Cepta Cullen was considered Ireland's "first serious choreographer" and an important figure in the development of Irish Ballet.[1] She was also a performer and teacher. Cullen trained as a dancer in the Abbey School of Ballet under Ninette de Valois in Dublin. Her career spans from about 1928 to 1944 though she continued to teach.[2] Cullen went on to open her own Ballet school after her teacher left Ireland and the Abbey school officially closed in 1933. Cullen's school was The Irish Ballet Club which she founded in 1939 and which was based in the Peacock Theatre, Dublin. The school staged fourteen ballets during the five years of operation.[1]
Cepta Cullen | |
|---|---|
| Nationality | Irish |
| Occupation | Choreographer |
Possibly the most successful show she choreographed was Puck Fair.[3] The ballet was scripted by the poet F. R. Higgins, designed by Mainie Jellett and composed by Elizabeth Maconchy.[4][5] The performance opened in the Gaiety Theatre, Dublin in February 1941. It was a typical example of the work of Cullen between 1939 and 1944. The ballets were often based on Irish themes.[4][1] Cullen had worked with a number of names from the Irish arts scene. She worked with Micheál Mac Liammóir on a ballet which eventually was written as part of a different production.[6][7]
Very little is known about Cullen apart from her work in ballet and her impact on ballet in Ireland.[8] She was born on 7th December 1914 in North King Street, Dublin (parents Thomas and Bridget Cullen). 'Cepta' Mary Catherine Cullen married Lieutenant Richard Patrick Gower (Officer of the Maritime Services - McKee Barracks) of on 27 July 1948 in Church of the Holy Family, Aughrim Street, Dublin.[9] They had two children and emigrated to Vancouver, Canada in 1960s.
References edit
- ^ a b c Parfitt, R. (2019). Musical Culture and the Spirit of Irish Nationalism, 1848â€"1972. Routledge Studies in Cultural History. Taylor & Francis. ISBN 978-1-000-51763-7. Retrieved 9 April 2020.
- ^ "Cullen, Cepta - Abbey Archives - Amharclann na Mainistreach". Abbey Theatre. Retrieved 9 April 2020.
- ^ Ailie Blunnie (July 2010). Passion and Intellect in the Music of Elizabeth Maconchy DBE (1907–1994) (Master thesis). National University of Ireland, Maynooth. S2CID 192069634.
- ^ a b "Stepping back to a magical, marginal artform". independent. 22 November 2008. Retrieved 9 April 2020.
- ^ Mathias, R. (2016). Lutyens, Maconchy, Williams and Twentieth-Century British Music: A Blest Trio of Sirens. Taylor & Francis. ISBN 978-1-317-10300-4. Retrieved 9 April 2020.
- ^ De Barra, S. (2006). Aloys Fleischmann. Field Day music (in German). Field Day Publications. p. 100. ISBN 978-0-946755-32-5. Retrieved 9 April 2020.
- ^ "Holdings: Design for a ballet". NLI. Retrieved 9 April 2020.
- ^ "A history of Irish ballet from 1927 to 1963". History Ireland. 6 March 2013. Retrieved 9 April 2020.
- ^ Billboard (in German). Nielsen Business Media, Inc. 12 January 2002. p. 46. Retrieved 9 April 2020.