Billy Squier

William Haislip Squier (/ˈskw.ər/, born May 12, 1950) is an American rock singer-songwriter, musician, and guitarist, who had a string of arena rock and crossover hits in the early 1980s. His best known songs include "The Stroke", "Lonely Is the Night", "My Kinda Lover", "In the Dark", "Rock Me Tonite", "Everybody Wants You", "Emotions in Motion", "Love Is the Hero", "Don't Say You Love Me" and "The Big Beat". Squier's best selling album, 1981's Don't Say No, is considered a landmark release within the arena rock genre and bridging the gap between power pop and hard rock.

Billy Squier
Birth nameWilliam Haislip Squier
Born (1950-05-12) May 12, 1950 (age 70)
Wellesley, Massachusetts, United States
  • Musician
  • songwriter
Years active1968–present
Associated acts

Described as a personification of early 80's rock music,[1] Squier's most successful period ranges from 1981 to 1984, during which he scored five Top 10 Mainstream Rock hits (two of which were number ones), two Top 20 singles and three consecutive platinum selling albums, along with cyclic MTV rotation and radio airplay. Even after largely falling out from mainstream favour and chart success mostly because of the disastrous video for "Rock Me Tonite"[according to whom?], Squier has maintained his presence on the rock radio up to this day and attracted a strong cult following during the last decades, with his music being featured on many films and video games. Squier stepped out of music business after the release of his 1993 release Tell the Truth, but he has occasionally continued performing smaller tours and one-off performances.

His 1980 song "The Big Beat" is one of the most sampled drum breaks ever, being used by artists such as Run-DMC, Alicia Keys, Jay-Z, UTFO and Dizzee Rascal, to name a few. "The Stroke" has also shared its fair amount of sampling, most notably in Eminem's 2013 hit "Berzerk".


Early life and first bands (1950-1974)Edit

Squier was born in Wellesley, Massachusetts. He is a 1968 graduate of Wellesley High School. While growing up, he began playing piano and guitar, but did not become serious with music until discovering John Mayall & the Bluesbreakers (with Eric Clapton). When Squier was nine, his grandfather taught him to play piano for two years. Afterwards, he became interested in guitar after getting one from his older brother (or as another story goes, he bought a guitar from his neighbour for 90 dollars). Squier formed his first band, The Reltneys, when he was 14.[2]

Squier's first public performances were at a Boston nightclub in Kenmore Square called the Psychedelic Supermarket in 1968, which was where he saw Eric Clapton and the band Cream. This encouraged him to take music more seriously and formed the band Magic Terry & the Universe with a school friend. In the early 1970's, Squier tried out with various short-lived bands, beginning with The Kicks alongside future New York Dolls drummer Jerry Nolan. Squier also briefly attended Berklee College of Music in 1971. Squier was desiring to become a teacher, but he ended up moving to New York to form a band named The Sidewinders, which likewise lasted only couple years.[3]

Piper and solo career startoff (1975-1980)Edit

In the mid 70's, Squier encountered first real experience with the music industry after striking a record deal with his brand new band Piper, which went on to release two studio records, Piper and Can't Wait. The band was praised by critics; upon reviewing their self-titled, Circus Magazine touted it as "the greatest debut album ever produced by a US rock band".[4] Piper was managed by the same management company as Kiss and opened for them during their 1977 tour, including two nights of a sold-out run at New York's Madison Square Garden. Squier served both as the main songwriter and frontman of the group.

Despite receiving considerable success at the local rock scene, Piper broke up. Squier signed a solo deal with Capitol Records in 1979 and started working on his solo debut The Tale of the Tape, which was released in spring 1980. The album provided him with strong momentum, spending three months on Billboard's album chart, though peaking only at #169. Squier's first singles "You Should Be High Love" and "The Big Beat" missed the charts but got moderate radio play nationally. Along with Chouinard, his backing band consisted of Alan St. Jon on keyboards, Cary Sharaf on lead guitar and Mark Clarke (who has previously had short jobs in Uriah Heep and Rainbow) on bass.[5]

