Wikipedia

Caroline Marmon Fesler

Caroline Marmon Fesler (1878 – December 28, 1960) was an American art and music patron, cultural philanthropist, and fine-art collector. Her contributions to the Indianapolis, Indiana, arts community included financial support and gifts of fine art to the Art Association of Indianapolis (the forerunner to the Indianapolis Museum of Art and the Indiana University – Purdue University Indianapolis Herron School of Art and Design), in addition to serving as a board member of Herron School of Art (1916–1947) and president of the Art Association of Indianapolis (1941–1947). Fesler was also a patron of the Indianapolis Symphony Orchestra and founded the city's Ensemble Music Society. Her major art collecting interests and acquisitions tended toward Post-Impressionist and modernist paintings, although not exclusively, and included paintings by Georges Braque, Paul Cézanne, Marc Chagall, Henri Matisse, Pablo Picasso, Georgia O'Keeffe, Georges Seurat, and Vincent van Gogh, among others. The Marmon Memorial Collection, which Fesler established in honor of her parents, remains an important part of the Indianapolis Museum of Art's permanent collections.

Caroline Marmon Fesler
Born
Caroline Marmon

1878
Richmond, Indiana
DiedDecember 28, 1960
Indianapolis, Indiana
NationalityAmerican
EducationSmith College
SpouseJames William Fesler

Early life and education edit

Caroline Marmon was born in 1878 in Richmond, Indiana, to Elizabeth (Carpenter) (1849–1940) and Daniel W. Marmon (1844–1909). Caroline's father, a mechanic and engineer, was a principle of the Nordyke and Marmon Company, a manufacturer of milling equipment that provided the base of the family's wealth. When she was still young the family moved to Indianapolis, Indiana, where her father became president of a local power and light company and later founded the Marmon Motor Car Company, a luxury automobile manufacturer. Her two older brothers, Walter C. Marmon (1872–1940) and Howard Carpenter Marmon (1876–1943), followed their father into the family's automobile manufacturing business.[1][2]

Marmon grew up in Indianapolis, where she attended local public schools and May Wright Sewall's Girls' Classical School. After graduating from Smith College in Northhampton, Massachusetts, in 1900,[3] Marmon studied painting in Paris. Although she did not become an artist herself, Marmon further developed her lifelong interests in art, music, and French culture while living in France.[4][5]

Marriage edit

Caroline Marmon married James William Fesler (1864–1949), a prominent Indianapolis attorney on June 2, 1917. Fesler, who became a senior partner in the law firm of Fesler, Elam and Young, was a graduate of Indiana University (A.B. degree in 1887; honorary doctorate degree in 1940). He was also as a member of the IU Board of Trustees (1902–1936) and served as the board's vice president (1916–1919) and president (1919–1936). In 1920 he made an unsuccessful run as a Republican candidate for governor of Indiana. The Feslers, who resided at 4035 North Pennsylvania Street in Indianapolis, had no children. Caroline Fesler inherited from her mother the Marmon family's lakeside summer home at 1100 East Shore Drive at Lake Maxinkuckee.[6][7][8]

Career edit

Fesler's leadership and cultural philanthropy reflected her major interests in fine art and music. Her lifelong contributions to the Indianapolis arts community included financial support and acquisitions of fine art, especially gifts of 20th-century modern art. An avid art collector and arts patron, she supported the work of the Art Association of Indianapolis (the forerunner to the Indianapolis Museum of Art and the IUPUI Herron School of Art and Design) for several decades, in addition to serving as president of the Arts Association in the 1940s, when the association maintained the John Herron Art Museum and the Herron art school.[9] Fesler also enjoyed classical music. She was a patron of the Indianapolis Symphony Orchestra and founded the city's Ensemble Music Society.[6]

Art collector edit

 
Pablo Picasso's Ma Jolie (1914)

Fesler's major art collecting interests and acquisitions tended toward Post-Impressionist and modernist paintings, although not exclusively. She collected paintings by Paul Cézanne, Pablo Picasso, Georges Seurat, and Georgia O'Keeffe, who was also a personal friend, and other artists.[8]

Fesler's early art collecting efforts for the Art Association of Indianapolis[10] began as a member of the Gamboliers, a group of Indianapolis art patrons who pooled their funds to acquire the works of contemporary artists whose reputations had not yet been established in the art world and whose work was not yet receiving significant interest from major art collectors and art museums. The group existed from 1927 to 1934 and then disbanded, but its contributions helped build the Herron Museum's modern art collection, in addition to introducing "modern art to a wider audience."[11][12] The museum accepted 155 works from the Gamboliers. Among the group's most notable acquisitions for the museum was Henri de Toulouse-Lautrec's color lithograph, Moulin Rouge: La Goulue, in 1936.[13][14]

