Bengali Renaissance

The Bengali Renaissance or simply Bengal Renaissance, was a cultural, social, intellectual and artistic movement in Bengal region in the eastern part of the Indian subcontinent during the period of the British Indian Empire, from the 19th century to the early 20th century dominated by Bengali Hindu community.[1]

Historian Nitish Sengupta describes the Bengal Renaissance as taking place from Raja Ram Mohan Roy (1772–1833) through Rabindranath Tagore (1861–1941) Shiv Chandra Sarkar (1872 - 1958).[2] According to historian Sumit Sarkar, 19th century Bengali religious and social reformers, scholars, literary giants, journalists, patriotic orators and scientists were revered and regarded with nostalgia in the early and mid 20th century. In the early 1970s, however, a more critical view emerged.

BackgroundEdit

The renaissance period after the Indian Rebellion of 1857 saw a magnificent outburst of Bengali literature. While Ram Mohan Roy and Iswar Chandra Vidyasagar were the pioneers, others like Bankim Chandra Chatterjee widened it and built upon it.

The Tagore family, including Rabindranath Tagore, were leaders of this period and had a particular interest in educational reform.[3] Their contribution to the Bengal Renaissance was multi-faceted. Several members of the family, including Rabindranath, Abanindranath, Gaganendranath and Jyotirindranath Tagore, Asit Kumar Haldar and Jnanadanandini Devi have been associated with the movement.[4]

According to Nitish Sengupta, though the Bengal Renaissance was the "culmination of the process of emergence of the cultural characteristics of the Bengali people that had started in the age of Hussein Shah, it remained predominantly Hindu and only partially Muslim. There were, nevertheless, examples of Muslim intellectuals such as Syed Ameer Ali, Mosharraf Hussain.

ScienceEdit

During the Bengal Renaissance science was also advanced by several Bengali scientists such as Satyendra Nath Bose, Anil Kumar Gain, Prasanta Chandra Mahalanobis, Prafulla Chandra Ray, Debendra Mohan Bose, Jagadish Chandra Bose, Jnan Chandra Ghosh, Gopal Chandra Bhattacharya, Kishori Mohan Bandyopadhyay, Jnanendra Nath Mukherjee, Sisir Kumar Mitra, Upendranath Brahmachari and Meghnad Saha. Jagadish Chandra Bose (1858–1937) was a polymath: a physicist, biologist, botanist, archaeologist, and writer of science fiction.[5] He pioneered the investigation of radio and microwave optics, made very significant contributions to botany, and laid the foundations of experimental science in the Indian subcontinent.[6] He is considered one of the fathers of radio science, and is also considered the father of Bengali science fiction. He also invented the crescograph.

ArtsEdit

The Bengal School of Art was an art movement and a style of Indian painting that originated in Bengal and flourished throughout British India in the early 20th century. Also known as 'Indian style of painting' in its early days, it was associated with Indian nationalism (swadeshi) and led by Abanindranath Tagore.[7][8]

Following the influence of Indian spiritual ideas in the West, the British art teacher Ernest Binfield Havell attempted to reform the teaching methods at the Calcutta School of Art by encouraging students to imitate Mughal miniatures. This caused controversy, leading to a strike by students and complaints from the local press, including from nationalists who considered it to be a retrogressive move. Havell was supported by the artist Abanindranath Tagore.[9]

LiteratureEdit

According to historian Romesh Chunder Dutt:

The conquest of Bengal by the English was not only a political revolution, but ushered in a greater revolution in thoughts and ideas, in religion and society ... From the stories of gods and goddesses, kings and queens, princes and princesses, we have learnt to descend to the humble walks of life, to sympathise with the common citizen or even common peasant … Every revolution is attended with vigour, and the present one is no exception to the rule. Nowhere in the annals of Bengali literature are so many or so bright names found crowded together in the limited space of one century as those of Ram Mohan Roy, Akshay Kumar Dutt, Isvar Chandra Vidyasagar, Isvar Chandra Gupta, Michael Madhusudan Dutt, Hem Chandra Banerjee, Bankim Chandra Chatterjee and Dina Bandhu Mitra. Within the three quarters of the present century, prose, blank verse, historical fiction and drama have been introduced for the first time in the Bengali literature.

ReferencesEdit

  1. ^ Andrew Clinton Willford (1991). Religious Resurgence in British India: Vivekananda and the Hindu Renaissance. University of California, San Diego, Department of Anthropology.
  2. ^ https://www.ukessays.com/essays/history/bengal-renaissance-and-the-19th-century-history-essay.php
  3. ^ Kathleen M. O'Connell, "Rabindranath Tagore on Education", infed.org
  4. ^ Deb, Chitra, pp 64-65.
  5. ^ A versatile genius Archived 3 February 2009 at the Wayback Machine, Frontline 21 (24), 2004.
  6. ^ Chatterjee, Santimay and Chatterjee, Enakshi, Satyendranath Bose, 2002 reprint, p. 5, National Book Trust, ISBN 8123704925
  7. ^ "Bengal School". National Gallery of Modern Art, New Delhi. Archived from the original on 22 October 2018. Retrieved 13 February 2019.
  8. ^ Dey, Mukul. "Which Way Indian Art?". chitralekha.org. Retrieved 13 February 2019.
  9. ^ Cotter, Holland (19 August 2008). "'Rhythms of India' Exhibition at the Philadelphia Museum of Art: Indian Modernism Via an Eclectic, Elusive Artist". The New York Times. ISSN 0362-4331. Retrieved 13 February 2019.

Further readingEdit

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