Commercial success: Don't Say No and Emotions in Motion (1981-1983)Edit

Following a small but fairly successful summer tour with Alice Cooper in 1980, Squier got in contact with Queen guitarist Brian May and proposed him to produce his next album. Due to scheduling conflicts, May declined, but he recommended Reinhold Mack, who had produced Queen's most recent album The Game. Squier and Mack joined forces to produce Don't Say No, which earned rave reviews and spawned three hit singles, catapulting him to stardom. The first, "The Stroke," became his breakthrough hit, hitting Top 20 in the US and reaching the top five in Australia as well as charting high in Canada and even in Britain, where the song remains his only chart entry. "In the Dark" and "My Kinda Lover" were successful follow-ups. The album also featured "Lonely Is the Night", which became a radio favorite and one of his signature songs, despite not being released as a single (however, in Britain, it was featured as the B-side for "In the Dark"). Squier was also popular on the new MTV cable channel, where his straightforward performance-based videos received heavy rotation. Don't Say No peaked at #5 on Billboard 200 and lasted well over two years on the chart, eventually selling over 4 million copies in the US alone.[6] Retrospectively, Don't Say No is hailed as Squier's best solo album and one of the greatest rock albums of the 1980's.

Squier was known for being a perfectionist and short-tempered at producers sometimes. He ended his partnership with Mack after disagreements between the two escalated because of artistic differences.[7] Despite the problems, Squier's third album Emotions In Motion was released in 1982 and became very successful - though in the long run, it didn't catch its predecessor in sales. Nevertheless, the album hit #5 in both US and Canada, sold approximately 3 million copies and spawned the successful radio and video hits "Emotions in Motion" and "Everybody Wants You". The latter is notable for being Squier's first #1 on the Mainstream Rock chart and holding the place for six weeks straight, more than any other number one in 1982. During the tour for Emotions in Motion, Squier and his band served as openers for the North American leg of Queen's 1982 Hot Space Tour and later, he finally became a headliner act for the first time, ascending into the heavyweight of early 80's hard rock. British newcomer Def Leppard supported him and he helped the band break through in the US, in conjunction with the release of their breakthrough album Pyromania.[8]

Career pinnacle and downfall: Jim Steinman joins in for Signs of Life (1984)Edit

Squier began writing songs for his fourth album Signs of Life in late 1983 after finishing his first headlining arena tour. In need of as perfect "extra set of ears" as possible, he planned Robert John "Mutt" Lange - the man behind Def Leppard's wildly successful Pyromania - to produce the product. However, Lange was already reserved by The Cars and suffered a breakdown afterward, which prompted him to withdraw completely from the project Squier to hire a new co-producer just a few days before the sessions were set to start. He then brought in famed songwriter and producer Jim Steinman, who was better known for his grandiose ballads and operatic rock n' roll songs as well as some of the biggest pop hits of early 80's. Both Squier's older fans and the music press reacted demurely to the Squier-Steinman team up, but since Squier admired Steinman's work on Meat Loaf's Bat Out of Hell - which he had described as "the most passionate and exciting rock record of our time" - and Steinman himself was willing to work again with a rock band, Squier stuck with him. Steinman showed great enthusiasm for the project and he got well along with Squier and his band, despite his role in the studio being significantly smaller than usually.[9][10] The resulting album was a departure from Squier's typical guitar-heavy hard rock into a more keyboard oriented style, with hints of Steinman's wagnerian producing approach.

At the time Signs of Life finally arrived in late July 1984, Squier was at the very peak of his career. Fueled by successful radio hits, bluesy synthpop cut "Rock Me Tonite" and futuristic hard rocker "All Night Long", the album brought him his third consecutive platinum certification. However, Squier's fortunes took a sudden hit with the music video for "Rock Me Tonite", which dominantly featured Squier dancing around in a dark bedroom with a pink tanktop. The image presented didn’t conform to standard gender roles or expectations of masculinity at the time and was a perceived challenge to Squier’s image as a guitar-playing rocker. The video began almost immediately attracting increasingly embarrassed and negative responses from critics, fans, fellow musicians and Squier himself alike, who described it as "diabolical". It has been later cited as one of the worst music videos of all time and as an infamous example of the phrase "video killed the radio star".[11] Squier's album and ticket sales took a damage; Signs of Life ended up stalling at #11 on the Billboard 200 and he stopped selling out shows. Squier lost his patience: he fired both of his managers and insulted the video's director, Kenny Ortega, for misleading and deceiving him. Whereas Ortega himself has denied Squier's accusations, it is also believed the overall commercial appeal of Signs of Life, let alone both the video and the song "Rock Me Tonite", made him look like a sellout for the most of his fans.

