Eugène Arnold Dolmetsch (24 February 1858 – 28 February 1940), was a French-born musician and instrument maker who spent much of his working life in England and established an instrument-making workshop in Haslemere, Surrey. He was a leading figure in the 20th-century revival of interest in early music.
Portrait of Arnold Dolmetsch playing a recorder, by Alvin Langdon Coburn, 1916
Eugène Arnold Dolmetsch
24 February 1858
Le Mans, France
|Died||28 February 1940 (aged 82)|
|Alma mater||Royal College of Music|
|Occupation||musician, instrument maker|
(1903－1940, his death)
|Awards||Chevaliers of the Légion d'honneur|
The Dolmetsch family was originally of Bohemian origin, but (Eugène) Arnold Dolmetsch, the son of Rudolph Arnold Dolmetsch and his wife Marie Zélie (née Guillouard) was born at Le Mans, France, where the family had established a piano-making business. It was in the family's workshops that Dolmetsch acquired the skills of instrument-making that would later be put to use in his early music workshops.
He studied music at the Brussels Conservatoire and learnt the violin with Henri Vieuxtemps. In 1883 he travelled to London to attend the Royal College of Music, where he studied under Henry Holmes and Frederick Bridge, being awarded a Bachelor of Music degree in 1889.
The early music revivalEdit
Dolmetsch was employed for a short time as a music teacher at Dulwich College, but his interest in early instruments was awakened by seeing the collections of historic instruments in the British Museum, and, after constructing his first reproduction of a lute in 1893, he began building keyboard instruments. William Morris encouraged him to build his first harpsichord. He left England to build clavichords and harpsichords for Chickering of Boston (1905–1911), then for Gaveau of Paris (1911–1914).
During Dolmetsch's time at Chickering, he resided in a house in Cambridge, Massachusetts, partially of his own design, with the aid of architects Luquer and Godfrey. It was through Dolmetsch's work in Cambridge that a wealthy benefactress, Miss Belle Skinner, was able to restore a number of rare instruments, including a spinet owned by Marie Antoinette, which today comprise the founding collection of Yale's Collection of Musical Instruments.
He went on to establish an instrument-making workshop in Haslemere, Surrey, and proceeded to build copies of almost every kind of instrument dating from the 15th to 18th centuries, including viols, lutes, recorders and a range of keyboard instruments. His 1915 book The Interpretation of the Music of the XVIIth and XVIIIth Centuries was a milestone in the development of 'authentic performances' of early music.
In 1925 he founded an annual chamber music festival, the International Dolmetsch Early Music Festival, which is held every July at Haslemere in the Haslemere Hall.
Dolmetsch was active in the cultural life of London, and his friends and admirers included William Morris, Selwyn Image, Roger Fry, Gabriele D'Annunzio, George Bernard Shaw, Marco Pallis, Ezra Pound, George Moore, whose novel Evelyn Innes celebrates Dolmetsch's life and work, and W. B. Yeats.
He was responsible for rediscovering the school of English composers for viol consort (including John Jenkins and William Lawes), leading to Sir Henry Hadow's tribute that Dolmetsch had "opened the door to a forgotten treasure-house of beauty". He was also largely responsible for the revival of the recorder, both as a serious concert instrument, and as an instrument which made early music accessible to amateur performers. He went on to promote the recorder as an instrument for teaching music in schools.
Arnold Dolmetsch was married three times. On 28 May 1878 he married Marie Morel of Namur, Belgium (a widow, ten years his senior) but was divorced in 1898. His second wife, to whom he was married on 11 September 1899, in Zürich, was Elodie Désirée, the divorced wife of his brother. This marriage ended in divorce in 1903. Thirdly, he was married on 23 September 1903 to Mabel Johnston, one of his pupils.
Dolmetsch encouraged the members of his family to learn the skills of instrument-making and musicianship and the family frequently appeared together in concerts, playing instruments constructed in the Dolmetsch workshops. Following the death of Arnold Dolmetsch at Haslemere in 1940, his family continued to promote the building and playing of early instruments.
- Mabel Dolmetsch, his wife, was a noted player of the bass viol. She wrote "Dances of England and France 1450 - 1600" which includes tunes set by Arnold Dolmetsch.
- Rudolph Dolmetsch, his son, was a gifted keyboard player, who died in the sinking of the SS Ceramic in 1942.
- Nathalie Dolmetsch, his daughter, was a viol player and leading member of the Viola da Gamba Society.
- Carl Dolmetsch, his son, was a noted recorder player and took over the running of his father's instrument-making business.
- Cecile Dolmetsch, his daughter, was a viol player.
- Blood, Brian. "The Dolmetsch Story". Dolmetsch Online. Dolmetsch Organization. Archived from the original on 2 June 2019.
- Fanny Reed Hammond (1958). The Belle Skinner Collection of Old Musical Instruments (LP). Holyoke, Mass.: Privately pressed. Event occurs at 6:16 (Track 1, Side A). OCLC 79919027.
Miss Skinner was fortunate in having close at hand, in our Cambridge, the foremost genius of the century, in making and restoring old musical instruments, Arnold Dolmetsch. Who, with his gifted family, lived over here during the First World War.
- H. C. G. Matthews and Brian Harrison (editors): The Oxford Dictionary of National Biography, Oxford University Press, 2004. ISBN 0-19-861366-0
- Percy Scholes: The Oxford Companion to Music, 10th edition, Oxford University Press, 1970
- Margaret Campbell: Dolmetsch. The Man and His Work. London, Hamilton, 1975. ISBN 0295954167