Brian Wayne Transeau (born October 4, 1971), known by his initials as BT, is an American musician, composer, singer, songwriter, DJ and audio technician. An artist in the electronica music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." In 2010, he was nominated for a Grammy Award for Best Electronic/Dance Album for These Hopeful Machines. He creates music within a myriad of styles, such as classical, film composition, and bass music.
BT in 2019
|Birth name||Brian Wayne Transeau|
|Also known as|
|Born||October 4, 1971|
Rockville, Maryland, United States
BT holds multiple patents for pioneering the technique he calls stutter editing. This production technique consists of taking a small fragment of sound and repeating it rhythmically, often at audio rate values while processing the resultant stream using advanced digital processing techniques. BT was entered into the Guinness Book of World Records for his song "Somnambulist (Simply Being Loved)", recognized as using the largest number of vocal edits in a song (6,178 edits). BT's work with stutter edit techniques led to the formation of software development company Sonik Architects, developer of the sound-processing software plug-ins Stutter Edit and BreakTweaker, and Phobos with Spitfire Audio.
BT has produced, collaborated, and written with a variety of artists, including Death Cab for Cutie, Howard Jones, Peter Gabriel, David Bowie, Madonna, Armin van Buuren, Sting, Depeche Mode, Tori Amos, NSYNC, Blake Lewis, The Roots, Guru, Britney Spears, Paul van Dyk, and Tiësto. He has composed original scores for films such as Go, The Fast and the Furious, and Monster, and his scores and compositions have appeared on television series such as Smallville, Six Feet Under, and Philip K. Dick's Electric Dreams. He was commissioned to compose a 24-hour, 256 channel installation composition for the Tomorrowland-themed area at Shanghai Disneyland, which opened in 2016.
- 1 Early life and education
- 2 Career
- 2.1 1989–94: Early career
- 2.2 1995–96: Ima
- 2.3 1997–98: ESCM
- 2.4 1999–2002: Movement in Still Life
- 2.5 2003–05: Emotional Technology
- 2.6 2006–09: This Binary Universe
- 2.7 2010–11: These Hopeful Machines
- 2.8 2012: If the Stars Are Eternal So Are You and I and Morceau Subrosa
- 2.9 2013–14: A Song Across Wires and radio shows
- 2.10 2015–present: Electronic Opus, All Hail the Silence, _ and ‡
- 3 Film, TV and video game scores
- 4 Software
- 5 Personal life
- 6 Awards and nominations
- 7 Discography
- 8 See also
- 9 References
- 10 External links
Early life and educationEdit
BT was born in Rockville, Maryland on October 4, 1971. His father was an FBI and DEA agent, and his mother a psychiatrist. BT started listening to classical music at the age of 4 and started playing classical piano at an early age, utilizing the Suzuki method. By the age of 8 he was studying composition and theory at the Washington Conservatory of Music. He was introduced to electronic music through the breakdancing culture and the Vangelis score for the film Blade Runner, which led him to discover influential electronic music artists such as Afrika Bambaataa, Kraftwerk, New Order and Depeche Mode. In high school, he played drums in one band, bass in a ska band and guitar in a punk group. At 15, he was accepted to the Berklee College of Music in Boston, Massachusetts, where he studied jazz and enjoyed experimenting, such as running keyboards through old guitar pedals. BT is a multi-instrumentalist, playing piano, guitar, bass, keyboards, synths, sequencers, the glockenspiel, drum machines and instruments he has modified himself. His process for creating songs typically starts with composition on basic instruments, like the piano or an acoustic guitar.
1989–94: Early careerEdit
In 1989, after dropping out of Berklee, BT moved to Los Angeles, where he tried, unsuccessfully, to get signed as a singer-songwriter. Realizing he should focus on the electronic music he was more passionate about, he moved back to Maryland in 1990 and began collaborating with friends Ali "Dubfire" Shirazinia and Sharam Tayebi of Deep Dish. Together they started Deep Dish Records. Early in his career, BT worked under a variety of musical aliases, including Prana, Elastic Chakra, Elastic Reality, Libra, Dharma, Kaistar and GTB.
