Mr. Patman (also known as Crossover) is a 1980 Canadian film directed by John Guillermin and starring James Coburn.

Mr. Patman
UK VHS cover with the film's alternative title: Crossover
Directed byJohn Guillermin
Written byThomas Hedley
Produced byBill Marshall
Henk Van der Kolk
Starring
CinematographyJohn Coquillon
Edited byVince Hatherley
David Nicholson
Music byPaul Hoffert
Production
company
Film Consortium of Canada
Release date
5 September 1980 (Toronto Film Festival)
Running time
97 minutes
CountryCanada
LanguageEnglish
Budget$6.9 million

Plot edit

A nurse working the night shift in a psycho ward begins to lose his grip on reality.

Cast edit

  • James Coburn as Patman
  • Kate Nelligan as Peabody
  • Fionnuala Flanagan as Abadaba
  • Les Carlson as Abernathy
  • Candy Kane as Mrs Beckman
  • Michael Kirby as Dr Turley
  • Alan Mcrae as Dr Bloom
  • Jan Rubes as Vrakatas
  • Hugh Webster as Wolfe
  • Lynne Griffin as Monica
  • Tabitha Herrington as Montgomery
  • Lois Maxwell

Production edit

Philip Hersh originally wrote the film's script,[1] but was rewritten by Thomas Hedley, later famous for writing Flashdance.[2] In May 1977 James Coburn was attached to the project with John Huston as director.[3] John Guillermin, the director of The Towering Inferno and King Kong, was selected to direct the film.[4] Karen Black received $62,500 after winning a lawsuit against Bill Marshall, the film's producer, for violating a verbal commitment to hire her.[5]

The film was shot from 3 December 1979 to 6 February 1980, in Vancouver on a budget of $6,900,000 (equivalent to $22,205,455 in 2021), with $500,000 coming from the Canadian Film Development Corporation.[6] 1,379 shares in the film were offered at $5,000 by Merrill Lynch.[7]

The film went through multiple names during its development. The film went under the title Midnight Matinee, The Bed Next To Mine, Man In White, The Optimist, and Patman during production and was released under the titles Crossover and Mr. Patman. Vince Hatherley's edit of the film was 111 minutes, but David Nicholson reduced the runtime to 97 minutes.[6] Guillermin was critical of the changing names of the film.[4]

It was one of five films Coburn made over an 18-month period. "Something happened between the first script and the final re-write," he says of Patman. "In being made clearer, the film lost a lot of its charm and character. But the idea of a guy who works in a psychiatric ward, ultimately choosing to live in the madness there rather than the madness in the outside world, really appealed to me."[8]

Kate Nelligan was Canadian, though based in New York where she had achieved great stage success. She agreed to return home to make the movie and help the film be classified as Canadian. Nelligan later called the movie a nightmare, saying in 1983 that "The Canadian film industry is a joke, and we Canadians should be ashamed of it. We passed a silly law to keep out American film professionals, from whom we might have learned something, and to assure that every incompetent film person in Canada could have a job. What we got were horribly incompetent people in top jobs, drunk most of the time, who went to Hollywood and got completely taken in by every agent in town, and in turn screwed every dentist in Canada out of $5,000 in tax-shelter investments. The boom seems to be over now. It was such a monstrous waste of time and money. I can say all that stuff, of course, because I'm Canadian."[9]

Release edit

The film was released in Paris on 22 April 1981, but never received a theatrical release in Canada and was instead aired by the Canadian Broadcasting Corporation on 5 November.[6][10] The CBC paid around $600,000 for Circle of Two, Wild Horse Hank, and Mr. Patman.[11] The film was shown at the 1980 Toronto Film Festival.[12][13]

The Canadian Imperial Bank of Commerce took control of the film and sought to distribute it.[14]

Reception edit

Fred Haeseker, writing in Calgary Herald, stated that "If Mr. Patman is a flawed picture, though, it must be counted as an honorable failure: Among the hackneyed, exploitative English-language Canadian films released this year it stands out as a truly serious movie."[15]

Reviewing it at the festival the Globe and Mail called the film "an honorable failure, honorable because its ambitions are lofty, and a failure because the ambitions are not tied to anything cinematically coherent - if Mr. Patman were literature, it would be a haiku unconscionably puffed into a short story. As a movie, it's a fragile featurette turned into an attenuated feature. Certainly it's good to want to say something, as Mr. Patman clearly does; it's even better to have something to say."[16]

Maclean's said "just when Mr. Patman threatens to turn too heartwarming, it holds back and we respond to it without that put-upon feeling that we’re being coaxed into caring. It’s a thin line to tread but the director, John Guillermin... keeps a tight grip on the material, and the material has been shrewdly arranged, motifs and all, to tear your heart out."[17]

