Captain Archibald Haddock (French: Capitaine Archibald Haddock) is a fictional character in The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. He is one of Tintin's best friends, a seafaring pipe-smoking Merchant Marine Captain.
|Captain Archibald Haddock|
|First appearance||The Crab with the Golden Claws (1941)|
The Adventures of Tintin
|Full name||Captain Archibald Haddock|
|Partnerships||List of main characters|
|Supporting character of||Tintin|
Haddock is initially depicted as a weak and alcoholic character under the control of his treacherous first mate Allan, who keeps him drunk and runs his freighter. He regains his command and his dignity, even rising to president of the Society of Sober Sailors (The Shooting Star), but never gives up his love for rum and whisky, especially Loch Lomond, until the final Tintin adventure, Tintin and the Picaros, when Professor Calculus 'cures' him of his taste for alcohol. In the adventure Secret of the Unicorn (and continuing in Red Rackham's Treasure) he and Tintin travel to find a pirate's treasure captured by his ancestor, Sir Francis Haddock (François de Hadoque in French). With newfound wealth and regaining his ancestral home Marlinspike Hall, Captain Haddock becomes a socialite; riding a horse, wearing a monocle, and sitting in a theatre box seat (The Seven Crystal Balls). He then evolves to become genuinely heroic, volunteering to sacrifice his life to save Tintin's own in the pivotal Tintin in Tibet. In later volumes he is clearly retired.
Throughout it all, the Captain's coarse humanity and sarcasm act as a counterpoint to Tintin's often implausible heroism. He is always quick with a dry comment whenever the boy reporter gets too idealistic.
Until Haddock's introduction, Tintin's constantly positive, optimistic perspective was offset by his faithful companion Snowy. Before Haddock, Snowy was the source of all dry and cynical side-commentary for the series. Hergé, however, realised Haddock's potential as a foil to Tintin. After he brought Haddock into the series, the Captain took over the role of the cynic, relieving Snowy and establishing Captain Haddock as a permanent addition to the cast.
Hergé introduced Captain Haddock in The Crab with the Golden Claws as the rum-loving captain of the Karaboudjan, a merchant vessel used— without Haddock's knowledge— by his first mate Allan for smuggling drugs inside crab tins. Because of his alcoholism and temperamental nature, his character was weak and unstable, at times posing as great a hazard to Tintin as the villains of the piece. He was also short-tempered, given to emotional expletive-ridden outbursts, and capable of infuriating behaviour; at one point he even attacks Tintin when, while traversing the Moroccan desert, he has the sun-induced delusion that Tintin is a bottle of champagne. However, Haddock is a sincere figure in need of reform, and by the end of his first adventure Tintin has gained a loyal companion, albeit one still given to uttering the occasional "expletive".
Hergé also allowed himself more artistic expression through Haddock's features than with Tintin's. Michael Farr, author of Tintin: The Complete Companion, notes: "Whereas Hergé kept Tintin's facial expressions to a bare minimum, Haddock's could be contorted with emotion." Farr goes on to write that "In Haddock, Hergé had come up with his most inspired character since creating Tintin." Sales of the volume in which Haddock was introduced indicated the character was well received. After a fairly serious role in The Shooting Star, where he has risen to become the President of the Society of Sober Sailors (replete with a cabin full of rum), Haddock takes a more central role in the next adventure, split over two books, The Secret of the Unicorn and Red Rackham's Treasure— indeed, his family history drives the plot. Upon locating the treasure, the newly wealthy Haddock retires.
Hergé built the next adventure around Haddock, furnishing the character with an ancestral home, Marlinspike Hall (or "Moulinsart" in the original French). Harry Thompson, author of Tintin: Hergé and his creation, writes that the introduction of this large and luxurious country house was "to provide a suitable ancestral home for Tintin and himself to move into." To achieve this in terms of the plot, Hergé also details Haddock's ancestry, something Thompson regards as distinctive: "Haddock is the only regular character whose relatives turn up in the Tintin stories at all (if one discounts Jolyon Wagg and his dreadful family)."
As Haddock's role grew, Hergé expanded his character, basing him upon aspects of friends, with his characteristic temper somewhat inspired by Tintin colourist E.P. Jacobs and his bluffness drawn from Tintin artist Bob de Moor. Harry Thompson has commented on how Hergé utilised the character to inject humour into the plot, notably "where Haddock plays the fool to smooth over a lengthy explanation."