In the early years of BT's career, he became a pioneering artist in the trance genre, this despite the fact that he doesn’t consider himself a DJ, since he infrequently spins records and comes from an eclectic music background. When he started out, such common elements as a build, breakdown and drop were unclassified. BT's was a unique interpretation of what electronic music could be. His first recordings, "A Moment of Truth" and "Relativity", became hits in dance clubs in the UK. His productions were not yet popular in the US, and he was initially unaware that he had become popular across the Atlantic, where UK DJs like Sasha were regularly spinning his music for crowds. Sasha bought BT a ticket to London, where BT witnessed his own success in the clubs, with several thousand clubbers responding dramatically when Sasha played BT's song. He also met Paul Oakenfold, playing him tracks that would make up his first album. He was quickly signed to Oakenfold's record label, a subsidiary of Warner Brothers.
BT's 1995 debut album Ima, released on Oakenfold's label, was a progressive house effort. The opening track, "Nocturnal Transmission", was featured in The Fast and the Furious. The album also featured a song with Vincent Covello. Blending house beats with sweeping New Age sounds, Ima helped to create the trance sound. "Ima (今)" is the Japanese word for "now". BT has stated that it also means many other things and that the intention of the album is to have a different effect for everyone.
Following the release of Ima, BT began traveling to England regularly. It was during this time that he met Tori Amos. They would collaborate on his song "Blue Skies", which reached the number one spot on Billboard magazine's Dance Club Songs chart in January 1997. This track helped expand BT's notability beyond Europe, into North America. He soon began to remix songs for well-known artists such as Sting, Madonna, Seal, Sarah McLachlan, NSYNC, Britney Spears, Diana Ross and Mike Oldfield.
BT's second album, ESCM (acronym for Electric Sky Church Music), released in 1997, features more complex melodies and traditional harmonies along with a heavier use of vocals. The tone of the album is darker and less whimsical than Ima. The album, as a whole, is much more diverse than BT's debut, expanding into drum and bass, breakbeat, hip-hop, rock and vocally-based tracks.
The biggest hit from ESCM was "Flaming June," a modern trance collaboration with German DJ Paul van Dyk. Van Dyk and BT would go on to collaborate on a number of works including “Sunblind” & "Namistai" (found on the later album Movement in Still Life), as well as van Dyk's remix of BT's "Blue Skies" and "Remember". "Remember" featured Jan Johnston on vocals, and reached #1 on the Billboard Dance Club Songs chart. BT and Van Dyk also remixed the van Dyk classic "Forbidden Fruit" as well as Dina Carroll's "Run to You", and BT collaborated with Simon Hale on "Firewater" and "Remember."
1999–2002: Movement in Still LifeEdit
In 1999, BT released his third album, Movement in Still Life, and continued his previous experimentation outside of the trance genre. The album features a strong element of nu skool breaks, a genre he helped define with "Hip-Hop Phenomenon" in collaboration with Tsunami One aka Adam Freeland and Kevin Beber. Along with trance collaborations with Paul van Dyk and DJ Rap, Movement includes pop ("Never Gonna Come Back Down" with M. Doughty on vocals), progressive house ("Dreaming" with Kirsty Hawkshaw on vocals) and hip hop-influenced tracks ("Madskill – Mic Chekka", which samples Grandmaster Flash and the Furious Five's "The Message", and "Smartbomb", a mix of funky, heavy riffs from both synthesizers and guitars woven over a hip-hop break). "Shame" and "Satellite" lean toward an alt-rock sound, while "Godspeed" and "Dreaming" fall into classic trance ranks. "Running Down the Way Up", a collaboration with fellow electronic act Hybrid, features sultry vocals and acoustic guitars heavily edited into a progressive breakbeat track.
“Dreaming” and “Godspeed” reached #5 and #10 on the Billboard Dance Club Songs chart, respectively, "Never Gonna Come Back Down" reached #9 the Billboard Dance Club Songs chart and #16 on Billboard's Alternative Songs chart, and the album reached #166 on the Billboard 200 album charts.
Long interested in branching out into film scoring, BT got the opportunity when director Doug Liman asked him to score Go, a 1999 film about dance music culture. Shortly after creating the score, BT moved to Los Angeles in order to further pursue film scoring. He also began writing music for string quartets to prove his capabilities beyond electronic music. He was then hired to score the film Under Suspicion with a 60-piece string section. For The Fast and the Furious, BT's score featured a 70-piece ensemble, along with polyrhythmic tribal sounds produced by orchestral percussionists banging on car chassis.
