Brooklyn is a 2015 romantic drama film directed by John Crowley and written by Nick Hornby, based on Colm Tóibín's novel Brooklyn. The film stars Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Jim Broadbent, and Julie Walters.
Theatrical release poster
|Directed by||John Crowley|
|Screenplay by||Nick Hornby|
by Colm Tóibín
|Music by||Michael Brook|
|Edited by||Jake Roberts|
|Box office||$62.1 million|
Brooklyn premiered at the 2015 Sundance Film Festival to critical acclaim. It opened in limited release on 4 November 2015 in the US and the UK on 6 November 2015. The film was nominated for three Academy Awards: Best Picture, Best Actress, and Best Adapted Screenplay, and won the BAFTA Award for Best British Film.
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
In 1951, Eilis Lacey is a young woman from Enniscorthy, County Wexford, a small town in southeast Ireland, where she lives with her mother and sister, Rose. She is unable to find full-time employment, and works weekends at a shop run by the spiteful Miss Kelly, nicknamed "Nettles Kelly". Eilis is uninterested in the local young men. Her sister writes to an Irish priest (Father Flood) in Brooklyn who arranges for her to travel to New York City. Eilis suffers seasickness on the voyage and is locked out of the shared toilet by her cabin neighbours. The woman in the bunk below her, an experienced traveller, gives her advice and support.
In New York, Eilis lives at a Brooklyn boarding house with other young women. She has a job at a department store but her shyness with customers garners some criticism from Miss Fortini, her supervisor. Eilis has difficulty adjusting to her new life and her sister's letter makes her homesick. Father Flood gets her enrolled in bookkeeping classes and Eilis wants to eventually become an accountant. At a dance, she meets Italian-American Tony Fiorello. They begin dating and she gradually grows more comfortable living in New York as their romance becomes more serious.
When her sister suddenly dies of an undisclosed illness, Eilis returns home to help her distraught mother. Before she leaves for Ireland, Tony suggests that they marry. Tony and Eilis marry in a civil ceremony without telling anyone. In Ireland, everybody seems to be conspiring to keep Eilis from leaving. She postpones her return to attend her best friend's wedding. She fills in part-time at her late sister's old bookkeeping job, which could become a full-time job. Eilis has several dates with an eligible and well-off bachelor and sees a future in Ireland that did not previously exist. She stops opening Tony's letters.
Miss Kelly, her former employer, meets with Eilis and relates that she knows about Eilis' marriage in New York. Agitated, Eilis is reminded of the pettiness rampant in such a small town, making her homesick for Brooklyn. She informs her mother of her marriage and that she is leaving for Brooklyn the next day. On the crossing, she offers guidance to a young woman making her own first trip to Brooklyn. The film ends with Eilis and Tony reuniting and happily embracing.
- Saoirse Ronan as Eilis Lacey, a young Irish immigrant in 1950s Brooklyn.
- Emory Cohen as Antonio "Tony" Fiorello
- Domhnall Gleeson as Jim Farrell
- Jim Broadbent as Father Flood
- Julie Walters as Mrs “Ma” Kehoe
- Bríd Brennan as Miss Kelly
- Eva Birthistle as Georgina
- Fiona Glascott as Rose Lacey
- Jessica Paré as Miss Fortini
- Emily Bett Rickards as Patty
- Nora-Jane Noone as Sheila
- Eve Macklin as Diana
- Jenn Murray as Dolores
- Eileen O’Higgins as Nancy
Principal photography began on 1 April 2014 in Ireland, and was shot for three weeks at different locations including Enniscorthy, Wexford, and Dublin. On the first day of shooting, Ronan was spotted in period costume on the set in Enniscorthy. After finishing production in Ireland, it then moved to Montreal, Quebec for four weeks further. Two days were spent shooting in New York at Coney Island.
Brooklyn is set during a time when Irish migration to New York was thriving. The initial boom of Irish immigration to the US can be traced back the 1840s. Irish immigrants were more inclined to move to Brooklyn during the period following the Irish Potato Famine (1845-49) due to the fact that the Great Famine depleted the working class’ chief source of nutrition causing a crash in the economy. After the Great Depression and World War II the rate of Irish immigration to New York had vastly lowered, but newly arriving citizens would still be able to find bustling Irish communities in which women were arguably a more significant presence than men. These women immigrants were often very active in the workplace, placing marriage ambitions on hold to find practical occupations in places such as supermarkets, eateries and stores. Eilis makes her journey from Ireland to America in the 1950s, along with approximately 50,000 other immigrants (around a quarter of which moved to New York) as a part of the second minor wave of migration. Many of these citizens were in search of steadier jobs and a happier lifestyle. There were also smaller surges of immigrants from many other countries at this time, leading to modern day America becoming a vast land of many different cultures.