Fesler also acquired works of art on her own that she anonymously donated to the Art Association's Herron Museum. In the early 1940s her widowed mother, Elizabeth Marmon, made a $1 million bequest to each of her three children as part of their inheritance from their industrialist father, Daniel Marmon.[4] Fesler used the bulk of her inherited funds from this gift to acquire a collection of paintings that she planned from the outset to donate to the Art Association's museum as a memorial to her parents. During the 1940s Fesler acquired for the museum a collection of eight paintings by Meindert Hobbema, Corneille de Lyon, Aelbert Cuyp, Jacob van Ruisdael, Vincent van Gogh, Willem Kalf, Georges Seurat, and Paul Cézanne.[15] Although her acquisitions were made anonymously, it was not a well-kept secret at the museum that Fesler was the source of the gifts. When she did become publicly known as the donor, Art News described her as "a new kind of patron," one who acquired works of art directly for the museum and not for herself.[16]

Philanthropic leadership edit

Fesler's contributions to the Herron museum and art school in Indianapolis did not begin or end with her donations of fine art. She also provided substantial financial support and leadership. Fesler served as a board member of the Herron School of Art from 1916 to 1947, and remained active on several committees at the Art Association, including its Fine Arts Committee and the Art School Committee. In 1941 Fesler succeeded Evans Woolen II as president of the Art Association of Indianapolis and continued to serve in that role until 1947, when she resigned for health reasons. Fesler's generous support of the organization continued through bequests made in her will following her death in 1960.[2][10][15]

In 1928 the construction of a new Herron art school building on the Art Association's property at 16th and Pennsylvania Streets was made possible through an anonymous $200,000 gift, which the association's leadership knew was Fesler's donation. The old art school building was demolished and replaced with a new facility designed by Paul Philippe Cret, a French architect whose firm was located in Philadelphia, Pennsylvania, and Robert Frost Daggett of Indianapolis. The new art school building was dedicated on September 5, 1929.[4][17]

In 1933 Fesler spearheaded the decision to separate the Herron art school from the museum under separate directors.[10][18] While Wilbur Peat remained the head of the Herron museum, Fesler led a search for the Herron art school's first director, recommending artist and New York art educator Donald Mattison for the position and offering to pay his salary.[19][20]

In 1940 Fesler's financial support shifted from the Herron art school to the museum, beginning with a remodeling of its 16th Street museum building in 1940–41. She made an anonymous $50,000 donation in support of renovations to the building that was combined with additional funds of $85,000 from other sources to complete the project. Beginning in December 1943 and continuing over a period of about eighteen months, Fesler also made a series of acquisitions that she donated the Art Institute to fill what she considered to be gaps in the museum's collections.[15][21]

Fesler's first major gifts of art to the Herron museum included eight paintings that formed the core of The Marmon Memorial Collection, named in honor of her parents. The artworks included Hobbema's The Water Mill (The Trevor Landscape); Corneille's Portrait of a Man with a Glove; Cuyp's The Valkhof at Nijmegen; Ruisdael's Landscape with Cascade; Van Gogh's Landscape at Saint-Remy (Enclosed Field with Peasant) ; Kalf's Still Life with a Chinese Porcelain Jar; Seurat's The Channel of Gravelines, Petit Fort Philippe; and Cézanne's House in Provence. These additions to Herron's collections helped the museum attain national stature among U.S. art museums. She also acquired Georgia O'Keeffe's Grey Hills, and donated her friend's painting to the Herron museum in 1943. Fesler made other donations of fine art to the Art Association, even when the selection proved to be controversial. One instance occurred in 1944 after members of Herron's arts committee, preferring more conservative works from well-established artists, declined to purchase Pablo Picasso's Ma Jolie (1914). Fesler acquired the painting herself and bequeathed it to the museum in 1960.[15][22]

Fesler's support of the Art Association continued after her death. In her will she bequeathed to the organization a $500,000 gift for improvements to the Herron museum/art school at its 16th Street site. Herron's board approved the use of $300,000 from the bequest to build a three-story wing for the Herron art school. Indianapolis architect Evans Woollen III designed the new building, which was constructed at the northwest corner of the Paul Philippe Cret-designed building that Fester had funded in 1928. In addition to Picasso's Ma Jolie (1914), Fesler bequeathed several more paintings from her private collection to the Herron museum. These works included Picasso's Music, Henri Matisse's Seated Girl, Georges Braque's Still Life with Red Fish, Giorgio di Chireo's Street of Arcades, Marc Chagall's Horse and Rider, and Marie Laurencen's Circus Horse.[1][23]

