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Bruno Jasieński pronounced [ˈbrunɔ jaˈɕeɲskʲi]; born Wiktor Zysman (17 July 1901 – 17 September 1938) was a Polish poet and leader of the Polish futurist movement in the interwar period,[1] executed in the Soviet Union during the Great Purge.[2] Today one of the streets of Klimontów is named after him. Jasieński is one of the best known Polish futurists, acclaimed by members of the various modernist art groups as their patron. An annual literary festival "Brunonalia" held in Klimontów, Poland, is also named after him.

Bruno Jasieński
Bruno Jasieński
Bruno Jasieński
BornWiktor Zysman
(1901-07-17)17 July 1901
Klimontów, Congress Poland
Died17 August 1938(1938-08-17) (aged 37)
Butyrka prison, Moscow, Soviet Union
Notable worksBut w butonierce
"Pieśń o głodzie" (Song of Hunger)



Wiktor (Bruno) Zysman was born at Klimontów to a Polish Jewish family of Jakub Zysman. From his mother's side he was a descendant of the Christian nobility (Pol. szlachta). His Jewish father Jakub was a local doctor and a social worker, member of the Klimontów intelligentsia. Jakub converted to Protestantism to be able to marry Eufemia Maria Modzelewska, a Polish Catholic and member of the Modzelewski family of the Bończa coat of arms. They had three children: the first-born Wiktor (Bruno Jasieński), Jerzy, and Irena.[1]

Little is known of Jasieński's early life, especially as he did not describe it in his works. He attended high school in Warsaw, but didn't finish it.[1] In 1914, as the First World War raged on, his family relocated deeper into the Russian Empire, where Bruno graduated from the secondary school in Moscow. There, his fascination with Igor Severyanin's ego-futurism started, followed by lectures of Velimir Chlebnikov, Vladimir Mayakovsky and Alexiey Kruchonykh's so-called Visual poems. In 1918, after Poland regained its independence, Bruno returned to Kraków, where he applied for a position in the philosophical faculty of the Jagiellonian University. However, he suspended his studies to join the volunteer unit of the Polish Army and took part in the disarming of Austrian and German soldiers. After the Polish-Soviet War (February 1919 – March 1921), he returned to University and studied at various faculties (including philosophy, law and Polish literature). He also became one of the founders of a club of futurists named Katarynka (Barrel organ).[1]

Literary careerEdit

In 1921 Jasieński published one of his first futurist works, Nuż w bżuhu (Nayf in the Abdomen, with intentionally wrong spelling of title) and, together with Stanisław Młodożeniec became known as one of the founders of the Polish Futurist movement. The same year he published a number of other works, including manifestos, leaflets, posters and all kinds of new art, formerly unknown in Poland. Also, a volume of poems entitled But w butonierce (Shoe in a Buttonhole), published in Warsaw.[1]

The same year he gained much fame as an enfant terrible of Polish literature and was well received by the critics in many Polish cities, including Warsaw and Lwów, where he met other notable writers of the epoch. Among them were Marian Hemar, Tytus Czyżewski, Aleksander Wat and Anatol Stern. He also collaborated with various newspapers including the leftist Trybuna Robotnicza, Nowa Kultura and Zwrotnica. In 1922 another of his works was published, the Pieśń o głodzie (Song of Hunger), followed by 1924 Ziemia na lewo (Earth Leftwards). In 1923 he married Klara Arem, daughter of a notable merchant from Lwów.

They moved to France, where they settled in Paris in Passage Poissonniere. The couple lived a humble life, making ends meet as journalists and correspondents of various Polish newspapers. Although Bruno Jasieński did not seek contacts with the local Polonia, together with Zygmunt Modzelewski he formed an amateur theatre for the Polish worker Diaspora living in Saint Denis. He also wrote numerous poems, essays and books, many of which were quite radical. In 1928 he serialised the work which secured his reputation, Palę Paryż, a futurist novel depicting the collapse and decay of the city and social tensions within the capitalist societies in general, in the leftist L'Humanité newspaper in a French version, Je brûle Paris (I Burn Paris), which was quickly translated into Russian. The following year (1929) the original Polish text was published in Warsaw. The novel was also a humorous reply to Paul Morand's pamphlet I Burn Moscow published shortly before. The novel gained Jasieński much fame in France, but also became the main reason why he was deported from the country. Not admitted to Belgium and Luxembourg, he stayed in Frankfurt am Main for a while and – when the extradition order had been withdrawn – returned to France only to be expelled once more for communist agitation.

Migration to USSREdit

In 1929 Jasieński moved to the USSR and settled in Leningrad, where he accepted Soviet citizenship, and was quickly promoted by the authorities.[1] The first Russian edition of I Burn Paris (translated from l'Humanité) was issued in 130,000 copies and sold out in one day.[2] The same year his son was born and Bruno became the editor-in-chief of Kultura mas (Culture of the Masses), a Polish-language monthly and a journalist of the Soviet Tribune. The following year he divorced Klara, allegedly because of numerous scandals she was involved in. Soon afterwards he married Anna Berzin, with whom he had a daughter.

In 1932 he transferred from the Polish division of the French Communist Party to the All-Union Communist Party (Bolsheviks) and soon became a prominent member of that organization. He migrated to Moscow. During that period he served at various posts in the branch unions of communist writers. He was also granted honorary citizenship of Tajikistan. By the mid-1930s he became a strong supporter of Genrikh Yagoda's political purges within the writers' community. Jasieński is often mentioned as the initiator of the persecution of Isaak Babel. From 1933 to 1937 he worked on the editorial staff of the magazine Internatsionalnaya Literatura. However, in 1937 the tide turned and Yagoda himself was arrested and Jasieński lost a powerful protector. Soon afterwards Jasieński's former wife, Klara, who had had an affair with Yagoda, was also arrested, sentenced to death and executed. Jasieński was expelled from the party, and soon afterwards he was also caught up in the purges. Sentenced to 15 years in a labour camp, he was executed on 17 September 1938 in Butyrka prison in Moscow.

He was rehabilitated in 1956.


Jasieński's second wife Anna was arrested in 1939 and sent to the Soviet Gulag where she remained for 17 years. His underage son was sent to an orphanage to be brought up as Russian with no knowledge of his own past. He escaped from the orphanage during World War II. After the war, he engaged in some unspecified activities considered criminal under the Stalinist system, but eventually, he also discovered his true origins and adopted his real name. He became a member of various dissident organizations opposing Communism. He was killed in the 1970s likely by Russia's criminal underworld.[3]

See alsoEdit

  Media related to Bruno Jasieński at Wikimedia Commons


  1. ^ a b c d e f Dr Feliks Tomaszewski, Bruno Jasieński. Biography. Virtual Library of Polish Literature, University of Gdansk. (in Polish)
  2. ^ a b Zespół Polska (2012). "I Burn Paris by Bruno Jasieński (ibidem)". Polish Cultural Institute. Retrieved September 29, 2012. Source: Bruno Jasieński: I Burn Paris. Twisted Spoon Press (April 2012). Translated by Soren A. Gauger & Marcin Piekoszewski. ISBN 9788086264370.
  3. ^ Zespół Polska (July 2, 2012). "I Burn Paris by Bruno Jasieński. One of Poland's most uncomfortable masterstrokes of literature". Literature. Polish Cultural Institute. Retrieved September 29, 2012.