Brief resurgence and feud with Capitol: From Enough Is Enough to Tell the Truth (1985-1993)Edit

Apart from a few live appearances and a new song, "Shake Down" for the soundtrack of the film St. Elmo's Fire, Squier stayed out of the spotlight for the majority of 1985, taking some time off and preparing his next album with British producer Peter Collins, who was known for his work with Nik Kershaw, Gary Moore and Rush.[12][13] 1986 saw the release of his fifth album Enough Is Enough, which was carefully crafted but still a commercial flop. The album spawned a minor hit, "Love Is the Hero", which featured Freddie Mercury on backing vocals, who also co-wrote and arranged the song "Lady With a Tenor Sax", which also appears on the album. Enough Is Enough sold an estimated 300,000 copies and broke his platinum album streak right away. While the album was greeted with mostly warm reviews, many noted the lack of a clear hit and its amount of filler songs, though "Love Is the Hero" has usually been singled out for praise.[14] Squier did not embark on a tour in support of the album.

Squier spent the next three years working on his sixth full-length Hear & Now, which was finally released in 1989, after going through various delays. The album peaked only at #64, but still sold a little better than Enough Is Enough and is often regarded as one of the most consistent inputs of Squier's career by both fans and critics. It featured a modestly successful comeback single, his last Hot 100 hit "Don't Say You Love Me", which peaked at #58 on the Billboard Hot 100 and went to #4 on the Billboard Mainstream Rock chart. It was his best charting single on both charts since 1984's "Rock Me Tonite". Other notable tracks also included on the album are Squier's attempt on a late 80's power ballad, in the form of "Don't Let Me Go", as well as two Desmond Child collaborations "Stronger" and "Tied Up". All in all, the album did briefly restore Squier's success by returning to his early 1980's hard rock style and reached gold in US, being his last album to receive a certification. "Don't Say You Love Me" featured a popular MTV video and the album's well received promotional tour, entitled All Excess, returned him on stages after almost five years of absence from touring. However, despite quite promising comeback chances, Squier wasn't able to pull off a notable return after the turn of the decade. In fact, the success of Hear & Now managed to just slow his ongoing popularity waning.

Squier continued making music into the 1990's and released his seventh album, Creatures of Habit, in 1991. Both critical and audience reception were mixed; many criticized the album for lacking innovation and being uninspired mainly on the songwriting side. Some also found the album's polished sound somewhat outdated, since at the time of the album's release, alternative rock and especially grunge began ruling the rock scene. Peaking only at #117 in US, the album became his lowest charting since Tale of the Tape. However, it did feature notable radio hits, "She Goes Down" and "Facts of Life". The former stands as Squier's last Top 5 hit on Mainstream Rock charts and his highest charting radio single of the 90's. Creatures of Habit was supported with a tour, his last bigger one for a decade.

In the middle of grunge's heyday in 1993, Squier released his final album with Capitol Records, Tell the Truth, which featured different sets of musicians performing the various tracks. Despite Squier himself comparing it favourably to Don't Say No, Capitol did little to nothing to promote it, which ended up becoming his first album not to chart at all and selling only an estimated 100,000 copies. Feeling betrayed, Squier walked away from the label and music business for good. However, the album has subsequently spawned a strong cult reputation and some have described it as his finest outputs. The album's opening track "Angry" was a moderate hit on the Mainstream Rock charts.

Later career (1994-)Edit

In 1994, Squier's original screenplay Run To Daylight was short-listed at the Sundance Film Festival. The film itself was never produced.

