Bright Eyes (band)
Bright Eyes was an American indie rock band founded by singer-songwriter and guitarist Conor Oberst. It consisted of Oberst, multi-instrumentalist and producer Mike Mogis, trumpet and piano player Nate Walcott, and a rotating lineup of collaborators drawn primarily from Omaha's indie music scene.
|Origin||Omaha, Nebraska, United States|
Bright Eyes is signed to Saddle Creek Records, a Nebraska-based label founded by Conor Oberst's brother Justin Oberst and Bright Eyes member Mike Mogis.
Early years (1995–1997)Edit
A founding member of Commander Venus – which disbanded in 1997 – guitarist/vocalist Conor Oberst turned to focus on his new project, Bright Eyes. In 1998, he released 20 of the songs he had been stockpiling as the first official Bright Eyes album, A Collection of Songs Written and Recorded 1995–1997. The album saw Oberst beginning to experiment with drum machines, keyboards and other instruments. The sound of the album ranges from bleating vocals to acoustic guitar songs and techno-style synthesizer instrumentals. Critical reaction was negative, with AllMusic saying that many of "the songs disintegrate as his vocals are reduced to the unintelligible babbling of a child. Any balance the music maintained up to that point, however fragile, is lost and so, more than likely, is the listener."
Letting Off the Happiness (1998)Edit
On November 2, 1998, Saddle Creek released Letting Off the Happiness, a ten-track album that displayed a more focused and clearer sound than the previous album. According to the Saddle Creek press release, it features members of Lullaby for the Working Class, Neutral Milk Hotel, and of Montreal. Park Ave. bandmate Neely Jenkins also contributed vocals. It was predominantly recorded in the Oberst family basement in Omaha on an analog eight track reel to reel; with some work also done at keyboardist Andy Lemaster's Athens, Georgia studio. Although almost all of the tracks feature a full band, "June on the West Coast" is performed with only acoustic guitar and vocals. "Padraic My Prince" gives a dramatic fictional account of the death of his baby brother, a story with a multitude of symbolic meanings. Oberst has referenced the song "Padraic My Prince" more than once in his music. The song "An Attempt To Tip the Scales" on the album "Fevers and Mirrors" has a faux interview near the end of the track (Oberst voiced by Todd Fink), who was a labelmate and had played in other bands with Oberst. The interviewer is Matt Silcock, another labelmate on Saddle Creek Records. The interview was meant to be somewhat sarcastic and most of what the Oberst impersonator said was not true. At one point the interviewer asks the question: "So some of these references like babies in bathtubs are not biographical?" The Oberst impersonator replies: "Well I did have a brother who died in a bathtub . . . he drowned. Well actually I had five brothers that drowned." "No, I'm serious. My mother drowned one every year for five consecutive years. They were all named Padraic, and that's why they only got one song. It's kind of like walking out a door and discovering that it's a window." Oberst also references the song in "Cartoon Blues" on the Four Winds EP.
Every Day and Every Night EP (1999)Edit
In November 1999, Bright Eyes released the five-song Every Day and Every Night EP, which included "Neely O'Hara" and "A Perfect Sonnet."
Fevers and Mirrors (2000)Edit
In 2000, Bright Eyes released Fevers and Mirrors, with new instruments such as the flute, piano, and accordion introduced into the song arrangements. After "An Attempt to Tip the Scales", there is a mock radio interview that features Todd Fink of The Faint doing an impression of Oberst while reading a script that Oberst wrote. In this interview, the fake Oberst presents a strange, contradictory explanation of his attitude towards his music. It acknowledges criticisms of his lyrics as overblown and insincere, which had begun to appear as the popularity of the band increased, but responds by stating that the lyrics are meant for personal interpretation. Oberst later commented that "It was a way to make fun of ourselves because the record is such a downer. I mean, that's one part of who I am but I also like laughing." The album placed 170 on Pitchfork Media's best 200 albums of the decade.
With Lifted or The Story Is in the Soil, Keep Your Ear to the Ground in 2002, Bright Eyes became one of the year's most celebrated "new" artists, despite having been recording under that moniker for a few years. They received national attention, including in several notable pieces in The New York Times, The Los Angeles Times, Time magazine, Rolling Stone, Blender, and Spin, many of which proclaimed Conor Oberst to be a significant new artist. The album was a commercial success and has sold over 250,000 copies, a breakthrough for the label and for all of the band's peers at that time. Oberst stated that, before making this record, both he and Mike Mogis had an idea for a "sort of grandiose sound" that neither could really put into words. This was also the first album made after Oberst's break to play with Desaparecidos.
I'm Wide Awake, It's Morning / Digital Ash in a Digital Urn (2004–2005)Edit
During the 2004 election season, Bright Eyes toured with Bruce Springsteen and R.E.M. on the Vote for Change tour, further pushing Bright Eyes into the public eye. Oberst sang numerous duets with the likes of Springsteen and Neil Young.
In November 2004, two Bright Eyes singles, "Lua" and "Take It Easy (Love Nothing)", reached the two top spots on the Billboard Hot 100 Single Sales. This was the first time this had happened on the list in seven years.
January 25, 2005 saw the release of two distinctly different Bright Eyes albums: the folk-influenced I'm Wide Awake, It's Morning and the electronic-pop inflected Digital Ash in a Digital Urn. An extensive world tour followed the release of those albums. Part one of the tour was in support of I'm Wide Awake and the second part was in support of Digital Ash. The first part was more similar to past tours with an intimate band setting. The decision to split the tour this way was practical as it would have been a "logistical nightmare" in terms of equipment and staff to perform songs from both albums simultaneously. By the end of January 2005, I'm Wide Awake was No. 10 on the Billboard charts while Digital Ash was No. 15.
