Betawi people (Orang Betawi in Indonesian, meaning "people of Batavia") often described as the native Jakartans. They are the descendants of the people living in and around Batavia (the colonial name of Jakarta) from around the 17th century. However, the term "native" itself is questionable, since the Betawi people emerged in the 18th century as an amalgamation of various immigrant ethnic groups into Batavia.
Betawi wedding costume demonstrate both Middle Eastern (groom) and Chinese (bride) influences.
|(6,807,968 (2010 census))|
|Regions with significant populations|
| Indonesia (Jakarta: 2,700,722)
Brunei (Bandar Seri Begawan: 920)
|Sunni Islam (predominantly), Christianity|
|Related ethnic groups|
|Sundanese, Javanese, Balinese, Malay, Tionghoa, Ambonese, Cocos Malays|
The name "Betawi" is derived from Batavia, the old colonial name of Jakarta. In neighboring Javanese and Sundanese languages, the term "Betawi" originally referred to colonial Batavia. Thus the term orang Betawi means "people of Batavia" or "Batavians", collectively consisting of diverse ethnic groups and various demographics from the area of the coastal Dutch colony, either within the 17th century fortified city of Old Batavia (now the Kota area of modern Jakarta) or surrounding villages.
Origin and historyEdit
The Betawis are one of the youngest, or the latest formed ethnic group in Indonesia. They are a creole ethnic group in that their ancestors came from various parts of Indonesia and abroad. Prior to the 19th century, the self-identity of Betawi people was not yet formed.
In the 17th century, Dutch colonials began to import servants and labours from all over the archipelago into Batavia. One of the earliest were Balinese slaves bought from Bali and Ambonese mercenaries. Subsequently, other ethnic groups followed suit; they were Malays, Sundanese, Javanese, Minangkabau, Bugis and Makassarese. Foreign ethnic groups were also included; such as Mardijker, Portuguese, Dutch, Arabs, Chinese and Indian, who were originally brought to or attracted to Batavia to work.
Originally, circa 17th to 18th century, the dwellers of Batavia were identified according to their ethnics of origin; either Sundanese, Javanese, Malay, Ambonese, Bugis-Makassar, or Arabs and Chinese. This was shown in the Batavia census record that listed the immigrant's ethnic background of Batavian citizens. They were separated into specific ethnic-based enclaves kampungs, which is why in today's Jakarta there are some regions named after an ethnic-specific names such as; Kampung Melayu, Kampung Bali, Makassar and Kampung Ambon. These ethnic groups merged and formed around the 18th to 19th centuries. It was not until late 19th or early 20th century that the group — who would become the dwellers of Batavia, referred to themselves as "Betawi", which refers to a creole Malay-speaking ethnic group which has a mixed culture of different influences; Malay, Sundanese to Arabic and Chinese. The term "Betawi" was first listed as an ethnic category in 1930 census of Batavia residents.
The Betawi people have a culture and language distinct from the surrounding Sundanese and Javanese. The Betawis are known for their traditions in music and food. The Betawi are part of the Malay family, because their traditions, customs, and language are categorized into the Malay culture.
The Betawi language—also known as Betawi Malay, is a Malay-based creole language. It was the only Malay-based dialect spoken on the northern coast of Java; other northern Java coastal areas are overwhelmingly dominated by Javanese dialects, while some parts speak Madurase and Sundanese. Betawi vocabulary has many Hokkien Chinese, Arabic, and Dutch loanwords. Today the Betawi language is a popular informal language in Indonesia and used as the base of Indonesian accent. It has become one of the most widely-spoken languages in Indonesia, and also one of the most active local dialects in the country.
A majority of the Betawi people follow Sunni Islam. However, there are a significant number who profess the Christian faith. Among the Betawi ethnic Christians, some have claimed that they are the descendants of the Portuguese Mardijker which intermarried with the local population, who mainly settled in the area of Kampung Tugu, North Jakarta. Although today Betawi culture is often perceived as a Muslim culture, it also had other roots which includes Christian Portuguese and Chinese Peranakan culture. Recently, there is an ongoing debate on defining Betawi culture and identity—as mainstream Betawi organizations are criticized for only accommodating Muslim Betawi while marginalizing non-Muslim elements within Betawi culture—such as Portuguese Christian Betawi Tugu and Tangerang Cina Benteng community.