Captain Haddock is especially notable in The Red Sea Sharks, where his skillful captaining of the ship he and Tintin seize from Rastapopoulos allows them to survive until they are rescued, and is especially noble in the pivotal Tintin in Tibet, volunteering to sacrifice his life to save Tintin's own. By the time of their last completed and published adventure, Tintin and the Picaros, Haddock had become such an important figure that he dominates much of the story.
Captain (Archibald) Haddock's ancestor, Sir Francis Haddock, is hinted at being the illegitimate son of the French Sun King (Louis XIV), a possible reference to Hergé's own family history— Hergé liked to believe that his father was the illegitimate son of the Belgian king Leopold II.
As Hergé was considering names for his new character, he asked his wife, Germaine, what she had cooked for dinner. She told him, “a sad English fish—haddock.” Hergé thought this was a perfect name for Tintin’s new mariner friend, and so Captain Haddock was born.
There was a real 20th-century ship's master bearing this unlikely but appropriate surname: Captain Herbert Haddock had been the skipper of the famous White Star Line's passenger vessel Olympic. He had also been temporarily at the helm of Olympic's even more famous sister ship Titanic before Titanic was officially handed over to White Star for her doomed 1912 maiden voyage.
Another famous namesake, and a possible inspiration for the Captain's ancestor Sir Francis, was the English admiral Richard Haddock, a veteran of the Anglo-Dutch Wars. The grandfather of Richard Haddock, also a sea captain, commanded the ship of the line HMS Unicorn during the reign of Charles I.
Bianca Castafiore has a difficult time remembering Haddock's name. In The Castafiore Emerald. she confuses his name with malapropisms such as "Paddock", "Harrock", "Padlock", "Hopscotch", "Drydock", "Stopcock", "Maggot", "Bartók", "Hammock", and "Hemlock".
The name appears in Hergé's notes in 1938. According to Philippe Goddin, author of Hergé - Chronologie d'une oeuvre, it is inspired by the German French-language film Captain Craddock. In The Crab with the Golden Claws, Haddock sings one of the film songs, Les gars de la Marine.
At the time of Captain Haddock's introduction to the series in 1940, the character's manners presented a problem to Hergé. As a sailor, Haddock would need to have a very colourful vocabulary, but Hergé could not use any swear words as he knew his audience included children. The solution reportedly came when Hergé recalled how around 1933, shortly after the Four-Power Pact had come into being, he had overheard a market trader use the word "four-power pact" as an insult. Struck by this use of an "irrelevant insult", Hergé hit upon the solution of the Captain using strange or esoteric words that were not actually offensive, but which he would project with great anger, as if they were very strong curse words. These words ranged across a variety of subject areas, often relating to specific terms within scientific fields of study. This behaviour would in later years become one of Haddock's defining characteristics.
The idea took form quickly; the first appearance of the Haddockian argot occurred in The Crab with the Golden Claws when the Captain storms towards a party of Berber raiders yelling expressions like "jellyfish", "troglodyte" and "ectoplasm". This use of colourful insults proved successful and was a mainstay in subsequent books. Hergé started collecting these types of words for use in Haddock's outbursts, and on occasion even searched dictionaries to come up with inspiration.
As a result, Captain Haddock's colourful insults began to include "bashi-bazouk", "visigoths", "kleptomaniac", "sea gherkin", "anacoluthon", "pockmark", "nincompoop", "abominable snowman", "nitwits", "scoundrels", "steam rollers", "parasites", "vegetarians", "floundering oath", "carpet seller", "blundering Bazookas", "Popinjay", "bragger", "pinheads", "miserable slugs", "ectomorph", "maniacs", "pickled herring"; "freshwater swabs", "miserable molecule of mildew","Logarithm", "bandits", "orang-outangs", "cercopithecuses", "Polynesians", "iconoclasts", "ruffians", "fancy-dress freebooter", "ignoramus", "sycophant", "dizzard", "black-beetle", "pyrographer", "slave-trader" and "Fuzzy Wuzzy", but again, nothing actually considered a swear word.
On one occasion, this scheme appeared to backfire. In one particularly angry state, Hergé had the captain yell the word "pneumothorax" (a medical emergency caused by the collapse of the lung within the chest). One week after the scene appeared in Tintin magazine, Hergé received a letter allegedly from a father whose boy was a great fan of Tintin and also a heavy tuberculosis sufferer who had experienced a collapsed lung. According to the letter, the boy was devastated that his favourite comic made fun of his own condition. Hergé wrote an apology and removed the word from the comic. Afterwards, the letter was discovered to be fake, written and planted by Hergé's friend and collaborator Jacques Van Melkebeke.
