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Bengali theatre primarily refers to theatre performed in the Bengali language. Bengali theatre is produced mainly in West Bengal, and in Bangladesh. The term may also refer to some Hindi theatres which are accepted by the Bengali people.
Bengali theatre has its origins in British rule. It began as private entertainment in the early 19th century. In the pre-independence period, Bengali theatres played a pivotal role in manifesting dislike of the British Raj. After the independence of India in 1947, leftist movements in West Bengal used theatre as a tool for social awareness. This added some unique characteristics to the art form that still have strong effects. These groups differentiate themselves ideologically from commercial Bengali theatre.
The many theatres in West Bengal can be broadly divided into Kolkata-based theatres and rural theatres. Outside Bengali-speaking areas, the term "Bengali theatre" primarily refers to Kolkata-based groups, as the rural theatres are less well-known. The two types are similar in form and content, but the Kolkata-based theatres are better funded and staffed. This is mainly due to the influx of expertise from rural areas to Kolkata in search of a larger audience.
There are also Bengali folk theatres. There are many dialects of Bengali spoken in West Bengal and Bangladesh. The larger Bengali theatres use the dialect spoken in Kolkata, Bengali folk theatres have performances in some of the other Bengali dialects.
There is another category of Bengali theatre called Jatra, which is run commercially in rural West Bengal and Bangladesh. The most prominent characteristics of Jatra are over-acting and extensive use of traditional musical instruments. At present, Jatra has been modernized to feature crisis through stories.[clarification needed] Many popular Bengali film artists participate in Jatra.
Hindi theatres which are accepted by the Bengali people include the productions of Rangakarmee (estb. 1976) directed by Usha Ganguly, and productions by Padatik (estb. 1972) under Shyamanand Jalan, who started with Anamika in 1955.
The late 19th- and early 20th-century theatres had their own Bengali music. This form was pioneered by Girish Chandra Ghosh; the era of Bengali theatre before him laid the groundwork, and after his death Bengali theatre music became more experimental. During the era of Girish Chandra, all stage-plays included some form of traditional Bengali music, and dancer-singers who performed before and between the acts. Mythological plays would have Kirtan-anga songs, epics would include indigenous styles such as khyāmtā, and comedies and farcical plays often included tappā songs by Nidhu Babu.
Notable people: IndiaEdit
- Ajitesh Bandopadhyay
- Ashoke Mukhopadhyay
- Bibhas Chakraborty
- Sisir Bhaduri
- Bijon Bhattacharya
- Kshirode Prasad Vidyavinode
- Manmatha Roy
- Mohit Chattopadhyay
- Utpal Dutt
- Satya Bandyopadhyay
- Michael Madhusudan Dutta
- Girish Chandra Ghosh
- Debshankar Haldar
- Dinabandhu Mitra
- Manoj Mitra
- Sambhu Mitra
- Tripti Mitra
- Dipankar Bose (Deep Basu)
- Shobha Sen
- Soumitra Chattopadhyay
- Dwijendralal Ray
- Badal Sarkar
- Rudraprasad Sengupta
- Jyotirindranath Tagore
- Rabindranath Tagore
- Sima Mukhopadhyay
- Bratya Basu
- Goutam Halder
- Arun Mukherjee
- Kaushik Chatterjee
- Anirban Bhattacharya
Notable people: BangladeshEdit
Notable theatre groups: IndiaEdit
- Bohurupee Kolkata, India
- Bratyajon West Bengal, India
- Indian People's Theatre Association (IPTA) and its branches
- Nandikar Kolkata, India
- Balarko Theatre Group, Kolkata, India was founded on 29th march on the birthday of Great Theatre Artist Utpal Dutta and from then they are performing both the Proscenium and Non-Proscenium plays and very well known for their 'Street Plays' and now they are also doing MIME performance under the guidance of Master of MIME Shri Bidyut Dutta (Former faculty of Padabali Institution which is an initiative of MIME legend of India Shri Jogesh Dutta Sir). They are continuously organising Theatre Workshops and Drama Festivals.
- Bikramgarh MARU BEHAG Kolkata, India
- Nandipat, Belghoria, Kolkata, India
- Ghola Kaalmukur Sodepur, Kolkata - 111.
- Charanik Kolkata, India
- Chetana Kolkata, India
- Shatabdi Kolkata, India
- Swapnasandhani Kolkata, India
- People's Theatre Group, India
- Kasba Uttaran Kolkata, India
- Barsat Kalpik (Barsat, (Barasat, N 24 pgs,)
- NATTYARGHYA Chandannagore, Hooghly, W.B, India.
- Kasba Ashani Natyagoshthi
- Karunamoyee Saptarshi, Kolkata, India
- Natya Srote,Kolkata
- Kalindi Bratyajon, Kolkata
- khardaha theatre zone,khardaha
- Tollygunge Swapnamaitri kolkata
- Nityaranga natyagosthi, kolkata
- Sutanuti Nandanik, Kolkata
- AMULYA NATYAGOSTHI Lake Gardens, Kolkata, India
- Kundu, Pranay K. Development of Stage and Theatre Music in Bengal. Published in Banerjee, Jayasri (ed.), The Music of Bengal. Baroda: Indian Musicological Society, 1987.
- Dharwadker, Aparna Bhargava (2005). Theatres of Independence: Drama, Theory, and Urban Performance in India Since 1947. University of Iowa Press. p. 440. ISBN 0-87745-961-4.
- Ahuja, Chaman (29 October 1997). "Calcutta,home to Hindi Theatre". The Hindu. Archived from the original on 25 July 2011 – via Centre for the Study of Culture and Society Media Archive.
|Wikimedia Commons has media related to Bengali theatre.|
- Bengali stage, 1795-1873, by Brajendra Nath Banerjee. Published by Ranjan Pub. House, 1943.
- Bengali theatre, by Kironmoy Raha. Published by National Book Trust, India, 1978.
- The story of the Calcutta theatres, 1753-1980, by Sushil Kumar Mukherjee. Published by K.P. Bagchi, 1982.
- The Bengali Drama: Its Origin and Development, by P. Guha-Thakurta. Published by Routledge, 2001. ISBN 0-415-24504-4. Excerpts