Brooklyn is adapted from Irish author Colm Toibin's novel of the same name. It has been much celebrated in the literary world, with The Observer naming it as one of "The 10 best historical novels" in 2012. In addition to this, it won the 2009 Costa Novel Award, was shortlisted for the 2011 International IMPAC Dublin Literary Award and longlisted for the 2009 Man Booker Prize. The film is generally perceived as a faithful adaptation of the novel with Toibin noting the overall "authenticity" of the film in an interview with The Washington Post. However, the film notably diverges from the book in regards to its ending. In the novel, Eilis leaves Ireland, but her destination and ultimately her fate is left for the reader to decide. Nonetheless, the film goes full circle, giving Eilis the poignant reunion with Tony in Brooklyn that the reader deserves. The novel and the film have equally been praised for their refreshing perspective on the plight of the Irish immigrant. They both depict a realistic story.
Brooklyn premiered at the Sundance Film Festival on 26 January 2015. After it premiered, a bidding war began between The Weinstein Company, Focus Features and Fox Searchlight Pictures. Fox Searchlight Pictures prevailed, acquiring the distribution rights for US and other multiple territories for $9 million. The deal was one of the biggest to ever come out of Sundance. It was selected to be shown in the Special Presentations section of the 2015 Toronto International Film Festival. The film opened in a limited release in the United States on 4 November 2015, before opening in a wide release on 25 November 2015.
Brooklyn received a standing ovation following its premiere at the 2015 Sundance Film Festival. On the review aggregator Rotten Tomatoes, the film holds an approval rating of 97% based on 256 reviews, with an average rating of 8.4/10. The site's critical consensus reads, "Brooklyn buttresses outstanding performances from Saoirse Ronan and Emory Cohen with a rich period drama that tugs at the heartstrings as deftly as it satisfies the mind." On Metacritic, the film has a weighted average score of 88 out of 100, based on 45 critics, indicating "universal acclaim."
The BFI labelled as one of the best films released in 2015. This article expands on the film’s ambiance and describes its dynamic feeling by saying “in some ways Brooklyn feels like a movie that’s not just about, but also from, a more innocent age.”. But, offers a different view by looking at the darker tones presented in the film, explaining “But this sidelining of harsher elements is perhaps only to be expected in a film that takes a conventional romantic set-up and, abetted by Michael Brook’s hauntingly melodic score, elevates it to a more intelligent dramatic level". Furthermore, exploring some of the social conversations that begun upon the film's release; immigration and feminism’s status in modern society compared to the society in the time Brooklyn was set in. “Immigrant dramas traditionally tend to be male-led; but Brooklyn, despite Cohen’s break-out performance and the excellence of Gleeson, is female-led and all the stronger for it.”
Empire review. This article expands on the film’s genre and ambiance, saying it's “unashamedly romantic and achieved with a beautifully subtle, old-fashioned elegance, it’s a graceful coming-of-age tale ripe for awards”.
Question: “Eilis runs up against being an independent woman in a time that it wasn’t so fashionable. Feminism was a different thing that it is now. What's your take on it all?”
Answer: “To see a character like her, set in that time and not have it be solely about men that are in her life, that's quite feminist in itself. Actually, all the women in this film are very independent and strong. I think feminism couldn't flourish then as much as it does now. In a way, it’s become sort of unpopular now for us to be treated as equal citizens. Some people treat feminism as taboo - and if they shave their armpits then they’re not feminist. To me, feminist is just that we’re equal to men.”
The film's gross in Canada exceeded C$4 million, giving it the highest cumulative domestic gross of any Canadian film released in 2015. The film had the biggest opening of any Irish film in Ireland since 1996 earning over $650,000 from 87 cinemas, making it the strongest drama debut since Michael Collins opened to $662,000 in November 1996. The Hollywood Reporter calculated the film made a net profit of $3–4 million.
Brooklyn received many nominations for industry and critics awards, including three nominations for the 88th Academy Awards for Best Picture, Best Adapted Screenplay and Best Actress. Ronan's performance in particular was praised and garnered her Oscar, BAFTA, Critics' Choice, Golden Globe, and SAG nominations for best actress. She also won the BIFA Award for Best Performance by an Actress in a British Independent Film. Julie Walters was also nominated for Best Supporting Actress at the BAFTAs. The film won the Audience Favorite Gold Award in World Cinema at the Mill Valley Film Festival, the Rogers People's Choice Award at the Vancouver International Film Festival and the Audience Award for Best Narrative Feature at the Virginia Film Festival. Cohen was named Breakthrough Performer at the Hamptons International Film Festival. It won two Canadian Screen Awards for Best Cinematography and Best Musical Score and two 18th Quebec Cinema Awards (formerly known as the Prix Jutra), for Best Cinematography and Best Art Direction.
Brooklyn was also named one of the best films of 2015, featuring on more than 120 "Top 10" film critics' lists. It is ranked fourth on Rotten Tomatoes and fifth on Metacritic's best reviewed films of 2015.
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