The culture and artform of the Betawi people demonstrate the influences experienced by them throughout their history. Foreign influences are visible, such as Portuguese and Chinese influences on their musics, and Sundanese, Javanese and Chinese influences in their dances. Contrary to popular perception, which believed that Betawi culture is currently marginalized and under pressure from the more dominant neighbouring Javanese and Sundanese culture—Betawi culture is actually thriving, since it is being adopted by immigrants who has settled in Jakarta. The Betawi culture also has become an identity for the city, promoted through municipal government patronage. The Betawi dialect is often spoken in TV shows and drama.
Dance and dramaEdit
The Ondel-ondel large bamboo masked-puppet giant effigy is similar to Chinese-Balinese Barong Landung and Sundanese Badawang, the artforms of masked dance. The traditional Betawi dances costumes shows both Chinese and European influences, while the movements such as Yapong dance, which is derived from Sundanese Jaipongan dance with a hint of Chinese style. Another dance is Topeng Betawi or Betawi mask dance.
Silat Betawi is a martial art of Betawi people, which was not quite popular, but recently has gained wider attention thanks to the popularity of silat films, such as The Raid. Betawi martial art was rooted in Betawi culture of jagoan (lit. "tough guy" or "local hero") that during colonial times often went against colonial authority; despised by the Dutch as thugs and bandits, but highly respected by local pribumis as native's champion. In Betawi dialect, their style of pencak silat is called maen pukulan (lit. playing strike) which related to Sundanese maen po. Notable schools among other are Beksi and Cingkrik. Beksi is one of the most commonly practiced forms of silat in Greater Jakarta, and is distinguishable from other Betawi silat styles by its close-distance combat style and lack of offensive leg action.
During a Betawi wedding ceremony, there is a palang pintu (lit. door's bar) tradition of silat Betawi demonstration. It was a choreographed mock fighting between groom's entourage with bride's jagoan kampung (local champion). The fight is naturally won by groom's entourage as the village champs welcomes him to bride's home. The traditional wedding dress of Betawi displays Chinese influence in bride's costume and Arabian influences in groom's costume. Betawi people borrowed Chinese culture of firecrackers during wedding, circumcisions or any celebrative events. The tradition of bringing roti buaya (crocodile bread) during wedding is probably a European custom.
As a thriving port city, the cuisine of Betawi is eclectic as it reflects the foreign culinary traditions that has been influenced the inhabitant of Jakarta for centuries. Betawi cuisine is heavily influenced by Peranakan Cuisine of Chinese Indonesian, Malay cuisine, neighboring Sundanese and Javanese cuisine, to some extent Indian, Arabic and European cuisines. Betawi people have several popular cuisines, such as soto betawi, soto kaki, nasi uduk, kerak telor, nasi ulam, asinan, ketoprak, rujak, semur jengkol, sayur asem, gabus pucung, and gado-gado Betawi.
Traditionally Betawi people are not an urban dweller living in gedong (European-style building) or two-storied Chinese rumah toko (shophouse) clustered in and around Batavia city walls. They are living in kampungs around the city filled with orchards. As Jakarta become more and more densely populated, so does Betawi traditional villages that mostly now turned into a densely packed urban village with humble houses tucked in between high rise buildings and main roads. Some of more authentic Betawi village survived only in the outskirt of the city, such as in Setu Babakan, Jagakarta, South Jakarta bordering with Depok area, West Java. Traditional Betawi houses can be found in Betawi traditional kampung (villages) in Condet and Setu Babakan area, East and South Jakarta.
Betawi houses are typically one of three styles: rumah bapang (or rumah kebaya), rumah gudang (warehouse style), and Javanese-influenced rumah joglo. Most betawi houses have a gabled roof, with the exception the joglo house, which has a high pointed roof. Betawi architecture has a specific ornamentation called gigi balang ("grasshopper teeth") which are a row of wooden shingles applied on the roof fascia. Another distinctive characteristics of Betawi house is a langkan, a framed open front terrace where Betawi family receive their guests. The large front terrace is used as an outdoor living space.
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- Mandra, Indonesian famous comedian
- Ayu Tingting (1992-), dangdut singer
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- Nawi Ismail (1918-1990), film maker and actor
- Ismail Marzuki (1914-1958), Indonesian composer and musician
- Mohammad Husni Thamrin (1894-1941), National Hero of Indonesia
- Zainuddin M.Z. (1952-2011), Islamic preacher
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