Cinderella is Dead is a 2020 young adult book by Kalynn Bayron. The novel is focused on Sophia Grimmins, a queer teenager living in the same world as Cinderella, 200 years after her death. Young women that are coming of age are forced to attend balls to be chosen as wives of men they've never met.
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| Author | Kalynn Bayron |
|---|---|
| Cover artist | Manzi Jackson |
| Language | English |
| Genre | Young adult fiction |
| Publisher | Bloomsbury YA |
Publication date | July 7, 2020 |
| Pages | 400 |
| ISBN | 978-1-547-60387-9 |
Plot summary edit
The plot holds parallels to the original story of Cinderella. The King of Mersailles holds an annual ball that young women are required to attend. At the ball, men choose the young woman that they want as their bride. A woman has three years to be chosen as a bride. If not, she forfeits her right to get married and loses her connections to her community. Even if they do get married, some end up in bad marriages and some would rather not get married at all.
The main character, Sophia, wants to live with and marry her childhood best friend, Erin. For Sophia and Erin to live like this, they will need to escape Mersailles. Sophia is sure that this is what she wants, but Erin is not sure she wants to escape. Instead, Sophia is befriended by Constance (a descendant of the stepsisters in the original story). Constance recounts the history of Cinderella from her perspective—one that is very different from how the fairy tale is usually told. Sophia and Constance join forces to visit the fairy godmother and to confront the King Manford, hoping to change these patriarchal laws for good.
Characters edit
Sophia Grimmins: Sophia is the sixteen-year-old protagonist of the novel. She's a queer POC who wants to live with Erin, a girl she wishes to marry. She is brave, smart, sassy, and strong. Sophia fights for what she wants, even when it means standing up against years of tradition.
Constance: Constance is a descendant of one of the original stepsisters. She is determined and strong-willed, and she tells a different story to Cinderella than the one that everyone else has heard.
Erin: Childhood best friend of Sophia, and the girl that Sophia wishes to marry, even if that means fleeing from Mersailles; however, Erin is not so sure she is willing to give up the life that she has.
Amina: the Fairy Godmother of the original story. She is portrayed as more of a witch, having a variety of powers including potion making and divination. Sophia and Constance go to her for help. She has either had people come to her for help or to accuse her of evil throughout the years. She uses potions to remain looking young, though she does age.
Luke Langley: Luke is a side character who is gay, and has a past relationship with a boy named Louis. When he was found out, his sister was the only reason that he didn't get imprisoned, as she convinced people that Luke was only going through a phase. He wants to marry Sophia as a way to hide both of their sexualities.
Liv Preston: Liv is a seventeen-year-old friend of Sophia's who goes to the ball a second time.
King Manford: King of Marsailles. Cunning and cruel. Upholds the laws that Sophia and Constance are fighting against.
Cinderella: The original girl that the story has been told about. She has been dead for two centuries when this book takes place.
Reception edit
Melanie Kirkwood, for The Booklist, calls the novel a "fast-paced read" and says that Bayron's take on the Cinderella tale "will forever change how readers perceive fairy tales." Kirkwood also commented on the main character construed by the author, saying her courage and skill "alongside her stereotype-shattering Black girl beauty will have readers rooting for her."[1] Kirkus Reviews called it a "promising debut" and praised the setting chosen by the author, also saying that "the twists and turns will keep readers in suspense."[2]
In a review for The National of Scotland, McLaughlin called the book "the perfect mix" of a dystopian world and a new take on a classic fairy tale.[3] Writing for The School Librarian, Sammie Boon criticizes the presence of some plot holes in the story, as well as the "ending which felt a bit too neat". Both Boon and McLaughlin called attention to the importance of the subjects tackled by Bayron.[4][3]
As recently as 2022, Cinderella is Dead has been involved in a number of censorship challenges in schools throughout the United States, including but not limited to Granbury, Texas, and San Antonio, Texas.[5] In Granbury, the title was included on a list of 134 books that have been challenged by the independent school district and consequently removed by the committee.[5] In San Antonio, the title was removed alongside a list of over 400 books after Rep. Matt Krause published a list of books that he deemed would cause students "discomfort" for addressing sexuality and race.[6] In response to the book's negative reception, Bayron commented, "My biggest fear is that these young readers are going to be denied access to stories about people who look like them, who love like them. They're who I write for. That's my job. That's who I create these stories for, and knowing that they're being kept from them is very disheartening."[7]
References edit
- ^ Kirkwood, Melanie (September 2020). "Cinderella Is Dead". The Booklist. 117 (1/2). Chicago: 97.
- ^ "CINDERELLA IS DEAD". Kirkus Reviews. May 1, 2020. Retrieved 18 July 2021.
- ^ a b McLaughlin, Gemma E. (August 30, 2020). "Book Review: The girl out to destroy the legacy of Cinderella". The National. Retrieved 18 July 2021.
- ^ Boon, Sammie (Winter 2020). "Cinderella is Dead". The School Librarian. 68 (4): 242–243. ProQuest 2507261738.
- ^ a b Stroshane, Eric (2022). "Censorship Dateline". Journal of Intellectual Freedom & Privacy. 7 (1): 37–87. doi:10.5860/jifp.v7i1.7888.
- ^ Ford, Clyde W. (5 April 2022). "Op-Ed: I never imagined that being a Black author could put me in harm's way". Los Angeles Times. ProQuest 2646864901.
- ^ Reid, Rayna (2022). "BLACK AUTHORS SPEAK OUT AGAINST BOOK BANS". Essence. 53 (1): 69–71. ProQuest 2697724674.
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