Asmodeus (//; Ancient Greek: Ἀσμοδαῖος, Asmodaios) or Ashmedai (//; Hebrew: אַשְמְדּאָי, ʾAšmədʾāy), also Asmodevs, Ashema Deva or Amias (see below for other variations), is a prince of demons, or in Judeo-Islamic lore the king of the earthly spirits (shedim/jinn), mostly known from the deuterocanonical Book of Tobit, in which he is the primary antagonist. In Peter Binsfeld's classification of demons, Asmodeus represents lust. The demon is also mentioned in some Talmudic legends; for instance, in the story of the construction of the Temple of Solomon.
The name Asmodai is believed to derive from Avestan language *aēšma-daēva, where aēšma means "wrath", and daēva signifies "demon". While the daēva Aēšma is thus Zoroastrianism's demon of wrath and is also well-attested as such, the compound aēšma-daēva is not attested in scripture. It is nonetheless likely that such a form did exist, and that the Book of Tobit's "Asmodaios" (Ἀσμοδαῖος) and the Talmud's "Ashmedai" (אשמדאי) reflect it. In the Zoroastrian and Middle Persian demonology, there did exist the conjuncted form khashm-dev, where the word dev was the same as daeva.
The spellings Asmodai, Asmodee (also Asmodée), Osmodeus, and Osmodai have also been used. The name is alternatively spelled in the bastardized forms (based on the basic consonants אשמדאי, ʾŠMDʾY) Hashmedai (חַשְמְדּאָי, Hašmədʾāy; also Hashmodai, Hasmodai, Khashmodai, Khasmodai), Hammadai (חַמַּדּאָי, Hammadʾāy; also Khammadai), Shamdon (שַׁמְדּוֹן, Šamdōn), and Shidonai (שִׁדֹנאָי, Šidonʾāy). Some traditions have subsequently identified Shamdon as the father of Asmodeus.
The Jewish Encyclopedia of 1906 rejects the otherwise accepted etymological relation between the Persian "Æshma-dæva" and Judaism's "Ashmodai" claiming that the particle "-dæva" could not have become "-dai" and that Æshma-dæva as such—a compound name—never appears in Persian sacred texts. Still, the encyclopedia proposes that the "Asmodeus" from the Apocrypha and the Testament of Solomon are not only related somewhat to Aeshma but have similar behaviour, appearance and roles, to conclude in another article under the entry "Aeshma", in the paragraph "Influence of Persian Beliefs on Judaism", that Persian Zoroastrian beliefs could have heavily influenced Judaism's theology on the long term, bearing in mind that in some texts there are crucial conceptual differences while in others there seems to be a great deal of similarity, proposing a pattern of influence over folk beliefs that would extend further to the mythology itself. However, the Jewish Encyclopedia asserts that although 'Æshma does not occur in the Avesta in conjunction with dæva, it is probable that a fuller form, such as Æshmo-dæus, has existed, since it is paralleled by the later Pahlavi-form "Khashm-dev"'. Furthermore it is stated that Asmodeus or Ashmedai "embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised" on Judaism.
In the textsEdit
In the Hebrew BibleEdit
In the Book of TobitEdit
The Asmodeus of the Book of Tobit is hostile to Sarah, Raguel's daughter, (Tobit 6:13); and slays seven successive husbands on their wedding nights, impeding the sexual consummation of the marriages. In the New Jerusalem Bible translation, he is described as "the worst of demons" (Tobit 3:8). When the young Tobias is about to marry her, Asmodeus proposes the same fate for him, but Tobias is enabled, through the counsels of his attendant angel Raphael, to render him innocuous. By placing a fish's heart and liver on red-hot cinders, Tobias produces a smoky vapour that causes the demon to flee to Egypt, where Raphael binds him (Tobit 8:2–3). According to some translations, Asmodeus is strangled.
Perhaps Asmodeus punishes the suitors for their carnal desire, since Tobias prays to be free from such desire and is kept safe. Asmodeus is also described as an evil spirit in general: 'Ασμοδαίος τὸ πονηρὸν δαιμόνιον or τὸ δαιμόνιον πονηρόν, and πνεῦμα ἀκάθαρτον (Tobit 3:8; Tobit 3:17; Tobit 6:13; Tobit 8:3).
