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Best Friends is a 1982 American Technicolor romantic comedy film starring Burt Reynolds and Goldie Hawn. It is loosely based on the true story of the relationship between its writers, Barry Levinson and Valerie Curtin. The film is directed by Norman Jewison and is a drama as well as a romantic comedy.

Best Friends
Best Friends (film).jpg
Theatrical release poster
Directed byNorman Jewison
Produced byNorman Jewison
Patrick Palmer
Written byValerie Curtin
Barry Levinson
Music byMichel Legrand
CinematographyJordan Cronenweth
Edited byDon Zimmerman
Timberlane Productions
Distributed byWarner Bros.
Release date
  • December 17, 1982 (1982-12-17)
Running time
108 minutes
CountryUnited States
Budget$15 million[1]
Box office$36,821,203


Richard Babson (Burt Reynolds) and Paula McCullen (Goldie Hawn) are a couple of Hollywood screenwriters who have lived and worked together for a number of years. Richard would like to get married, but Paula does not feel the need.

Having just written a film script for producer Larry Weissman (Ron Silver), the couple decides to get married without letting anyone else know. Paula can tell it is important to Richard, so she reluctantly agrees.

They are wed in a downtown Los Angeles marriage bureau by a man named Jorge Medina (Richard Libertini) in barely understandable English. For a honeymoon trip, they travel cross-country by train to inform their parents back East about what they have just done.

The first stop is Buffalo, New York, where they are met in a winter snowstorm by Paula's parents. Eleanor (Jessica Tandy) and Tim McCullen (Barnard Hughes) are old-fashioned, so Paula informs Richard that they will need to sleep in separate beds. Richard isn't happy about being treated like a child, or about the frigid climate and the constantly open window.

From there they go to Virginia to visit Richard's parents, who reside in a giant high-rise condominium. No window is ever opened there, and Paula, feeling increasing panic attacks, is in dire need of some fresh air. She also accidentally overdoses on Valium and goes face-first into a salad at lunch.

The Babsons excitedly believe that Paula and Richard are engaged but devastated to learn that they are already married. They throw a party at a restaurant, where Paula is upset by the comments of guests.

She and Richard are barely on speaking terms when Larry Weissman shows up, desperate for pages of a script rewrite. Paula insists that they return home to California immediately, but once there, their personal and professional relationship has soured.

Larry locks them in a room, where the writers bicker and get no work done. Paula again demands fresh air until Richard breaks a window. When they finally talk it through, they are in agreement that getting married might not have been the best idea. They finish the rewrite and then walk off into the sunset, which turns out to be a Hollywood prop.



Barry Levinson and Valerie Curtin wrote the screenplay based on their own relationship. They had made And Justice for All (1979) with Norman Jewison and showed him a copy of the script. Jewison felt the draft had problems but was persuaded to make it by Goldie Hawn who read the script and was enthusiastic.[2]

"I had been impressed with her talent ever since Sugarland Express," said Jewison. "I thought she was one of the most honest performers, so I said, 'If you'll do it, I'll do it'."[2]

Hawn later said her part was "probably my most mature role" to date.[3]

They decided together on Burt Reynolds as co star. "My instinct was that we should have star chemistry, like Cary Grant and Carole Lombard, like I had on The Thomas Crown Affair, with Steve McQueen and Faye Dunaway."[2]

There were six weeks of filming in New York State, Virginia, Maryland and Washington, D.C., then the unit shifted to Los Angeles.

Jewison said he "took my time" with the film,"I made it very carefully, indeed... I had a wonderful time making the film and I haven't seen such good chemistry between leading players since I made The Thomas Crown Affair."[1]


The film's theme song, "How Do You Keep the Music Playing?", was composed by Michel Legrand with lyrics by Alan and Marilyn Bergman. In the film, the song (performed by Patti Austin and James Ingram) is first heard as Richard and Paula return to Los Angeles after their honeymoon and then subsequently heard during the closing credits. How Do You Keep the Music Playing? was nominated for an Academy Award and has enjoyed a life of its own beyond the film, becoming a popular standard and recorded by such luminaries as Johnny Mathis, Tony Bennett, Frank Sinatra, Barbra Streisand, Celine Dion and Shirley Bassey. Another song by the same songwriters and performers, "Think About Love," is played during a montage of the train journey.