In 1999, BT collaborated with Peter Gabriel on the album OVO, the soundtrack to the Millennium Dome Show in London. In 2001, he produced NSYNC's hit single "Pop", which won a 2001 Teen Choice Award for Choice Single, won four MTV Video Music Awards, and reached #19 on the Billboard Hot 100 and #9 on the UK Singles chart. In 2002, BT released the compilation album 10 Years in the Life, a two-disc collection of rarities and remixes, including "The Moment of Truth", the first track he ever recorded.
2003–05: Emotional TechnologyEdit
BT's fourth studio album, released on August 5, 2003, featured more vocal tracks than his previous fare, including six with vocals by BT himself. Emotional Technology was his most experimental album to date, exploring a range of genres; many consider it the "poppiest" of all his work. Emotional Technology spent 25 weeks on the Billboard Dance/Electronic Albums chart, reaching the top spot, and it reached #138 on the Billboard 200 charts. The biggest single from the album, "Somnambulist (Simply Being Loved)", draws heavily from the breakbeats and new wave dance of New Order and Depeche Mode, whom BT has cited as major influences. "Somnambulist" holds the Guinness World Record for the largest number of vocal edits in a single track, with 6,178. It reached #5 on the Billboard Dance Club Songs chart and #98 on the Billboard Hot 100.
BT ventured into television production for Tommy Lee Goes to College for NBC in 2005. It starred Mötley Crüe drummer Tommy Lee. He executive-produced the reality television series, the idea for which he developed and sold to NBC.
2006–09: This Binary UniverseEdit
The double album highlights a mix of genres, including jazz, breakbeats and classical. Three songs feature a full 110-piece orchestra. Unlike his previous two albums, which featured vocals on almost every track, this album is entirely instrumental. The tracks change genres constantly. For example, "The Antikythera Mechanism" starts off almost lullaby-like, complete with a piano, acoustic guitars and reversed beats; halfway through the track, it explodes with a 110-piece orchestra, followed by a section of breakbeats and ending with the de-construction of the orchestra. Animated videos created by visual effects artist Scott Pagano to accompany each song were included in a DVD packaged along with the CD. This Binary Universe reached #4 on the Billboard Dance/Electronic Albums chart. BT's company, Sonik Architects, built the drum machine (the first in surround sound) used on the album.
In November and December 2006, BT toured the album with Thomas Dolby opening. The concert featured a live slideshow of images from DeviantArt as a backdrop. All the shows were done in 5.1 surround sound, with BT playing piano, bass and other instruments live, and also singing on a cover of "Mad World" by Tears for Fears. Earlier in 2006, BT performed with an orchestra and conductor and visuals for an audience of 11,000 at the Video Games Live concert at the Hollywood Bowl in Los Angeles.
2010–11: These Hopeful MachinesEdit
BT's sixth studio album, These Hopeful Machines, was released on February 2, 2010. The double album features dance-pop, trance, house, breaks, soundscapes, orchestral interludes, acoustic guitar and stutter edits. With BT spending several years perfecting the album, mathematically placing edits and loops to create "an album of ultimate depth and movement," each of the songs went through a lengthy recording process. BT has estimated that each song on the album took over 100 sessions to record, adding that "Every Other Way" took 2 months to write and record, working 14 to 20 hours a day, 7 days a week. These Hopeful Machines was nominated for a 2011 Grammy Award for Best Electronic/Dance Album.
The album features guest appearances from and collaborations with Stewart Copeland of The Police, Kirsty Hawkshaw ("A Million Stars"), JES ("Every Other Way" and "The Light in Things"), Rob Dickinson ("Always" and "The Unbreakable"), Christian Burns ("Suddenly", "Emergency" and "Forget Me") and Andrew Bayer ("The Emergency"). It contains the most singles released from any BT album, with 8 of the 12 tracks released as singles. Official remixes were made by Armin van Buuren and Chicane. It reached #6 on the Billboard Dance/Electronic Albums chart and #154 on the Billboard 200 album charts. The singles "Emergency" and "Rose of Jericho" reached #3 and #5 on the Billboard Dance Club Songs chart, respectively.
A remix album, titled These Re-Imagined Machines was released in 2011. These Humble Machines, an un-mixed album featuring shorter "radio edit" versions of the tracks (similar to the US version of Movement in Still Life) was also released in 2011.