On February 17, 1998, during the initial run of Mercury: The Afterlife and Times of a Rock God - a monodrama about the life of Freddie Mercury - Squier debuted a song that he wrote in memory of his friend titled "I Have Watched You Fly" on stage before a performance of the play. He introduced the song by saying, "I was privileged to know Freddie as a friend. I'm honored to share the stage with him in the afterlife."[15]

That same year Squier released independently his last studio album to date, a stripped-down acoustic blues effort entitled Happy Blue. The album was both stylistically and also sonically a great departure from his typical hard rock sound, with the only musician playing on the album being Squier himself accompanied by acoustic guitar with no overdubs. For this album, Squier reworked his hit song "The Stroke" into an old-fashioned blues number, "Stroke Me Blues".

The year 2001 marked the 20th anniversary of Don't Say No. In the same year, Squier embarked on a concert tour that was his first bigger one since the 1991 tour for Creatures of Habit.

In 2004, "Everybody Wants You" was remixed with the group Fischerspooner's song "Emerge" and included on the Queer Eye for the Straight Guy soundtrack. In 2006, Squier joined Richard Marx, Edgar Winter, Rod Argent, Hamish Stuart, and Sheila E touring with Ringo Starr & His All-Starr Band. A documentary of the tour, including a full-length concert performance, was subsequently made available on DVD. In 2007, Squier appeared at the Rock and Roll Hall of Fame with Ronnie Spector, Mitch Ryder, Tone Loc, Deniece Williams, Dr. Hook, and Tom Cochrane. In 2008, Squier joined Colin Hay, Edgar Winter, Gary Wright, Hamish Stuart and Gregg Bissonette touring with Ringo Starr & His All-Starr Band. In 2009, Squier launched a nationwide summer/fall tour with a band that included drummer Nir Z, guitarist Marc Copely, long-time bassist Mark Clarke and keyboard player Alan St. Jon.

Squier played a special acoustic show at B.B. King's in New York on November 30, 2005. Highlights of the show were acoustic versions of "Everybody Wants You," "Nobody Knows," "Learn How to Live," "Christmas is the Time to Say I Love You," and most of the Happy Blue project. VH1 Classic and New York hard rock radio icon Eddie Trunk introduced Squier that night as "one of the greatest singer/songwriters in the history of rock."

In May 2010, Squier was part of the Boston Legends Tribute to James Cotton including Magic Dick (J. Geils Band), the James Montgomery Band, Jon Butcher, Sib Hashian (Boston), Michael Carabello (Santana), the Uptown Horns and James Cotton. Squier accepted Cotton's invitation in June to join him at the "James Cotton's Blues Summit" at Lincoln Center in NYC, along with the legendary Pinetop Perkins, Hubert Sumlin (Howlin' Wolf's band), Taj Mahal and many more. In November, Squier appeared at the Iridium in New York and played a double set that night, "Blues Deluxe," that showcased songs from his blues upbringing and new versions of several of his hits.

Shout! Factory released Don't Say No: 30th Anniversary Edition on July 27, 2010, marking the first time that this album had been remastered in over 20 years. It was released in collaboration with Squier, who provided two live bonus cuts from his personal collection.[16] Also in that same year, all his albums except Tell the Truth and Happy Blue, became available on digital and streaming. Later on, Tell the Truth joined in 2014 and Happy Blue in 2020.

In October 2011, Squier performed at the third annual "Right to Rock" Celebration at the Edison Ballroom in New York (including Steven van Zandt and Lady Gaga) in support of the Little Kids Rock charity and performed "Lonely Is The Night" with a group of Jersey City students.[17]

In May 2012, Squier joined the Li'l Band O' Gold for several shows at the New Orleans Jazzfest. During Memorial Day weekend, Squier made a surprise appearance at the John Varvatos store in Easthampton, NY in support of his friend, rock photographer Rob Shanahan and his new book, "Volume One." In June, Squier performed at the "Industrial Hedgefund Awards Dinner" in New York, in another fundraising effort for 'Little Kids Rock.' In September, Squier appeared as a guest during the set of the James Montgomery Band at the Westport Blues Festival. In December, Squier headlined a fund-raising concert for "The American Revolution," a documentary on legendary rock FM station WBCN at the House Of Blues in Boston.

