro Punk." Interview: Fukpig Archived 2013-11-10 at the Wayback Machine
- Weber, Austin (4 December 2014). "Downfall of Gaia: "Aeon Unveils the Thrones of Decay"". No Clean Singing. Retrieved 20 October 2016.
- Zorgdrager, Bradley. "Young and in the Way When Life Comes to Death". Exclaim!. Retrieved 19 July 2018.
- Ekeroth, p. 258.
- Kevin Stewart-Panko, "I Saw Disfear Three Times in Three Days", Decibel, no. 46, August 2008, p. 22.
- "Crustypunks, The Wandering Nomads Of The East Village (PHOTOS)". The Huffington Post.
- Hetherington, K. New Age Travellers, page 9. Cassell. 2000
- Glasper 2009, 287
- Ekeroth, Daniel (2008). Swedish Death Metal. Bazillion Points Books. ISBN 978-0-9796163-1-0
- Glasper, Ian (2004). Burning Britain: The History of UK Punk 1980-1984. Cherry Red Books. ISBN 1-901447-24-3
- Glasper, Ian (2006). The Day the Country Died: A History of Anarcho Punk 1980 to 1984. Cherry Red Books. ISBN 1-901447-70-7
- Glasper, Ian (2009). Trapped in a Scene: UK Hardcore 1985-1989. Cherry Red Books. ISBN 978-1-901447-61-3
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- Mudian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House. ISBN 1-932595-04-X
- Profane Existence (1997). Making Punk a Threat Again: Profane Existence: Best Cuts 1989-1993. Loincloth. ASIN: B000J2M8GS