2012: If the Stars Are Eternal So Are You and I and Morceau SubrosaEdit
On June 19, 2012, BT released If the Stars Are Eternal So Are You and I, along with Morceau Subrosa, his seventh and eighth studio albums. If the Stars Are Eternal So Are You and I was an about-face from BT's previous album These Hopeful Machines, utilizing minimal beats, ambient soundscapes, and glitch music, as opposed to the electronic music style of These Hopeful Machines. Morceau Subrosa is very different in style compared to most of BT's previous works, favoring ambient soundscapes and minimal beats.
2013–14: A Song Across Wires and radio showsEdit
BT's ninth studio album, A Song Across Wires, was released worldwide on August 16, 2013. Blending elements of trance, progressive house and electro, the club music-oriented album reached #5 on the Billboard Dance/Electronic Albums chart, and features four Beatport No. 1 trance singles: "Tomahawk" (with Adam K), "Must Be the Love" (with Arty and Nadia Ali), "Skylarking" and "Surrounded" (with Au5 and Aqualung). On the album, BT also collaborates with Senadee, Andrew Bayer, Tania Zygar, Emma Hewitt, JES, Fractal, tyDi and K-pop singer Bada.
In 2012, he released the mix collection Laptop Symphony, based on his laptop performances on his Sirius XM radio show, which range from dubstep to drumstep to progressive to trance. In 2013, he started a new Sirius XM radio program, Skylarking, on the Electric Area channel.
2015–present: Electronic Opus, All Hail the Silence, _ and ‡Edit
On November 10, 2014, BT announced a Kickstarter project with Tommy Tallarico to produce Electronic Opus, an electronic symphonic album with re-imagined, orchestral versions of BT's songs. The project reached its crowd-funding goal of $200,000. A live orchestra played during Video Games Live on March 29, 2015, while the album was released on October 12, 2015.
On March 7, 2012, it was announced that BT and Christian Burns had formed a band called All Hail the Silence, with encouragement from Vince Clarke. They released their first unofficial single, "Looking Glass", online in 2012. On July 21, 2014, Transeau and Burns announced that their band would be touring with Erasure in the fall of 2014 for the album The Violet Flame. On August 24, 2016, the band announced that they would release a limited edition colored 12" vinyl collectible extended play entitled AHTS-001 with Shopify on September 19, 2016. On September 28, 2018, the band released their first official single, "Diamonds in the Snow", along with its accompanying music video. They released the music video for "Temptation" in December 2018. The band's first album, Daggers (stylized as ‡), was released on January 18, 2019.
On December 14, 2015, BT disclosed news to DJ Mag about a new album to come by early 2016. Similar to This Binary Universe, BT explained that "the entire record is recorded in a way [I've] never recorded anything before," and that it has a "modular, ambient aesthetic". The album, _, was released digitally on October 14, 2016, and physically on December 2, 2016 via Black Hole Recordings, along with an accompanying film. Due to the restrictions of most music sites, which forbid blank album titles, BT chose to name the album the underscore character "_". BT has admitted that this title has resulted in complaints from fans about difficulties in finding the album on popular services due to the inability of most search engines to handle the "_" character. On January 17, 2017, BT released _+, an extended version of _.
On October 10, 2019, BT announced on Instagram that two new albums were slated for release in the Fall of 2019: Between Here and You, an ambient album consisting of ten tracks, and Everything You’re Searching for is on the Other Side of Fear, a 17-track album with sounds akin to those from This Binary Universe and _. Between Here and You will be released on October 18, 2019.
Film, TV and video game scoresEdit
BT began scoring films in 1999 with Go. Since then he has scored over a dozen films, including The Fast and the Furious, Monster, Gone in 60 Seconds, Lara Croft: Tomb Raider and Catch and Release. His soundtrack for Stealth featured the song "She Can Do That", with lead vocals from David Bowie. BT produced the score for the 2001 film Zoolander, but had his name removed from the project. His tracks for the film were finished by composer David Arnold. BT also composed music for the Pixar animated short film Partysaurus Rex, released in 2012 alongside the 3D release of Finding Nemo.
He has scored the video games Die Hard Trilogy 2: Viva Las Vegas (2000), Wreckless: The Yakuza Missions (2002), FIFA Football 2002 (2002), Need for Speed: Underground (2003) and Tiger Woods PGA Tour 2005 (2004). He made the official second-long alert tone for the Circa News app. In 2013, he scored Betrayal, a 13-episode drama on ABC. His first score for a non-English language film was for the Bollywood film Ittefaq. The soundtrack was released on December 13, 2018. His work has been featured in more than 50 film and video game soundtracks.
