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He received his firsts musical orientations in the family. After that he moved to La Habana, Cuba, and was a disciple of the masters Jose Ardevol, Harold Gramatges and Enrique Gonzales Mántici. In 1956 he attended to the courses taught by Aaron Copland on the Tanglewood Music Center in the United States. Between 1961 and 1963 he studied at the Moscow Conservatory.
Fariñas also composed in several modern techniches and styles from traditional symphonic music to computer music. In 1989 he created the Electroacoustic and Computer Music Laboratory at the Art Superior Institute in La Habana, Cuba.
- Muros, rejas y vitrales para orquesta (Walls, fences and windows for orchestra)
- Atanos y Tres sones sencillos para piano
- Oda a Camilo Cienfuegos (Ode to Camilo Cienfuegos)
- Despertar (Wake), a ballet
- Sonata for violin and cello
- String Quartet
- Preludio for guitar
- Cancion Triste for guitar
- Musica para Dos Guitarras (guitar)
- Diálogos (Dialogues)
- Relieves (Relieves)
- Hecho historia (Made History), a (ballet)
- In Rerum Natura
- El Bosque ha echado a andar (The Forest has begun to walk)
- Punto y Tonadas, para orquesta de cuerdas (Point and tunes, for string orchestra)
- "Portal Cubarte, ficha biográfica". Web.archive.org. Archived from the original on 2011-07-18. Retrieved 2017-04-26.CS1 maint: BOT: original-url status unknown (link)
- "Farińas". Portal.unesco.org. 2003-11-24. Archived from the original on 2015-12-17. Retrieved 2017-04-26.
- "En homenaje el Maestro Fariñas". Web.archive.org. Archived from the original on 2010-09-24. Retrieved 2017-04-26.CS1 maint: BOT: original-url status unknown (link)