Bryan Forbes CBE (//; born John Theobald Clarke; 22 July 1926 – 8 May 2013) was an English film director, screenwriter, film producer, actor and novelist, described as a "Renaissance man" and "one of the most important figures in the British film industry".
John Theobald Clarke
22 July 1926
|Died||8 May 2013 (aged 86)|
Virginia Water, Surrey, England
(m. 1951; div. 1955)
|Children||2, including Emma Forbes|
He directed the film The Stepford Wives (1975) and wrote and directed several other critically acclaimed films, including Whistle Down the Wind (1961), Séance on a Wet Afternoon (1964), and King Rat (1965). He also scripted several films directed by others, such as The League of Gentlemen (1960), The Angry Silence (1960) and Only Two Can Play (1962).
Forbes was born John Theobald Clarke on 22 July 1926 in Queen Mary's Hospital, Stratford, West Ham, Essex. His father was a salesman and he grew up at 43 Cranmer Road, Forest Gate, where he attended West Ham Secondary School and Horncastle Grammar School after he was evacuated during the Second World War to Porthleven in Cornwall to the vicar Canon Edward Thornton Gotto and his wife. A schoolfriend at West Ham was artist Albert Herbert. Lionel Gamlin of the BBC took him on as the host of Junior Brains Trust, and invented Clarke's pseudonym of Bryan Forbes.
Actor and screenwriterEdit
Forbes trained as an actor at the Royal Academy of Dramatic Art from age 17, but completed only three terms. He completed four years of military service in the Intelligence Corps and Combined Forces Entertainment Unit, during which time he started to write short stories. After completing his military service in 1948, following British Equity rules, he was obliged to change his name to avoid confusion with actor John Clark. Forbes began to act, appearing on stage and playing numerous supporting roles in British films, in particular An Inspector Calls (1954) and The Colditz Story (1955).
He published a short story collection in the early 1950s, which induced producer "Cubby" Broccoli to offer him screenwriting work on The Black Knight (1954). He received his first credit for Second World War film The Cockleshell Heroes (1955), while other early screenplays include I Was Monty's Double (1958), and The League of Gentlemen (1959), his breakthrough. Directed by Basil Dearden, Forbes also starred. The film recounted a bank heist carried out by ex-army officers, and gained critical success, including his first BAFTA nomination.
In 1959, he formed a production company, Beaver Films, with his frequent collaborator Richard Attenborough. Beaver Films made The Angry Silence (1960), a controversial screenplay by Forbes in which Attenborough took the lead role, and the two men shared production responsibilities.
Forbes's directorial debut came with Whistle Down the Wind (1961), again produced by Attenborough, a critically acclaimed film about three northern children who conceal a criminal in their barn, believing him to be a reincarnated Jesus Christ. It starred child actor Hayley Mills and Alan Bates, in one of his earliest film roles. The film was nominated for four BAFTA awards, including Best Film from any Source. It was the basis for a 1996 musical by Andrew Lloyd Webber. The L-Shaped Room (1962), his next film as director, with Leslie Caron in the female lead, led to her gaining a nomination for an Oscar, and winning the BAFTA (Best British Actress) and Golden Globe awards. Comments Phil Wickham: "It feels like half a new wave film – a mid-point between the innovation of the Woodfall Films and the mainstream of the British film industry."
Forbes wrote and directed Séance on a Wet Afternoon (1964), and the same year he wrote the third screen adaptation of the Somerset Maugham novel Of Human Bondage. In 1965, he went to Hollywood to make King Rat, a successful prisoner-of-war story. He followed this with The Wrong Box (1966) and The Whisperers (1967), the latter featuring Edith Evans. A caper film, Deadfall (1968), starred Michael Caine.
Head of EMI FilmsEdit
In 1969, Forbes was appointed chief of production and managing director of the film studio Associated British (soon to become EMI Films). Dennis Barker, in his obituary of Forbes for The Guardian, states, 'This amounted virtually to an attempt to revive the ailing British film industry by instituting a traditional studio system with a whole slate of films in play.'  Under Forbes's leadership, the studio produced The Railway Children (1970), The Tales of Beatrix Potter (1971) and The Go-Between (1971), all successful. His tenure, though, was marked by financial problems and failed projects, and he resigned in 1971.
From the early 1970s, Forbes divided his energies between cinema, television, theatre, and writing. In 1972 he started work on the documentary Elton John and Bernie Taupin Say Goodbye Norma Jean and Other Things (1973), which chronicled the life of the young Elton John and Bernie Taupin. Taking a full year to complete, the project gave a behind-the-scenes look at the writing and recording of Goodbye Yellow Brick Road. Besides footage of the John's 1973 Hollywood Bowl concert, the film included interviews with John, Taupin, and band members, including Nigel Olsson and Dee Murray, as well as John's mother, Sheila, DJM label head Dick James, and James's son Stephen. (Some of the concert footage was later licensed for the Eagle Vision Classic Albums series Goodbye Yellow Brick Road documentary.) During filming, Forbes formed a close friendship with John and Taupin, which led to other collaborations with them, including photography on the Don't Shoot Me I'm Only the Piano Player and Goodbye Yellow Brick Road album sleeves. ITV broadcast the documentary in the UK on 4 December 1973, and it was later briefly issued on VHS. It was shown in the U.S. on ABC.