In the TalmudEdit
The figure of Ashmedai in the Talmud is less malign in character than the Asmodeus of Tobit. In the former, he appears repeatedly in the light of a good-natured and humorous fellow. But besides that, there is one feature in which he parallels Asmodeus, in as much as his desires turn upon Bathsheba and later Solomon's wives.
Another legend depicts Asmodai throwing King Solomon over 400 leagues away from the capital by putting one wing on the ground and the other stretched skyward. He then changed places for some years with King Solomon. When King Solomon returned, Asmodai fled from his wrath. Similar legends can be found in Islamic folklore. There Asmodeus is called Sakhr (Arabic: صخر the Rock or the Stony One), because in Islamic lore, Solomon banished him into a rock, after he takes his kingdom back from him. There he counts as the king of the jinn.
In the Testament of SolomonEdit
In the Testament of Solomon, a 1st–3rd century text, the king invokes Asmodeus to aid in the construction of the Temple. The demon appears and predicts Solomon's kingdom will one day be divided (Testament of Solomon, verse 21–25). When Solomon interrogates Asmodeus further, the king learns that Asmodeus is thwarted by the angel Raphael, as well as by sheatfish found in the rivers of Assyria. He also admits to hating water and birds because both remind him of God. Asmodeus claims that he was born of a human mother and an angel father.
In the Malleus MaleficarumEdit
In the Malleus Maleficarum (1486), Asmodeus was considered the demon of lust. Sebastien Michaelis said that his adversary is St. John. Some demonologists of the 16th century assigned a month to a demon and considered November to be the month in which Asmodai's power was strongest. Other demonologists asserted that his zodiacal sign was Aquarius but only between the dates of January 30 and February 8.
He has 72 legions of demons under his command. He is one of the Kings of Hell under Lucifer the emperor. He incites gambling, and is the overseer of all the gambling houses in the court of Hell. Some Catholic theologians compared him with Abaddon. Yet other authors considered Asmodeus a prince of revenge.
In the Dictionnaire InfernalEdit
In the Dictionnaire Infernal by Collin de Plancy, Asmodeus is depicted with the breast of a man, a cock leg, serpent tail, three heads (one of a man spitting fire, one of a sheep, and one of a bull), riding a lion with dragon wings and neck, all of these creatures being associated with either lascivity, lust or revenge. The Archbishop of Paris approved his portrait.
In the Lesser Key of SolomonEdit
He "is strong, powerful and appears with three heads; the first is like a bull, the second like a man, and the third like a ram; the tail of a serpent, and from his mouth issue flames of fire." Also, he sits upon an infernal dragon, holds a lance with a banner and, amongst the Legions of Amaymon, Asmoday governs seventy-two legions of inferior spirits.
In The MagusEdit
In Christian thoughtEdit
Asmodeus' reputation as the personification of lust continued into later writings, as he was known as the "Prince of Lechery" in the 16th-century romance Friar Rush. The French Benedictine Augustin Calmet equated his name with a fine dress. The 16th-century Dutch demonologist Johann Weyer described him as the banker at the baccarat table in hell, and overseer of earthly gambling houses.
In 1641, the Spanish playwright and novelist Luis Velez de Guevara published the satirical novel El diablo cojuelo, where Asmodeus is represented as a mischievous demon endowed with a playful and satirical genius. The plot presents a rascal student that hides in an astrologer's mansard. He frees a devil from a bottle. As an acknowledgement the devil shows him the apartments of Madrid and the tricks, miseries and mischiefs of their inhabitants. The French novelist Alain-René Lesage adapted the Spanish source in his 1707 novel le Diable boiteux, where he likened him to Cupid. In the book, he is rescued from an enchanted glass bottle by a Spanish student Don Cleophas Leandro Zambullo. Grateful, he joins with the young man on a series of adventures before being recaptured. Asmodeus is portrayed in a sympathetic light as good-natured, and a canny satirist and critic of human society. In another episode Asmodeus takes Don Cleophas for a night flight, and removes the roofs from the houses of a village to show him the secrets of what passes in private lives. Following Lesage's work, he was depicted in a number of novels and periodicals, mainly in France but also London and New York.
