This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (January 2013) (Learn how and when to remove this template message)
Chelo Alonso (born April 10, 1933) is a former Cuban/Mexican actress who became a star in Italian cinema, and ultimately a 1960s cult film heroine and sex symbol in the U.S. She was well known for playing femmes fatales with fiery tempers and sensual dance scenes.
Alonso was born Isabella Garcia in Central Lugareño, Camagüey, Cuba, to a Cuban father and Mexican mother. She initially achieved recognition in Cuba for her dancing ability, becoming a sensation at Cuba's National Theatre in Havana.
Soon after, she emerged as a new exotic dancing talent at the Folies Bergère in Paris. She was billed as the "new Josephine Baker", who had also performed and become famous at the Folies. Alonso was billed as the "Cuban H-Bomb", and mixed Afro-Cuban rhythms from her homeland with "bump and grind".
Alonso was first noticed internationally in the 1959 film, Nel segno di Roma (Sheba and the Gladiator), which starred Anita Ekberg and Georges Marchal. Owing to a particularly erotic dance number, her picture and name became more prominent on the movie's publicity posters than either of the two leads, much to Ekberg's dismay.
Most of Alonso's films were adventure movies in the style of Le fatiche di Ercole (Hercules). Hercules starred Steve Reeves and was a wildly popular new genre in film. It paved the way for movies attempting to emulate it. These films required exotic talent, and Alonso's dark beauty fit the bill; she even starred with Steve Reeves himself in Goliath and the Barbarians (1959) and Morgan il pirata (1960). Goliath and the Barbarians earned Alonso the award of "Italian Cinema's Female Discovery".
Following Desert War in 1962, Alonso left film for a time to turn her attention to television. She did not return until 1966's spaghetti western The Good, the Bad, and the Ugly - her most widely distributed film - ironically playing a small, non-speaking role.
In 1961, Alonso married Aldo Pomilia, a production manager and producer for many of her films. She has one son, Aldino Pomilia.
|1959||Guardatele ma non toccatele||Pepita Garcia|
|Nel Segno di Roma (Sheba and the Gladiator)||Erica|
|Tunis Top Secret||Sherazad / Soraya|
|Il terrore dei barbari (Goliath and the Barbarians)||Landa|
|La scimitarra del Saraceno (The Pirate and the Slave Girl)||Princess Miriam|
|I Reali di Francia (Attack of the Moors)||Suleima|
|1960||Il terrore della maschera rossa (Terror of the Red Mask)||Karima|
|La strada dei giganti (Road of the Giants)||Stella Von Kruger|
|La regina dei tartari (The Huns)||Tanya, Queen of the Tartars|
|Morgan il pirata (Morgan, the Pirate)||Concepcion|
|Maciste nella Valle dei Re (Son of Samson)||Queen Smedes|
|1961||Maciste nella terra dei ciclopi (Atlas Against the Cyclops)||Capys|
|La ragazza sotto il lenzuolo (Girl Under the Sheet)||Maria Celeste Cortez d'Aragona|
|1962||Quattro notti con Alba (Desert War)||Alba Petti|
|1966||Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly)||Stevens' Wife||Uncredited|
|1968||Corri uomo corri (Run, Man, Run)||Dolores|
|1969||La notte dei serpenti (Night of the Serpent / Nest of Vipers)||Dolores||(final film role)|
References 1. http://www.cultsirens.com/alonso/alonso.htm