In the summer of 2013, Squier performed his 'Electric Man' show at the Patchogue Music Festival on Long Island. In November, he played the Voodoo Festival in New Orleans. The Stooges, a local brass band (not to be confused with Iggy Pop's band), joined Squier on "The Stroke." At the same time, Eminem released 'Berzerk' which makes use of various samples from "The Stroke." Later, on his 2014 effort, "Shady XV," he sampled "My Kinda Lover."

In September 2014, Squier took his 'Electric Man' show to the 9th Jack Show in Anaheim, CA.

Personal lifeEdit

In 2002, Squier married Nicole Schoen, a professional German soccer player. They divided their time between a home in Bridgehampton, Long Island and an apartment in The San Remo on Central Park West in Manhattan, New York City. Squier had been, as of 2016, an active volunteer for the Central Park Conservancy for more than 17 years, physically maintaining 20 acres (81,000 m2) of the park, as well as promoting the Conservancy in articles and interviews. He also supported the Group for the East End and its native planting programs on eastern Long Island.[18][19]


Studio albumsEdit

Compilation albumsEdit

  • A Rock and Roll Christmas (Various Artists Compilation) (1994)
  • 16 Strokes: The Best of Billy Squier (1995)
  • Reach for the Sky: The Anthology (1996) (PolyGram)
  • Classic Masters (2002)
  • Absolute Hits (2005)
  • Essential Billy Squier (2011)
  • ICON (2013)

Live albumsEdit

  • King Biscuit Flower Hour Presents Billy Squier (1996)
  • Live In The Dark (DVD)

Non-album soundtrack contributionsEdit


  1. ^ "Billy Squier". Spotify. Retrieved April 16, 2020.
  2. ^ Meeker, Ward (March 1, 2015). "Billy Squier". Vintage Guitar® magazine. Retrieved March 29, 2020.
  3. ^ Archive-Frank-Tortorici. "Billy Squier". MTV News. Retrieved May 6, 2020.
  4. ^ "Exclusive Magazine". Anne Carlini. Retrieved February 20, 2015.
  5. ^ Meeker, Ward (March 1, 2015). "Billy Squier". Vintage Guitar® magazine. Retrieved April 4, 2020.
  6. ^ Giles, Jeff. "Revisiting Billy Squier's Breakthrough Album, 'Don't Say No'". Ultimate Classic Rock. Retrieved March 31, 2020.
  7. ^ "SQUIER TRIES TO SHED AN IMAGE AS A VIDEO WIMP". Los Angeles Times. October 12, 1986. Retrieved April 21, 2020.
  8. ^ "Queen's Flashy Rock". The Washington Post. July 27, 1982.
  9. ^ "SQUIER TRIES TO SHED AN IMAGE AS A VIDEO WIMP". Los Angeles Times. October 12, 1986. Retrieved April 5, 2020.
  10. ^ "I'm Just Licking Them". Dream Pollution The Jim Steinman Web Site. Retrieved April 18, 2020.
  11. ^ Marks, Craig; Tannenbaum, Rob (2011). "21". I Want My MTV: The Uncensored Story of the Music Video Revolution. New York, NY: Dutton. pp. 250–55. ISBN 978-0-525-95230-5.
  12. ^ "Billy Squier Concert Setlists (page 12)". Retrieved March 29, 2020.
  13. ^ An interview with Peter Collins.
  14. ^ "CRR Review - Billy Squier - Enough is Enough/Hear & Now/Creatures of Habit". Retrieved April 21, 2020.
  15. ^ Barron, James; Martin, Douglas (February 18, 1998). "PUBLIC LIVES; Theater Records". The New York Times.
  16. ^ "Shout! Factory Re-Issuing Concrete Blonde & Billy Squier". Retrieved June 24, 2010.[permanent dead link]
  17. ^ "Billy Squier". Little Kids Rock. Archived from the original on July 15, 2014. Retrieved July 17, 2014.
  18. ^ "Rocker Billy's A Country 'Squier'". The New York Post. May 14, 2000.
  19. ^ "End of Summer Doings at Madoo". New York Social Diary. September 2, 2015.

External linksEdit