Forbes returned to Hollywood to direct The Stepford Wives (1975), based on Ira Levin's novel of the same name. The horror classic, which featured Newman, was to become Forbes's best-known film, partly because of the protests against it. His subsequent films as a director were less successful: The Slipper and the Rose (1976), with David Frost as executive producer; International Velvet (1978), intended as a continuation of National Velvet (1944), with Newman in the same role as Elizabeth Taylor in the earlier film; Better Late than Never (1983); and The Naked Face (1984). His final film as a screenwriter was Chaplin in 1992.
Awards and honoursEdit
Forbes's 1960 screenplay, The Angry Silence, won a BAFTA award, and was nominated for an Oscar. Only Two Can Play won Best British Comedy Screenplay of the Writers Guild of Great Britain in 1962. Séance on a Wet Afternoon won a 1965 Edgar Award from the Mystery Writers of America for Best Foreign Film and the 1964 Best British Dramatic Screenplay of the Writers Guild of Great Britain. Hopscotch won the Best Comedy Adapted from Another Medium of the Writers Guild of America in 1980.
Forbes's directorial debut, Whistle Down the Wind, was nominated for several BAFTA awards, including Best Film from any Source and Best British Film in 1962. Four of his other films were also nominated for BAFTA awards: The League of Gentlemen (1959), Only Two Can Play (1962), Séance on a Wet Afternoon (1964) and King Rat (1965).
In 2004, Forbes was made a Commander of the Order of the British Empire for his services to the arts. In 2006, he received the Dilys Powell Award for outstanding contribution to cinema of the London Film Critics' Circle Awards. In May 2007, he was the recipient of a BAFTA tribute, celebrating his 'outstanding achievement in filmmaking'.
In 1951 he married Irish actress Constance Smith, and the couple travelled to Hollywood in the early 1950s. Forbes soon returned to the UK; he and Smith divorced in 1955. Forbes went on to marry actress Nanette Newman the same year. It was popularly believed that Roger Moore was their best man, but Newman denied this on the Alan Titchmarsh Show in 2011. The couple had two daughters: journalist Sarah Standing, who is married to actor John Standing, and television presenter Emma Forbes.
Forbes was diagnosed with multiple sclerosis in 1975, while working on The Slipper and the Rose; he remained in remission which he attributed to cutting out gluten and taking vitamins and oil of primrose, together with Newman's care. However, he revealed in a 2012 interview that it had been a misdiagnosis. He continued his acting, directing and screenwriting career into the early 1990s, and was still publishing novels in the 2010s.
Journalist and former Spectator editor, Matthew D'Ancona, a friend of the Forbes family, said: "Bryan Forbes was a titan of cinema, known and loved by people around the world in the film and theatre industries, and known in other fields, including politics. He is simply irreplaceable and it is wholly apt that he died surrounded by his family." Film critic Mark Kermode wrote: "Once had the fan-boyish pleasure of telling Bryan Forbes how much I loved [The] Stepford Wives. He was charming and self-effacing. A great loss."
- The Small Back Room (1949) as Peterson, dying gunner
- All Over the Town (1949) as Trumble
- Dear Mr. Prohack (1949) as Tony
- The Wooden Horse (1950) as Paul
- Green Grow the Rushes (1951) as Fred Starling - Biddle crew member
- Flesh and Fury (1952) as Fighter (uncredited)
- The World in His Arms (1952) as William Cleggett
- Appointment in London (1953) as The Brat
- Sea Devils (1953) as Willie
- Wheel of Fate (1953) as Ted Reid
- The Million Pound Note (1954) as Todd
- An Inspector Calls (1954) as Eric
- Up to His Neck (1954) as Subby
- The Colditz Story (1955) as Jimmy Winslow
- Passage Home (1955) as Shorty
- Now and Forever (1956) as Frisby
- Mabrouka (1956) as Dying Soldier (scenes deleted)
- The Baby and the Battleship (1956) as Prof. Evans
- Satellite in the Sky (1956) as Jimmy
- It's Great to Be Young (1956) as Mr. Parkes, Organ Salesman.