Music patron edit

In addition to art, Fesler enjoyed classical music, especially chamber music. She was also a patron of the Indianapolis Symphony Orchestra. In 1944 she founded Indianapolis's Ensemble Music Society and served as its vice president. Fesler was especially known for frequently hosting private chamber music concerts performed by renowned musical groups at her Indianapolis home.[4] She also became acquainted with numerous musicians, including Alexander Schnieder, who collaborated with pianist Eugene Istomin at one of her annual concert events.[8]

Death and legacy edit

Fesler died at her home in Indianapolis on December 28, 1960. Her remains are interred at Crown Hill Cemetery in Indianapolis.[10]

Evans Woollen III considered Fesler to be Indianapolis's "first lady of the arts."[24] The Marmon Memorial Collection, which she began in the mid-1940s, remains intact at the Indianapolis Museum of Art.[24] Blanche Stillson, who knew Fesler well, wrote that her longtime friend had "an intuitive appreciation of quality."[25] Fesler's "keen eye" and generous donations brought what Ellen Lee, an Indianapolis Museum of Art curator called "the bones of a great collection" to Indianapolis.[25]

The Herron Art Institute's Paul Cret-designed building, constructed in 1928 from funding that Fesler provided, and Fesler Hall, the three-story modern building designed by Evans Woollen III that was funded through a Fesler bequest and completed in 1962, are still standing. The two historic buildings serve as the campus for the present-day Herron High School.[26]

The Ensemble Music Society continues to operate in Indianapolis. It's 2018–2019 season marks the 75th anniversary of its founding.[27]

Honors and tributes edit

In 1961, to honor Caroline Marmon Fesler, the Indianapolis Museum of Art mounted a memorial exhibition, "Tribute to Caroline Marmon Fesler, Collector: Exhibition of Paintings, November 15 to December 17, 1961, Herron Museum of Art, Indianapolis, Indiana."[25][28]

Notes edit

  1. ^ a b "Caroline Marmon Fesler" in "Women Building IUPUI: A Walking Trail". Indiana University-Purdue University at Indianapolis. Retrieved September 27, 2018.
  2. ^ a b David J. Bodenhamer and Robert G. Barrows, ed. (1994). The Encyclopedia of Indianapolis. Bloomington and Indianapolis: Indiana University Press. p. 266. ISBN 0-253-31222-1.
  3. ^ Most sources report that she graduated from Smith College in 1900; however, at least one source indicated the year was 1898. See: "Caroline Marmon Fesler" in "Women Building IUPUI: A Walking Trail". Indiana University-Purdue University at Indianapolis. Retrieved September 27, 2018.
  4. ^ a b c d Harriet G. Warkel; Martin F. Krause; S. L. Berry (2003). The Herron Chronicle. Bloomington: Indiana University Press. pp. 63–64. ISBN 9780253342379.
  5. ^ Anne P. Robinson and S. B. Berry (2008). Every Way Possible: 125 Years of the Indianapolis Museum of Art. Indianapolis, Indiana: Indianapolis Museum of Art. p. 84. ISBN 9780936260853.
  6. ^ a b "Caroline Marmon Fesler". Archived from the original on April 3, 2018. Retrieved September 27, 2018.
  7. ^ Robinson and Berry, p. 113.
  8. ^ a b c James Golin (2010). Pianist: A Biography of Eugene Istomin. Bloomington, Indiana: Xlibris. p. 155. ISBN 9781453522332. (Golin incorrectly states it was Pennsylvania Avenue, instead of Pennsylvania Street.)
  9. ^ The Art Association of Indianapolis organized in 1883 for the promotion and study of art in the city, hosted various art exhibitions, and established an art school. Following the receipt of a $225,000 bequest from the estate of John Herron, the association built an art museum and art school named in his honor in a house on property it acquired at the corner of 16th and Pennsylvania Streets. The association had a new building designed by Indianapolis architects Vonnegut and Bohn constructed on the site. It opened to the public in 1906 and the Herron art school moved into its own building in 1907. See Bodenhamer and Barrows, eds., p. 266.
  10. ^ a b c d "Caroline Marmon Fesler, Board Member, Herron School of Art, 1916-1947". Office for Women, Indiana University. Retrieved September 26, 2018.[permanent dead link]
  11. ^ Annette Schlagenhauff (Winter 2009). "Gifts of the Gamboliers: Modern Art in Indianapolis". Traces of Indiana and Midwestern History. 21 (1). Indianapolis: Indiana Historical Society: 11.
  12. ^ Each member of the Gamboliers contributed $25 per year toward an annual budget of $2,500 to acquire modern art. It had a total of thirty-five members during its brief existence. For a complete list of Gambolier members, see Annette Schlagenhauff (2008). Gifts of the Gamboliers. Indianapolis, Indiana: Indianapolis Museum of Art. p. 13.
  13. ^ Schlagenhauff, "Gifts of the Gamboliers," p. 19.
  14. ^ Robinson and Berry, p. 100.
  15. ^ a b c d Robinson and Berry, pp. 110–11, 114–15.
  16. ^ Warkel, Krause, and Berry, p. 115.
  17. ^ Robinson and Berry, pp. 84–85, 88.
  18. ^ The final separation of the art school and museum did not occur until after Fesler's death. In 1967 the Art Association transferred the operation of the art school on the 16th Street site to Indiana University. The school later became known as the Herron School of Art and Design, now located on the present-day IUPUI campus. In 1970 the Art Association officially became known as the Indianapolis Museum of Art and relocated to the Krannert Pavilion, a new building constructed on the 44-acre (18-hectare) acre Oldfields estate, the former home of Josiah K. Lilly Jr. that the Lilly family had donated to the Art Association in 1966. See Bodenhamer and Barrows, ed., p. 267.
  19. ^ Warkel, Krause, and Berry, p. 83.
  20. ^ Robinson and Berry, p. 91.
  21. ^ Warkel, Krause, and Berry, p. 105.
  22. ^ Warkel, Krause, and Berry, pp. 112, 115.
  23. ^ Warkel, Krause, and Berry, p. 134.
  24. ^ a b Caroline Marmon Fesler: A Collector's Exhibition - Indianapolis Museum of Art (YouTube video). Indianapolis, Indiana: Indianapolis Museum of Art. October 18, 2006.
  25. ^ a b c Robinson and Berry, p. 112.
  26. ^ Bodenhamer and Barrows, eds., p. 14. See also: "History". Herron High School. Retrieved September 28, 2018. Also: "Newfields: History". Newfields (Indianapolis Museum of Art). Retrieved December 18, 2017.
  27. ^ "Ensemble Music 2018–2019 Season". Ensemble Music Society. Retrieved September 28, 2018.
  28. ^ Tribute to Caroline Marmon Fesler, Collector: Exhibition of Paintings, November 15 to December 17, 1961, Herron Museum of Art, Indianapolis, Indiana. Art Association of Indianapolis. 1961. OCLC 6195069.