Asmodeus was widely depicted as having a handsome visage, good manners and an engaging nature; however, he was portrayed as walking with a limp and one leg was either clawed or that of a rooster. He walks aided by two walking sticks in Lesage's work, and this gave rise to the English title The Devil on Two Sticks (also later translated The Limping Devil and The Lame Devil). Lesage attributes his lameness to falling from the sky after fighting with another devil.
On 18 February 1865, author Evert A. Duyckinck sent President Abraham Lincoln a letter, apparently mailed from Quincy. Duyckinck signed the letter "Asmodeus", with his initials below his pseudonym. His letter enclosed a newspaper clipping about an inappropriate joke allegedly told by Lincoln at the Hampton Roads Peace Conference. The purpose of Duyckinck's letter was to advise Lincoln of "an important omission" about the history of the conference. He advised that the newspaper clipping be added to the "Archives of the Nation".
In the KabbalahEdit
In Islamic cultureEdit
The story of Asmodeus and Solomon has a reappearance in Islamic lore. Asmodeus is commonly named Sakhr (rock) probably a reference to his fate in common Islam-related belief, there, after Solomon defeated him, Asmodeus was imprisoned inside a box of rock, chained with iron, and thrown it into the sea. In his work Annals of al-Tabari, the famous Persian Quran exegete (224–310 AH; 839–923 AD) Tabari, referred to Asmodeus in Surah 38:34. Accordingly, the puppet is actually Asmodeus who took on the shape of Solomon for forty days, before Solomon defeated him.
Sakhr (Asmodeus) is consulted by Buluqiya, a young Jewish prince, who tried to find the final prophet, Muhammad, in The Nights. During their conversation, he asked about hell, thereupon Asmodeus describes the different layers (ṭabaqāt) of hell.
In popular mediaEdit
Asmodeus is a recurring antagonist in the 13th season of The CW series Supernatural, portrayed primarily by Jeffrey Vincent Parise. Created by Lucifer himself, Asmodeus was originally a Prince of Hell alongside siblings Azazel, Dagon, and Ramiel. Upon the death of Crowley, Asmodeus succeeds him as the King of Hell despite being Lucifer's weakest creation. Asmodeus is killed in the episode "Bring 'em Back Alive" by the archangel Gabriel, whose grace Asmodeus had been feeding on to make himself stronger.
In 1969 composer Josef Tal wrote an opera, Ashmedai, which is based on the Talmud. It premiered at the Hamburg State Opera in 1971, and was first performed in the United States in 1976 at the New York City Opera in a production directed by Hal Prince.
The character 'Asmodai' in A. L. Mengel's supernatural series The Tales of Tartarus (2013–2016) is based on the demon Asmodeus. The demon haunts the main protagonist, Antoine, through the series of novels.
Asmodeus appears in the television series The Librarians (season 4, episode 10) as a blue-skinned, growling demon in knight's armor and carrying a sword.
Asmodeus also features heavily in the lore of the game Dungeons & Dragons as the ruler of the Nine Hells. Different editions of the game offer different backstories, ranging from primordial evil to fallen angel to ancient god, but his role as the King of the Nine Hells is always the same.
Asmodeus is also present in the Pathfinder Roleplaying Game in a similar role to his D&D one. The main difference is that he is an actual god, one of the nine original deities in the Great Beyond, and that his church is widespread in certain nations on Golarion.
Asmodeus appears as Magnus Bane's father and Prince of Hell, otherwise known as Edom on the third season of Freeform's Shadowhunters television series based on Cassandra Clare's popular book series The Mortal Instruments. He is portrayed by Jack J. Yang.
Asmodeus appears in the 1997 book Asmodeus – a Forkful of Tales from Devil's Peak by Alex D'Angelo, illustrated by Tony Grogan. One story "Asmodeus and the Bottler of Djinns" is included in the anthology Favorite African Folktales edited by Nelson Mandela, published by Norton and available as an audiobook.