In 2014, BT was selected by Walt Disney Company executives to score the music for the Tomorrowland-themed area at Shanghai Disneyland, which opened in 2016. He spent more than two years on the project, writing more than four hours of music that are played out of more than 200 speakers spread throughout Tomorrowland. BT called the undertaking "one of the most thrilling experiences of my life."
During the production of This Binary Universe, Transeau wanted to program drums in surround sound, and found that software tools to accomplish this weren't readily available. He decided to develop his own, forming his own software company, Sonik Architects, to create a line of sound design tools for the studio and another line of tools and plug-ins designed for live performance. The company's first release was the drum machine surround sound sequencer BreakTweaker, a PC plug-in. In 2009, Sonik Architects released Sonifi, a product for the iPhone, iPad and iPod Touch that enables musicians to replicate BT's stutter edit effect live. BT himself has used it during live shows.
In December 2010, Sonik Architects was acquired by software and music production company iZotope, and at the Winter NAMM Show in January 2011, the Stutter Edit plug-in, based on BT's patented technique of real-time manipulation of digital audio, was released by iZotope and BT.
Transeau is a user of digital audio workstation FL Studio and he was included in the Power Users section on Image-Line's site in 2013. In 2014, BT collaborated with Boulanger Labs in creating the Leap Motion app Muse, a device that allows users to compose their own ambient sounds using gestural control. He also developed a standalone plugin synthesizer called BT Phobos for the music software company Spitfire Audio, which was released on April 6, 2017. BT created presets for the synth plugin Parallels, released by Softube in 2019.
BT lives with his daughter in Maryland. He is an avid scuba diver, and supports the preservation of sharks. In February 2014, BT partnered with EDM lifestyle brand Electric Family to produce a collaboration bracelet for which 100% of the proceeds are donated to the Shark Trust. On October 19, 2014, BT was married to Lacy Transeau (née Bean).
Awards and nominationsEdit
DJ Magazine AwardsEdit
Artists are nominated to the DJ Magazine Top 100 DJs list each year the public votes to decide who they rank as the World's No 1 DJ at the end of the poll.
BT peaked at number 70 in 2000, his first year on the list.
|Year||Nominee / work||Award||Result|
|2000||BT||DJ Magazine Top 100 DJs, #70||Won|
|2001||DJ Magazine Top 100 DJs, #76||Won|
|2003||DJ Magazine Top 100 DJs, #83||Won|
|2004||DJ Magazine Top 100 DJs, #92||Won|
|2005||DJ Magazine Top 100 DJs, #82||Won|
|2006||DJ Magazine Top 100 DJs, #73||Won|
|2007||DJ Magazine Top 100 DJs, #73||Won|
|2010||DJ Magazine Top 100 DJs, #79||Won|
|2011||These Hopeful Machines||Grammy Award for Best Electronic/Dance Album||Nominated|
International Dance Music AwardsEdit
|Year||Nominee / work||Award||Result|
|2012||"Must Be the Love"||IDMA Award for Best Trance Track||Nominated|
|2013||"Skylarking"||IDMA Award for Best Trance Track||Nominated|
|BT||IDMA Award for Best North American DJ||Nominated|
Beatport Music AwardsEdit
|Year||Nominee / work||Award||Result|
|2014||A Song Across Wires||Beatport Award for Album of the Year||Nominated|
Computer Music AwardsEdit
|Year||Nominee / work||Award||Result|
|2014||BT||Computer Music magazine Innovative Award||Won|
|Computer Music magazine Performance Award||Won|
- Ima (1995)
- ESCM (1997)
- Movement in Still Life (1999)
- Emotional Technology (2003)
- This Binary Universe (2006)
- These Hopeful Machines (2010)
- If the Stars Are Eternal So Are You and I (2012)
- Morceau Subrosa (2012)
- A Song Across Wires (2013)
- _ (2016)
- Between Here and You (2019)
- Everything You’re Searching for is on the Other Side of Fear (2019)
With All Hail the Silence
- Daggers (2019)
- Tyler Gray, “Would You Want to Hear This New Circa News Sound Whenever News Breaks?” Fast Company, October 3, 2013.
