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Bayani Casimiro Sr. (July 16, 1918 – January 27, 1989)[2] was a Filipino dancer who was among the leading stars of bodabil (vaudeville) in the 1930s and 1940s.[3] He also appeared in musical films and later in life, in comedic roles. A tap dancer, he was frequently dubbed as the "Fred Astaire of the Philippines".[4][5]

Bayani Casimiro
Born(1918-07-16)July 16, 1918
DiedJanuary 27, 1989(1989-01-27) (aged 70)
Resting placeManila Memorial Park, Parañaque, Philippines[1]
OccupationFilipino dancer, actor and comedian
Years active1936–1989
Spouse(s)Nieves Manuel
ChildrenBayani Casimiro Jr.

Early yearsEdit

Casimiro was born in Laguna. His parents were stage comedians, and at the age of 7, he would appear on stage, often dressed as a clown.[2] By 1936, he would join a performing troupe in Hawaii headlined by Atang de la Rama.[2]

Bodabil starEdit

By the late 1930s, Casimiro began headlining major bodabil productions in Manila. He made a name for himself as a tap dancer, often in top hat and tails, and was soon nicknamed as "The Fred Astaire of the Philippines". Casimiro also first appeared in film in 1938, when he was cast in Bayan at Pag-ibig, a production of Excelsior Pictures.

Upon the Japanese invasion of the Philippines in 1941, local film production was halted, allowing bodabil to thrive as the main source of public entertainment. Along with such actors as Rogelio de la Rosa, Norma Blancaflor and the comic team of Tugo and Pugo, Casimiro would perform at the Life Theater in Manila for the duration of the war. He would form his own comic tandem with Jose Cris Soto, and the pair would be promoted as the "Laurel and Hardy of the Philippines".[2] Casimiro would also be paired with Dolphy, then appearing under the stage name "Golay", to form a comic dance team.[6]

Film and television careerEdit

After the war, Casimiro restarted his film career, appearing in several popular musicals for the next two decades. His frequent onscreen dancing partner was the choreographer Nieves Manuel, whom he would marry.[2] As in his stage performances, he would often appear in films in top hat and tails. Among his more notable musical roles were in Isang Sulyap mo Tita (1953), Tres Muskiteras (1954), and Botika sa Baryo (1960).

Later careerEdit

As he aged, Casimiro became known to a younger generation primarily as a character actor in film comedies. Often cast as a grandfather, a town sage, or even as a corpse in the Chiquito vehicle Estong Tutong (1983), his thin frame and befuddled look lent to easy ridicule. A notable exception to this trend was his role in Celso Ad. Castillo's Burlesk Queen (1977), where he again donned top hat and tails as he performed onstage with Vilma Santos.

DeathEdit

Bayani Casimiro Sr. died on January 27, 1989 in Manila, Philippines and he has a final resting place at the Loyola Memorial Park in Sucat, Paranaque City.

Tribute & LegacyEdit

His most prominent role in later years was as the father of Enteng Kabisote (Vic Sotto) in the popular sitcom Okey Ka Fairy Ko!. Casimiro died less than two years into the run of Okey Ka Fairy Ko. His son, Bayani Casimiro, Jr., soon joined the cast as Prinsipe ng Kahilingan. In obvious tribute to his father, Casimiro Jr.'s character would perform a brief tap dance upon his every entrance and exit.

Personal lifeEdit

Casimiro's widow, Nieves Manuel, would later marry Chiquito Pangan's brother, Rene Pangan. She died in 2006.

FilmographyEdit

NotesEdit

  1. ^ "Our Heritage and the Departed: A Cemeteries Tour". Presidential Museum & Library (Philippines). Archived from the original on 28 September 2015.
  2. ^ a b c d e Marge Enriquez (1994). "Philippine Dance". In Nicanor Tiongson (ed.). CCP Encyclopedia of Philippine Art. V (1st ed.). Manila: Cultural Center of the Philippines. p. 201. ISBN 971-8546-28-6.
  3. ^ Nicanor Tiongson (1994). "Philippine Theater". In Nicanor Tiongson (ed.). CCP Encyclopedia of Philippine Art. VII (1st ed.). Manila: Cultural Center of the Philippines. p. 54. ISBN 971-8546-30-8.
  4. ^ Fernandez, Doreen (2004-12-16). "Philippine Theater in English". NCCA. Archived from the original on 2008-01-16. Retrieved 2008-01-19.
  5. ^ Villaruz, Basilio Esteban (2004-12-16). "Philippine Dance in the American Period". NCCA. Archived from the original on January 17, 2006. Retrieved 2008-01-19.
  6. ^ Lena Pareja (1994). "Philippine Film". In Nicanor Tiongson (ed.). CCP Encyclopedia of Philippine Art. VIII (1st ed.). Manila: Cultural Center of the Philippines. p. 240. ISBN 971-8546-31-6.

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