- The Extra Day (1956) as Harry
- Quatermass 2 (1957) as Marsh
- The Key (1958) as Weaver
- I Was Monty's Double (1958) as Young Lieutenant
- Yesterday's Enemy (1959) as Dawson
- The Angry Silence (1960) as Journalist (uncredited)
- The League of Gentlemen (1960) as Martin Porthill
- The Guns of Navarone (1961) as Cohn
- Of Human Bondage (1964) (uncredited)
- A Shot in the Dark (1964, credited as Turk Thrust) as Camp Attendant
- King Rat (1965) as Radio (voice, uncredited)
- The Slipper and the Rose (1976) as Herald (uncredited)
- International Velvet (1978) as Awards Presenter (uncredited)
- Restless Natives (1985) as Driver
- Whistle Down the Wind (1961)
- The L-Shaped Room (1962)
- Séance on a Wet Afternoon (1964)
- King Rat (1965)
- The Wrong Box (1966)
- The Whisperers (1967)
- Deadfall (1968)
- The Madwoman of Chaillot (1969)
- The Raging Moon (1971)
- The Stepford Wives (1975)
- The Slipper and the Rose (1976)
- International Velvet (1978)
- Better Late Than Never (1983)
- The Naked Face (1984)
- The Endless Game (1989)
As head of EMI filmsEdit
- And Soon the Darkness (1970)
- The Breaking of Bumbo (1970)
- Hoffman (1970)
- Eyewitness (1970)
- The Man Who Haunted Himself (1970)
- Spring and Port Wine (1970)
- The Railway Children (1970)
- A Fine and Private Place (1970) (abandoned)
- The Go-Between (1971)
- Mr. Forbush and the Penguins (1971)
- The Tales of Beatrix Potter (1971)
- The Raging Moon (1971)
- Dulcima (1971)
- Truth Lies Sleeping and other stories (1950)
- The Distant Laughter (1972)
- Slipper and the Rose (1976)
- International Velvet (1978)
- Familiar Strangers (1979)
- The Rewrite Man (1983)
- The Endless Game (1986)
- A Song At Twilight (1989)
- The Twisted Playground (1993)
- Partly Cloudy (1995)
- Quicksand (1996)
- The Memory of All That (1999)
- The Choice (2007)
- The Soldier's Story (2012)
- Notes for a Life (1974)
- Ned's Girl: The Life of Edith Evans (1977)
- That Despicable Race: A History of the British Acting Tradition (1980)
- A Divided Life (1992)
- Falk Q."Bryan Forbes: Renaissance man". Archived from the original on 26 August 2009. Retrieved 9 May 2013. . BAFTA. 17 October 2007. Retrieved 9 May 2013
- Batty D. Bryan Forbes, acclaimed film director, dies aged 86. The Guardian. 8 May 2013. Retrieved 9 May 2013
- "Director Bryan Forbes made CBE". BBC. 12 June 2004. Retrieved 8 May 2013.
- Fox M. Bryan Forbes, 'Stepford Wives' Director, is dead at 86. The New York Times. 8 May 2013. Retrieved 9 May 2013
- "Passed/Failed: An Education in the Life of Bryan Forbes, Film". 15 July 1999.
- "Bryan Forbes". 9 May 2013.
- Macdonald R. Albert Herbert: A visionary artist, he found a path from abstraction to religious imagery via etching. The Guardian. 11 June 2008. Retrieved 9 May 2013
- Bryan Forbes. The Telegraph. 9 May 2013. Retrieved 9 May 2013
- British Film Institute: Profile at screenline.org. Retrieved 9 May 2013
- British Academy of Film and Television Arts: A tribute to Bryan Forbes CBE: 25 May 2007 Archived 15 August 2011 at the Wayback Machine. Retrieved 9 May 2013
- Barker, D. Bryan Forbes: film director, actor and writer. The Guardian. 9 May 2013. Retrieved 9 May 2013
- "Stepford Wives film director Bryan Forbes dies aged 86". BBC. 8 May 2013.
- BAFTA Awards: Film And British Film in 1962. Retrieved 9 May 2013
- Matthew Kennedy "'Thank Heaven: A Memoir, by Leslie Caron", Brightlights.com, issue 67, February 2010
- Phil Wickham The L-Shaped Room profile at screenonline.org
- Andrew Roberts "Bryan Forbes profile at British Film Institute website
- Alexander Walker National Heroes: British Cinema in the Seventies and Eighties, London: Harrap, 1985, p. 114
- "Archived copy". Archived from the original on 24 December 2015. Retrieved 24 December 2015.CS1 maint: archived copy as title (link)
- "Forbes, Bryan (1926-) - Film and TV credits", BFI screenonline
- Barnes, M. "'Stepford Wives' director Bryan Forbes dies at 86", The Hollywood Reporter. 8 May 2013. Retrieved 9 May 2013
- "The Museum of Broadcast Communications - Encyclopedia of Television". museum.tv.
- Bill Bryson, The Road to Little Dribbling (New York: Anchor Books/Penguin Random House, 2015), p. 82.
- Search at Edgar Awards Database. Retrieved 9 May 2013
- Sarah Standing "Bryan Forbes was a giant of a husband and father", 10 May 2013, telegraph.co.uk
- Todd, Derek (7 March 1970). "The Emperor of Elstree's First 300 Days". Kine Weekly. p. 6-8, 19.