References edit

  • Bodenhamer, David J.; Robert G. Barrows, eds. (1994). The Encyclopedia of Indianapolis. Bloomington and Indianapolis: Indiana University Press. ISBN 0-253-31222-1.
  • "Caroline Marmon Fesler". Archived from the original on April 3, 2018. Retrieved September 27, 2018.
  • "Women Building IUPUI: A Walking Trail". Indiana University-Purdue University at Indianapolis. Archived from the original on 2010-05-28.
  • "Caroline Marmon Fesler, Board Member, Herron School of Art, 1916-1947". Office for Women, Indiana University. Retrieved September 26, 2018.[permanent dead link]
  • Caroline Marmon Fesler: A Collector's Exhibition - Indianapolis Museum of Art (YouTube video). Indianapolis, Indiana: Indianapolis Museum of Art. October 18, 2006.
  • "Ensemble Music 2018–2019 Season". Ensemble Music Society. Retrieved September 28, 2018.
  • Golin, James (2010). Pianist: A Biography of Eugene Istomin. Bloomington, Indiana: Xlibris. ISBN 9781453522332.
  • "History". Herron High School. Retrieved September 28, 2018.
  • "Newfields: History". Newfields (Indianapolis Museum of Art). Retrieved December 18, 2017.
  • Robinson, Anne P.; S. B. Berry (2008). Every Way Possible: 125 Years of the Indianapolis Museum of Art. Indianapolis, Indiana: Indianapolis Museum of Art. p. 84. ISBN 9780936260853.
  • Schlagenhauff, Annette (2008). Gifts of the Gamboliers. Indianapolis, Indiana: Indianapolis Museum of Art.
  • Schlagenhauff, Annette (Winter 2009). "Gifts of the Gamboliers: Modern Art in Indianapolis". Traces of Indiana and Midwestern History. 21 (1). Indianapolis: Indiana Historical Society: 10–19.
  • Tribute to Caroline Marmon Fesler, Collector: Exhibition of Paintings, November 15 to December 17, 1961, Herron Museum of Art, Indianapolis, Indiana. Art Association of Indianapolis. 1961. OCLC 6195069.
  • Warkel, Harriet G.; Martin F. Krause; S. L. Berry (2003). The Herron Chronicle. Bloomington: Indiana University Press. ISBN 9780253342379.
  • Wissing, Douglas A.; Marianne Tobias; Rebecca W. Dolan; Anne Ryder (2013). Crown Hill: History, Spirit, and Sanctuary. Indianapolis: Indiana Historical Society Press. ISBN 9780871953018.

Further reading edit

Stillson, Blanche (1948). The Marmon Memorial Collection of Paintings. Indianapolis, Indiana: Art Association of Indianapolis. OCLC 14110147.

External links edit

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