- Curtis Silver, “BT Talks These Hopeful Machines, Math and Inspiration,” Wired, February 2, 2010.
- BT, “First-Time Nominee: BT (Part One),” Grammy.com, January 18, 2011.
- Clayton Perry, “Interview: Brian Transeau – Singer, Songwriter and Producer,” Seattle Post-Intelligencer, April 26, 2011.
- Method and Apparatus for Digital Audio Generation and Manipulation, Patent #793587911551696; Time Varying Processing of Repeated Digital Audio Samples in Accordance with a User Defined Effect, Patent #814549611807214.
- Cosmin Lukacs, “Interview With BT aka Brian Transeau,” Archived 2011-02-16 at the Wayback Machine Trance Sound, September 10, 2010.
- DJ Ron Slomowicz, “21 Records That Made Me Happy to Be a DJ,” About.com. Accessed August 3, 2014.
- David Battino, Kelli Richards, The Art Of Digital Music, Backbeat Books, 2005, p. 10
- Damon Fonooni, “Embracing BT,” Lunar, 2002.
- Steph Evans, “Earmilk Interview: BT,” Earmilk, August 20, 2013.
- "New Episodes of 'Philip K. Dick's Electric Dreams' to Feature Music by Mark Isham, BT & Bear McCreary". Film Music Reporter. January 9, 2018.
- Newman, Melinda (June 16, 2016). "Meet the Composer Who Wrote the Music for Shanghai Disneyland's Tomorrowland". The Hollywood Reporter.
- Tim Bomba, “Home is where the art is,” The Hollywood Reporter, November 14, 2006.
- Richard Buskin, “Brian Transeau: Emotional Experience,” Archived August 8, 2014, at the Wayback Machine Sound on Sound, December 2001.
- “BT Wears His Lab Coat for These Hopeful Machines,” Keyboard, February 26, 2010.
- Mark Small, “Berklee Today,” Berklee.edu. Retrieved August 3, 2014.
- Brittany Gaston, “Hot on the heels of controversy, dance music legend BT releases his ninth studio LP,” Archived 2014-08-08 at the Wayback Machine Beatport, August 14, 2013.
- Muther, Christopher (2004-10-02). "The world at his fingertips". The Boston Globe.
- Rafael De La Torre, “EDM Interview: Magnetic Catches Up With BT To Discuss New Album,” Magnetic, June 14, 2013.
- Kara Nesbitt, “Elite Daily Talks ‘A Song Across Wires’ & More With B.T.,” Archived 2014-08-06 at Archive.today Elite Daily, August 21, 2013.
- Geoff Boucher, “He’s Breaking the Spell of Trance Music,” Los Angeles Times, August 20, 2000.
- Ravi Baskaran, “Beatific,” Broward/Palm Beach New Times, July 13, 2000.
- “Remember,” Billboard Dance Club Songs, Billboard. Retrieved August 3, 2014.
- Sean Bidder, “Trance Defector,” URB, July/August 2000.
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- “Godspeed,” Billboard Dance Club Songs, Billboard. Retrieved August 3, 2014.
- “Never Gonna Come Back Down,” Billboard Dance Club Songs, Billboard. Retrieved August 3, 2014.
- “Never Gonna Come Back Down,” Alternative Songs, Billboard. Retrieved August 3, 2014.
- “Movement In Still Life,” Billboard 200, Billboard. Retrieved August 3, 2014.
- “Emotional Technology,” Billboard Dance/Electronic Albums. Retrieved August 3, 2014.
- “Emotional Technology,” Billboard 200, Billboard. Retrieved August 3, 2014.
- Greg Rule, “Drumming, Mixing & Editing Tips From BT,” Drum! July 2010.
- "Simply Being Loved (Somnambulist),” Billboard Dance Club Songs. Retrieved August 3, 2014.
- “Simply Being Loved (Somnambulist),” Billboard Hot 100. Retrieved August 3, 2014.
- "BTs' Last FM site".
- David Murphy and Dave Powers, “Digital Music Innovators,” PC Magazine, August 2, 2006.
- “This Binary Universe,” Billboard Dance/Electronic Albums. Retrieved August 3, 2014.
- Stephen Fortner, "The Mind Of BT," Keyboard, December 2005.
- Curtis Silver, “BT Talks These Hopeful Machines, Math and Inspiration,” Wired, February 2, 2010.
- "DeviantArt Presents BT and Thomas Dolby".