An article in the Toronto Star from 2001 said "This notable dud was a product of Canada's notorious tax-shelter era when movies were for business write-offs rather than any creative imperative. Shot in Vancouver, it never lets the audience know where we are. A feeble echo of One Flew Over The Cuckoo's Nest, the movie had a British director (John Guillermin) and an American star (James Coburn). The screenwriter took his name off it after a dispute with producer Bill Marshall (one of the festival's founders). The movie had a gala slot at the 1980 festival, followed by a quick burial."[18]

Filmink later called it "a really terrible movie, dull and lacking in atmosphere, the first bad picture Guillermin made in over a decade."[19]

Accolades edit

Award Date of ceremony Category Recipient(s) Result Ref.
Film Craft Awards 1980 Best Sound Editing Peter Thillaye Won [20]

References edit

  1. ^ Knelman 1987, p. 34.
  2. ^ His star rises higher Fetherling, Doug. The Globe and Mail; Toronto, Ont. [Toronto, Ont]14 Sep 1984: E.5.
  3. ^ FILM CLIPS: Coburn: Frustrated Director' Lee, Grant. Los Angeles Times 11 May 1977: g12.
  4. ^ a b "It's not Hollywood, but B.C. sees plenty of action". Vancouver Sun. 19 March 1980. p. C11. Archived from the original on 13 May 2023 – via Newspapers.com.
  5. ^ "Anne resists movie music; Spring Thaw warms up". Windsor Star. 3 January 1980. p. 10. Archived from the original on 13 May 2023 – via Newspapers.com.
  6. ^ a b c Turner 1987, p. 326-327.
  7. ^ "Wanna buy a picture?". Vancouver Sun. 29 January 1980. p. B5. Archived from the original on 13 May 2023 – via Newspapers.com.
  8. ^ FESTIVAL OF FESTIVALS Coburn is happy being a 'hooker' Godfrey, Stephen. The Globe and Mail; Toronto, Ont. [Toronto, Ont]05 Sep 1980: P.17.
  9. ^ KATE NELLIGAN - A BROADWAY SMASH, SHE WANTS FILMS Ebert, Roger; Chicago Sun Times. Philadelphia Daily News; Philadelphia, Pa. [Philadelphia, Pa]19 Mar 1983: 13.
  10. ^ Spencer 2003, p. 159.
  11. ^ "Films dumped straight to TV". Windsor Star. 20 November 1980. p. 41. Archived from the original on 11 May 2023 – via Newspapers.com.
  12. ^ Schabas, Ezra (October 31, 2007). Jan Rubes: A Man of Many Talents. Dundurn. ISBN 9781550026856 – via Google Books.
  13. ^ Schabas, Ezra; Mansouri, Lotfi; Hamilton, Stuart; Neufeld, James; Popple, Robert; Pitman, Walter; Jonas, Holly Higgins; Labrèche-Larouche, Michelle; Morey, Carl (December 17, 2013). Dundurn Performing Arts Library Bundle — Musicians: Opening Windows / True Tales from the Mad, Mad, Mad World of Opera / Lois Marshall / John Arpin / Elmer Iseler / Jan Rubes / Music Makers / There's Music in These Walls / In Their Own Words / Emma Albani / Opera Viva / MacMillan on Music. Dundurn. ISBN 9781459724013 – via Google Books.
  14. ^ "Canadian flicks take on red hue". Windsor Star. 5 November 1981. p. 16. Archived from the original on 12 May 2023 – via Newspapers.com.
  15. ^ "Coburn movie set in Vancouver stands out as serious film". Calgary Herald. 8 September 1980. p. A23. Archived from the original on 12 May 2023 – via Newspapers.com.
  16. ^ FESTIVAL OF FESTIVALS Two tales of losers: one's a winner Scott, Jay. The Globe and Mail; Toronto, Ont. [Toronto, Ont]06 Sep 1980: E.1.
  17. ^ O'Toole, Lawrence (15 September 1980). "Something to start the heart MR. PATMAN Directed by John Guillermin". Maclean's.
  18. ^ Hidden gems and festival misses ; Lots of hype doesn't guarantee a hit at the Toronto film festival, where movies with little fanfare have made it big: [Ontario Edition] Knelman, Martin. Toronto Star 8 Sep 2001: J11.
  19. ^ Vagg, Stephen (17 November 2020). "John Guillermin: Action Man". Filmink.
  20. ^ "Montrealer wins Film Craft Award". Montreal Gazette. 12 November 1980. p. 109. Archived from the original on 12 May 2023 – via Newspapers.com.

Works cited edit

External links edit