Asmodeus is the final boss in Mace: The Dark Age.
In the video game Helltaker, Asmodeus is portrayed as a Demon of Lust, Modeus.
In Disenchantment, Asmodeus is introduced by Luci as "Asmodeus, Lord of Darkness."
Singer-songwriter Ethel Cain has the name Ashmedai tattooed on her forehead in Hebrew.
References and sourcesEdit
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- Robert Lebling Robert Lebling I.B.Tauris 2010 ISBN 978-0-857-73063-3
- Raphael Patai Encyclopedia of Jewish Folklore and Traditions Routledge 2015 ISBN 978-1-317-47170-7 page 39
- "Asmodeus/Asmoday". Judeo-Christian Demons. Deliriumsrealm.com. 25 March 2003. Retrieved 2009-03-04.
- Stave, Erik (2002) [1901–1906]. "Æshma (Asmodeus, Ashmedai)". In Singer, Isidore; Adler, Cyrus; et al. (eds.). Jewish Encyclopedia. New York: Funk & Wagnalls. LCCN 16-014703. Retrieved 7 March 2018.
since it is paralleled by the later Pahlavi-form "Khashm-dev" ("Khashm dev" = "Æshma dev"), written with the Aramaic "sheda," but pronounced "dev." [..] Asmodeus (Ashmedai) embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised on the Jewish—an influence that shows itself very prominently in the domain of demonology.
- Bane, Theresa (Jan 9, 2012). McFarland (ed.). Encyclopedia of Demons in World Religions and Cultures. p. 191. ISBN 978-0-786-46360-2.
- Milton, John (1671). Paradise Regained.
- Pomfret, John (1724). "Cruelty and Lust". Poems Upon Several Occasions. D. Brown. p. 73.
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- de Laurence, L. W. (1914). The Great Book of Magical Art, Hindu Magic and East Indian Occultism. Chicago: The de Laurence Co. p. 183.
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- "Asmodeus, or Ashmedai". Jewish Encyclopedia. Funk and Wagnalls. 1906. Retrieved May 1, 2013.
- Jewish encyclopedia 1906 full text unedited version , entry "Asmodeus" paragraph "Asmodeus, Ashmedai, and Æshma."
- Stave, E., ÆSHMA (ASMODEUS, ASHMEDAI), Jewish Encyclopedia, unedited full text 1906 version
- Strave, Erik. "Æshma (Asmodeus) etymology in Jewish Encyclopedia".
Though "Æshma" does not occur in the Avesta in conjunction with "dæva", it is probable that a fuller form, such as "Æshmo-dæus," has existed, since it is paralleled by the later Pahlavi-form "Khashm-dev" ("Khashm dev" = "Æshma dev"), written with the Aramaic "sheda," but pronounced "dev."
- Ibid. Jewish Encyclopedia.
In fine, Asmodeus (Ashmedai) embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised on the Jewish—an influence that shows itself very prominently in the domain of demonology. Thus 'Ασμο' ... corresponds to "Æshma", and the ending δαῖος ... to "dæva".
- Talmud. Gittin. pp. 68b.
- Robert Lebling Legends of the Fire Spirits: Jinn and Genies from Arabia to Zanzibar I.B.Tauris 2010 ISBN 978-0-857-73063-3
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Kramer, Heinrich; Summers, Montague (trans.). "Question IV: By which Devils are the Operations of Incubus and Succubus Practised?". 1. London, England: J. Rodker. LCCN 29017069. OCLC 504248484.
But the very devil of Fornication, and the chief of that abomination, is called Asmodeus, which means the Creature of Judgement: for because of this kind of sin a terrible judgement was executed upon Sodom and the four other cities.Missing or empty
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- Mathers & Crowley 1995, pp. 68–70.
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- Scholem, G. (1948). "New Chapters in the Story of Ashmedai and Lilith / פרקים חדשים מענייני אשמדאי ולילית". Tarbiẕ. Mandel Institute for Jewish Studies. 19 (3–4): 160–175. JSTOR 23585831.
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