Boughton House is a country house about 3 miles (4.8 km) north-east of Kettering off the A4300 road near Geddington in Northamptonshire, England. Part of an estate of 11,000 acres, it is one of the seats of the Duke of Buccleuch, and famed for its beauty, its collections, and the fact it has survived virtually unchanged since the 17th century. While possessing a medieval core, its exterior evokes an opulent French chateau, causing it to be termed The English Versailles.
The magnificence of the collections at Boughton is explained by the ducal family surname Montagu-Douglas-Scott, which reflects the union of three great families and their estates through marriage: Montagu, the Dukes of Montagu; Douglas, the Dukes of Queensberry; and Scott, the Dukes of Buccleuch.
Boughton contains a comprehensive collection of furniture, tapestries, porcelain and carpets. The art collection includes many notable paintings such as The Adoration of the Shepherds by El Greco, Thomas Gainsborough’s portrait of Mary Montagu, and a celebrated series of grisailles by Van Dyck, and Breaking Cover by John Wootton.
Once a servants' hall, located next to the kitchen, the armoury is now home to what many experts regard as one of the finest privately held armouries in the country. It is an historic collection that owes much to John, 2nd Duke of Montagu (1690–1749).
Boughton House is a venue for events, weddings, corporate activities and organised groups. The House also opens on specific dates for guided tours.
The original house was a monastic building but Sir Edward Montagu, Lord Chief Justice to King Henry VIII, purchased it in 1528 just prior to the Dissolution of the Monasteries and began to convert it into a mansion. Most of the present building is the work of Ralph Montagu, 1st Duke of Montagu (d.1709) who inherited the house in 1683.
Ralph Montagu, 1st Duke of Montagu, was a patron of many Huguenot craftspeople. The Huguenot movement played an important role in his creation of The English Versailles.
Montagu was an English ambassador to France, and Boughton House shows strong French architectural influences. His son, John Montagu, 2nd Duke of Montagu, made little alteration to the house, but made sweeping changes to the landscape and gardens after his return from campaign in Europe with his father-in-law, John Churchill, 1st Duke of Marlborough.
Following the death of George, 3rd Duke of Montagu, in 1790, the house passed, through the marriage of his daughter, Elizabeth, to Henry Scott, 3rd Duke of Buccleuch, 5th Duke of Queensberry. From the mid-eighteenth century, Boughton House was little used or altered, but was well cared for. Because of this it has some of the best preserved baroque state rooms in the British Isles. According to Robert Edmonds, land steward at Boughton House in 1797, “In the year 1792 Boughton gardens were thrown open to the park and the deer and other stock were admitted. A considerable improvement has been made in them by means of the mud which was taken out of the ponds.”
In the late twentieth century, Boughton became the dower house of Mary ("Mollie"), Duchess of Buccleuch, widow of the 8th Duke, who brought it back to life. The noted diarist Chips Channon, who was a guest in 1945 wrote: "It is a dream house with a strange, sleepy quality, but its richness, its beauty and possessions are stupefying. Everything belonged to Charles I, or Marie de Medici, or was given by Louis XIV to the Duke of Monmouth...There are 72 miles of drives in the park...The long view from the terrace here is like a Claude Lorrain...But it is the stillness, the curious quiet of Boughton that impresses the most."
Following the death of Dowager Duchess Mollie in 1993, the 9th Duke opened Boughton to small tours through arts organisations, and the house is now open to the general public for guided tours for a few weeks each year.
In keeping with the French style of its exterior, Boughton House is set amidst a highly impressive formal, yet arcadian garden of strict geometry, designed on the golden ratio. Vast swathes of turf, planes of reflecting water, strong lines of trees and linear earth forms create an intellectually meditative landscape indicative of the Age of Enlightenment and the idea that a garden could be a journey of the mind, yet acknowledge the natural world. The 2nd Duke, who had been nicknamed John The Planter, swept away the previous ornamental parterres, multiplied the avenues of elms and planes, and developed the role of water which structures the garden. Later, the landscaper of the garden at Stowe, Charles Bridgeman, who was under his employ, is believed to have created the sculptural earth forms.
Restoration of the garden was begun by the 9th Duke, and has continued under the 10th Duke. It included returning the River Ise to its eighteenth-century width, which required two miles of green oak boarding, fixed by coach bolts. In 2009 landscape designer Kim Wilkie was commissioned to create a new work to complement an existing pyramidal grassed mount. The result, called Orpheus, is named after the famed musician of Greek mythology who, when his wife Eurydice died, went down into the underworld to try to reclaim her. His music was so beautiful that Hades relented and allowed Eurydice to return to the world of the living. This striking landform seamlessly continues the garden's intellectual dialogue via an immense inverted pyramid and spiral rill, both set within a golden ratio. In 2015 The Grand Etang, or ‘large lake’ in French, a long-vanished lake of almost one-acre with a 75 ft tall water jet was recreated, to once again reflect the main frontage of Boughton. Located immediately to the north-west of the House, it is one of the earliest surviving features from the original gardens and designed landscape. It was created in the early 18th century as a reflecting pool for the house and was also used for ice-skating in the winter.
In 2012 unknown scores of Italian baroque music, including by Vivaldi, were discovered in the Montagu Music Collection at Boughton.
Boughton has featured as a film location, including for the 2013 musical version of Les Miserables.
- Murdoch, Tessa (1992). Boughton House: The English Versailles. London: Faber & Faber. p. 1. ISBN 0571163386.
- Pevsner, Nikolaus (1961). The Buildings of England – Northamptonshire. Cherry, Bridget (revision). London and New Haven: Yale University Press. pp. 110–114 Has an extensive description including a plan of the building. ISBN 978-0-300-09632-3.
- Boughton House Tour. Retrieved 18 August 2009
- "Vistas of Vast Expansion (exhibition guide)" (PDF). Boughton (Boughton House exhibitions page). Retrieved 2 July 2018.
- "Mary, Duchess of Buccleuch". Herald Scotland. Retrieved 12 December 2015.
- Channon, Henry (1967). Chips: The Diaries of Sir Henry Channon. London: Weidenfeld and Nicolson. p. 428. ISBN 0297760866.
- Orpheus and the Underworld, Mead, Andrew; Country Life, 22 July 2009
- Fox, Robin Lane (24 September 2010). "Hell for pleasure". Financial Times. ISSN 0307-1766. Retrieved 12 December 2015.
- "New landscape at Boughton: Kim Wilkie's gateway to the underworld". Telegraph.co.uk. Retrieved 12 December 2015.
- "Historic Landscape Reborn - Boughton House". Boughton House. Retrieved 12 December 2015.
- Marie Cornaz Unknown sources of Italian baroque music and new Vivaldi operatic discoveries in the Montagu Music Collection (Boughton House, UK), Revue belge de Musicologie, vol.LXVI (2012), https://kbr.academia.edu/MarieCornaz
- Greenbelt festival blog Archived 20 December 2013 at the Wayback Machine. Retrieved 19 December 2013
- "Boughton House to take starring role in Les Misérables film". www.northamptonchron.co.uk. Retrieved 12 December 2015.