On May 2, 2005 Bright Eyes appeared on The Tonight Show with Jay Leno and performed the protest song "When the President Talks to God" directed at President George W. Bush. A 7" vinyl single of the song was sold at concerts soon after and was also released as a free track on iTunes.
In November 2005, Bright Eyes performed "True Blue" on the children's television show Pancake Mountain.
Bright Eyes has actively protested against the Clear Channel media company. Oberst has vocally advocated the boycotting of all Clear Channel events, venues, and radio stations, perhaps most publicly at the Shortlist Awards show at the Wiltern Theatre in Los Angeles on October 5, 2003. On November 9, 2005, Bright Eyes canceled their November 12 show in St. Louis, Missouri upon discovering that the venue was associated with Clear Channel.
Bright Eyes won Artist of the Year and Song of the Year for "When the President Talks to God" at the 2006 PLUG Independent Music Awards and a special recognition award for the video for "First Day of My Life" at the 17th GLAAD Media Awards. Additionally, Time listed I'm Wide Awake, It's Morning as one of the top ten albums of 2005. Later in the year, the live album Motion Sickness was released, documenting the I'm Wide Awake, It's Morning tour.
In a skit on the May 20, 2006 episode of Saturday Night Live, Neil Young (played by Kevin Spacey) was joined by Dixie Chicks and "indie sensation Bright Eyes" (played by Andy Samberg), all of whom have been public in their criticism of George W. Bush.
After releasing three albums in 2005, Oberst stated that he did not plan to release an album in 2006. On October 24, 2006, a compilation of rare tracks entitled Noise Floor (Rarities: 1998–2005) was released. Devil Town was featured in April 2007 in the final episode of the first season of Friday Night Lights.
Bright Eyes released the Four Winds EP in March 2007, featuring the first single from their seventh studio album Cassadaga, released in April 2007. The track "Endless Entertainment" circulated over the internet from the new official site, ThisIsBrightEyes.com. In a 2007 issue, Rolling Stone labeled "Four Winds" as a top 100 song of the year.
In support of this album, Bright Eyes toured North America from February to May, and Europe and Japan from June to July. The twelve musicians included two drummers, and they donned white uniforms in front of a video backdrop.
During an encore on May 19, 2007 at the Ryman Auditorium in Nashville, Tennessee, Oberst performed a new song with Gillian Welch and David Rawlings entitled "Man Named Truth". He said the song was finished in the dressing room that night. The song was officially released on Monsters of Folk's 2009 self-titled album, on which Oberst teams up with Jim James (of My Morning Jacket), M. Ward (of She & Him), and Mike Mogis (of Bright Eyes).
During a 7-night stint at The Town Hall in New York City, Bright Eyes welcomed the following guests on stage for special performances: Lou Reed on May 25; Ben Kweller on May 26; Jenny Lewis and Johnathan Rice on May 28; Norah Jones, Little Willie and Derrick E on May 29; Nick Zinner, Maria Taylor and Ben Gibbard on May 30, Steve Earle on May 31, and finally Ron Sexsmith and Britt Daniel on June 1.
On June 4, 2007, they performed "Hot Knives" on the Late Show with David Letterman.
A double-single for "Hot Knives" and "If the Brakeman Turns My Way" was released on July 9, 2007.
In August 2007, Bright Eyes postponed 3 UK shows due to illness. A U.S. tour was announced, and in September, the UK dates were canceled and not rescheduled.
The People's Key (2008–2011)Edit
During 2008 and 2009, Oberst recorded music and toured in support of his other music projects, Conor Oberst and the Mystic Valley Band and supergroup Monsters of Folk. In a June 2009 issue of Rolling Stone, Oberst announced that he wanted to "retire" the Bright Eyes moniker, and would be making one final album with the band: "It does feel like it needs to stop at some point. I'd like to clean it up, lock the door, say goodbye."
On July 31, 2010, Bright Eyes teamed up with the American Civil Liberties Union (ACLU) of Nebraska to put on a concert for equality in Omaha, Nebraska. The concert raised money for a federal lawsuit the ACLU filed against the city of Fremont, Nebraska for an ordinance the city passed on June 21, 2010 banning the hiring of or the rental of properties to illegal immigrants. At this show, Bright Eyes debuted a new song entitled "Coyote Song" about two lovers separated by the Mexico–United States border.
Conor Oberst has stated that the sound of The People's Key moves away from the folk sound that the band had accomplished on previous records. "We're over the Americana, rootsy, whatever that sound is. People say country but I never thought we were very country at all. But whatever that element is or that aesthetic is, I guess it's worn a little thin for me these days. So we very much wanted it to be rocking and, for lack of a better term, contemporary, or modern."
The video for the song "Shell Games" was released via Saddle Creek Records on both the band's YouTube channel and that of Saddle Creek, and features the band playing against various projections.
On June 10, Bright Eyes released the music video for "Jejune Stars". The video features the band playing in a desert with a firework rig behind them, spelling out selected lyrics as Oberst sings them.
In July 2016, it was announced that the band's six last studio albums (excluding the Christmas release) were to be remastered by Bob Ludwig and reissued in a box set titled The Studio Albums 2000–2011. It was released on September 16, 2016. Individual releases were also issued later in the year.
- A Collection of Songs Written and Recorded 1995–1997 (1998)
- Letting Off the Happiness (1998)
- Fevers and Mirrors (2000)
- Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)
- A Christmas Album (2002)
- I'm Wide Awake, It's Morning (2005)
- Digital Ash in a Digital Urn (2005)
- Cassadaga (2007)
- The People's Key (2011)
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