- Dan Olbrych, “BT on New Production Tech: ‘Holy S**t!’,” DJ Times, January 7, 2014.
- “These Hopeful Machines,” Billboard Dance/Electronic Albums. Retrieved August 3, 2014.
- “These Hopeful Machines,” Billboard 200, Billboard. Retrieved August 3, 2014.
- “Emergency,” Billboard Dance Club Songs. Retrieved July 7, 2014.
- Danny Turner, “Interview: BT,” Future Music, September 2010.
- “Electronica Visionary BT Redefines Musical Composition,” Gunnar, June 20, 2012.
- “A Song Across Wires,” Billboard Dance/Electronic Albums. Retrieved August 3, 2014.
- "Good summer for music fans". Archived from the original on 2013-06-15. Retrieved May 1, 2013.
- Gary Graff, “BT’s Busy 2012: Mix Set, ‘Quiet’ EP & a Follow-Up to ‘Machines’,” Billboard, March 1, 2012.
- "PREMIERE OF SKYLARKING RADIO". Archived from the original on September 25, 2013. Retrieved September 7, 2013.
- Takahashi, Dean (November 10, 2014). "'Video Games Live' producer Tommy Tallarico's new project is 'Electronic Opus' — classical meets electronic dance music". Venture Beat.
- "Electronic Opus by BT". Retrieved November 10, 2014.
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- “BT & Christian Burns announced their new band All Hail The Silence,” House Planet, March 7, 2012.
- "All Hail the Silence Debut Tour with Erasure This Fall". Archived from the original on 2014-08-08. Retrieved July 22, 2014.
- "PRE PURCHASE Limited Edition Coloured 12" Vinyl Collectable AHTS 001 EP". Archived from the original on 2016-08-27. Retrieved 2016-08-24.
- Roumeliotis (September 28, 2018). "Diamonds in the Snow // All Hail the Silence". YouTube. Retrieved September 28, 2018.
- Pareles, Jon (December 14, 2018). "The Playlist: David Byrne's Paranoid Party, and 10 More New Songs". The New York Times.
- "All Hail The Silence (BT + Christian Burns) Share "Diamonds In The Snow" Video/Announce New Album '‡ (Daggers)' Out January 18th". Dubiks. October 4, 2018. Retrieved October 7, 2018.
- Graff, Gary (September 28, 2018). "All Hail the Silence Tap Old-School Analog Synths for 'Diamonds In the Snow': Video Premiere". Billboard. Retrieved September 28, 2018.
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- Eskow, Gary (August 1, 2016). "BT's Dropping a New Album –You Name It". Mix. Retrieved September 23, 2016.
- Smith, Emily (October 20, 2016). "BT Releases Innovative '_' Album With Accompanying Film". The Nocturnal Times.
- "I am composer and technologist BT. My new album is _ AMA". Reddit.
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- "BT - _+". Black Hole Recordings. Retrieved 3 October 2019.
- "🔥🔥HUGE ANNOUNCEMENT🔥🔥Link in bio! It is with tremendous pride I make the following announcement to you guys. I have completed 2 new full length albums. You read that right. Actually the second one is so long it's close to a triple album. 🦄". Instagram. October 10, 2019.
- "Between Here and You - BT". Beatport. Retrieved October 11, 2019.
- Kia Makarechi, “BT Dishes On 15 Years In The Industry And ‘A Song Across Wires’,” Huffington Post, August 30, 2013.
- "BT Releases 1st International Original Soundtrack For Bollywood Smash Movie "ITTEFAQ"". EDM Sauce. December 13, 2018. Retrieved January 17, 2019.
- "Progressive Sounds".
- “BT’s Sonifi For The iPhone,” Synthopia, June 18, 2009.
- Mark Milian, “Sonifi iPhone app lets your fingers remix music,” Los Angeles Times, November 17, 2009.
- "iZotope, Inc – Audio Processing Technology and Plug-Ins for Pro Tools, VST, MAS, Audio Unit, and DirectX". Izotope.com. Archived from the original on 2013-02-24. Retrieved 2013-02-20.
- "NAMM 2011: iZotope Stutter Edit". Mixonline.com. 2011-01-14. Archived from the original on 2012-09-16. Retrieved 2013-02-20.
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- "NAMM 2016: Spitfire Audio Phobos (Video)". January 23, 2016. Retrieved January 26, 2016.
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