In addition to his many insults, the most famous of Haddock's expressions relate to any of a number of permutations of two phrases: "Billions of bilious blue blistering barnacles!" ("Mille millions de mille milliards de mille sabords!"; lit.: "A thousand millions of a thousand billions of a thousand portholes!") and "Ten thousand thundering typhoons!" ("Tonnerre de Brest!"; lit.: "Thunder of Brest"). Haddock uses these two expressions to such an extent that Abdullah actually addresses him as "Blistering Barnacles" ("Mille sabords" - "A thousand portholes" - in the original version).
Émile Brami, biographer of Louis-Ferdinand Céline, claimed in a 2004 interview with the French book magazine Lire that Hergé took his inspiration from Céline's anti-Semitic pamphlet Bagatelles pour un massacre (1937) to create some of Haddock's expressions, as some of them ("aztec," "coconut," "iconoclast," "platypus") appeared explicitly in Céline's book.
In the 2011 film The Adventures of Tintin: The Secret of the Unicorn, Andy Serkis supplies the voice and motion capture performance of Captain Haddock (adopting a Scottish accent) as well as his ancestor, Sir Francis Haddock. Just as in the comic, he is initially portrayed as a drunk, who is always in search of alcohol. Tintin endeavours to cure the captain of his alcoholism, but eventually discovers that it is an essential component of his character.
Commemorative statues and muralsEdit
- A mural on a building at Rue de l'Etuve recreates a scene of Tintin, Captain Haddock and Snowy coming down a building fire escape from The Calculus Affair.
- The Gare du Midi station in Brussels contains a huge reproduction of a panel from Tintin in America.
- The Stockel subway station in Brussels has huge panels with scenes from Tintin comic books painted as murals.
- One of the high speed trains of Thalys (Tintin train) running between Brussels and Paris is covered with images from Tintin comic books including those of Captain Haddock.
- The Hergé museum in Brussels contains numerous memorabilia from Remi's works with respect to Tintin.
- An advertisement of Thalys shows Captain Haddock on a train platform with his trademark seabag, appearing to have stepped out of a Thalys train.
- A life size resin statue of Captain Haddock was created and displayed at the 2012 San Diego International Comics Convention (WETA booth)
- Farr 2001, p. 92
- Thompson 1991
- Phillips, Sarah; Kingsley, Patrick (18 October 2011). "Tintin v Asterix : An interview". The Guardian. Retrieved 10 March 2014.
- Screech 2005, p. 34
- "Captain haddock : Real Life Inspiration". Characters of Tintin. Herge official website. Retrieved 3 March 2014.
- ^ J. D. Davies, ‘Haddock, Sir Richard (c.1629–1715)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2008.
- Lavery 1983, p. 158
- Brooks, David (3 June 2012). "David's Favourite Captain Haddock Curses". [Personal website]. Retrieved 24 July 2013.
- Adventures of Tintin on IMDB
- "Tintin Tracking In Comic-Crazy Brussels". Huffington Post. 21 December 2011. Retrieved 3 March 2014.
- Studios Hergé, Moulinsart. "Tintin in Brussels". Official route drawn by Moulinsart and Studios Hergé. Moulinsart and Studios Hergé. Retrieved 3 March 2014.
- Cook, William (13 November 2015). "Brussels: adventures with Tintin in the Belgian capital". The Evening Standard. Retrieved 3 March 2014.
- "Field report - Tintin and Herge in Brussels". A 113 Animation. Retrieved 5 March 2014.
- "Happenings". Tintin USA Official website. Retrieved 5 March 2014.
- Farr, Michael (2001). Tintin: The Complete Companion. Egmont Books. ISBN 978-0-86719-754-9.
- Farr, Michael (2007). Tintin & Co. London: John Murray Publishers Ltd. ISBN 978-1-4052-3264-7.
- Lavery, Brian (1983). The Ship of the Line: The development of the battlefleet, 1650-1850. Naval Institute Press. ISBN 9780870216312.
- Peeters, Benoît (2012) . Hergé: Son of Tintin. Tina A. Kover (translator). Baltimore, Maryland: Johns Hopkins University Press. ISBN 978-1-4214-0454-7.
- Screech, Matthew (2005). Masters of the Ninth Art: Bandes Dessinées and Franco-Belgian Identity. Liverpool: Liverpool University press. ISBN 978-0853239383.
- Thompson, Harry (1991). Tintin: Hergé and his creation (First ed.). Hodder & Stoughton. ISBN 978-0-340-52393-3.