Roger Ebert gave the film three-and-a-half stars out of four and wrote that the plot "sounds like a series of fairly predictable scenes. But they're redeemed by the writing and acting."[4] Janet Maslin of The New York Times stated that Reynolds and Hawn made "a surprisingly appealing team, the surprise being that two individually stellar comic actors can work so comfortably together. Each of them works on a lower wattage than usual, since the emphasis here is on friendliness, rather than on madcap joking."[5] Variety called it "a very engaging film ... Even if it is initially jarring to accept Hawn and Reynolds as screenwriters, they are thoroughly believable as two people struggling to make their relationship work. Hawn especially has kept her customary kookiness in check and conveys her character's plight with maturity and charm."[6] Gary Arnold of The Washington Post called the film "exceptionally authentic and endearing ... I suppose Reynolds and Hawn have certainly enjoyed showier showcasing, but it should do them no harm at all to be recognized as a likably self-effacing romantic comedy team in a new romantic comedy of rare sweetness and intelligence."[7]

Kevin Thomas of the Los Angeles Times was less enthused, writing that the film "quickly proves to be the familiar instance of the comedy that presents its central figures in the round only to satirize heavily all the peripheral people, most of whom are weighed down in shtick."[8] Gene Siskel of the Chicago Tribune gave the film two stars out of four and asked, "Who wants to see such upbeat performers as Hawn and Reynolds bitch at each other for nearly two hours? The casting is wrong here."[9] Pauline Kael of The New Yorker wrote, "The script probably reads fine, but it plays all wrong. The dialogue is too neatly worked out; there's no way to speak it without making us aware of how clever it is—how flip yet knowing."[10]

The film has a score of 62% on Rotten Tomatoes based on 13 reviews.[11]


Aside from the song's Oscar nomination, a Golden Globe nomination for Best Actress Comedy or Musical went to Goldie Hawn.

The film is recognized by American Film Institute in these lists:


  1. ^ a b JEWISON'S JOURNEY TO INNER SPACE Mann, Roderick. Los Angeles Times 2 Dec 1982: j1.
  2. ^ a b c A movie midwife's moments of terror Scott, Jay. The Globe and Mail24 Dec 1982: E.1.
  3. ^ Goldie Gets Serious Thomson, David. Film Comment; New York Vol. 18, Iss. 6, (Nov/Dec 1982): 49-55,80.
  4. ^ Ebert, Roger. "Best Friends". Retrieved April 24, 2019.
  5. ^ Maslin, Janet (December 17, 1982). "Film: 'Best Friends,' Marital Comedy". The New York Times. C10.
  6. ^ "Film Reviews: Best Friends". Variety. December 15, 1982. 17.
  7. ^ Arnold, Gary (December 16, 1982). "Warm and Winning 'Friends'". The Washington Post. C1, C19.
  8. ^ Thomas, Kevin (December 16, 1982). "Reynolds, Hawn Give 'Friends' A Lift". Los Angeles Times. Part VI, p. 7.
  9. ^ Siskel, Gene (December 17, 1982). "Movies: Goldie, Burt a bust as 'Best Friends'". Chicago Tribune. Section 3, p. 3.
  10. ^ Kael, Pauline (January 24, 1983). "The Current Cinema". The New Yorker. 95.
  11. ^ "Best Friends". Rotten Tomatoes. Retrieved May 8, 2019.
  12. ^ "AFI's 100 Years...100 Songs Nominees" (PDF). Retrieved 2016-07-30.

External linksEdit